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Lot 368
2003 Suzuki TR50S Street Magic MopedRegistration no. FH03 BTFFrame no. JS1AH311300102102Engine no. 102078The very embodiment of the term 'funky moped', though in fact it was more like a mini-bike, the Suzuki TR50 Street Magic first appeared in 1997 and was built until 2005 when the revised Street Magic II arrived. The Street Magic featured a 49cc fan-cooled two-stroke engine producing 7.1bhp, which was suspended beneath a spine-type frame. Currently displaying a total of 12,008 kilometres on the odometer, this Street Magic appears to have been well looked after throughout its life and is described by the vendor as running and ready to ride. Last run in September 2021, the Suzuki appears to be a UK model; not many were sold here as they were relatively expensive. The machine is offered with its original handbooks and manuals together with old MoTs, repair bills and tax discs in the original dealer's wallet.Footnotes:As with all Lots in the Sale, this Lot is sold 'as is/where is' and Bidders must satisfy themselves as to the provenance, condition, age, completeness, and originality prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 210
MARSHALL JCM 900 COMBO AMPLIFIER. 50w High Gain Dual Reverb.A bit more normally... On 'The Echo and The Bunnymen Tour' our Liverpool friends used these amps on stage and they sounded fantastic. Barney suggested Gillian got them too. We scoured America to find some and had them shipped out at great cost. They were used for a while, but just didn’t have that 'Will Sergeant' magic.
Lot 35
Registration No: 430 XVKChassis No: BN1- L224662MOT: April 2022Supplied to the USA in left hand drive configurationFinished in desirable 'Ice Metallic Blue'Fitted with uprated '3000' front disk brakesDonald Healey's eponymous company built a prototype two-seater sports car for display at the 1952 London Motor Show. It was based on Austin A90 Atlantic mechanicals and sported a notably sleek body designed by Gerry Coker and built by Tickford. It was dubbed the 'Healey Hundred' (a moniker chosen to reflect the car's ability to reach the magic 100mph), and, subject to a suitably encouraging response, Healey planned to build production versions in-house at his factory in Warwick. As things transpired, not only did the Ice Blue prototype more than impress the public, but also so excited Austin's Managing Director, Leonard Lord, that he struck a deal to build the car in volume at Longbridge. The newcomer was renamed the Austin-Healey 100/4. The rest, as they say, is history.The 100/4's chassis was a departure from the company's previous backbone designs and comprised a pair of three-inch square box-section side members running the length of the car, some 17 inches apart. These were braced by parallel and cruciform cross-members to which the steel floor pressings were attached. After the first 25 cars had been constructed at Healey's own premises in Warwick, the production of the mainstream bodyshells was turned over to Jensen. Once complete, the shells were transported to Longbridge, where the Healeys were assembled alongside the A90.The early examples (code named BN1s) were equipped with the same 90bhp 2660cc engines and manual four-speed transmissions as the A90 though, in an unusual move, Austin modified the gearbox so it operated as a three-speed unit with overdrive on the top two ratios. The car had 11-inch drum brakes all round. The front suspension was independent by coil springs while the rear featured a traditional live axle supported by semi-elliptic leaf springs. Damping was by Girling lever arm units all round and the steering was by cam and lever. A 1953 BN1 tested by Motor magazine returned a top speed of 106mph and achieved the 0-60mph dash in 11.2 seconds. A total of 10,688 BN1s are believed to have been produced between January 1953 and 1955 (the vast majority of which went overseas), when the model was superseded by the BN2.This BN1 on offer is an original left-hand drive USA export market example and was the subject of must previous restoration work, reportedly carried out to an exceptional standard more than twenty years ago. The 'Big' Healey is now finished in Ice Blue (having been colour changed from the original Spruce Green) and is trimmed in complementing Navy Blue leather - The vendor states "it was a frame-off restoration that showcased a full respray (including the floor pans). You would not be able to tell the car was a different colour from factory unless you had been told previously. The car has just had a brand new soft top fitted as well as brand new side screens in case you were to get caught out in a storm. It’s also just had 5 new radial tyres and tubes. It also sports a new upgraded single 12V battery instead of the standard 2x6v batteries. All electronics work as they should including the well know troublesome self-cancelling indicator and horn switch. The seats are leather, carpets look well as do the door cards. Possibly the biggest highlight of this car is its California history — it is basically rust free from body to frame."The vendor states that the odemeter reads 12,213 and assures us that '430 XVK' "drives as well as it looks". A rare opportunity for the ever-growing army of early 'Big' Healey collectors to purchase a vehicle equally suited to a relaxing drive in the UK countryside, but with subtle upgrades and a left-hand driving position to make it a serious contender for continental and long-distance rallying. It comes complete with photographic evidence of the restoration and extensive service and MOT history, plus a current certificate valid into April 2022.For more information, please contact:Adam Sykesadam.sykes@handh.co.uk07429600332
