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40+ 1950s-70s diecast vehicles by Corgi Toys, Dinky Toys, Matchbox, etc. Many for restoration. Including; Dinky Thunderbirds FAB1, 2x Thunderbird 2, Rolls Royce Silver Shadow, Range Rover, Maserati, Cooper-Bristol., Spectrum Patrol Car, VW Beetle, etc. Corgi includes; Batmobile, Batcopter, Green Hornet's Black Hornet, Magic Roundabout Citroen, Cooper-Maserati, Lotus-Climax F1, etc. Matchbox includes; The Londoner Bus, Lamborghini Miura, Pontiac GP Sports Coupe, etc. AF-GC. £100-150
Ephemera. A Victorian magic lantern slide, The Forty-Foot Telescope at Slough/Photographed by Sir John F.W. Herschel, a further two unconnected slides, a Victorian zoetrope circular polychrome card, a Victorian embossed mourning card, 19th c Alnwick Corn Exchange pass, Messrs Day, Son & Hewitt Animal Medicine Manufactory advertising compliments card, carte de visite portrait photographs, cabinet cards illustrating agriculture and rural life, early 20th c and later postcards, colour and b/w, including farming, agriculture and rural life, etc The Herschel slide chipped and cracked, but most of the image good. Otherwise generally good mixed condition.
1980s and Later Battery Powered Robots and Other Toys, boxed examples Tandy 60-4054 Robbie the Robot with remote, New Bright 4165 Magic Mike III, unboxed Tomy Dustbot, Tomy Mr Money, Tomy Spotbot (minus one ear), Furbies by Tiger Electronics (6), boxed clockwork Coffin Bank made in Japan and a boxed MPC 1:25 scale kit The Bushwhacker 1-0707 (appears complete but unchecked), all untested, P-VG, boxes P-F, (13)
1970s and Later Playworn/Unboxed Diecast Vehicles, commercial, private and models from TV and film, in various scales, Corgi including Buck Rogers Starfighter (with missiles and Biddy), Magic Roundabout locomotive and five figures, Daktari landrover with figures, lions, chimp and meat, Lions of Longleat land rover with lion and figure, Matchbox, Dinky and Majorette, P-G, (Qty)
ROCKABILLY/ ROCK N ROLL/ COUNTRY - 7" P/S / EPs. Another fine selection of 14 7" singles. Artists/ titles include The Paynes - How Can We Tell Him (45-402), The Country Kings - You Can't Hide From Yourself (45-EP-509), Curt Jensen - Meet Me In St Louis (183), Judy - Mama's Baby Again (RS-275), Link Wray - Slinky (5-9343), Fabian - The Fabulous (A-5005), The Nightcaps - No Parking (VR-3387), The Fabulous Keymen - Walkin Talkin (45-1019), Johnny Restive - The Magic Age Is Seventeen (279), Carl Perkins - Pink Pedal Pushes (4-41131), Meet Scott Engel (R-506), Dance Annette - The Glide (DSP 207), Bennie Hess - Life's Meditations (MJ-1006) & Jimmy Carroll - Rumble (84). Condition is generally VG+ to Ex+.
A selection of hardback and other books, primarily relating to lantern slides, titles including: Practical Slide Making, by G. T. Harris; Lantern Slides: How to Make Them, by A. R. Dresser; Lantern Slide Making, by Rev. F. C. Lambert; Lantern Slide Making and Exhibiting, by John A. Hodges; The Magic Lantern: Its Construction and Use, by A Fellow of the Chemical Society; Lantern Slides: How to Make and Colour Them, by D. L. Elmendorf; and others, one box.
A selection of hardback and other books, primarily relating to magic lanterns and entertainment, titles including: Rational Recreations, vols 2 and 3, by W. Hooper; Art of The Daguerreotype, by Stefan Richter; More Magic, by Professor Hoffman; Fingers and Fortune: A Guide Book to Palmistry, by Eveline Michell Farwell; Toy Theatres of the World, by Peter Baldwin; and others, one box.
