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Victorian Irish hallmarked silver cream or milk jug with bright cut decoration, Dublin 1897 maker John Smyth also stamped W Gibson, height 10.5cm, weight 195g 

Three gentleman's wool tweed overcoats comprising a Tom Joule (early Joules), and Gibson, London both size M and a Bladen Supasax size 40S

Victorian brooch of foliate design set with old European cut diamonds, the largest approximately 1.2ct, in Gibson & Co, Belfast box. W-3 cm x L-5.3cm, 12.2g

Lyndwood (William). Constitutiones provinciales ecclesiae Anglica[na]e, Westminster: Wynkyn de Worde, 15 April 1499, signatures A-S8, 142 leaves (of 144: lacking K1 and S8, the latter blank except for printer's device verso) , black letter, 21 lines and headline, woodcut of a bishop to a1 recto, occasional light soiling and damp-staining, a1 more strongly marked and dust-soiled, and with restored loss to fore corners touching a few letters of title recto and headline and initial capital verso, frequent contemporary marginalia and corrections in black ink (often trimmed), later ink annotations to title and colophon, later vellum, small square 8vo (12.9 x 8.9 cm)Qty: (1)NOTESProvenance: 1) St Mary's Seminary, Oscott, Sutton Coldfield, United Kingdom, without library markings, but deaccessioned sometime in the 1960s-70s and acquired by John Lawson (1932-2019), bookseller, who traded (as E. M. Lawson) in Sutton Coldfield until 1968. St Mary's sold about a quarter of their rare-book collection the 1960s-70s, and these books have no library markings; in the late 1980s and early 1990s St Mary's sold off further books from their collections, and these usually are marked. The lot is sold with the express permission of St Mary's Seminary. 2) Thence by descent. Beale T402; Bod-Inc-L208; Duff 280 (citing this copy); ESTC S104884; Goff L-415; ISTC il00415000; STC 17104. Second Wynkyn de Worde edition, an English incunable, one of seven copies known. The remaining copies are held by Lambeth Palace, Corpus Christi (Oxford), the Bodleian Library and the John Rylands Library in the United Kingdom, and the Folger Library and the Grolier Glub in the United States. Written between 1422 and 1432, the Provinciale is the classic account of English canon law, collecting the most important ecclesiastical degrees enacted by the archbishops of Canterbury between the Council of Oxford in 1222 and the archiepiscopate of Henry Chichele, at whose encouragement the book was written. 'The Reformation did not curtail its currency in England. Because the scope of ecclesiastical jurisdiction in England was not fundamentally changed during the sixteenth century, ecclesiastical lawyers continued to use the Provinciale . Its influence has been quite long-lasting. Edmund Gibson testified to its influence upon later generations in his Codex juris ecclesiastici Anglicani (1713), and in the twentieth century it was used in the draft revision of English canon law of 1947 produced by the Vaisey Commission . The relevance of its treatment of English ecclesiastical practice recommended it even to English common lawyers. Their citation of the glosses of the Provinciale when questions of ecclesiastical law arose in the royal courts is a continuing feature in sixteenth- and seventeenth-century reports' (R. H. Helmholz in ODNB ). In the nineteenth century it was the subject of a now legendary debate between F. W. Maitland and William Stubbs on the authority of provincial versus papal legislation in the medieval period. The work was first printed at Oxford in 1483 by Theodoric Rood, and by Wynkyn in 1496. A copy of the 1496 edition was sold at Sotheby's in 1987 (23 October); four copies of Rood's edition (all imperfect) were sold there between 1913 and 1947. Wynkyn's 1499 edition is noteworthy as one of the last books he printed before leaving his Westminster premises for London in 1500/01, a move which has been identified with a new publishing policy by which Wynkyn 'turned away from the courtly material favoured by Caxton , which had led him to settle at Westminster, to religious, popular, and educational books, which were better distributed from London' (N. F. Blake in ODNB ). We trace no copy of the 1499 edition in auction records.

