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Lot 5309
Lot of 25 British Quads, Poltergeist 2, Runaway, When Time Ran Out, Porkys, Private Benjamin, Champions, Butch and Sundance The Early Days, Divine Madness, The Right Stuff, No Mercy, 1492 Conquest Of Paradise, Universal Soldier, Silkwood, Without A Trace, La Traviata, Savage Islands, The Big Chill, Secret Places, Cross Country, Spacehunter, Slapshot, Caveman, Extremities, Magic, The Dead Zone, all 40 x 30 inches, all folded Condition Report: All posters very good condition, creasing, edge creasing, edge wearAll posters very good condition, creasing, edge creasing, edge wear
Lot 4168
A large group of scarce independent comics and journals issues featuring early hard to find work by Alan Moore, Dave Gibbons, David Lloyd, Art Spiegelman and others (Mixed Publishers, 1980s onwards).Featuring early issues of scarce British underground anthology comics featuring work by Alan Moore, Dave Gibbons, David Lloyd, Art Spiegelman, Brian Bolland, Frank Miller, Bill Sienkiewicz, Robert Crumb, Neil Gaiman and other notable comic creators. From the Peter Judge Comic collection.This lot features:Alan Moores Maxwell The Magic Cat volume III.AARGH! (Artists Against Rampant Government Homophobia) Published by Alan Moores Mad Love Publishing company. Featuring a painted cover by Bill Sienkiewicz.3 In a Bed Nos. 3, 4, 5. The Mighty Apocalypse No. 1Awkward No. 1Blast No. 3Buzzard No. 2Rubber Blanket No. 3Crisp Biscuit No. 1Dead Fly Pie No. 1Electric Soup No. 8Alec Nos. Love and Beerglasses, Doggie in the Window.Escape No. 10Grave Tales No. 1Potato Cat Comics Presents Fantastic Life No. 1Fokker No. 1Fox Comics (Australias International Comics Magazine) No. 27Horror Monsters No. 6Life and Death (Fantagraphic Books)Love and Rockets No. 32!Gag! Nos. 6, 7Mad No. 146Malus No. 1Geoffrey The Tube Train and the Fat Comedian. Graphic novel.Neversedge No. 1Paraffin one-shot.Raw Vision: International Journal of Intuitive and Visionary Art No. 5Sav Sadness: The Whirlpool of Disaster, Sadness in SpaceSlang No. 2S.F Digest No. 1The Super Heroes Monthly (DC Publishing) No. 6The Suttons: Three Years in Maidstone (Introduction by Alan Moore)Toxic! No. 9Ugly Mug Nos. 1, 3The Lionheart Papers No. 1Velocity No. 4 Viz No. 17, 51.Strip Aids One-shot.Way Out Strips No. 3Weirdo No 13 (featuring work by Robert Crumb).This lot also contains an array of 2000AD, 2000AD Presents Crisis and Revolver issues.All issues 1st print, UK Pence copies.Complete without cut coupons or missing pages.Issues come bagged in new polypropylene bags.~(84)Condition Report: Generally excellent condition.Price stickers to some covers.
Lot 377
Large quantity of Rolls-Royce Enthusiasts Club Bulletins from the 1970s, 80s, 90s and early 2000s (not complete runs), copy plans, various sales brochures and reference books to include; set of 'The Magic of a Name, The Rolls-Royce Story' (Peter Pugh), in slip case, 'Rolls-Royce and Bentley' (Malcolm Bobbitt), etc.
Lot 101
A large collection of magic lantern slides, a Negretti & Zambra Magic Lantern and a pull-up screen. To include a 19th century hand painted interchangeable chromotrope set with pine stow case, 20 humourous single and double slipper slides in a cardboard file, a teak stow box with 18 various glass transparencies, a pine stow box with leather strap containing 57 slides of miscellaneous subjects, two pine stow boxes with miscellaneous slides both with hand written list to lids approx 98 slides, three boxes of early 20th century transparencies of topographical interest to include UK, Africa, New Zealand, Eygpt, Malaya, Burma, India, Japan, China, USA, studio portraits and miscellaneous, a slide frame and a half slide frame.