This pastel on paper by Manjit Bawa is a beautiful and evocative piece, measuring 16.2 inches by 12.5 inches. The soft, dreamlike quality of pastel perfectly captures the tranquil beauty of the subject matter.Manjit Bawa was a prominent Indian artist, known for his mystical, fantastical depictions of animals and nature. He was a pioneer of the Indian modern art movement and his work continues to be highly sought after by collectors. With a growing reputation as one of India's most innovative and influential artists, Manjit's work is a wise investment for those looking to add a touch of magic to their collections.
Mixed lot including 10 china half dolls (circa 1920's), white ceramic dolls house furniture plus larger scale tin can folk art table and chairs and 6 cast models from Danbury Mint 'Magic of the Crystal' and Tudor Mint 'Myth & Magic' series together with 3 wicker baskets in graduating sizes, largest marked Harrods 42x26x16cm and three wicker baskets
Late Dynastic Period to Ptolemaic Period, Ca. 664-332 BC. An ancient Egyptian mummiform ushabti group of three, each wearing a plain tripartite wig; the arms are crossed on the chest; and small hand hold a pick and hoe, faintly modelled in low relief. The ushabtis are flat-backed, and stand upon a trapezoidal base. The idea of shabtis first appeared as wax figures in the First Intermediate Period. These gradually moved onto figures formed of stone and wood in mummiform shape. By the time of the New Kingdom during the Reign of Thutmose IV these became more stylised and would carry agricultural tools to assist them plough the fields, bring in the harvest and fill in the water channels.These figures were an important object in the tombs of the deceased and by the time of the Third Intermediate Period, tombs would carry them in chests in large supplies. These shabtis would come alive on the command of the dead and were called upon with magic from the Book of the Dead.Size: L:55-60mm / W:15-17mm ; 30gProvenance: Private London collection; ex. B. Kickx and J. Peeters collections, pre 1978, Belgium.
Third Intermediate Period, Dynasties, 21-25, Ca. 1069-712 BC. An ancient Egyptian honey-colored beeswax shabtis in mummiform. Each wearing a wig, false beard, hoe, pick and seed bag carried on the back. These shabtis would come alive on the command of the dead and were called upon with magic from the Book of the Dead. Berman, L.; Catalogue of Egyptian Art, The Cleveland Museum of Art (1999), p. 379-380, nos. 287 & 288.The Cleveland Museum of Art (1999), p. 379-380, nos. 287 & 288.Size: L:58-60mm / W:16-17mm ; 15gProvenance: Private London collection; ex. B. Kickx and J. Peeters collections, pre 1978, Belgium.
Ptolemaic Period, Ca. 332 BC. An ancient Egyptian mummiform faience figure wearing a plain tripartite wig and a divine beard. The arms are crossed at the waist, and the hands hold very faintly modelled implements, assumed to be a pick and hoe. The fairly broad upper torso tapers don to narrow ankes. These figures were an important object in the tombs of the deceased and by the time of the Third Intermediate Period, they would come alive on the command of the dead and were called upon with magic from the Book of the Dead.Size: L:80.2mm / W:26.9mm ; 22.35gProvenance: Private London collection; ex. B. Kickx and J. Peeters collections, pre 1978, Belgium.
Ca. 200-300 AD. A beautiful onyx intaglio of an ovoid form with a flat verso and a bevelled edge. The front of the intaglio is delicately etched with a dual left-facing portrait of Serapis - the Graeco-Egyptian god of fertility and the afterlife - and Isis, the Egyptian god of life, healing, and magic. Serapis presents with a bushy beard and his signature kalathos atop his head, and Isis' feminine countenance is surmounted with a foliate headdress. Cf. Henig, M.; Classical Gems, The Fitzwilliam Museum, Cambridge.Size: L:14.4mm / W:11.3mm ; 1.2gProvenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1980s on the UK art market.