* Bookplates. Collection of 110 bookplates, early 18th to early 20th century, including, Hon. James Bertie of Stanwell, Robert Dinwiddie (1690-1770, Colonial Lieutenant-Governor of Virginia), Robert Hunter (1666-1734, Captain General & Chief Governor of Jamaica), William Penn Esqr. Proprietor of Pensylvania 1703, Richard Salter of Barbados, Sir John Anstruther Bt., Duke of Sussex, Lord Charles Cornwallis, Alexander Earl of Marchmont, Hon. William Carmichaell, Sir Thomas Gibson Carmichael Bt. of Skirling, Earl of Galloway, Earl of Mansfield, Myles Cooper, George Prideaux, John Shaw Stewart of Greenock, Charles Dickens, Richard Towneley, Henry Guinand, Francis Lawson, Whyte Melville of Bennochy & Strathkinness, Robert Dalrymple Horn Elphinstone, Lord Gray, Lord Gwydyr, Earl of Aylesford of Packington Warwickshire, Thomas William Garson, etc., with some duplicatesN.B. Additional details provided by the Bookplate Society regarding the two bookplates of William Penn. They were not printed from the original copper plate of 1703. Both are a copy, created in the second half of the 19th century at the time that the Penn library came to auction. Qty: (110)

Plot (Robert). The Natural History of Oxford-shire, Being an Essay toward the Natural History of England, 1st edition, Oxford: Printed at the Theater, [1677], imprimatur leaf present, title with engraved illustration of Sheldonian & Bodleain with large armorial bookplate of Charles Earl of Dorset & Middlesex, folding engraved county map (neatly lined to verso with fine support fabric), 16 engraved plates, errata leaf present, light toning, 19th century gilt panelled calf, rebacked preserving gilt decorated spine with red morocco title label, extremities lightly rubbed, folioQty: (1)NOTESWing P2585; ESTC R231542; Madan 3130; Gibson 536. Created by the first keeper of the Ashmolean Museum of Oxford, the map is decorated with 172 coats of arms of the county's gentry, Oxford colleges, the city and the four county towns. One of the most decorative maps of Oxfordshire ever produced.

Doyle (Arthur Conan). The Hound of the Baskervilles, 1st edition, George Newnes, 1902, 16 monochrome plates after Sidney Paget, 2 plates detached and frontispiece slightly creased at margins, some finger-soiling throughout and old brown stain at foot of pages 74-75 not affecting legibility, inner hinges cracked, original pictorial red cloth with hound design stamped in gilt and black, rubbed, frayed along joints and at head and foot of spine, edges rubbed with some corner see-through, 8voQty: (1)NOTESGibson A26a: First issue, with 'you' for 'your' on page 13.

Man Utd signed collection. 19 items. Mainly signed cards. Includes Haydock, Hill, Greenhoff, May, Beardsmore, McGibbon, Casper, Waldron, Blackmore, Whitefoot, Ferguson, Davies, Paterson, Gibson, Van der Goww, Butt, Johnsen, Stam, Van Nistelrooy. Good Condition. All autographed items are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.

1936 C.F. Martin & Co F-7 left-handed conversion archtop guitar, made in USA, ser. no. 6xxx5; Back and sides: Brazilian rosewood, various scratches and further imperfections as to be expected for age, old pickguard screws filled; Table: tobacco sunburst, section refinished from top to lower treble bout, various further imperfections as to be expected for age including a few very minor hairline cracks; Fretboard: ebony, some chipping from refret work; Frets: good, refret; Electrics: later fitted De Armond floating pickup wired through the f-hole and out of the end pin; Hardware: later Lefty pickguard, later bridge; Case: period hard case; Weight: 2.45kg; Overall condition: good for age *The F-7 model was Martin Guitars' relatively brief attempt in the 1930s to compete with Gibson archtop guitars. There were 187 F-7s made, although it is roughly estimated that only around one quarter of these guitars exist in their original form; this is because, during the folk movement in the USA in the 1960s, there was a desire for Martin 0000 sized flat tops so a number of these archtops were converted to flat top by US luthiers. It is estimated that sixty or so F-7 and F-9 archtops are left in their original form and are therefore amongst the rarest Martin guitars to exist. This example was converted by the vendor to left-handed, a conversion that can be easily switched back