Lot 87
A group of thirty-five Ashanti brass gold weights, Ghana, late 19th - 20th century, of various forms including: shields, weapons, fish, geometric shapes, cartridge belts, a pipe, a stool, a crab claw, a fly whisk, six snails on a pole, abstract shapes and animals; together with a small Ashanti oval shaped wood carving, 20th century, 3cm high; and an Ashanti brass bracelet, 20th century, 13.2cm wide (37)Provenance: All acquired by Gimpel Fils, 1960's. Crab claw: Acquired from Mrs I. Hansen - September 1967.Six snails on a pole: Acquired from Sotheby’s, London, 10 February 1968, lot 3. Exhibited: Primitive Art from 2500BC, Gimpel Fils, London, 3 December 1968 - 18 January 1969.Cross: Acquired from Ernst Winizki, September 1967. Exhibited: Magic in Art, Gimpel Fils, London 30 November 1967 - 20 January 1968. Primitive Art from 2500BC, Gimpel Fils, London, 3 December 1968 - 18 January 1969.Two cartridge belts: Acquired from Sotheby’s, London, 22 October 1968, lot 3. Exhibited: Primitive Art from 2500BC, Gimpel Fils, London, 3 December 1968 - 18 January 1969.Fly whisk: Acquired, from Sotheby’s, London, 21 November 1967. Exhibited: Primitive Art from 2500BC, Gimpel Fils, London, 3 December 1968 - 18 January 1969.Stool: Acquired from Sotheby’s, London, 20 November 1967. Exhibited: Primitive Art from 2500BC, Gimpel Fils, London, 3 December 1968 - 18 January 1969.
Lot 1177
0 gauge and Gauge 1 Building and Lamp by Hugar Brimtoy and Jep Chad Valley Bus Box Meccano Magazine Model Railroad Literature Rivarossi Locomotive Instructions and other publications (qty), Brimtoy 0 Gauge tinplate Goods Depot with opening Door, Hugar or similar wooden O/Gauge 1 Goods Shed (lacks side support), JEP 5311 electric Lamp, distressed 0 Gauge tinplate Tram Car/Coach (lacks all fittings and most of paintwork), Chad Valley Red and White Motor Bus empty box, F, Meccano Magazine Jan 1964 and various between 1925-1939 (35, seven bound and five without covers, many others with loose/torn covers, Meccano 'The Magic Carpet' booklet, Bassett-Lowke 1961 Catalogue (covers poor), Rivarossi HO Gauge Locomotive instructions 1950's-1970's (23), Marklin 1969 Catalogues (2), 1992 reprint Ian Allan ABC Southern Electrics, RM Oct-Nov 1949, Falkland Island Company History 1851-1951, Modelcraft Planbook, American Magazines, Railways June 1940, The Railroad Story 1952, NYC Nov 1948, Model Railroad Digest 1939-40 (4), Miniature Railroading 1939 (4), Trains Sept 1948, The Model Craftsman 1945-8 (6), two Liverpool Tram Photo Postcards 1899 and 1920's (2), P-G (qty)
Lot 369
1980's-90's Robots & Space Toys, battery-operated New Bright Magic Mike III Robot, Gemtoys Dinosaur Warrior, Yugoslavian Guardians Of The Universe friction drive Super Car, PMS International Space Super Robot, M Robot Team Action Figures (2), David Halsall Toys Star Force Fighter Figure Set, in original boxes/packaging, G-E, untested, boxes F-G (7)
Lot 380
Four Boxes of 1950'S ex shops Toys many in original boxes including EMU Jacks Kleeware Telephone balancing Toys and Scoobeedoo charm lace EMU Star Sones (20, boxed), Fairylite Spiral Ball Puzzle (34, one with card wrap, Leaf Scoobeedoo plastic lace packs (11 Trade packs, 25 per pack), Kleeware Magic Slate Telephone, (6 with card packaging), unboxed Codeg green play phone and Airfix Phone with battery light, RAMM England Balancing Clowns (10), F-VG, boxes P-G (large qty in four boxes)
