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Click here to subscribe2 Original Period Magic Lantern Lecture Posters, including a poster titled 'Grand Magic Lantern Exhibition....In all over 200 views of a stricktly moral character. Nothing to offend the most fastidious person' (31.5cm x 47cm), and '...Mr Hoyle Historical & Geographical Lecture on War in Egypt and the Soudan.....' (25cm x 75cm)
Brass & Mahogany Biunial Magic Lantern, English, c.1890, the large French polished mahogany body with two panelled doors to each side, lacquered brass handles, blue glass window coveres, all on a large baseboard, body with black steel plate interior, original black painted tin plate chimney, two condenser lenses, brass adjustable lens mount to the front with dissolving curtain, lenses with 2 drawer extension, projection lenses with rack and pinion focus both with lens covers, with 2 'R.R. Beard' slide holders, height 67cm
Scenes In China, 10 Extremely Fine Hand Painted Magic Lantern Slides, English, 19th century, 10 slides ( 10cm x 8 cm) from a collection of 12 all by Cox between 2 addresses of 22 Skinner St London & 28 Ludgate Hill, London, slides labeled in ink as: slide 1, Canton. Slide 3, West Point, Hong Kong. Slide 4, European Factories, Canton. Slide 6, Bastinado. Slide 7, Punishment of the Wooden. Slide 8, Fishing with Cormorants. Slide 9, Flying Kites. Slide 10, Chinese Doctor. Slide 11, Hat Vendor's Shop. Slide 12, Lantern Merchant Cox. each slide very finely painted and detailed.
A Complex Mechanical Polarising Magic Lantern Slide of a Swan, the slide is constructed of mahogany with an image of a swan between 2 polarizing film filters, the handle rotates one of the filter to reveal the effect of changing colour, the swan image is made up of selenite crystals cut to cut to reveal the colour change under polarised light, a delicate and skilled job that only a few tradesmen were capable of producing, 18cm x 10cm Footnote: the vendor says 'Many University students were able to observe their lectures demonstrating the basic scientific principles with the use of the magic lantern. Some of these experiments were modified to be used in public entertainment lantern shows. The polarizing of light was a good example of a pure physics experiment adapted to produce a puzzling optical illusion as a slide of a white swan becomes a black swan as if by magic.'
Antique photographic interest, Underwood and Underwood of New York stereoscopic 1901, viewer and a collection of image cards to include mostly places and buildings, six of early 20th century Japan, along with a collection of portraits by various photographers, some postcards glass plate negatives, and glass magic lantern slides of a religious nature
Multifaceted clear and blue crystal, first of the Magic of Dance trilogy. Swarovski etched backstamp. This item has its original box, 10.75"L x 6.5"W x 5.75"H, and outer box. Issued: 2002Dimensions: 4.5"L x 3.25"W x 8"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Matchbox Lesney Superfast Blisterpack Model: MB-51 Midnight Magic based on MB-53 Tanzara, BLACK body and Silver prints, Chrome interior, Pearly Silver Hong Kong Lesney base, model is near mint with usual print anomalies and mark to lower edge near base in a sealed from new very near mint blisterpack (1 item)
Ca. 4000 - 3000 BC.An amazing terracotta head of Vinca Idol represented with large face and elongated incised eyes. This statuette, probably a cult idol, dates to the Neolithic Era which saw the development of farming and human technology. This flourishing culture was the largest known in Europe at that time. Clay statuettes have been discovered in the region's Vinca settlements, suggesting of the intense magic-religious practices within the Vinca culture. This statuette is anthropomorphic, or human-shaped, and is presumed to have been used for ritual purposes. For similar see: Cleveland Museum of Art, 106A Migration Period & Coptic. Size: 75mm x 65mm; Weight: 320g Provenance: Property of a central London gallery, acquired on the US art market; formerly in NYC collection; Ex. F. A. gallery NYC.
