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A small Waterford crystal mantle clock face glass missing), 3 3/4'' tall.

Junghans striking mantle clock

20th century gilt metal timepiece mantle clock with a Quartz movement,case in a decorative baroque style with a white enamel dial with Roman numerals and pierced steel hands.Dimensions: Height: 34cm  Length/Width: 17cm  Depth/Diameter: 10cm

An early 20th century French striking mantle clock c1910, in a green variegated onyx case on cast metal rococo feet and surmounted by a cast metal figure of an 18th century gallant, white enamel dial with Arabic numerals and minute track, eight-day movement with countwheel striking sounding the hours and half hours on a bell. With pendulum. Dimensions: Height: 38cm  Length/Width: 28cm  Depth/Diameter: 18cm

Late 19th century alabaster and gilt spelter mantle clock c1880, on a rococo base with alabaster panels and two flamboyant figures in 18th century dress flanking an eight-day French countwheel striking movement in a drum case, with an enamel dial, Roman numerals, minute markers and steel moon hands, striking the hours and half hours on a bell. With pendulum and key. Dimensions: Height: 42cm  Length/Width: 40cm  Depth/Diameter: 15cm

20th century black lacquered mantle clock with chinoiserie decoration, with a formerly silvered dial with Roman numerals, minute track and steel spade hands, eight-day timepiece French spring driven movement with a platform cylinder balance escapement, wound and set from the rear.Dimensions: Height: 16cm  Length/Width: 32cm  Depth/Diameter: 8cm

Slate mantle clock c1890 with an American �Waterbury� eight-day spring driven movement striking the hours on a gong (missing) Architectural styled case with recessed reeded brass columns to the front and depiction from Greek mythology to the tympanum, two-part dial with Arabic numerals to the chapter ring and a decorative gilt centre. With Pendulum.Dimensions: Height: 32cm  Length/Width: 39cm  Depth/Diameter: 15cmCondition Report:Gong missing and plinth with a missing side-piece of marble.

French alabaster and gilt spelter 8-day mantle clock with a drum timepiece movement on a raised rectangular alabaster base with scroll sidepieces, flanked by a figure of a young boy feeding a pet animal, white enamel dial with Roman numerals and steel moon hands. With pendulum.Dimensions: Height: 31cm  Length/Width: 23cm  Depth/Diameter: 9cm

An anniversary clock on porcelain base along with a and mantle clock with silvered dial

A contemporary brass mantle clock by Looping, with faux tortoiseshell background, quartz movement

Early c20th Frys Chocolate Cream wooden advertising display box, c19th handblown hobnail glass decanter, pair of c19th brass candlesticks, early c20th celluloid doll in Dutch dress, c19th glass rinser, c19th bell shaped glass fly/wasp catcher (missing bung), a small mantle clock marked 'Germany', along with a quantity of ceramics and glassware (2)

G.R late C19th French slate architectural mantle clock, cast brass classical frieze over half cast brass columns, Roman dial and two train movement, stamped GR and number 4692 striking on a scroll gong, 29w x 15d x 35h. Both main springs intact and the clock is running

A Oynx and glass cased mantle clock

A SMALL FRENCH OVAL BRASS CASED MANTLE CLOCK the enamel dial with Roman hour markers and Arabic minutes, 11cm high with carrying ring down Condition Report : enamel and glass good, no signs of damage, with key, movment runs for a minute or so before stopping Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

A SMALL SHIPS BULKHEAD TYPE BRASS CASED CLOCK the 4' dial inscribed 'W F PRICE & COMPANY BRISTOL', 14.5cm diameter overall, with a circular mahogany plaque 20.5cm diameter; together with a small oak mantle clock 15.5cm wide 17cm high Condition Report : no sign of damage to either, movements untested Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.