Lot 391
Collection of large Scale Airfix Kits Frog Aircraft and Vintage Games Puzzles and Jigsaws (qty), Airfix, series 8 'Mayflower', appears complete although sails are slightly damaged, 600 Scale Queen Elizabeth 2, appears unopened, Frog Spitfire in Balsa and card in camouflage green and tan, Cameo Handicraft wooden Galleon Kit, New Game of Card Soccer, appears complete with writing inside XMAS 1942 and W H Storey mini catalogue with price warning related to war time conditions, Chichester Jigsaw Puzzle, No 6 Heart of London and No 5 South-East England, Stephens New York Auto-Magic battery operated Picture Gun, in original box (dated 1937, no film, bulb tested ok, corrosion to one side of metal gun, Puzzles UPL, House Hunting, Puzzles in Pictures, Winners, Eupax Noises in the Dark, and Dennis Puzzled'em, all in original boxes, unboxed Lincoln Toys Hong Kong battery operated plastic Noddy Car (grubby, not tested , clean compartment), F-VG, boxes F-G (qty)
Lot 404
1950's and later Model Village Jigsaws Games and Toys (10), Erzgebirge or similar small wooden Model Village (80+ items, at least two sets, possibly more), in plain box with part of lid from an original box, Jigsaws, Chad Valley 'Springtime in Devon, Fingle Bridge', Victory 'Britains Naval Might', both boxed and unboxed Railway Jigsaw (appear complete, none checked), Jouet Pondsnag Puzzle, NPL (B J Ward Ltd) magnetic Ray Car (boxed), Writing Slate and Pip & Squeak 1939 Annual, Made in England Air Race game with 4x Aircraft Tokens, Dice, Shaker and board depicting Vampire Twin Tail Jet Fighter (boxed), Peter Pan Magic Set with instructions and Magic Trick booklet (not complete), F-VG, boxes F-G (10)
Lot 439
Technofix tinplate Mine and Mettoy Funfair base Meccano clockwork Motors and Knights Head Dump wagon and Tri-ang electric Boat (10) Technofix mine with c/w Diesel and Truck, in plain brown box, Mettoy Dreamland Big Dipper base (no vehicles), Technofix Car, Knights Head Dump Wagon with instructions and single sheet catalogue, in original box, SG Germany tin Tram body only (lacks all fittings), Meccano No 1 c/w Motor (2)and Magic Motor, all boxed and Trix Premag 4 Electric Motor, Tri-ang 14'' battery operated Speedboat (small are of damage to deck, with flag and compartment clean), in original box, F-VG, boxes F-G (10)
Lot 628
Real Musgrave Pocket Dragons Group Including: (1) New Bunny Shoes, (2) Percy, (3) Two Of The Book Ends, (4) Candy Cane, (5) Oh Goody! (6) Oops! (7) A Book My Size, (8) I Didn't Mean Too..., (9) Its Magic! (10) Zoom Zoom, (11) We're Very Brave; (Would Benefit From A Dust), Good Plus To Excellent. (12)
Lot 248
Mattel Barbie group plus others including: (1) Barbie Sun Sensation; (2) Barbie Dance Magic; (3) Barbie Magic Moves; (4) Barbie Bath time Fun; (5) Barbie dressed in Twice as Nice; (6) Barbie Dream Time; (7) Barbie Dream Glow; (8) Barbie superstar (not fully dressed); (9) Great Shape Ken; (10) Pedigree vintage Sindy; (11) The Adventures Vicky doll; (12) Disney Ariel (remove tail to reveal legs); Good; (12).
