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E-GITARRE/ STROMGITARRE,Korea/ Japan, 1970er-/80er-Jahre, Nachbau einer Gibson SG, Serial-no. 0171009, L ca. 98 cm, bespielt, Gebrauchsspuren, verso Abdeckung fehlt, 1 Potikappe fehlt, Lack später, teilweise wohl modifiziert, keine Funktionsprüfung, kein Zubehör, Versand nach Absprache

WW2 The Channel Dash 50th cover signed by Two Swordfish pilots who flew against the German Battle ships, scarce variety signed by Lt Cdr Charles Kingsmill DSO and Cdr Edgar Lee DSO. Charles Major Kingsmill, naval aviator/ For courage in the face of overwhelming odds, few examples match that of the brave crews of 825 Swordfish Squadron. Their ill-fated but inspiring attack on the Scharnhorst and Gneisenau during their Channel dash on 12 February 1942 earned them legendary status within naval history. Pat Kingsmill was one of those brave pilots. He flew into devastating fire not only from the two battlecruisers and their escorting convoy, but from a formidable array of Focke-Wulf 190s. Yet he continued his attack and launched his torpedo before being shot down. The valour of these six aircrews was recognised when Lt-Cdr Eugene Esmond, who had led the raid, was awarded a posthumous VC. Pat Kingsmill, one of only five survivors of the raid, was awarded a DSO. Admiral Sir Bertram Ramsey, Flag Officer in Charge, Dover, signalled: "In my opinion, the gallant sortie of six Swordfish constituted one of the finest exhibitions of self-sacrifice and devotion to duty that the war has yet witnessed. Edgar Lee Joined the Royal Navy in May 1940, two days before his nineteenth birthday and after initial training began a flying course in Trinidad in September 1940. He qualified as Observer in April 1941 and was commissioned as Midshipman (A) RNVR. Promoted to Sub-Lieutenant (A) RNVR at the age of 20 in May 1941 and appointed to 825 Squadron in HMS Ark Royal in June 1941, flying operationally with 825 Squadron in Swordfish TBR until the Ark Royal was sunk in November 1941. Edgar returned to England and the squadron reformed at Lee-on-Solent - again in Swordfish in late December 1941, still under the command of Lt Commander E Esmonde DSO, RM. He took part in the Channel attack on the Scharnhorst and Gniesenau on 12th February 1942. All the aircraft were shot down, with only five survivors; Edgar and his pilot were rescued from a dingy by MTB. He joined the new 825 Squadron in March 1942 and flew in that squadron until July 1942, then sent for re-posting to RNAS St Merryn on Flying Control duties. At the end of February 1943, Edgar was seconded to 106 Squadron RAF Bomber Command, flying in Lancaster, under the command of Wing Commander Guy Gibson, DSO DFC RAF. Six Naval Observers were seconded to 5 Group Bomber Command, three were lost and three returned to naval duties at the end of July 1943. Edgar was promoted to Lieutenant (A) RNVR in November 1943. Instructing in Canada, August 1943 to November 1944 and returned to England to qualify as a Signals Officer in August 1945. From Staff Signals Officer to Rear Admiral reserve Aircraft from September 1945 until demob in July 1947. Edgar rejoined the reserve in 1956 and was promoted to Lt Cdr RNR in November 1961 serving in most NATO and National exercises until 1981 and as Acting Commander RNR in exercises from 1969 until retirement at 60 in 1981. Sadly Lieutenant-Commander Edgar Lee died on October 29th, 2009, aged 88. Edgar Lee was the last surviving member of those gallant aircrew of 825 Squadron Fleet Air Arm that in February 1942 made the attack in Swordfish torpedo bombers on the German battlecruisers Scharnhorst and Gneisenau accompanied by the heavy cruiser Prinz Eugen. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

Gibson Carmichael medal for The Biggar Farmers' Club, uninscribed and undated, The Carnwath Agricultural Society Show 1877, 3rd Year Old First Prize, won by Thomas Shaw, The Highland and Agricultural Society of Scotland Blackface Tupp, Carnwath 1931, won by John Struthers (two with original boxes) (total: 149.2g) and a commemorative Churchill crown, 1965