Lot 160
A FRENCH PATINATED SPELTER AND GILT BRASS MOUNTED BELGE NOIR MARBLE FIGURAL MYSTERY MANTEL CLOCKAndre Romain Guilmet, Paris, late 19th century The circular countwheel bell striking movement with Guilmet`s crank and stirrup escapement connected via fixed crutch passing through the movement plates to a cylindrical steel post resting on pin pivot and carrying the moulded plinth for the figure surmount, the backplate stamped with oval GLT, BREVETTE, S.G.D.G. trademark and numbered 1678, the 4 inch gilt on black marble circular Roman numeral dial with gilt spade hands set behind egg-and-dart cast hinged bevel-glazed bezel, the rectangular plinth-form case with 'bronze' patinated spelter figural surmount cast as a standing Classical female holding aloft in her right hand the spring suspension for the glass inset bob pendulum above cavetto moulded top and strapwork scroll cartouche cast gilt side handles, the front with incised gilt scroll decorated infill around dial, on generous cavetto moulded skirt base with conforming decoration to front over scroll cast lions paw feet with scroll cast pendant apron between to front.71cm (28ins) high, 37cm (14.25ins) wide, 24cm (9.5ins) deep. Provenance: The Selwyn Demmy Collection. Andre Romain Guilmet (born on the 10th of December 1827 in La Ferte-Gaucher, France) was amongst a number of French clockmakers, including Robert Houdin, who responded to the nineteenth century Parisian passion for magic and conjuring by designing a clock which was inherently mysterious in nature. The mechanism which he devised was designed to give the impression that the pendulum, held by the figural surmount, appeared to oscillate without and impulse. This was achieved by standing the figure on a post which was pivoted on a pinpoint at the base, this allowed the figure itself to oscillate side to side imperceptibly. With this post connected to the specially designed escapement the impulse for the pendulum is ingeniously transferred through the figure. Guilmet was granted Patent for his invention in 1867, which was modified on 1872. The apparent popularity for his design of `Pendule a marche mysterieuse` can in part be due to the showing of such clocks at the various international exhibitions held in Paris and elsewhere throughout the latter quarter of the 19th century.Condition Report: Movement is in relatively clean working condition with no visible evidence of alteration or significant replacements. The dial is free from visible damage and appears to retain original gilding to the hands and incised numerals. The case is also generally in fine original condition with the figure being free from visible damage and repair and retaining its original 'bronze' patination in fine condition. The marble has a small chip to the upper left hand projection and another larger chip/loss to the lower edge of the skirt where the marble butts up to the front left hand foot. Otherwise damage to marble is limited to a few other small edge chips and light grey blooming to the surface. The gilding to the brass handle and mounts also has some noticeable historic wear. Overall generally a fine example in good original untouched condition.Clock has pendulum and a winding key. Condition Report Disclaimer
Lot 1269
Approximately 250 UK issue 1970s and 1980s Soul / Funk / Disco singles including Atlantic Starr, Ashfield and Simpson, The Armada Orchestra, Aquarian Dream, Andrea True Connection, Roy Ayers, Average White Band, Patti Austin, Tom Browne, Celi Bee, Barrabas, JJ Barnes, The Bar-Kays, Blackbyrds, Blood Stone, Blue Magic, BT Express, Peabo Bryson, Hamilton Bohannon, Brass Construction, Brick, Johnny Bristol, The Brothers, The Brothers Johnson, Peter Brown, Shirley Brown, Anita Baker, Eric B and Rakim etc includes promos
Lot 648
Three books comprising 'The Magic of the Mersey' second series, containing six facsimile watercolour drawings by Sam J. M. Brown, with various images of ships on the Mersey, printed and published by The Liverpool Daily Post & Mercury Ltd, 'Ancichten von Berlin und Umbebung', and Alexander Chisholm & Co Ltd, Builders Decorators and Furnishers based in the Cunard Building Liverpool, featuring black and white photographs of various buildings and rooms that the company of Alexander Chisholm had decorated and designed to include Welcombe Hotel, Stratford on Avon, parts of the Cunard building, the ballroom of the Majestic Hotel, Harrogate, and many more (3).