Lot 180
PATRICK MAVROS: A SILVER BANGLE, CIRCA 2012Of cuff-bangle design, depicting motifs of rhinos, in silver, signed Patrick Mavros PM 2012, maker’s mark, inner circumference 18cm* This lot is sold without a reserve *** Proceeds to go to the Children's Health Foundation ******In the heart of Zimbabwe, where Africa’s vibrant landscapes meet boundless creativity, Patrick Mavros Jewellery began 38 years ago with a soldier’s simple act of love. In 1978, young Patrick Mavros crafted delicate rosebud earrings for his wife, Catja. The gift’s charm quickly spread, sparking a passion in Patrick that led him from Scotland back to Harare, where he founded his renowned brand.His jewellery celebrates Africa’s natural beauty and heritage, in their workshop and wildlife sanctuary in Harare, the Mavros family creates pieces that capture Africa’s essence: from intricate pangolin napkin rings to elaborate bangles and earrings. Each creation, crafted using lost wax casting, reflects the continent’s rich flora and fauna.The legacy continues with Patrick’s four sons Alexander, Forbes, Patrick Jr., and Benji, who blend their unique talents to honour their father's artistry creating marvellous collections showcasing a seamless blend of tradition and modernity.The brand gained royal recognition in 2020 when Kate Middleton wore earrings from the Ocean Tides collection, underscoring its global luxury status. The Mavros family’s commitment extends beyond artistry to conservation, with efforts like Forbes’ “Forged by the Ocean” collection, which supports wildlife preservation.From its African roots to its global presence with stores across Africa and a flagship in London, Patrick Mavros Jewellery remains a symbol of elegance, love, and the magic of Africa. Each piece tells a story of nature’s majesty and a family’s dedication to their craft and heritage. Condition Report: Some tarnish and discolourationNormal signs of wear, overall in good conditionTotal gross weight approx. 90gFor a similar bangle with elephant motifs sold at Patick Mavros for €777.95 please see following link Elephant Cuff Bangle in Silver – Patrick MavrosAccompanied by pouch and outer case
Lot 106
Crescent - Playmobil - Acetronic - Others - A miscellany of boxed and unboxed vintage toys and games. Lot includes a Crescent 'Secret Agent' unboxed cap gun; a Speed King battery operated road racing slot car set; Acetronic Sports Action TV Game; a quantity of loose Playmobil figures; Magic Roundabout Bagatelle and similar. Items show varying levels of play and age wear appearing to range Fair Plus - Good on the whole. All items are unchecked for completeness. (This does not constitute a guarantee) (K)
Lot 088
ITEM: Phallic amuletMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 15 mm x 7 mm x 25 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. Ex English private collection, Oxfordshire, acquired from Alan Cherry of Bournemouth between 2003 - 2005Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman phallic amulets, known as fascina (plural of fascinum), were widespread symbols of protection, particularly against the evil eye, in Roman culture. These small, often intricately carved amulets typically depicted the male genitalia and were considered potent talismans for warding off negative influences and harmful magic. The Romans believed that the image of the phallus had the power to avert misfortune and bring good luck, due to its association with fertility, strength, and vitality. Phallic amulets could be made from materials such as bronze, bone, or terracotta, and were worn as jewelry or placed in homes, businesses, and even public spaces like crossroads and gates to ensure protective benefits.These amulets were not limited to personal adornment but were also incorporated into broader social and religious contexts. In Roman households, phallic symbols could be found on doorways or incorporated into the decor to protect the home from malevolent spirits. Additionally, children, who were considered particularly vulnerable to harm, were often given phallic amulets to wear around their necks or as part of their clothing to shield them from danger. The presence of these symbols in everyday life reflects the deeply ingrained superstitious beliefs in ancient Roman society, where the need for protection was a constant concern.Beyond their apotropaic (warding-off) function, phallic amulets also reflected Roman attitudes toward sexuality and masculinity. The open display of the phallus was not considered vulgar but rather a symbol of life, virility, and generative power. This frankness about sexual symbols stood in contrast to later cultural norms and reveals the Roman perspective on sexuality as a natural and essential force.