Allo Allo comedy 8x10 photo signed by both Richard Gibson and Kim Hartman who have also added their character names. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

Allo Allo! Rare official BBC coffee/tea mug, dedicated to Allo Allo complete with picture printed on of the legendary fallen Madonna with the big boobies, hand signed by actor Richard Gibson who has also added where is the real fallen Madonna as well as signing it. VERY rare!. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

Allo Allo comedy 8x10 photo signed by actress Kim Hartman (Helga) and Richard Gibson as Herr Flick!. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

Allo Allo comedy 8x10 photo signed by actress Sue Hodge, Francesca Gonshaw, Arthur Bostrom, Richard Gibson and Kim Hartman. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10

An Assortment of Various Items, including a yellow mounted amber cheroot holder, two Sasha dolls, pre and post war playworn vehicles including Dinky, military and others, Victorian laboratory scales, two Sphygmomanometer's (blood pressure), typewriter, projectorgraph, Pulsar watch, Gibson wall timepiece, Olympus camera, projector slides, topographical and other postcards, small quantity of book and reference works on York etc, printed maps by Hedley Bros. Kent, vintage Marvel comics including Hulk and Spiderman (qty)

Circle of Henry Edridge, ARA (1768-1821) Portrait miniature of George Coulson (1771-1861)signed and dated indistinctly lower leftwatercolour on ivory7.4cmThe present miniature could perhaps be attributed to David Gibson (fl. 1788-1802) but the signature appears indistinct.This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate, Ref. No.C3P5HV5JSlight warping to ivory. Little fading to centre right edge. There appears to be a layer of thick yellow substance which has accumulated along the top right edge - this is visible when examined more closely in raking light. Indistinctly signed and dated '(Gibson? / ??dron?) / [1]801' lower left. Examined out of frame.

* Clausen (George, 1852-1944). The Shed, 1921, etching with mezzotint, a rich, atmospheric impression, on the artist’s laid paper watermarked ‘G.C. & Co.’, signed and titled in pencil and inscribed ‘sixth impression’, with margins, faint mount-staining, platemark 12.5 x 17.3 cm, sheet 22.8 x 29.2 cm, mounted, glazed and framed (40 x 47 cm) QTY: (1)NOTE:Literature: Gibson no. 30An impression of The Shed, signed, titled and inscribed in pencil ‘fifth impression’, is held at the British Museum (Museum no. 1928,0130.22)

A Moorcroft limited edition framed plaque. Tube lined with floral decoration by Philip Gibson, number 120/250, dated 2004, the panel 30.5X20.5cm, in a Moorcroft box.There are no issues with this plaque.

PHILIP GIBSON (BRITISH, CONTEMPORARY) FOR MOORCROFT, Saqqara design Moorcroft enamel vase numbered edition, marked 14 to base. Shape 75/SA. Height 10cm. Design features bright blue papyrus flowers, together with golden yellow fronds and tropical Nile trees. Signed by Emma Bossons in gold pen, year cypher 2020. Together with another MOORCROFT enamel vase by SANDRA DANCE, design Swallow, shape 393/SW. Height 6.5cm.Items have impressed factory and paint marks to base. Both vases in original boxes (2)

PHILIP GIBSON (BRITISH, COMTEMPORARY) for MOORCROFT, Simeon designed slender tapered vase, shape 122/8 (marked as factory second). Height 20cm. Impressed factory and paint marks to base.Together with 2 further pieces of Moorcroft including a small blue and pink anemone ovoid vase, height 10cm, year cypher 1990. A hibiscus squat vase with pink and mauve/yellow flowers on a blue colour way with sticker on base "By Appointment Potters To the Late Queen Mary". Height 10cm. (3)Condition Report: Simeon vase has silver line to base to indicate factory second.

PHILIP GIBSON (BRITISH, CONTEMPORARY) FOR MOORCROFT, Turu designed Moorcroft collectors' club enamel vase (2002 - 2003). Design features grey crowned cranes a large bird native to the African continent, often used to symbolise longevity and happiness. Height 6.5cm. Impressed factory and paint marks to base. In original box. Together with another Moorcroft enamel vase, Red Squirrels, designed by SANDRA DANCE. Height 8cm. Impressed factory and paint marks to base. In original box. (2)Condition Report: Red Squirrels vase has damaged to the base with three chips on the enamel at base rim.