1996 Gibson Les Paul Studio electric guitar, made in USA, ser. no. 9xxx6xx5; Finish: wine red, lots of imperfections including finish loss, lacquer cracking and various scratches etc; Fretboard: Ebony; Frets: good; Electrics: working; Hardware: replaced knobs, typical loss to gold plating; Case: Gator hard case; Weight: 4.07kg; Overall condition: fair

1973 Gibson Les Paul Recording electric guitar, made in USA, ser. no. 1xxxx9; Finish: walnut, buckle rash to back, further dings and blemishes; Fretboard: rosewood; Frets: generally good, minor wear; Electrics: working; Hardware: heavy pitting to stop bar and bridge, gear cover missing to lower E tuner, damage to lower corner of the control plate, missing pickguard; Case: 1970s period hard case; Weight: 4.59kg; Overall condition: fair

1973 Gibson Les Paul Triumph fretless conversion bass guitar, made in USA, ser. no. 1xxxx3; Finish: walnut, imperfections including minor buckle wear to back, blemishes and dings; Fretboard: rosewood, frets removed and filled; Electrics: working; Hardware: generally good, missing lower corner to control plate, minor pitting to chrome plates, minor rusting to smaller metal parts; Case: hard case; Weight: 4.67kg; Overall condition: good

2003 Gibson ESDT 335 Dot Reissue semi-hollow body electric guitar, made in USA, ser. no. 0xxx3xx1; Finish: tobacco sunburst, minor dings and marks, surface buckle scratches to back; Fretboard: rosewood; Frets: generally good, although in need of minor cleaning; Electrics: working; Hardware: generally good; Case: original hard case; Weight: 4.75kg; Overall condition: good

1985 Ibanez Artist AS-200 semi-hollow body electric guitar, crafted in Japan, ser. no. A85xxxx9; Finish: antique violin; Fretboard: ebony; Frets: generally good but require cleaning; Electrics: working, replaced pickups, extra coil switch added; Hardware: replaced tuners, replaced strap buttons, loss to gold plating; Case: Gibson hard case; Weight: 4.08kg; Overall condition: very good

1994 Gibson 100th Year Hummingbird acoustic guitar, made in USA, ser. no. 9xxx4xx7; Finish: cherry sunburst, minor surface marks; Fretboard: rosewood; Frets: good; Hardware: good, replaced saddle; Case: original hard case; Weight: 2.00kg; Overall condition: very good

2008 Gibson CJ-165 electro-acoustic guitar, made in USA, ser. no. 0xxx8xx6; Back & sides: Maple; Top: natural spruce; Fretboard: rosewood; Frets: good; Electrics: working (under-saddle pickup); Hardware: good; Case: original hard case: Weight: 2.01kg; Overall condition: very good

1979 Gibson ES-347 semi-hollow body electric guitar, made in USA, ser. no. 7xxx9xx0; Finish: tobacco sunburst, generally good for age, some minor dings, minor buckle surface markings; Fretboard: ebony; Frets: generally good; Electrics: working; Hardware: generally good with typical loss to gold plating, strap buttons replaced, upper strap button has been slightly repositioned as old strap button screw has snapped in place ; Case: original hard case; Weight: 4.05 kg; Overall condition: good