Alex Colville (1920–2013) was a Canadian painter known for his meticulously detailed and enigmatic works, which often depicted scenes of everyday life imbued with a sense of mystery and tension. He is considered one of Canada's most renowned artists of the 20th century and a master of magic realism.Born in Toronto, Canada, Colville studied fine art at Mount Allison University in New Brunswick and later served as a war artist during World War II. His experiences during the war profoundly influenced his art, and themes of conflict, isolation, and existential unease are recurrent in his work.Colville's paintings are characterized by their precise draftsmanship, carefully composed scenes, and muted color palette. He often depicted ordinary people engaged in mundane activities—such as swimming, fishing, or sitting in a living room—but rendered them in a way that imbued them with a sense of mystery and ambiguity.One of Colville's most famous paintings is "Horse and Train" (1954), which depicts a powerful black horse charging down a railroad track toward an oncoming train. The painting is often interpreted as a metaphor for the struggle between nature and technology, as well as a meditation on mortality and the passage of time.In addition to his paintings, Colville also worked as a printmaker and created a series of iconic designs for Canadian coins, including the popular centennial penny in 1967.Colville's work received international acclaim, and he represented Canada at the Venice Biennale in 1966. His paintings are held in major museums and collections around the world, and he is celebrated for his ability to capture the quiet drama and underlying tension of everyday life.Alex Colville's legacy as one of Canada's greatest artists endures to this day. His works continue to fascinate and intrigue viewers with their haunting beauty and enigmatic narratives, and he remains a revered figure in the world of contemporary art.Measures 37.7 x 37.7.
Paris, the capital city of France, is renowned worldwide for its timeless elegance, rich history, and unparalleled cultural offerings. Often referred to as the "City of Light" (La Ville Lumière), Paris is celebrated for its iconic landmarks, artistic treasures, and romantic ambiance.At the heart of Paris lies the majestic Eiffel Tower, an enduring symbol of the city and one of the most visited monuments in the world. Visitors flock to the tower to admire its stunning architecture, ascend to its observation decks for panoramic views of the city, and experience the magic of its twinkling lights at night.Paris is also home to an array of world-class museums and art galleries, including the Louvre, the Musée d'Orsay, and the Centre Pompidou, which showcase masterpieces by some of history's greatest artists, from Leonardo da Vinci and Michelangelo to Monet, Van Gogh, and Picasso.The city's historic neighborhoods, such as the Marais, Montmartre, and Saint-Germain-des-Prés, exude charm and character, with their cobblestone streets, quaint cafes, and vibrant street markets. Visitors can stroll along the Seine River, explore hidden courtyards and gardens, and soak up the atmosphere of Parisian life.Paris is also renowned for its culinary delights, with an abundance of bistros, brasseries, and Michelin-starred restaurants offering exquisite French cuisine. From croissants and baguettes to escargot and foie gras, Paris tantalizes the taste buds with its delectable dishes and culinary traditions.Beyond its iconic landmarks and cultural attractions, Paris offers endless opportunities for shopping, entertainment, and leisure. The city's boutiques, department stores, and flea markets cater to every style and budget, while its theaters, cabarets, and music venues provide a rich tapestry of entertainment options for visitors of all interests.With its timeless beauty, cultural richness, and romantic allure, Paris continues to captivate travelers from around the globe, offering an unforgettable experience that celebrates the art, history, and joie de vivre of the French capital.Backed by canvas.Measures 33 x 24.