A very large group of mainly oil on canvas by artist Gillian Gibson (approx 20, mostly unframed and of different subjects) as well as recent framed woolworks, watercolours and prints

Hand painted large oval recessed platter with raised vines and flower designs and scalloped edge. Issued: 2011Dimensions: 18.75"L x 14"W x 1.5"HManufacturer: GibsonCondition: Age related wear.

Cobalt blue mixed with controlled bubbles in clear glass. Smaller globe imprinted with WW has blue and raspberry swirl pattern. Gibson 2001 imprint. Largest piece: 2.75"L x 2.75"W x 2.5"H. Manufacturer: GibsonCountry of Origin: United StatesCondition: Age related wear.

Hand painted large bowl with raised vines and flower designs and scalloped edge. Issued: 1991Dimensions: 4"H x 14 dia.Manufacturer: GibsonCondition: Age related wear.

Cordiner (The Rev. Charles), Antiquities and Scenery of the North of Scotland in a series of letters to Thomas Tennant Esq., 4to, calf, illus. with engravings, 1780, bearing the bookplate of Sir Thomas Gibson Carmichael of Stirling, The Castlecraig library and Malcolm Cooper Esq.

Camden (William). Camden's Britannia, Newly Translated into English: with large Additions and Improvements. published by Edmund Gibson of Queens College in Oxford..., London: Printed by F. Collins for A. Swale and A. & J. Churchill, 1695, engraved portrait frontispiece, 49 (of 50) uncoloured engraved double-page maps (including three folding Kent, Hertfordshire & Norfolk, bound without map 50 'The Smaller Islands in the British Ocean'), 8 plates of coins and one full-page engraving of antiquities, few woodcut illustrations and two engraved illustrations (Stonehenge & Rollright stones), without final leaf at rear of Index, light damp stain mostly to foot of gutter margins of some leaves at front of volume, occasional toning and minor spotting to few leaves, endpapers renewed, contemporary panelled speckled calf, modern rebacked with black calf title label, board corners repaired, light wear to boards, folio (38.8 x 23.5 cm)QTY: (1)NOTE:Chubb CXIII.

Tacitus (Publius Cornelius). The Annales of Cornelius Tacitus. The Description of Germanie [and] The End of Nero and Begining of Galba, 2 parts in one, 3rd edition, London: Arnold Hatfield for John Norton, 1604 [1605], front blank bound between preliminary leaves and A1, woodcut initials, engraved plan illustration to second part (close-trimmed to fore-edge), 1605 imprint from colophon, occasional early underlining, couple of worm holes to lower blank margins of first half of text block, early owner signature Cornelius Suffeild(?) and 19th-century armorial bookplate of Joseph S. Shepard to front free endpaper, light damp stain to last few leaves and rear free endpaper, early text leaf to pastedowns, contemporary calf Oxford binding, blind-stamped with rolls used by Nicholas Smith and afterwards by Richard Billingsley (the latter probably being the binder of this volume), later green morocco title label to spine, joints rubbed, foot of lower joint with small strengthening repair, without ties, folioQTY: (1)NOTE: ESTC S117624; STC 23645.A good example of an Oxford binding. “Oxford binders developed a habit for two-way hatching patterns [on the board edges], finishing a row of diagonal hatching with a few rows running horizontally, or diagonally the other way; this can be a useful rule of thumb for recognising Oxford work between about 1580 and 1650, …” – David Pearson, English Bookbinding Styles, 1450-1800 (London: British Library, 2005), p. 113. “One very distinctive feature of nearly all Oxford bindings executed between 1580 and 1620, and of a certain number between the latter date and about 1670, is the ‘hatching’ at the head and tail of the back. This consists of diagonal lines, …” — Strickland Gibson, Early Oxford Bindings (Oxford: Bibliographical Society, 1903), p. 41.