2000 Gibson L-140 electro-acoustic guitar, made in USA, ser. no. 0xxx0xx9; Back & Sides: rosewood, a few blemishes, minor lacquer imperfections and surface marks; Top: natural spruce, minor lacquer checking; Fretboard: ebony; Frets: good; Electrics: working; Hardware: one replaced bridge pin, loss to gold plating on tuners; Case: original hard case: Weight: 2.35kg; Overall condition: good

1973 Gibson Les Paul Deluxe Gold Top electric guitar, made in USA. ser. no. 1xxxx6; Finish: gold top, lacquer checking around control area, minor blemishes throughout, surface buckle markings to back; Fretboard: rosewood; Frets: generally good, cleaning required; Electrics: working; Hardware: generally good, strap buttons and jack-plate replaced; Case: later Gibson hard case; Weight: 4.57 kg; Overall condition: good *Autographed to the top by Les Paul. A photograph of the signing is included

1974 Gibson EDS-1275 electric guitar, made in USA, ser. no. 4xxxx9; Finish: white, large blemish to bass edge, blemish to corner of neck heel, further minor dings, long lacquer lines to back of each neck; Fretboard: rosewood; Frets: good; Electrics: working, some pickup covers appear to have been off at some stage suggesting minor maintenance; Hardware: generally good; Case: original hard case; Weight: 5.89 kg; Overall condition: good

1967 Gibson Trini Lopez semi-hollow body electric guitar, made in USA, factory 2 stamp to reverse of head, ser. no. 0xxxx6; Finish: cherry, mild lacquer checking further minor blemishes; Fretboard: rosewood; Frets: generally good, minor indent wear; Electrics: working; Hardware: generally good, non factory Bigsby vibrato installed; Other: chip to end of head; Case: non Gibson hard case; Weight: 3.84 kg: Overall condition: good

2008 Gibson Les Paul Traditional Pro electric guitar, made in USA, ser. no. 0xxx8xxx6; Finish: black, reliced by Chris Richards at 3R Guitars in 2017; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, aged, Bigsby tremolo added; Case: original hard case; Weight: 4.39kg; Overall condition: good

1957 Gibson J160E electro-acoustic guitar, made in USA, FON: Uxxxx4 32; Finish: sunburst, lacquer checking throughout, mainly to top and sides, various minor blemishes but mainly good, indent behind 3rd fret; Fretboard: rosewood, wear to first position; Frets: refret and replaced top nut, frets slightly worn but still playable; Electrics: working; Other: action slightly high; Case: original hard case; Weight: 2.42 kg; Overall condition: good *Sold with CITES A10 certificate no. 591177/01

1961 Gibson ES-175 D hollow body electric guitar, made in USA, ser. no. 1xxx9; Finish: sunburst, exceptionally clean for age with next to no wear; Fretboard: rosewood, minor wear; frets: heavy indent wear to 12th fret; Electrics: working, good pair of untouched PAF pickups; Hardware: good, age shrinkage to B & E tuners, E tuner brittle and crumbling away, reflectors missing from top of two knobs; Case: original Lifton hard case; Weight: 3.07 kg; Overall condition: good *Sold with CITES A10 certificate no. 591176/01

1954 Gibson ES-295 hollow body electric guitar, made in USA, ser. no. A1xxx5; Finish: gold, lacquer checking, green oxidisation to some edges - more significantly to the back of the neck, further minor marks, slight cracking to jack area, touched in gold to tip of head; Fretboard: rosewood; Frets: wear and visible indents; Electrics: working; Hardware: generally good, typical loss to gold plating, G tuner lower screw loose; Case: original hard case; Weight: 2.73 kg; Overall condition: good *Sold with CITES A10 certificate no. 591175/01

2001 Gibson Les Paul Doublecut Standard electric guitar, made in USA, ser. no. 1xxx1xx8; Finish: amber, a few very minor dings; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, pickup covers removed although included, typical loss to gold plating; Case: original hard case; Weight: 3.49kg; Overall condition: good

