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International Times (1967-69) 17, 19-29, 40, 49 Mick Jagger, Keith Richard drugs bust, John Peel's Perfumed Garden, Ads for Pink Floyd, Jimi Hendrix Experience, Jefferson Airplane. Crazy World of Arthur Brown interviews. John Lennon, William Blake quotations. The WHO, Magical Mystery Tour ad. Robert Crumb cartoon comic strip, The Doors album review. Roy Lichtenstein interview, Psychedelia, LSD, Allen Ginsberg article 'The Maharishi and Me'. IT27 with Pop Supplement A-Z, B.B. King, Byrds, Cream, Fairport Convention, T Rex, First European Pop Festival, Yoga Tantric Sex, Magic Mushrooms (we could go on ...). Mostly fresh, unfolded copies, cream pages. Scarce in these grades. No 40 [vg], balance [fn/fn+] (14)
Indies Mix (1960s-70s). Adventures Into the Unknown 163, 166, Adventures of the Fly 5, 8, 15-18, Adventures of the Jaguar 12, 14, Captain Atom 82, Daring Adventures 17, 18, Flash Gordon 14 (x2), Flyman 34-36, Magic Agent 2, Mighty Crusaders 2, 3, 4 (x2), 5, Phantom 47, Sarge Steel 8, The Shadown 4 (x2), 5-8, Super-Heroes 1, Thunder Agents 13 (x2), 15-17, Undersea Agent 1, 2, 4. Mostly cents copies [gd/vg/fn] (41). No Reserve
Smoking Pipes : A collection of three E A Carey ' Magic Inch ' pipes , comprising Prince , Full Bent and Apple examples , together with a Peterson's ' Kildare ' Bent Rhodesian pipe , a Monty miniature Straight Rhodesian pipe , and an unusual Tyrolean pipe having briar , hazel , antler and horn sections . Together with an assortment of smoking paraphernalia , comprising a Belgian glass tobacco pot , circular pipe stand , a ' Kleen Reem ' pipe reaming tool , two tampers , a tobacco pouch , a spare ' Magic Inch ' stem and papyrates , cigar cutter and two cheroot / cigar holders ( 18 ) CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
TWENTY-EIGHT PHOTOGRAPHIC MAGIC LANTERN SLIDES OF BOER WAR INTEREST including those titled by hand 'Regt. Goat'; 'Camp Bones'; 'Sleeping'; 'Butcher'; 'Trenches S. Africa'; 'Cape Cart'; 'Mule Cart'; 'Natives'; 'Veldt Scene'; 'Veldt Farm'; 'Stables S. Africa'; 'Mounted Infantry'; 'Tommies N.S.W.'; and 'Transport'.
TEN SETS OF MAGIC LANTERN SLIDES comprising No.502, Never Ride a Strange Horse (8/8); No.514, The Tiger and the Tub (8/8); No.520, The Queen of Hearts (8/8); No.763, The House That Jack Built (8/8); Sweep and Whiewasher (8/8); Elephant's Revenge (8/8); Adventures of Mr & Mrs Brown with a Mouse (8/8); Jack the Giant Killer (8/8); Aladdin (11/12); and Mischievious Tommy (8/8), each boxed.
EIGHT SETS OF MAGIC LANTERN SLIDES comprising No.610, John Gilpin (8/8); No.611, Robinson Crusoe (8/8); No.732, Gulliver's Travels, Chapter One (8/8); No.733, Gulliver's Travels, Chapter Two (8/8); No.771, Sinbad the Sailor (8/8); No.801, Uncle Tom's Cabin, Chapter One (8/8); No.802, Uncle Tom's Cabin, Chapter Two (8/8); and No.803, Uncle Tom's Cabin, Chapter Three (8/8), each boxed.
EIGHT SETS OF MAGIC LANTERN SLIDES comprising No.512, Jack and the Beanstalk (7/8); No.513, Old Mother Hubbard (8/8); No.517, Hey Diddle Diddle (8/8); No.519, Sing a Song of Sixpence (8/8); No.765, Cinderella (8/8); No.776, Alice in Wonderland, Chapter One (8/8); No.777, Alice in Wonderland, Chapter Two (8/8); and No.778, Alice in Wonderland, Chapter Three (8/8), each boxed.
ASSORTED MAGIC LANTERN SLIDES mainly photographic topography and exhibitions, including 'Hex River Valley Railway Station'; 'Strawberry Picking, Canada'; 'Breaking Curd, Kaupokouni Cheese Factory, New Zealand'; 'Winter Cutting in Quebec Forest'; and 'Maori Women Greeting', (approximately 85, some duplication).