Doyle (Arthur Conan). The Hound of the Baskervilles, 1st edition, London: George Newnes, 1902, frontispiece, 15 illustrations, preliminary & rear leaves spotted, original red pictorial cloth gilt, recased with endpapers renewed, extremities rubbed, a few marks, 8voQTY: (1)NOTE:Green & Gibson A26.A bright copy.

Weever (John). Ancient Funerall Monuments within the united Monarchie of Great Britaine, Ireland, and the Islands adiacent, with the dissolued Monasteries therein contained..., 1st edition, London: Thomas Harper, 1631, engraved portrait frontispiece with early manuscript annotation at foot (lined to verso), additional engraved title with early/mid 20th-century library ink stamp to verso, some toning and occasional spotting, upper pastedown with 19th-century bookplate bearing initials J. M. and later ink stamp, contemporary calf, neatly rebacked and corners repaired, folio (STC 25223), together with:Stirling (William Alexander, Earl of), Recreations with the Muses, London: Printed by Tho. Harper, 1637, title within decorative woodcut border with ink obscured early signature of Roger Gibson, (frayed to margins with slight loss, dust-soiled and marked, lined to verso), I5 with short closed tear at foot, leaf T3 with hole and slight text loss, final leaf of text strengthened to fore-margin, without initial and final blanks (A1 & 2E8), damp staining to margins, some worming mostly to margins, later endpapers with bookplate of Paulin Martin of Abingdon to upper pastedown, hinges split, contemporary calf, rebacked, board corners worn, folio (Pforzheimer, 5; STC 347),Luis (de Granada), Quartus Tomus Concionum de Tempore, quae post festum sacratissimi Corporis Christi, usque ad initium Dominici Aduentus in Ecclesia habentur, Antwerp: ex officina Christophori Plantini, 1581, printer's woodcut device to title (with ink smudge over old indistinct signature), some damp staining at foot mostly at front and rear of volume, contemporary limp vellum with yapp fore-edges, lacking ties, 8vo QTY: (3)

A mixed collection of 20th Century & Contemporary art, to include: Graham Jones, watering cattle, unsigned, watercolour, 20cm by 28cm, framed & glazed with Royal Academy of Arts label verso; Anonymous, chickens standing on trees or mushrooms, watercolour, 43cm by 35cm, framed & glazed; Nivu Reid, Moving?, signed & dated l.r., 2008, monoprint & sewing on envelope, 29cm by 39cm, framed & glazed; Susan Gibson, Moonlight Over Water, unsigned, weaving, framed & glazed; Ailsa F. W. Beaumont, botanical studies, a pair, signed l.r., pencil, unframed, 37cm by 27.5cm; H. Black, London from Primrose Hill, signed l.r., limited edition numbered 19/95, colour aquatint, 16cm by 43cm, unframed, and ten others of lesser importance, framed & unframed, including etchings & watercolours (17)

A LATE VICTORIAN SILVER GRAVY BOAT, polished form with engraved monogram and dated 1934-1959, wavy rim with scrolling handle, raised on three shell detailed hoof feet, hallmarked 'Goldsmiths & Silversmiths Co (William Gibson & John Lawrence Langman)' London 1897, approximate gross weight 235.3 grams, 7.56 ozt (condition report: general light wear, slight tarnishing in places, overall condition good)

Victorian silver footed bowl with fluted decoration, London 1897 (William Gibson & John Lawrence Langman), 15.75cm diameter, presentation inscription to front, 12.1oz

WW2. Seven Signed Robert Taylor Colour Print Titled Front Line Hurricanes. Limited Edition 108 of 800. Signed in pencil by Artist, Frank Carey, Roland Beaumont, Peter Brothers, Dennis David, Ken Lee and John Gibson. Housed in a Frame Measuring 37 x 28 inches approx overall. Good ConditionAll autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

40/6 Signed by 11 Battle of Britain Pilots Foxley-Norris, Pat Hancock, J R Urwin Mann, William (Sticks) James Gregory, K A Lawrence (N Z) Alan W Gear, Avis Hearn WAAF, John Keatings, John Gibson (NZ) Trevor GrayAll autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

A Victorian Silver Kettle, Stand and Lamp, by William Gibson and John Lawrence Langman, London, 1898, Retailed by Goldsmiths Company, 112 Regents Street, London tapering oval and with part-ebonised overhead handle and finial, on conforming stand with reeded paw feet, with central lamp29.5cm high, gross weight 41oz 14dwt, 1,296grFully marked near rim of kettle, under stand and lamp. The lamp further part marked on top. The marks are generally clear. There is some surface scratching and wear, consistent with age and use. There is a repair to the wood finial. The surface is somewhat bright.