A SCENE FROM 'JOURNEY TO THE WEST', BY PU RU (1896-1963)China. Ink and watercolors on paper, laid down on paper. Depicting the monkey king Sun Wukong and another monkey in a vicious fight, each holding a long staff and standing in a dynamic pose on a bridge next to a crashing waterfall, with Zhu Bajie watching nearby.Inscriptions: Top left, inscribed 'Journey to the West', signed 'Pu Ru'. One seal of the artist, 'Xinshe'.Provenance: British trade. Condition: Very good condition with only minor wear and soiling.Dimensions: Image size 16.4 x 8.1 cm, size incl. backing 30.4 x 15.8 cmThe present painting depicts a famous scene from Journey to the West (Xi You Ji), in which Sun Wukong is fighting a six-eared macaque who was impersonating him. Eventually, Sun Wukong vanquishes his doppelganger. Sun Wukong, also known as the Monkey King, is a legendary mythical figure who also appears in many later stories and adaptations. In Journey to the West, Sun Wukong is a monkey born from a stone who acquires supernatural powers through Taoist practices. After rebelling against heaven, he is imprisoned under a mountain by the Buddha, until he joins Tang Sanzang in his quest. Sun Wukong possesses many abilities, including amazing strength and extreme speed. Sun Wukong also acquires the 72 Earthly Transformations, which allow him to access 72 unique powers, including the ability to transform into sundry animals and objects. He is a skilled fighter, capable of defeating the best warriors of heaven. His hair has magical properties, capable of making copies of himself or transforming into various weapons, animals, and other things. He also shows partial weather manipulation skills and can stop people in place with fixing magic.Journey to the West (Xi You Ji) is a Chinese novel published in the 16th century during the Ming dynasty and attributed to Wu Cheng'en. It is regarded as one of the greatest Classic Chinese Novels, and has been described as arguably the most popular literary work in East Asia. The novel is an extended account of the legendary pilgrimage of the Tang dynasty Buddhist monk Xuanzang, who traveled to the 'Western Regions' (Central Asia and India) to obtain Buddhist sacred texts and returned after many trials and much suffering. The monk is referred to as Tang Sanzang in the novel. The novel retains the broad outline of Xuanzang's own account, Great Tang Records on the Western Regions, but adds elements from folk tales and the author's invention: Gautama Buddha gives this task to the monk and provides him with three protectors who agree to help him as an atonement for their sins. These disciples are Sun Wukong, Zhu Bajie, and Sha Wujing, together with a dragon prince who acts as Tang Sanzang's steed, a white horse. The pilgrims journey towards enlightenment through the power and virtue of cooperation.Pu Ru (1896-1963), also known as Pu Xinshe, was a traditional Chinese painter, calligrapher, and nobleman. A member of the Manchu Aisin Gioro clan, the ruling house of the Qing dynasty, he was a cousin to Puyi, the last Emperor of China. It was speculated that Pu Ru would have succeeded to the Chinese throne if Puyi and the Qing government were not overthrown after the 1911 Xinhai Revolution. Pu Ru was reputed to be as talented as the famous southern artist Zhang Daqian. Together, they became known as 'Pu of the North and Zhang of the South'. Pu Ru