A MAHOGANY CASED WESTMINSTER CHIME MANTLE CLOCK, with hermle moon roller movement, H 30 cm

A WOODEN CASED ELLIOTT MANTLE CLOCK, raised on four brass bun feet, H 16.8 cm, W 13.5 cm, D 7 cm

AN ART DECO 8 DAY GLASS MANTLE CLOCK, of square form on a shaped base, H 20.5 cm, W 20 cm

A CERAMIC CASED 'LA SOCIETE NATIONAL HORTICULTURE DE FRANCE' MANTLE CLOCK, with Hermle ting tang bell strike movement, H 26 cm

A LARGE JUNGHANS WESTMINSTER CHIME MANTLE CLOCK, the architectural case having mahogany veneers, cast brass furniture and glass side panels, the polished brass dial, matted enter and Art Nouveau spandrels, two subsidiary dials for speed regulation and chime / silent mode, H 53 cmCondition Report:Old woodworm, holes to rear, missing finials

A GILDED BRONZE FEMALE FIGURAL BELL STRIKE MANTLE CLOCK, comprising a neo-classical female draped over the clock head reading a book, the ornate base having various floral swags with inset blue ceramic panels, the S. Marti 8 day movement striking on a slivered bell, H 30 cm, W 36 cmCondition Report:Damage to the clock face.

A BLACK SLATE GONG STRIKE MANTLE CLOCK, of architectural form with reeded columns and a black slate dial, H 27 cm, W 35 cmCondition Report:Glass broken on door.