After John Gibson RA (1790-1866): A White Marble Bas-Relief Plaque Worked with a Profile Portrait of the Maharajah Duleep Singh, facing to dexter on a circular ground, titled50cm diameterThis bas-relief plaque is derived from the famous bust sculpted in Rome by John Gibson whilst the Maharajah was on a trip to city with the Prince of Wales. In her diary Lady Login, the Maharajah’s guardian, recorded the visit to Gibson’s studio on 13th June 1857 The Last Maharajah Of The PunjabMaharajah Duleep Singh was born in Lahore in 1838, into the affluent court of the Sikh Kingdom. Following the death of his father, the Maharajah Ranjit Singh, the ‘Lion of the Punjab’, Duleep Singh was declared Maharaja at the incredibly young age of five years old. However, the British East India Company were quick to exploit this situation and the two ensuing Anglo-Sikh wars resulted in the Company taking control of the Punjab. Following the annexation of the Punjab in 1849, Duleep Singh signed the Treaty of Lahore which saw Singh ‘resign for himself, his heirs, and his successors all right, title, and claim to the sovereignty of the Punjab, or to any sovereign power whatever. The still young Duleep Singh was moved from the Punjab to Mussoorie, to be placed in the care of a Scottish surgeon Sir John Spencer Login of the East India Company, where he converted to Christianity and played cricket in an effort to become an archetypal English gentleman. Anglicisation was soon followed by his move to England in 1854 where he received a pension of £25,000 a year provided he ‘remain obedient to the British Government’. Queen Victoria was enraptured by Singh and is recorded as saying “[He is] extremely handsome and speaks English perfectly… and has a pretty, graceful and dignified manner”, upon meeting him in 1854. Despite Queen Victoria’s attempts at matchmaking Singh with other outcast Indian princesses, he married Bamba Muller, daughter of a Coptic Christian Ethiopian and a German Merchant, whom he had met in Cairo. The pair lived on a vast and lavish shooting estate, Elvenden in Norfolk, which was modelled in the Orientalist style. Queen Victoria became godmother to three of Singh’s children, Prince Victor and Princesses Catherine and Sophia, and he would be a frequent visitor to Osborne and Windsor Castle. His later years were restless as he increasingly became disaffected with the British and reverted to his former faith, Sikhism. Despite best efforts to reclaim the Punjab, he died in Paris in 1893 after suffering a stroke, but not without reconciling with Queen Victoria who pardoned him for his hostility towards the British Government in his later years.The plaque free from repair. Expected edge chips, mainly to the reverse. Some other slight edge chips. General wear and some engrained dirst. Provenance; a UK base private collector of Sikh and Indian art, bought from the private collection of a dealer in similar items

A Green Onyx and Champleve Enamel Striking Mantel Clock with Garniture, retailed by Gibson & Co Ltd, Belfast, circa 1890, surmounted with an urn shaped finial, bowed bevelled side glass panels, multi-coloured champleve enamel decorated columns and borders, 4-inch dial with Arabic numerals, twin barrel movement striking on a gong, movement backplate stamped S Marti, 51.5cm high, with green onyx and champleve enamel urn shaped garniture, 33.5cm highBrass surfaces are discoloured, base with small chips to the edges of the onyx in parts, top side of the case with a small chip to the front side of the green onyx and a bigger chip to the back left hand corner of the green onyx, enamel surfaces look clean, dial is discoloured and the numerals are rubbed in parts, movement is working and striking. Both garniture with minor chips to the onyx bases, one of the garniture with some enamel missing to the underside of the flared topside, one of the flared tops is distorted and visible from a side view.