fled to Taiwan after the Communist Party of China came to power and was appointed by Chiang Kai-shek as a Manchu representative at the Constitutional National Assembly. In Taiwan, he made a living selling paintings and calligraphy, and taught as a professor of fine arts at the National Taiwan Normal University.Auction result comparison:Type: Closely relatedAuction: China Guardian, Beijing, 20 November 2010, lot 484Price: CNY 280,000 or approx. EUR 52,000 converted and adjusted for inflation at the time of writingDescription: Paintings from record of journey to the west, Pu Ru (1896-1963)Expert remark: Compare the near identical motif. Note that the lot comprises a second painting of closely related subject.Auction result comparison:Type: RelatedAuction: Bonhams Hong Kong, 3 April 2018, lot 127Estimate: HKD 100,000 or approx. EUR 13,000 converted and adjusted for inflation at the time of writingDescription: Pu Ru (1896-1963), Monk Xuanzang and Monkey GodExpert remark: Compare the related motif. Note the size (25.5 x 15.5 cm).Auction result comparison:Type: RelatedAuction: Sotheby's Hong Kong, 3 April 2017, lot 1204Price: HKD 275,000 or approx. EUR 36,000 converted and adjusted for inflation at the time of writingDescription: Pu Ru, Monkey King and the HorseExpert remark: Compare the related motif. Note the form and size (43.9 x 14.2 cm).溥儒款《西遊記》中國,紙本水墨設色,鏡片。《西遊記》中的真假猴王場景,線條簡練,筆觸清晰。 款識:西遊記,心畲;鈴印:心畲 來源:英國古玩交易。 品相:狀況極好,只有輕微的磨損和污跡。 尺寸:畫面16.4 x 8.1 厘米,總30.4 x 15.8 厘米 《西遊記》是一部中國古典名著,出版於十六世紀,作者為吳承恩,是東亞最受歡迎的文學作品之一。小說描述唐代高僧玄奘帶領四位弟子西去西域求取佛經,歷經千辛萬苦歸來的傳奇朝聖故事。
A BLUE AND WHITE 'DRAGON' SNUFF BOTTLE, MID-QING DYNASTYChina, 1750-1850. Of flattened globular form, supported on a short oval foot and rising to a slightly flared cylindrical neck, painted in cobalt blue with a sinuous dragon chasing the magic pearl amid flames and clouds, above a second dragon emerging from crashing waves to snatch the pearl. The neck with a band of alternating pendent tassels and dots. The base with an underglaze-blue four-character mark Qianlong nianzhi.Provenance: English trade. Condition: Excellent condition with only minor wear and small firing irregularities.Stopper: Green aventurine Weight: 59 g Dimensions: Height incl. stopper 75 mm. Diameter neck 21 mm and mouth 9 mmAuction result comparison: Type: Related Auction: Christie's Hong Kong, 5 April 2016, lot 178 Price: HKD 56,250 or approx. EUR 7,700 converted and adjusted for inflation at the time of writing Description: A fine blue and white 'dragon' snuff bottle, mid-Qing dynastyExpert remark: Compare the closely related depiction of a dragon pursuing a flaming pearl above cresting waves, contested by another dragon half-submerged in waves. Note that this bottle also has a Qianlong reign mark, with Christie's dating it to “mid-Qing dynasty”.清代中期青花龍紋鼻煙壺中國,1750-1850年。壺呈扁圓形,壺口微撇,短頸,豐肩,鼓腹,橢圓形圈足。壺身青花描繪雙龍戲珠紋,在洶湧澎湃的海浪襯托下,展現出王者的風範。圈足内青花“乾隆年製”四字款。 來源:英國古玩交易。 品相:狀況極佳,只有輕微磨損和燒製不規則性。 壺蓋:綠色碧璽 重量:59 克 尺寸:含壺蓋高75 毫米. 頸部直徑21 毫米 ,壺口直徑9 毫米 拍賣結果比較: 形制:相近 拍賣:香港佳士得,2016年4月5日,lot 178 價格:HKD 56,250(相當於今日EUR 7,700) 描述:清中期青花雙龍戲珠紋鼻煙壺 專家評論:比較非常相近的雙龍戲珠紋。請注意此鼻煙壺也有乾隆款,但佳士得認為它是清代中期。