A rare mid-19th century French carriage clock with chaff cutter escapementPaul Garnier, Paris number 2976The early multi-piece case with facetted handle over a bevelled glazed inspection panel (the repeat button passing through the glass), moulded uprights and a plinth base, the solid rear door with hinged shutter opening to reveal the winding and setting squares. The Roman white enamel dial with minute track and numerals picked out in light and dark blue, the centre signed Paul Garnier Hger de la Marine Paris, above blued steel trefoil hands and a subsidiary Arabic alarm dial with blued steel setting hand. The three-spring barrel movement with Garnier's own chaff-cutter escapement with three-arm monometallic balance, and extremely delicate arbors throughout, rack striking the hours and half-hours on a bell. The back plate signed Paul Garnier Paris, and numbered on the backplate under the bell, the rear door, shutter and base also repeat numbered. Ticking, striking, sounding the alarm and repeating. Together with a double-ended winding key. 18cms (7ins) highFootnotes:Paul Garnier (né Jean-Paul) was born in 1801 in Épinal, France, moving first to Luxeuil to carry out a watchmaking apprenticeship, and then to Paris in 1820 to join Lépine's workshops, before finally establishing his own business in 1825. In the 1827 Exhibition he exhibited an astronomical clock and some mantel regulators, which won him a silver medal. He would win silver medals again at both the 1834 and 1839 Exhibitions, before winning a gold medal in 1844. Around this time, he seems to have written to the formidable Antide Janvier, asking for permission to use the title 'Elève de Janvier', as Garnier, at some point, attended the free Horological school Janvier established in 1802. Janvier readily assents to this request, and Garnier used the title on his carriage clocks until about 1835, and in his written correspondences until at least 1844. Around 1835, Garnier makes use of the title 'Horloger (or Her) du Roi', which in turn is supplanted by 'Her De La Marine' after the 1848 revolution and the deposition of the monarchy.From 1830 Garnier began to make affordable, semi-massed produced carriage clocks (pendules de voyage) and could be said to have established the Parisian carriage clock industry. He was able to do this by combining a basic, easily made design with his patented 1830 escapement. This escapement, alternatively called the 'chaff-cutter', 'Gautier', or 'chopper', could be machine made, drastically reducing the time and cost of making. It is a type of frictional rest escapement, comprising of pallets in the form of a single roller (a circle with about 4/9ths of its circumference cut off at an angle and the sides ground) made of either jewel or hardened steel, the latter being more common with repaired rollers. The escape wheel is in fact two separate wheels mounted on the same arbor a specific distance apart. The wheel teeth are bevelled along the edge that interacts with the roller.The combination of basic shape and cost saving escapement meant that pendules de voyage, having previously been economically unattainable to the vast majority of people, were reduced in cost to the price of a standard mantle clock.Despite being affordable, these clocks were not poorly made, exhibiting very fine diameter pivots (even by French clock standards) and usually having rack striking, which was a desirable feature, being much easier to set than count wheel striking. The clocks would also only strike the half hour and the hour, which saved on cost compared with the more common repeaters. In the early clocks, engine turned dials, one-piece cases, and barrel stopwork were all very common. With clocks made between 1830-1840, it was common to fit a coloured-paper covered block of wood into the base of the hollow casting.In addition to carriage clocks, in 1847 Garnier presented a novel master clock and slave clock system, and at least one chronometer has been assigned to him. He also pursed scientific instrument making, his obituary eventually being published in the Society for Civil Engineers bulletin in 1869.His son, also Paul Garnier, was born in 1834 and continued the business after his father's death. Additionally, he submitted drawings and models of his father's design for a free-sprung chronometer escapement to the Conservatoire National des Arts et Métiers and the Revue Chronométrique. Before his death in 1916, he donated his family's collection of watches and clocks (the former including examples from the 16th century) to the Musée des Arts et Métiers.R. A. E. (1890) 'A Few Words About M. Paul Garnier's Collection', The Horological Journal, Vol. 33 (3), pgs. 33-34.Arnott, P. (2011) 'Constant Force Chronometer No. 1 Attributed to Paul Garnier', Antiquarian Horology, Vol. 33 (1), pgs. 58-65.Weld C. R. (1868) 'Parliamentary Reports on the Paris Universal Exhibition, 1867', The Horological Journal, Vol. 11 (4), pgs. 43-50.British Horological Institute (1877) 'Entirely Detached Gravity Escapements', The Horological Journal, Vol. 20 (1), pgs. 4-6.Allix, C. (1993) 'Paul Garnier Revisited', Antiquarian Horology, Vol. 20 (5), pgs. 411-425.Boquillon, M. (1863) 'Horology at the International Exhibition, London, 1862', The Horological Journal, Vol. 5 (8), pgs. 90-93.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A good early engraved one-piece cased repeating carriage clock with duplex escapement, day, date, alarm and quarter repeatJ.B. Beguin, ParisThe elaborately engraved case with shaped and facetted handle above the large, glazed inspection panel over three bevelled glass panels, the rear door solid and sliding upwards in a pair of runners to reveal the winding and setting squares, raised on a plinth base with shaped corners and decorated all-over with finely engraved borders of stylised wheatears, tied ribbons and feather banding. The main dial with Roman hours and blued steel trefoil hands within a minute track, signed below VI and set above three subsidiaries for alarm, day (in English) and date, all with matching trefoil hands and set within an engraved foliate scroll mask. The spring barrel movement with gilt platform for the brass three-arm balance with compensating screws and jewelled duplex escapement, rack striking the hours and quarters on two bells and hammers. The strike/silent lever is set on the backplate with the engraved options 'Striking' or 'Stillness'. Ticking, striking both the hours and the quarters. Operational repeat, and alarm trains, together with a double ended key.Footnotes:This clock, or an identical one, is referenced in Carriage Clocks Their History and Development by Charles Allix and Peter Bonnert on page 432. Extant examples survive, not only of two other carriage clocks by Beguin, but also a handful of mantle clocks, including a skeleton clock.In 1870, he was recorded as working on the Rue Faubourg Saint-Antoine in Paris.The duplex escapement is usually seen in early Carriage clocks, being supplanted later by the lever and cylinder. However, in the early years of French carriage clock manufacturing the duplex escapement was regarded as the epitome of quality.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Waltershausen suite for salon, German 1880s/90s, rosewood furniture including green silk upholstered settee with gold transfer decoration, shaped back, arms and five turned legs, together with three matching balloon back chairs, wooden shelves with mirror back and green paper-lined shelves, marble top table on central turned stand, and mantle clock with paper face, together with a fine quality miniature wooden cello, soft metal bird in cage and candle in gilt holder, shelves 6” (15cm) tall, (10 items), (condition: one shelf and two mirror backs loose, expected fading/wear to green silk).

Early cupboard style wooden dolls house with interesting interior features, English, mid-19th century, the stained wood exterior on a brick painted base, with black pitch roof and two chimneys, opens at front in two wings with gilt metal latch to three floors and five rooms, all with original papers and features, ground floor kitchen with printed cooker to fireplace surround, built in Grand Father clock, painted window and large floral patterned wall papers, hallway with decorative enclosed dummy staircase to rear, country scene picture and William Morris style papers, first floor living room with built in wooden paper printed fireplace with mantle clock, large printed window and door with ornate surround, third floor bedrooms with built in wooden paper printed fireplaces, rear windows and floral papers, 38”(96.5cm) tall, 23” (58.5cm) wide, 12 ¼” (31.5cm) deep, (condition: good, usual play ware, first floor room with split to rear wall).