‡ NINA HAMNETT (Welsh 1890-1956) pencil - entitled verso, 'Life Class', signed with initials, dated verso c.1920, 44 x 28cmsProvenance: private collection West MidlandsAuctioneer's Note: born Tenby, studied at the Pelham Art School and the London School of Art between 1906 and 1910. Then launched herself into the London art world on the strength of a fifty pound advance on an inheritance from her uncle and a stipend of two shillings and sixpence a week from her aunts. She socialised with the likes of Augustus John, Walter Sickert, and Henri Gaudier-Brzeska. She became very popular as a result of her high spirits, her devil-may-care attitude, and her sexual promiscuity. Like other women at the time revelling in a newfound independence, she had her hair cut short in a ‘crophead’ style (what we would now call a basin cut) and she wore eccentric clothing: It was said that at this phase in her life Nina Hamnett had the knack of being in the right place at the right time. In 1914 she went to live in Montparnasse, Paris, immediately meeting on her first night there the Italian painter Amedeo Modigliani. He introduced her to Picasso, Serge Dighilev, and Jean Cocteau, and she went to live at the famous artist’s residence of La Ruche which housed many other Bohemian artists and modernist writers. It was there that she met the Norwegian artist Roald Kristian, who became her first husband. Rapidly she established herself as a flamboyant and unconventional figure - bisexual, drank heavily, and had liaisons with many other artists in Bohemian society, often modelling for them as a way of earning a (precarious) living. She established her reputation as ‘The Queen of Bohemia’ by such antics as dancing nude on a cafe table amongst her drinking friends. Her reputation as a Bohemian and an artist eventually filtered back to London, where she returned to join Roger Fry and his circle working on the application of modernist design principles to fabrics, furniture, clothes, and household objects as part of the Omega Workshops. She acted as a model for the clothes along with Mary Hutchinson, Clive Bell‘s mistress, and she mingled with other members of the Bloomsbury Group, such as Vanessa Bell and Duncan Grant. Her paintings were exhibited at the Royal Academy and the Salon d’Automne in Paris. She also taught at the Westminster Technical Institute in London. Around this time she divorced her first husband and lived with the composer and fellow alcoholic E.J. Moeran. During the 1920s (and for the rest of her life) she made the area in central London known as Fitzrovia her home and stomping ground. This new locale for arty-Bohemia was centred on the Fitzroy Tavern in Charlotte Street which she frequented along with fellow Welsh artists Augustus John and Dylan Thomas, making occasional excursions across Oxford Street to the Gargoyle Club in Soho.After the glamorous world of modernism and the artistic avant-garde, there was a no less spectacular descent into poverty, squalor, and alcoholism, living in a bed-sit in Howland Street, infested with lice and littered with rodent droppings. It was said that the flat was furnished only with a broken-down chair, a piece of string for a clothes line, and newspapers instead of proper bedding. In 1932 she published a volume of memoirs entitled 'Laughing Torso', which was a best-seller in both the UK and the USA. Following its publication she was sued by Aleister Crowley, whom she had accused of practising black magic. The ensuing trial caused a sensation which helped sales of the book, and Crowley lost his case.Her success in this instance only fuelled her downward spiral, and she spent the last three decades of her life propping up the bar of the Fitzroy trading anecdotes of her glory years for free drinks. She took little interest in personal hygiene, was incontinent in public, and vomited into her handbag. Her ending was as spectacular as had been her previous life. Drunk one night she either fell or jumped from the window of her flat and was impaled on the railing spikes below. She lingered miserably in hospital for three more days, where her last words were “Why don’t they let me die?”Comments: framed and glazed, ready to hang
An engraved calligraphic copper alloy magic bowl, Zand or Qajar Iran, 18th-19th century, on short straight foot, engraved overall with Qur'anic verses and prayers, the cavetto with a larger inscription which letters' shafts radiate towards the central raised bosse, the exterior with fish and hanging palmettes, a calligraphic register above, the rim pierced, charms lacking,21cm. diam.
An engraved copper alloy magic bowl,Qajar Iran, dated AH 1221/1806 ADOf typical form, on short straight foot, the well with raised and truncated bosse, the rounded wall rising to a flat rim, all with prayers and incantations, the exterior with similar inscriptions providing a dense field to a bold band of loose naskh, the base with the signs of the zodiac, the recess inscribed21cm. diam.
80s POP / ROCK - APPROX 100 x 7" SINGLE RECORDS INCLUDING: THE SMITHS - HOW SOON IS NOW, YELLOW MAGIC ORCHESTRA - THEME FROM 'THE INVADERS', KATE BUSH - CLOUD BURSTING, UFO - SHOOT SHOOT EP, CLEAR VINYL, SIMPLE MINDS - UP ON THE CATWALK, PICTURE DISC, QUEEN, BANANARAMA, DAVID BOWIE, THOMPSON TWINS ETC.
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![Lladro - A large figure depicting a recumbent clown with flowers, # 6913, The Magic Of Comedy, approximately 34 cm (l). [W]Co](https://cdn.globalauctionplatform.com/ded3b404-50c1-43db-8cd0-b11e0116b03f/5d302a90-908b-4ab6-a51b-b150010dd736/468x382.jpg)