A COPPER-INLAID IRON PHURBHA, TIBET, 15TH-16TH CENTURYThe tripartite blade issuing from the fangs of a makara and with snakes meandering down the sides, the mid-section of biconical form with lappets framed on both ends by pierced endless knots, rising to the head of a wrathful deity with circular eyes, the hair tied in a high chignon and surmounted by a skull crown, inlaid in copper to the head of the makara and at the connecting element above.Provenance: British trade. Condition: Very good condition with expected traces of use, old wear, some corrosion, few nicks and dents, light surface scratches, and casting flaws.Weight: 351.2 g Dimensions: Length 25.9 cmThe phurbha is thought to be the only implement capable of transmuting the powerful negative energy of vice and egocentrism into benevolent compassion, see Rhie & Thurman, Worlds of Transformation, New York, 1999, page 435. According to legend, Padmasambhava introduced the magic dagger to Tibet to subdue forces hostile to Buddhism. It is the embodiment of Vajrakila, who is one of the eight Herukas (wrathful deities) of the Nyingma Mahayoga.Auction result comparison:Type: Closely relatedAuction: Sotheby's New York, 17 March 2015, lot 1042Price: USD 27,500 or approx. EUR 32,500 converted and adjusted for inflation at the time of writingDescription: Two iron phurbha with copper inlay, Tibet, ca. 16th CenturyExpert remark: Compare the closely related form, decoration, and material. Note the size (34.3 cm) and that the lot also comprises a smaller phurbha.Auction result comparison:Type: RelatedAuction: Bonhams New York, 17 March 2014, lot 23Price: USD 10,000 or approx. EUR 11,800 converted and adjusted for inflation at the time of writingDescription: An Iron Vajrakila Purbha, Tibet, circa 13th centuryExpert remark: Compare the related form, decoration, and material. Note the size (35.6 cm).十五至十六世紀西藏鐵錯銅普巴金剛橛三棱鉄匕首從摩迦儸的尖牙中伸出,蛇從兩側蜿蜒而下,雙錐形的中間部分,兩側是兩個球形“無盡結”,直到大眼圓睜的忿怒相神頭上,發成高髻,忿怒護法神,頭戴骷髏冠。 來源:英國古玩交易。 品相:狀況極好,有使用痕跡、磨損、一些腐蝕、少量刻痕和凹痕、輕微的表面劃痕和鑄造缺陷。 重量:351.2 克 尺寸:長25.9 厘米 Phurbha,藏傳佛教儀式中的匕首,被認為是唯一能夠將邪惡和自我中心主義的強大負能量轉化為仁慈同情心的工具,見 《Rhie & Thurman,Worlds of Transformation》,紐約,1999年,圖435。相傳,蓮花生大士將金鋼鐝匕首引入西藏,以製服敵對佛教的勢力。它是寧瑪派大瑜伽部八尊忿怒本尊之一金剛杵的化身。拍賣結果比較: 形制:非常相近 拍賣:紐約蘇富比,2015年3月17日,lot 1042 價格:USD 27,500(相當於今日EUR 32,500) 描述:兩件約十六世紀西藏鐵錯銅普巴金剛橛 專家評論:比較非常相近的外形、裝飾和材料。請注意尺寸 (34.3 厘米) 和此有一件較小的普巴金剛橛。 拍賣結果比較: 形制:相近 拍賣:紐約邦瀚斯,2014年3月17日,lot 23 價格:USD 10,000(相當於今日EUR 11,800) 描述:約十三世紀西藏鐵普巴金剛橛 專家評論:比較相近的外形、裝飾和材料。請注意尺寸 (35.6 厘米)。
Valentino.- Chitolina (Armando) & Matt Tyrnauer. Valentino: A Grand Italian Epic, Cologne, 2009 § Pellé (M.-P.) & Patrick Mauriès. Valentino: Thirty Years of Magic, New York, 1990 § Golbin (Pamela) Valentino: Themes and Variations, New York, 2008 § Valentino's Red Book [&] Fashion Photocopy Manual 1960-00, together 2 vol., original cloth and original wrappers, with facsimile newspaper together in original cloth drop-back box with patterned boards mounted on covers and sides, New York, 2001, illustrations, many colour, all but the first original cloth or boards with dust-jackets; and another on Valentino, 4to (5)
Late 19th Century Meissen model of ‘the Magic Lantern Seller’, from the ‘Cris de Paris’ series after Peter Reinicke, the figure modelled playing a barrel-organ and with a magic-lantern strapped to his back standing on a tree-stump mound base with rococo scroll surround, blue crossed swords mark, incised ‘N24’, 13.5cm highThere is a production flaw/firing crack to the base.The figure has light surface scratches, nibbles around the base, various minor nibbles to the edges, and raised decorations, such as the lace, etc. Some similar losses and wear to the glazed finish.