Gilt metal dolls house miniatures, 1880s, including pair of ornate candle sticks, mantle clock, gong, hanging shelf, ink blotter, two mirrors, bird cage and pewter six-branch chandelier, kettle and more, gong 3” (8cm) tall, (condition: mostly good, some pieces incomplete).

A carved wooden Black Forest type mantle clock, H. 30.

A French gilt metal mantle clock, the movement stamped Barbot with Japy Freres 1855 expedition medal  Condition Report:Available upon request

A French alabaster mantle clock, the dial with Arabic numerals Condition Report:Available upon request

An Edwardian inlaid mantle clock Condition Report:Available upon request

An assortment of mainly reproduction military and other headgear, to include a pith helmet, Machine Gun Corps officer's cap, US army helmet, sailor caps etc.; together with an Art Deco style mantle clock Condition Report:Available upon request

A mixed lot, to include a heavy glass inkwell, magnifying glasses, glass paperweight with early photographic view of Union Street, Aberdeen, assorted treen boxes, two miniature desk calendars, mantle clock etc. Condition Report:Available upon request

A 19th century porcelain cased mantle clock, the rear of the movement stamped Vulliamy London and numbered 1598, the chapter ring also stamped and housed in a good quality porcelain floral encrusted case. Height 29 cm (see illustration). CONDITION REPORT: The pendulum bob is numbered, this is not entirely clear, but it looks to be 1589 or 589. We have not had this movement running so we cannot confirm if it is in working order. The glass to the front of the case is missing. There is wear and dirt to the brass face. The overall porcelain body is structurally intact but there are very small losses to some of the flowers and other smaller parts of the porcelain, alongside that there is also some wear to the gilt and other areas of decoration. Also apparent are hairline cracks in the two back legs. On examining the movement, it is clear that the suspension has dropped which means the pendulum is hanging lower, there is some sort of repair with Sellotape and a paperclip. We can confirm the number on the pendulum and the back of the clock are the same, so they do belong to each other.

An Edwardian mahogany mitre topped mantle clock, with two train striking movement. Height 31 cm, complete with key and pendulum.

A Victorian onyx mantle clock, with two train movement striking on a gong. Height 26.5 cm, width 26.5 cm, depth 13.5 cm. CONDITION REPORT: The movement winds on both trains. It strikes when manually advanced. The movement does tick for a short period of time before stopping. The case is in generally good order with only minor surface scratches, marks and small chips to the sharp edges and corners. The top left part round front pediment edge has a crack. The dial is in generally good order as are both the front and rear doors. We have the pendulum but no key.

An Edwardian inlaid mahogany eight day mantle clock, together with a miniature folding poker work table and a tie press.

A continental ormolu mounted mantle clock, in the Rococo style, eight day striking movement, on a gilt base. Height including base 45 cm. CONDITION REPORT: The movement winds on both trains and is currently ticking away without the pendulum in place. The movement strikes on the half and full when manually advanced. We have the pendulum but no key. The case is a little tarnished, dusty, and dirty, it is however all present with no losses or any significant issues. The dial is in good order. The front door is in good condition as is the rear. The wooden base beneath is dusty and dirty and has clearly been re-painted. There are losses to the mouldings and various repairs to the base.

An early 20th century continental brass mantle clock, in the Neo-Classical style. Height 40 cm.

An Art Deco walnut cased Westminster chime three train mantle clock. Height 22 cm, width 26 cm, depth 14 cm. CONDITION REPORT: The movement winds on all three trains and we have the key and pendulum. We have had the clock ticking away for a short period of time and when the hands are manually advanced it does seem to chime and strike. The case is a little tired with surface marks and blemishes and minor veneer losses. There does not appear to be any water damage to the top of the case but there is a small piece of veneer missing at the front edge. The chrome plated door surround is tarnished and has lost some of the original finish. The door closes as it should, as does the rear door. The movement appears to be complete.