Lot 056
ITEM: MirrorMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 86 mm diameterCONDITION: Good conditionPROVENANCE: Ex American private collection, New Jersey, acquired before 2000sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 4 to 6 weeks and has a cost of 5% of the amount of the sale, this amount will be added to the final invoice.Roman bronze mirrors were essential personal items in ancient Roman society, serving both practical and symbolic purposes. These mirrors were typically made from bronze, a durable alloy that could be polished to a reflective surface. Roman mirrors were often small and handheld, with a circular or oval-shaped mirror plate set into a decorative bronze frame. The reverse side of the mirror often featured intricate engravings or relief decorations depicting mythological scenes, deities, or ornamental motifs.The use of bronze mirrors in ancient Rome was not limited to personal grooming but extended to various social and cultural contexts. Mirrors played a role in religious rituals, where they were used for divination, scrying, and other forms of magic and prophecy. In Roman funerary practices, mirrors were sometimes placed in tombs as grave goods, believed to assist the deceased in the afterlife or to symbolize the transition from life to death. Additionally, mirrors were prized as luxury items and status symbols, with finely crafted examples often given as gifts or heirlooms among the elite.Bronze mirrors also served as important artifacts in Roman art and material culture, providing valuable insights into ancient Roman aesthetics, craftsmanship, and social customs. The decorative elements found on Roman mirrors, such as mythological scenes, portraits, and floral motifs, reflect the artistic tastes and cultural values of the time.
Lot 151
ITEM: Phallic amuletMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 14 mm x 15 mm x 23 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. Ex English private collection, Oxfordshire, acquired from Alan Cherry of Bournemouth between 2003 - 2005Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman phallic amulets, known as fascina (plural of fascinum), were widespread symbols of protection, particularly against the evil eye, in Roman culture. These small, often intricately carved amulets typically depicted the male genitalia and were considered potent talismans for warding off negative influences and harmful magic. The Romans believed that the image of the phallus had the power to avert misfortune and bring good luck, due to its association with fertility, strength, and vitality. Phallic amulets could be made from materials such as bronze, bone, or terracotta, and were worn as jewelry or placed in homes, businesses, and even public spaces like crossroads and gates to ensure protective benefits.These amulets were not limited to personal adornment but were also incorporated into broader social and religious contexts. In Roman households, phallic symbols could be found on doorways or incorporated into the decor to protect the home from malevolent spirits. Additionally, children, who were considered particularly vulnerable to harm, were often given phallic amulets to wear around their necks or as part of their clothing to shield them from danger. The presence of these symbols in everyday life reflects the deeply ingrained superstitious beliefs in ancient Roman society, where the need for protection was a constant concern.Beyond their apotropaic (warding-off) function, phallic amulets also reflected Roman attitudes toward sexuality and masculinity. The open display of the phallus was not considered vulgar but rather a symbol of life, virility, and generative power. This frankness about sexual symbols stood in contrast to later cultural norms and reveals the Roman perspective on sexuality as a natural and essential force.
Lot 227
ITEM: Phallic amuletMATERIAL: BronzeCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 15 mm x 16 mm x 43 mmCONDITION: Good conditionPROVENANCE: Ex Spanish private collection, bought in English auction house. Ex English private collection, Oxfordshire, acquired from Alan Cherry of Bournemouth between 2003 - 2005Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman phallic amulets, known as fascina (plural of fascinum), were widespread symbols of protection, particularly against the evil eye, in Roman culture. These small, often intricately carved amulets typically depicted the male genitalia and were considered potent talismans for warding off negative influences and harmful magic. The Romans believed that the image of the phallus had the power to avert misfortune and bring good luck, due to its association with fertility, strength, and vitality. Phallic amulets could be made from materials such as bronze, bone, or terracotta, and were worn as jewelry or placed in homes, businesses, and even public spaces like crossroads and gates to ensure protective benefits.These amulets were not limited to personal adornment but were also incorporated into broader social and religious contexts. In Roman households, phallic symbols could be found on doorways or incorporated into the decor to protect the home from malevolent spirits. Additionally, children, who were considered particularly vulnerable to harm, were often given phallic amulets to wear around their necks or as part of their clothing to shield them from danger. The presence of these symbols in everyday life reflects the deeply ingrained superstitious beliefs in ancient Roman society, where the need for protection was a constant concern.Beyond their apotropaic (warding-off) function, phallic amulets also reflected Roman attitudes toward sexuality and masculinity. The open display of the phallus was not considered vulgar but rather a symbol of life, virility, and generative power. This frankness about sexual symbols stood in contrast to later cultural norms and reveals the Roman perspective on sexuality as a natural and essential force.