Early to mid C20th postcard album, well filled with Gibson girls, Louis Wain anthropomorphic cats. GB and European topographicals, lithograph cartoons etc (approx. 190)

Bracket Clock von John Gibson, London 19. Jh.Wohl John Gibson, 1834 - 1881 tätig in London, Tischuhr in Mahagonigehäuse mit Bandintarsien aus Messing, verglastes Zifferblatt mit römischen Zahlen, darunter eine Wasserwaage in gravierter Messingfassung, Federwerk mit Pendel läuft an, jedoch zu richten, Stundenschlagwerk auf Glocke, schöner Originalzustand, zwei Schlüssel anbei, H 51 cm

Mid-century British calendar wall clock by Gibson clocks, with baton markers and perpetual sliding drawer, month and date windows, on cream ground, framed in teak, 36cm x 58.5cm x 11.5cm.

Harriet Goodhue Hosmer (American, 1830-1908): A carved white marble figure of 'Puck' together with an unsigned companion pendant figure of 'Will o the Wisp' (third version)Circa 1864The figure of Puck seated on a toadstool, with scallop shell headdress and bats-wings, holding a stag beetle in his right hand, his left hand resting on a lizard, on oak leaf square plinth base, titled to the front and signed to the rear H. Hosmer Fecit Roma, the figure of Will o the Wisp with flaming curling hair and bats-wings seated on an acanthus leaf rusticated pedestal and titled square plinth base, the toe of the former now lacking and the finger to the latter detached but present 81.5cm and 78cm high respectively (2)Footnotes:ProvenancePhillips Son & Neal, Contents of Park Hall, Hayfield, Derbyshire, 5th April 1978.The present lot, comprising a pair of figures, one signed, the other unsigned but similarly attributed, are from a series of playful compositions by America's foremost female Neoclassical sculptor of the 19th century, Harriet Hosmer, based on themes of mystical folklore and playful literature. Hosmer created several conceptions in marble examining the idea of 'the fairy', with her depiction of Shakespeare's 'Puck' from A Midsummer Night's Dream perhaps being the most well-known of these which was conceived and first executed in 1855. The figure was to become so popular that it was replicated over thirty times. Copies were commissioned by a number of Royal patrons including Albert Edward, Prince of Wales (later King Edward VII) who visited Hosmer's studio in Rome and ordered a Puck for his rooms at Oxford.The sculptures were purposely designed on a small scale specifically for multiple replications in order appeal to upper-middle class patrons to grace their drawing rooms and parlours. The whimsical treatment of the subject matter however as married with high quality of workmanship which was intended to appeal to the most demanding of British and American clientsBy the time, Hosmer conceived the first of her three variations of her pendant figure to 'Puck', the figure of 'Will o' the Wisp'(from 1856, 1858 and 1864) she was on her way to becoming one of the most renowned and admired professional sculptors of her day, not only in American but also in Europe. Born in Watertown, Massachusetts, Hosmer's mother and three siblings died during her childhood. Despite being a delicate child she was encouraged and mentored by her physician father, Hiram Hosmer, to pursue a life outside the constraints of female society. As a result, and most unusually, she had a full academic education, physical training and was widely travelled. Hosmer's father encouraged her artistic vision and supported her wish to go to Rome to become the pupil of the sculptor John Gibson. When in Rome, Hosmer became friends with the ex-pat colony of European artists and writers that included Bertel Thorvaldsen, William Makepeace Thackeray Georges Eliot and George Sand. In Florence she was the frequent guest of Elizabeth Barrett and Robert Browning. She also importantly nurtured the talents of a group of American female artists which included Edmonia Lewis, Anne Whitney, Emma Stebbins and Vinnie Ream. It was this circle which the writer Henry James later called 'a sisterhood of American lady sculptors'.LiteratureSherwood, Dolly, Harriet Hosmer: American Sculptor, 1830-1908, Pub. Columbia, Missouri, 1991.Kasson, Prof. Joy, Marble Queens and Captives: Women in Nineteenth-Century American Sculpture, Pub. Yale University Press, 1990.This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