A late Victorian ebonised mantle clock, on square dial and two train striking movement. Height 41 cm, width 35 cm, depth 15 cm.

Two late Victorian black slate mantle clocks, one with two train striking movement, the other timepiece only. Tallest 28 cm. CONDITION REPORT: The clock with the flat top comes with the key and pendulum. The movement is fully wound but does tick for a short period of time. The case has a loss to the top left-hand corner and other small edge nibbles as one would probably expect. Both doors are present. The dial is a little tarnished but in generally good order. We have the key and pendulum. The accompanying clock winds on both trains and we have the key and pendulum. The movement is ticking away without the pendulum in situ. The movement seems to strike correctly when manually advanced. There are nibbles around the winding apertures and some scratches and marks to the dial. The case is in generally good order with only minor nibbles as one would expect. The front and rear doors are both present as is the key and pendulum.

A large black slate late Victorian mantle clock with bronze figural mounts. Height 55 cm, width 40 cm.

An Edwardian inlaid mahogany mantle clock, with single train movement. Case width 31 cm. CONDITION REPORT: The movement winds. When the escapement is activated the clock does tick for +/- 10 seconds or so and then stops. The dial is in good order with no issues. The glass door is in good order. The front of the clock is in generally good condition again with no issues. The top of the case is a little faded and has some old watermarks. All brasswork is present but tarnished.

A 19th century rosewood and inlaid mantle clock, by Paul Garnier No. 1148 circa 1835-40, with Garnier Patent two train movement and marked H Marc Paris. Height 24 cm, width 17 cm, depth 8 cm (see illustration). CONDITION REPORT: The movement winds on both trains. It appears to strike correctly when manually advanced. It is also currently ticking away but does stop after a short period of time. The case is in generally good condition. The door glass is in good order as is all brasswork. The movement appears to be generally very clean. The top glass also appears to be in good order. The only minor issue with the case is stress fractures and small veneer repairs to the left-hand side of the case. The rear door is in good order although the silk type cloth backing has begun to perish. We have the key.

A Continental brass cased mantle clock, an ebonised architectural form mantle clock and a mid 20th Century brass four glass mantle clock

A Metamec of East Dereham (Norfolk) circular wall dial with yellow banded chapter ring with Arabic numerals, a Metamec of East Dereham (Norfolk) walnut cased mantle clock and a 1930s walnut cased mantle clock

A 20th Century simulated bronze figural mantle clock, the Japanese quartz movement with circular dial inscribed "Juliana" 80 cm high

A circa 1900 black marble cased architectural mantle clock with column decoration and eight day French movement with circular enamel dial and Roman numerals bearing plaque inscribed "Presented to Samuel Tooze as a mark of grateful esteem for the loyal devotion shewn during a faithful service of 25 years Aug 2nd 1913" 31 cm high

A circa 1900 black marble cased architectural mantle clock with column decoration and eight day French movement with circular enamel dial and Roman numerals bearing a plaque inscribed "Sept 1918 Presented with every good wish to Adela Horwood on her marriage, by the parishioners of Aldermaston" 33 cm high

A circa 1900 walnut cased French mantle clock, the eight day movement by Jules Rolez Ltd of Paris with circular porcelain dial and Arabic numerals 28 cm high

A circa 1900 walnut cased balloon style mantle clock with carved decoration to the column, the French movement with circular dial and Roman and Arabic numerals raised on brass ball feet 24 cm high

Two boxes of various clocks including five various dome top clocks, eighteen various mantle clocks and a box of various clock parts including dials, chapter rings, springs, movements etc

A carving set, mantle clock and medals etc.

A collection of egg cups and a mantle clock

A late C19th cast spelter figural mantle clock, cast figure of an Arab gentleman in the manner of of Bergman, circular black and red enamel.  36cm H x 30cm L

Gilded French mantle clock, flanked by figures of Grecian women sat on Regency style cross stretcher stools, 37cm W x 30cmH

WATERFORD CRYSTAL CONDIMENT SET AND SMALL MANTLE CLOCK

MANTLE CLOCK

A Cast Bust of Nymph Maiden, a Resin Cast Mimi Bust After Raymond Pierre Dupont, an Ornate Gilt Metal Wall Clock and a Resin Mantle Clock