Lot 124
A Bontempi Orgue mini electric keyboard along with a selection of 45RPM single's and a collection of albums to include:1.Mike McNaught – Spin A Magic Tune, 1973, TMP 90012.Pete Winslow & Country style – Country Hits Instrumental, 1976, SIT 600663.Max Bygraves – Max Bygraves, 1968, HMA 2064.The Musicmakers – Let’s all sing, 1974, SHM 8475.Top of the tots pop party vol. 4, 1975, SHM 882, Lacquer Allen,6.Smash hits presley style, 1970, BW-0167.The vast majority – Move it! 1976, DML 1, Lacquer Kev#8.Max Bygraves – 100 Golden greats, Two Albums/Compilations, 1978, RTD 20199.The Bachelors - The fabulous bachelors, 1969, 6870-62010.Walt Disney’s original soundtrack vol.2, HM 907, 196511.Walt Disney’s original soundtrack vol.4, HM 909, 196512.The Groovy Gang – Songs for swinging children, 1971, 2870 14313.Mrs Mills – Piano singalong, 1974,MFP 5000914.The musicmakers – Party Sing-along 20 all time greats, 1973, SHM 81215.Sally And Jake From The ITV Children's Series: Sally And Jake's Winter Adventure And Harry's Party, 1974, 2870 38216.Various – Children’s Favourites, 1966, SIT 60046
Lot 117
Arthur Delaney (British 1927-1987) "Northern Manufacturing Town" Signed, titled with the artist's handwritten interpretation on verso - "This was the northern scene in the 1930s as I remember it. There was usually a gloomy atmosphere - I'm sure November lasted all year round then or at least it seemed that way. The thing is there was a magic about those days that I still enjoy via my pictures", oil on board.36 x 28.5cm (framed 53.5 x 46cm)Artists’ Resale Right (“droit de suite”) may apply to this lot.The painting is in very good, original condition with no obvious faults to report. The painting is ornately reframed and glazed.
Lot 161
MONTBLANC, HOMMAGE À WOLFGANG AMADEUS MOZART, RAMSES A LIMITED EDITION FOUNTAIN PEN, NO. 1303/2006, 2006 Cap and Barrel: Silver gilt cap and barrel, the lapis lazuli cap with engraved signature, clip and triple cap band, the reeded barrel stamped with .925 common control mark Nib and Filling System: Medium yellow gold coloured nib stamped 18K and 750, cartridge filling system, uninked Accessories: Original Montblanc Special Edition box, Hommage À Wolfgang Amadeus Mozart booklet, musical score of Papageno's aria 'A lovely Maiden for a Wife' from The Magic Flute and service guideProvenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: Like new conditionCondition Report Disclaimer
Lot 162
MONTBLANC, HOMMAGE À WOLFGANG AMADEUS MOZART A LIMITED EDITION FOUNTAIN PEN, NO. 1977/2006, 2006 Cap and Barrel: Gold plated cap and clip and triple cap band, with coral lacquer barrel Nib and Filling System: Medium yellow gold coloured nib stamped 18K and 750, cartridge filling system, uninked Accessories: Original Montblanc Special Edition box, musical score of Papageno's aria 'A lovely Maiden for a Wife' from The Magic Flute and service guideProvenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: Like new conditionCondition Report Disclaimer
Lot 160
MONTBLANC, HOMMAGE À WOLFGANG AMADEUS MOZART, NIKOLAI A LIMITED EDITION FOUNTAIN PEN, NO. 0493/2006, 2006 Cap and Barrel: Silver gilt cap and barrel, the malachite cap with engraved signature, clip and triple cap band, the reeded barrel stamped with .925 common control mark Nib and Filling System: Medium yellow gold coloured nib stamped 18K and 750, cartridge filling system, uninked Accessories: Original Montblanc Special Edition box, Hommage À Wolfgang Amadeus Mozart booklet, musical score of Papageno's aria 'A lovely Maiden for a Wife' from The Magic Flute and service guideProvenance: A Single Owner Collection of Fine and Limited Edition Montblanc Pens and Accessories Condition Report: Like new conditionCondition Report Disclaimer
Lot 311