[NORTH AMERICA]: Selection of signed 8 x 10 photographs, a few T.Ls.S. etc., by various American and Canadian politicians and other public figures including Hubert Humphrey (2; Vice President of the United States 1965-69), Edmund Muskie, William P. Rogers, Ralph Perk (Mayor of Cleveland 1971-77), Kenneth A. Gibson (Mayor of Newark 1970-86), Pierre Trudeau (Prime Minister of Canada 1968-79, 1980-84), Jean-Luc Pepin etc. Autopen and rubber stamped (5). G to generally VG, 13 

HAMLET: Franco Zeffirelli (1923-2019) Italian film director. Signed and inscribed 8 x 10 photograph of Zeffirelli in a head and shoulders pose smoking a cigarette on the set of his drama film Hamlet (1990). Signed by the director in black ink to the base of the image with a three line inscription in Italian; Mel Gibson (1956-     ) American actor. Signed and inscribed 8 x 10 photograph of Gibson in a head and shoulders pose in costume as Prince Hamlet from Hamlet. Signed in black ink to a largely light area of the image and dated 1991 in his hand. VG to EX, 2

GIBSON GUY: (1918-1944) British airman of World War II, Wing Commander of 617 Squadron. Victoria Cross winner for his actions during Operation Chastise (The Dambusters Raid) on the Mohne and Eder Dams in Germany, 16th May 1943. An excellent, rare dark fountain pen ink signature ('Guy P Gibson') on a 12mo (8 x 11 cm) page removed from an autograph album. Some very light, minor show through from the ink verse and signature to the verso, dated 25th August 1943 and in the hand of an unidentified individual (most likely a friend or relative of the album's original owner). Accompanied by a limited edition 10 x 8 monochrome print of Gibson's Lancaster by artist Robert Taylor. Matted in light grey to an overall size of 12.5 x 10.5. Some very light, extremely minor age wear, VG, 2

Pop/Rock/Soul LPs and 12" Singles to include Crispy and Co, Funky Flavored (CRLP 505) - UK release; Gibson Brothers, On The Riviera (ILPS 9620); Pink Floyd, Relics (SRS 5071) with textured sleeve; Gerry Rafferty, City to City (UAS 30104); Various Artists, Knuckle Sandwich (EMTV 18) - all generally Very Good Plus in Very Good to Very Good Plus sleeves plus others including artists such as Rod Stewart, Tina Turner, Jimmy Ruffin, Commodores and various compilation LPs - conditions range from Good to Very Good including sleeves. (43)

Sian Gibson signed Car Share 10x8 inch colour photo. Sian Gibson (née Foulkes) is a Welsh comedy actress and television writer. She has collaborated with Peter Kay, including starring in and co-writing the comedy series Peter Kay's Car Share. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

Including a large slender vase in the 'Anna Lily' pattern (31.5cms high, 98), another large slender vase in the 'Trinity' pattern (31.5cms high, no 152, 2003, signed by Philip Gibson), a large vase in the 'Oberon' pattern (31cms high, 93), and a two handled vase in the 'Fleur de Luce' design (26cms high, 2nd quality, 2007). (4). *Condition: Fleur de Luce, second quality Oberon, general crazing The other two seem fine.

GIBSON GIRLS, Royal Doulton plate, also Limoge-style floral and gilt bordered charger, 39cm diameter, Spanish majolica floral decorated charger and Doulton Burslem cabinet plate "Fox portrait" by Henry Mitchell (hairline crack)

THEATRE, signed programme for The Resistible Rise of Arturo Ui, inc. Leonard Rossiter, Christopher Benjamin, James Gibson, David Graham etc., in 4 loose sections, spine damage, o/w G

CINEMA, film star photos, inc. Nancy Carroll, Evelyn Brent, George Bancroft, Richard Cromwell, Wynne Gibson, Jack Holt etc., with some autographs, G, 70*

A Moorcroft pottery ewer, designed by Philip Gibson, decorated with flowers against a cream ground, impressed marks, signed Philip Gibson to base and dated 2004, 28cm high. (AF)