1998 Gibson Custom Shop Historic Collection ES345 semi hollow body electric guitar, made in USA, ser. no. A5xxx9; Finish: vintage sunburst; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: generally good, minor loss to gold plating; Case: original hard case with original Rosetti warranty card; Weight: 3.93kg; Overall condition: good

1952 Gibson Les Paul Model electric guitar, made in USA; Finish: Gold Top, generally good, light checking throughout, minor blemishes, green oxidisation to edges; Fretboard: rosewood; Frets: good; Electrics: working; Hardware: good, nut and washer at back of pickguard replaced; Case: later 1950s brown and pink five latch hard case; Weight: 4.04kg; Overall condition: very good *Sold with CITES A10 certificate no. 591174/01

1930s Gibson L-00 acoustic guider, made in USA; Finish: sunburst, lacquer checking, three hairlines to back, various scrapes and blemishes; Fretboard: rosewood, wear to first position; Frets: generally good, re-fret; Hardware: replaced bridge pins (original black pins retained); Case: old Gibson semi rigid case; Weight: 1.59kg; Overall condition: fair

1997 Gibson custom L-4 CES hollow body electric guitar, made in USA, ser. no. 9xxx7xx3; Finish: wine red; Fretboard: ebony; Frets: generally good; Electrics: working; Hardware: generally good, some minor loss to gold plating; Case: original hard case; Weight: 3.37kg; Overall condition: very good

Gibson ES-300 electric archtop guitar, made in USA, circa 1946; Finish: sunburst, refinish; Fretboard: rosewood; Frets: generally good, minor wear; Electrics: working; Hardware: later tuners; Case: later Gibson hard case; Weight: 2.72kg; Overall condition: good

1940 Gibson L4 to ES250 conversion electric archtop guitar; Finish: sunburst, lacquer checking and minor dings, clear lacquer coat to the back of the neck and sides; Fretboard: rosewood; Frets: some wear but generally good; Electrics: reproduction Charlie Christian pickup installed, electrics wired through end pin; Hardware: reproduction Waverly tuners, Bakelite knobs and later bridge (original damaged bridge retained); Case: Rock case by Warwick hard case; Weight: 2.75kg; Overall condition: good

2007 Gibson Limited Edition 1st Production Run Les Paul Robot guitar, made in USA, ser. no. RG3xx6; Finish: blue burst, lacquer checking around the control knobs; Fretboard: ebony; Frets: generally good; Electrics: working; Hardware: good; Case: original hard case; Weight: 3.72kg; Overall condition: good

1971 Gibson Les Paul Deluxe electric guitar, made in USA, ser. no. 6xxxx2; Finish: cherry burst, dings to the top, dings and buckle marks to the back, finish loss to he edges; Fretboard: rosewood; Frets: generally good, refret; Electrics: working; Hardware: replaced tuners, replaced bridge, replaced switch tip, replaced strap buttons; Case: Kinsman hard case; Weight: 4.36kg; Overall condition: fair

1981 Gibson ES-345 TD semi-hollow body electric guitar, made in USA, ser. no. 8xxx1xx4; Finish: wine red, minor mark including buckle rubbing to back; Fretboard: rosewood, wear up to 9th fret; Frets: generally good although indent wear up to around the 9th fret; Electrics: working; Hardware: generally good, typical loss to gold plating, replaced strap buttons; Case: original hard case; Weight: 4.15kg; Overall condition: good

A Moorcroft pottery Blue Rhapsody vase, by Philip Gibson, marked beneath, 6cm high. (boxed)

THREE BOXES AND LOOSE CERAMICS, mostly Royalty memorabilia, including books on the Royal family, boxed Althorp mug and patch box, Royal Doulton, Paragon china, Royal Vale teawares, boxed Border Fine Arts Owl and Mouse, 1983, signed Ayres, Gibson gilt teawares

A Commodore, Gibson style electric guitar

A CORGI Aviation Archive 1:72 Scale AA32608 Avro Lancaster Mk III, Wing Commander Guy Gibson, The Dambusters - VG/E in VG box