Lot 725
Vintage toys to include a 'Magic Dancer' automaton music box with harlequin and doves in hands which dances when lower drawer is opened, family table skittles by Casdon, skittle, three balls and a numbered jack in wooden case (af), eleven books 'The Broons', 1980s, and five 'Oor Wullie' books. CONDITION REPORT Books - sold on behalf of Barnardos charity and most have charity barcode to front some in poor condition.'Oor Wullie' books.- all foxed three with title pages, two without, one cover coming awayBroons - one cover page missing , some covers coming away or loose
Lot 341
GIUSEPPE ARMANI; five figures comprising a figure from the 'Florence Collection', 'Tosca Dama Con Rose in Braccio', limited edition no.2009/5000, 'Magic Touch', limited edition no.672/5000, 'Carmen' limited edition no.1053/5000, 'Lacey', limited edition no.780/2000 and 'Indigo', height of largest 49cm, with boxes (5). CONDITION REPORT Magic touch - has chip to sleeveothers appear ok
Lot 624
Various collectible books to include 'A Bear Called Paddington' by Michael Bond, 'Peter and the Wolf', in presentation box, illustrated by Bono for the Irish Hospice Foundation, First Edition, Folio Society 2008 'Tom's Midnight Garden' by Phillipa Pierce, a limited edition, 'Alice's Adventures In Wonderland', specially bound by St Martins Press, limited to fifty copies, 'The Magic Flute', with music themes by Wolfgang Amadeus Mozart, 'Perfume, The Story of a Murderer' by Patrick Suskind, 'Comeback' Jean Claude Killy, 'Papillon' by Henri Charriere, 'The Hound of the Baskervilles' with lino cuts by Edward Bawden 1987 The Folio Society, also some sporting biographies to include 'Gazza, My Story' signed, David Gower autobiography, signed, Mike Atherton, 'Jacklin, The Champion's Own Story' signed by Tony Jacklin and 'The Fight for the Ashes 1932-3', by J. B. Hobbs (14). CONDITION REPORT 'A Bear Called Paddington' by Michael Bond - 8th Edition
Lot 125
Aviation interest: A collection of early-20th century magic lantern photographic slides comprising three part-sets, History of Flying Set 1 (slides 2, 4-18, 22-50), Modern Flying Machines Set 2 (slides 1-48, 50) and Aviation Balloons & Airships (slides 2-7, 9-10, 13-22, 24-28, 30, 31), six other aviation slides and nine others, miscellaneous, (134 slides approximately).
Lot 138
A GROUP OF CAT RELATED BOOKS AND OTHER ITEMS Comprising: a quantity of cat focused books: Dr Seuss - The Cat in the Hat - Published 1997, Special Deluxe Edition T.S. Eliot - Collected Poems 1909-1935 - Tenth Impression November Mcmxlvi W. Oldfield Howey - The Cat in the Mysteries of Magic and Religion - Published 1956 T.S. Eliot - Old Possum's Book of Practical Cats (1 of 2) - Second Impression November Mcmxxxix T.S. Eliot - Old Possum's Book of Practical Cats (2 of 2) - 1986 Reprint Louis Wain - Cats - Eighth Impression 1920 Era Zistel - A Treasury of Cat Stories, Second printing 1947 Together with a rare Royal Doutlon Souter series ware cup and saucer featuring 'Kateroo' Largest book measures 24.5cm x 18cm Condition: Minor signs of wear commensurate with age and use
Lot 15
Lot No: 15 - Ref No: 005 All Creatures Great and Small By Elizabeth Kitson Summer Holiday Home: Dartmoor National Park Outreach Vehicle Sponsored by: West of England Motor Club "I first rode a pony on Dartmoor as a child nearly 80 years ago and went on to win the pony championship at the Royal international Horse Show aged 7. I went on to win the next two years running and later I wrote a book about my pony, Legend, who was born on Dartmoor. Riding every day Dartmoor's tors, scenery, wild flowers and animals were beautiful and exciting - a great escape from the restrictions of the war. Married life and teaching riding have taken me around the world, as well as many places in this country but I never forgot Dartmoor. I have been commissioned to paint many different living things from portraits of people to horses as well as landscapes and wildlife, I am interested to capture its essence and I especially love the colour and movement. I paint in oils, water colours, pastels, and my sculptures are cast in bronze. Painting is a great passion and as nature is under threat so I want to record the magic of it. I hope my otter, with its nearly two hundred images painted in enamel will inspire people to look at and preserve the natural world." This Otter is a 'Golden Otter' - one that has been specially selected by a panel of expert judges as being particularly stunning. Of the 81 Moor Otters there are only 25 Golden Otters. These Golden Otters will take their online bids to the live auction on Saturday, 2nd October 2021 at Bearnes, Hampton & Littlewood, Okehampton St, Exeter. You can continue to bid on these otters at the live auction in person or online.