Conjuring.- Houdin (Robert) The Secrets of Conjuring and Magic, ink inscription to endpaper, 1878, The Secrets of Stage Conjuring, some spotting to title, 1881, translated and edited by Professor Hoffmann, first editions in English, frontispieces, illustrations, original pictorial cloth, some fading or toning to spines, spine ends a little chipped, some bumping to corners, bright and excellent examples overall, Routledge, 8vo (2)
Lot 436
White (Tim, artist, 1952-2020) Archive of original artwork illustrations for 'Weaveworld' by Clive Barker, comprising three original illustrations for cover and spine designs on boards, and other original variation designs for illustrations or initials of the work on paper, all signed by the artist, some mounted on sheets (one detached), v.s., [1987] (sml qty)*** A remarkable archive documenting the creation of the entire publication of the science-fiction artwork for the first edition of Barker's novel Weaveworld. Tim White is celebrated as a representative of a new school of super-realists that began shaping British science-fiction art in the mid-1970s. Other notable works include designs for Frank Herbert, Robert A. Heinlein, H.P. Lovecraft and August Derleth. The artist was particularly pleased with this work, and described in a letter that the "painting is a bit magical in that in certain light it seems to 'come alive'. I don't know if you have read the book? The carpet design in the book does just that!". Published in White's Chiaroscuro (1988), the illustrator explains the central theme of carpet within the novel: "gradually the idea evolved to use the carpet border to reflect events in the novel...the final design includes 32 separate vignettes, each portraying elements of the story", all of which is surrounded by a border of imagined "viruses, bacteria, parasites"..."whose purpose is to defend the carpet". White even claimed that Collins commissioned the Royal College of Art's Tapestry Studio to create the carpet itself, though the whereabouts is unknown. For the main cover image, White utilised colour theory, and deliberately chose contrasting primary colours to create a visually unsettling effect. While he enjoyed creating the designs for the work, White disliked the time constraints placed on him by the publisher. He recalled having "a bit of a bad time withe art director", and found that of daily nagging phone calls from Collins put him under pressure. Ultimately, though, White's labours were rewarded: "When the book came out and Clive Barker was on the Jonathan Ross show, with his book, he called me a genius!". Archive comprises: 1) 'Uriel', front panel jacket design for 'Weaveworld', airbrush and acrylic on board, signed in image and on board below in pen,c.35 x 245mm ( image c.300 x 155mm (11 ½ x 6 ¼in), taped down.2) 'Magic Carpet', 2 designs for spine and lower panel, airbrush and acrylic on boards, signed in image and on board below in pen, c.350 x 235mm (13 ¾ x 9 ¼in) and 345 x 80mm (13 ¾ x 3 ½ in), taped down.3) Untitled back cover design for lower panel, acrylic on paper, signed by the artist below, 190 x 120 mm (7 ½ x 4 ½ in). 4) 10 designs for 'Weaveworld', mostly illustrations and one jacket design, acrylic and pencil, laid down on 2 sheets, one detached, pencil designs slightly foxed, each signed on image, some with captions below, with inscription "Dear John, here are some ideas for 'Weaveworld', I hope you like them. Kind regards Tim" at top of first sheet, largest image 120 x 65mm (4¾ x 2¾ in), smallest 50 x 30mm (2 x 1 in).5) 4 designs for initials and in-text decorations, black pen and ink on 3 sheets, signed by the artist. 6) First edition of Weaveworld, signed by the author on title, original boards, dust-jacket, spine faded, 1987.
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30126 item(s)/page