A mixed lot,comprising silver items: a Victorian christening bowl and spoon, by Charles Stuart Harris and Gibson and Langman, London 1887, a hand mirror, six napkin rings, six silver-gilt coffee spoons, three egg spoons and various teaspoons, plus electroplated items: a set of twelve cased fruit eaters, a pair of salad servers and other items, approx. weighable 17oz. (qty)

A small mixed lot of Irish silver flatware,comprising: a Celtic-point pattern tablespoon, by Joseph Gibson, Cork circa 1790, a Bright-cut teaspoon, by Carden Terry, Cork circa 1790, a Hanoverian pattern tablespoon, marks worn, probably by George Hodder, Cork circa 1760, and a Dublin sauce ladle and butter knife, approx. weight 7.9oz. (5)

A 54-BORE PERCUSSION FIVE-SHOT FOURTH MODEL TRANTER REVOLVER, 6inch sighted octagonal barrel engraved JAMES M. GIBSON GRAHAM'S TOWN, border and scroll engraved frame with traces of blued finish, Tranter's serial number overstamped B6097, chequered wooden grip. Action registers, bore with salt and pepper pitting.

A Moorcroft Orchid design ewer, height 24 cm, limited edition 65/250, signed by Philip Gibson to base.

Amor u. Psyche.: Die Liebenden in inniger Umarmung. Amor mit seiten weiten Engelsschwingen u. Psyche mit den Schmetterlingsflügeln. In feiner Rahmung mit Perlbesatz. Rückseitig mit Gravursign. Motiv nach John Gibson. Mit Rahmen ca. 4,5 x 6 cm. D

A boxed Moorcroft dish decorated in the Inglewood pattern by Philip Gibson. 12cm diameter.

TWO BOXES AND LOOSE SUNDRY ITEMS ETC, to include two copper sculptures of heavy horses, approximate height 16cm, boxed Olympic 2012 breakfast set, boxed Lord of the Rings and Dr Who 'Davros' collectors plates, a Jane B. Gibson watercolour depicting a barn owl sitting on a fence, signed and dated 1988, an oil on canvas depicting a still life study of flowers in a vase signed Robin, cricket books published by The Sportsmans Book Club, Elvis Presley LP records, two framed Chinese silk panels etc (2)

Original vintage movie poster for Mad Max, a 1979 science fiction film directed by George Miller, and starring Mel Gibson, Joanne Samuel, Hugh Keays-Byrne, Steve Bisley, Tim Burns, and Roger Ward, the poster features an image of Max in a helmet standing above the iconic black GT Falcon muscle car the Interceptor with red and orange explosions in the background. Large size. Good condition, folds, creasing, tears, paper losses, staining. Country of issue: France, designer: Hamagami, size (cm): 160x115, year of printing: 1983.

A tea set in sterling silver. Retailed by Gibson, Belfast. Comprising a tea pot, milk jug and sugar bowl. Total gross weiht approximately 1,158 grams/37.23OzT. Marked 1919, MH Co Ltd.

Astronaut Robert Hoot Gibson signed 10 x 8 inch colour NASA space photo, inscribed STS41b. 61c. 27. 47. 71. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

TV and Film Collection of 4 10 x 8 inch black and white photos. Constance Cummings and William Gargan Signed autograph album page with unsigned photos. Mel Gibson Stamped photo, Frasier Cast Printed Photo.. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

WW2. 15 Signed 40th Anniversary of the world's first decisive ariel campaign- the battle of Britain FDC. Signed by Ken Mackenzie, Tony G Pickering, Owen V Burns, Ken Wilkinson, Gordon Parkin, John Gibson, Harry Burdekin, V Snell, LW Harvey, AS Wickins and more. British Stamp with 13 Sept 80 Postmark. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

WW2. Flt Lt John Gibson, Pilot Officer HM Stephen, Sgt RJ McNair and Sgt J Walker signed 46th Anniversary of the battle of Britain Fdc. British stamp with 16 sept 86 postmark. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.

‡ NOEL GIBSON (1928-2005) oil on board - Hackney Street Scene, 43 x 38cmsComments: framed

A set of eight Gibson & Sons Sevres Davenport latte design coffee cans and saucers; together with a damascene style letter opener; a quantity of linen napkins and a two-section wooden magazine or letter rack with decoupage decoration; and other items.