Lot 4131
Jean Bodin: 'De la Demonomanie des Sorciers: A Monseigneur M. Chrestofle de Thou, Cheualier, Seigneur de Cœli, premier president en la Cour de Parlement, & Conseiller du Roy en son priue Conseil...', Paris, Jacques du Puy, 1587, Bodin's major and influential work on sorcery and the witchcraft persecutions. The book relates histories of sorcerers, and gives a report of a 1552 public exorcism in Paris, and of the case of Magdalena de la Cruz of Cordova, an abbess who had confessed to sexual relations with the Devil over three decades. Bodin cites Pierre Marner on werewolf accounts from Savoie, and denounces the works of Cornelius Agrippa, and the perceived traffic in "sorceries" carried out along the Spanish Road, running along eastern France for much of its length. Leaves numbered ff218-252 cover refutations of the opinions of Johann Weyer (1515-1588), Dutch physician, occultist and demonologist, disciple and follower of Heinrich Cornelius Agrippa. Some internal browning, light waterstaining at top edge of some leaves, ff241 slight damage just affecting small part of text, "A.L.L.R." inkstamp to title page and manuscript pen and ink marginalia and annotations to several leaves throughout (circa 17th/18th Century, some slightly later to preface in brown pencil), final leaf numbered ff252, but 14 unnumbered leaves at front including title page, preface etc, before 256 numbered leaves (some mispagination including ff44 misnumbered 43, ff100 misnumbered 80, 2 x ff228, 3 leaves following ff243 and preceding ff244 incorrectly numbered 241,242 & 243, etc). Contemporary calf gilt (worn), inner joint at front reinforced (not recent), all edges marbled. A rare and important 16th Century work relating to demonology, witchcraft, occult, demonomania and magic.
Lot 3083
A Good Ekco Type AC97 'The Robot' Wireless Receiver, 1936, the brown bakelite cased version, with central magic eye tuning, vertical tuning dial and the famous facial-like features to front of the tall stepped case flanked with triple ribbed side details and curved top profile. Footnote: Released the same year as the start of regular television transmissions, Chaplin's iconic and futuristic Modern Times film and when Laing's masterpiece Metropolis was still making an impact, this highly robotic-like model with facial-like features still makes an impact, especially when the magic eye and dial is lit. One of the most important wireless designs ever realised.
Lot 3095
Gecophone And Other 1930s Wireless Receivers: A Gecophone type BC3235, with double-line bar tuning, fan bakelite fret, in polished and crossbanded case; a Gecophone Inductance speaker, with matching fret and polished beech case; a Ferranti 'Nova' super-heterodyne receiver, in rounded brown and cream bakelite case with pearlised dial; an early 1930s GEC receiver, with vertical tuning dial in wooden case; and a Pilot three-band receiver with magic eye tuning, in two-tone veneered case (5)
Lot 3098
Popular 1940s/50s Bakelite-Cased Wireless Receivers: A Bush DAC10, with typical tortoiseshell effect push buttons, brown and white case; a Philips type 470U; a Murphy type 192 in ovoid-form case; a Cossor Melody-Maker in dark brown stepped case; an Ekco type A44 in cream and brown; and a Philips type 170A-15 with magic eye tuning (6)
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30123 item(s)/page