GOLDSMITHS & SILVERSMITHS CO. (William Gibson and John Lawrence Langman) A SILVER STANDISH with two hinged cover wells and pen trays on fluted feet, London 1895, gross weight; 1167g, which includes one glass inkwell reservoir (which cannot be remove d) 25.5cm x 17.5cm

Royal Crown Derby Paperweights, 'Penguin and Chick' signed by Hugh Gibson, and 'Puffin', both 1st quality. (2)

Film Stars signed photosc- a collection of 55 signed photos etc. from famous screen celebrities incl. Jack Lemmon, Elizabeth Taylor, Gregory Peck, John Gielgud, Dustin Hoffman, Charlton Heston, Sophia Loren, Deborah Kerr, Robert de Niro, Mel Gibson and many others

Chris Gibson, 'Chichester Festival Theatre', initialled and numbered 15/75, colour print, I.28 x 19cm; together with two antique engravings of Chichester. (3)

Chris Gibson, 'Gateway to Goodwood'; 'Festivals at Goodwood', a pair, each initialled and numbered, colour print, I.39 x 29cm. (2)

GOLDSMITHS & SILVERSMITHS CO (WILLIAM GIBSON & JOHN LAWRENCE LANGMAN); a Victorian hallmarked silver mug, with engraved initials 'ELWP' between two bands of three leaf clovers in relief, stamped 'Goldsmiths & Silversmiths Co Ltd 112 Regent St' to base, 1898, height 8.4cm, approx 6.1ozt/192.2g.Additional InformationGouges to rim, slight misshaping, further dents, scratches, tarnish, etc.

GIBSON & CO LTD; an Edward VII hallmarked silver three piece manicure set, the silver handles with repoussé detail, length of largest piece 11.5cm, fitted in case (3).Additional InformationDenting and wear to the marks, the silver handles with tarnishing and wear throughout.

WW2 “Aviation” Gameboard game produced by “H. P Gibson & Sons Ltd”. Comprising card board, pressed tin stands, various aircraft cards. Complete with instructions. Together with card game “Vacuation” cards possibly incomplete ... Set of National Association of Spotters Clubs aircraft identification cards.

WW1 2nd Bn Royal Sussex Regiment 1914 Casualty Memorial Scroll.Awarded to commemorate “PTE F.H.G. WILLEY ROYAL SUSSEX REGT”. Framed and glazed. ... Accompanied by a similar example awarded to commemorate “L/CPL CECIL ROY EAST HONOURABLE ARTILLERY COMPANY”. Remains in contemporary glazed frame. (2 items)L/10181 Private Francis Henry Gibson Willey of the 2nd Bn Royal Sussex Regiment landed in France on the 12th August 1914 and was Killed in Action on the 14th September 1914. Lance Corporal Cecil Roy East was Killed in Action on the 13th May 1915.

A pair of Edward VII silver Arts and Crafts candlesticks converted to table lamps, Sheffield 1908, marks for Gibson & Company Ltd, height not including fitting 20.5cm

A gilt framed oil on canvas, signed Gibson

Framed Photograph by Gibson of Penzance of a Shipwreck. 23 x 29cm

Cased (Replica) Gibson Style Les Paul Standard Sunburst Guitar

Cased (Replica) Gibson Style Standard Electric Guitar

Cased (Replica) Gibson Style Electric Guitar with Red Body

Gibson (Replica) Style Electric Guitar in sleeve

Gibson (Replica) Style Electric Guitar with sleeve

Gibson  (Replica) Style Electric Guitar with Red body in Sleeve

Moorcroft Flame of the Forest pattern vase, designed by Philip Gibson, H24.5cm - Condition Report

Moorcroft Burdock pattern vase designed by Philip Gibson, H16cm - Condition Report

Moorcroft Tansy pattern vase designed by Philip Gibson, H19cm - Condition Report