Single stone diamond ring, stamped '14k', the rectangular princess cut of approximately 0.7 carats, size L½, 4.5g gross Condition: Diamond 3.8mm x 4.5mm approx, good bright and white, clarity very good, girdle laser inscribed 'IGI 31412237..??, shank stamped '70 PLAT 14K MAGIC GLO'- **General condition consistent with age
Magic books to include - 'Tricks that Mystify' by Goldstone, 'Magic Worth Knowing' by Burt Douglas, 'Club Magic' by Burt Douglas, 'Magic Tricks and Card Trick' by Johnson, 'Pocketbook of Games' by Moorehead, 'Trick With Cards' by C Roberts, 'Practical Patter' by Oswald, 'After Dinner Sleights' by C. Lang Neil
FOUR TINPLATE TOYS to include 'Billy the Ball Blowing Magic Whale' by K O, Japan, 16 cms length, (working with key, slight scratching, balls and ball channel missing), a tinplate flat iron with front cockerel decoration, a Gama, made in West Germany crocodile, (working, no key) and an English make clockwork pecking bird, (working but needing attention, no key)
17th-18th century AD. A bronze magic bowl with raised boss in the centre, wide foot to the base; geometric pattern to the inside with Koranic inscriptions over the surface; outside with roundels and entire surface covered with inscriptions from the Koran. 463 grams, 19.5cm (7 3/4"). Property of a German gentleman; acquired before 1989. Fine condition. [No Reserve]
1st-4th century AD. A rectangular thin sheet, one side showing six lines of cursive script; small piercing at one corner. 17.83 grams, 53 x 60mm (2 x 2 1/2"). Fine condition. Rare. [No Reserve] Property of a London gentleman; acquired in the 1980s. See Gager, J. Curse tablets and Binding Spells from the Ancient World, Oxford, 1999. Curse tablets, known in Latin as defixionis, are small sheets of lead, inscribed with messages from individuals seeking to make gods and spirits act on their behalf and influence the behaviour of others against their will. The motives are usually malign and their expression violent, for example to wreck an opponent’s chariot in the circus, to compel a person to submit to sex or to take revenge on a thief. Letters and lines written back to front, magical gibberish and arcane words and symbols often lend the texts additional power to persuade. These bound tablets were usually placed beneath the ground, either buried in graves or tombs, thrown into wells or pools, sequestered in underground sanctuaries, or nailed to the walls of temples. The deities addressed on them are mostly associated with the underworld, such as Persephone, Hades or Hecate, as well as deities of revenge such as the Erinyes or the Furies. They are found across the Graeco-Roman world with over a thousand examples being known and with the greatest concentration of finds being in Greece. South West Britain has also produced a large quantity of them with the sacred spring at the temple of Sulis Minerva in Bath being a notable source , and the temple of Mercury at Uley producing over eighty examples. In the Graeco-Roman world all members of society, regardless of economic or class status, used such magic, as well as protect themselves from its effects by the use of amulets and rings bearing protective intaglios and inscriptions.
1st century BC-1st century AD. A penannular torc formed from three round-section silver rods, terminals formed as addorsed swan-heads. 160 grams, 19.5cm (8"). Very fine condition. From a private UK collection; formerly in a Munich collection formed in the 1970s. Supplied with a positive X-Ray Fluorescence metal analysis certificate. The torc was one of the most defining pieces of Celtic jewellery and was indicative of high status when worn by individuals. They are also frequently depicted around the necks of Celtic divinities. For the Celtic people the torc possibly held intrinsic magical and religious significance. Classical writers mention the Celts wearing torcs and Dio Cassius writes that the Icenian queen Boudicca always wore a torc of twisted gold. Torcs have been found in votive hoards, such as those from Snettisham in Norfolk, whilst others have been found buried with individuals who have been recognised as Celtic royalty, such as the prince buried at Hochdorf, Germany, and the princess from Vix, Burgundy in France. There are many depictions of humans and gods wearing torcs, such as the famous Roman marble statue of the Dying Gaul, as well as the Gundestrup Cauldron from Denmark which depicts as series of Celtic gods, each wearing a torc. The swan was an important animal in Celtic religion and is seen in the company of the three mother goddesses on a sculpture from Alesia in Burgundy. It also frequently appears in Irish literary sources as a supernatural creature associated with powerful women who shape-change to gain access to the world of the gods through the use of magic.
8th-12th century AD. A silver Elfshot amulet with filigree cap decorated with rows of triangles securing a Neolithic flint arrowhead; suspension ring above. 3.89 grams, 36mm (1 3/4"). Property of a professional collector; acquired before 1990. See Meaney Audrey L. Anglo Saxon Amulets and Curing Stones, British Archaeological Reports, British Series 96, 1981, p.210-212; Merrifield R. The Archaeology of Ritual and Magic, Batsford, 1987, p.16. Across Europe it was a commonly held belief in folklore that flint arrowheads were ascribed to the elves and fairies. It was believed that the fairies made the arrowheads and shot them at humans and livestock causing inexplicable diseases and illness. Finding a flint arrowhead was believed to be a sure means to recovery and they were often worn around the neck as an amulet to protect the owner from further attack. Other cures involved soaking the arrowhead in water and giving the patient the water to drink. They were also hung over stables and barns to protect the animals inside. Fine condition.

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30126 item(s)/page