A W.C. Hughes mahogany, brass and tinplate magic lantern, late 19th Century, rack and pinion lens, sprung gate, tin chimney, side doors, maker's plaque 'W.C. Hughes, Brewster House, Mortimer Rd, London, in the original fitted wooden carry case with a selection of wooden glass slide cartridges, some circular coloured glass slides retaining including domestic chinoiserie scenes
Seven works on Chinese arts and crafts. MARIA PENKALA. 'Magic Blanc De Chine,' original cloth, tears to unclipped dj, ex libris blind stamp, illustrated throughout, Interbook International, The Netherlands, 1980; S. J. VAINKER. 'Chinese Pottery and Porcelain from Prehistory to the Present,' original cloth, unclipped dj, colour illustrations throughout, ex libris blind stamp, British Museum Press, 1991; With four other workis including 'Tang and Liao Ceramics' and 'Chinese Jade Throughout the Ages' by Stanley Charles Nott. (7)
* Meyer (John, 1942-). Back from the Sneeuberge, 2016, acrylic and mixed media on canvas, signed lower right, signed, titled, and inscribed on the stretcher, 115 x 155 cm (45 1/4 x 61 ins), deep recessed black frame (119 x 158 cm)QTY: (1)NOTE:South African painter John Meyer is best known for his realistic depictions of landscape, genre scenes, and portraits. Born in 1942 in Bloemfontein, South Africa, he went on to study at Johannesburg Technical College School of Art before working in advertising and as an illustrator in London. He then returned to Johannesburg where he lives and works.The South African landscape has long been a source of inspiration for Meyer. The present, monumental landscape, suffused with light, is executed in his characteristic hyper realist style – in his words ‘One could say I'm obsessed with the magical properties of paint, with the process that allows for and unlocks the magic.’Meyer's work has been exhibited internationally, most recently at Circa Gallery in Johannesburg (2021), the Saatchi Gallery in London (2018), and the Everard Read Gallery in London, Cape Town, and Johannesburg (2008 –2021). In 2015, Lost in the Dust – a body of fifteen works addressing the effects of the Anglo-Boer War – was exhibited at Everard Read (Cape Town and Johannesburg) and Bonham’s (Edinburgh).
A quantity of Antique glass magic lantern slides, slides include boxed Gulliver's Travels, Junior Lecturer's Series, coloured slides, Alice In Wonderland coloured slides, and a quantity of coloured slides titled views from London in original box which is titled the Wellington Special Lantern plates
AN UNUSUAL CASED SET OF ENGLISH HAND PAINTED GLASS EDUCATIONAL ASTRONOMICAL MAGIC LANTERN SLIDESUNSIGNED, MID TO LATE 19th CENTURYComprising thirteen mahogany framed glass panes each measuring 14 inches long by 4 inches high (including frames) finely enamel painted with between one and four instructional astronomical diagrams with the edges of the frames hand labelled in ink - 1. MILKY WAY, ORION, URSA MAGOR; 2. Systems; 3. Moon, Jupiter, Saturn; 4. Sizes & Distances of Planets, Comets; 5. Zodiac, Nodes, Retrograde, Seasons; 6. Phases of the Moon, Shadows; 7. Theory of Eclipses; 8. Refraction, Parallax; 9. Eclipses of the Moon; 10. Tides; 11. Lunar Month, Crescent Moon, Quadrature, Gibbous; 12. Mercury, Mars, Venus, Uranus and 13. Revolution of the Earth. Precession, contained in a stained pine box with sliding lid applied with paper label titled ASTRONOMICAL to lid.The box 38cm (15ins) long, 12.5cm (5ins) high, 12cm (4.75ins) deep. The present lot appears to be a one-off hand painted set of slides prepared specifically for a lecture series on astronomy. From the quality of the execution of the diagrams and the framing of the panels it is likely that the present set were prepared by a specialist workshop perhaps attached to a major educational institution.
A Rollei Magic medium format TLR camera and various accessories. The first s/n 2505389, with a Schneider - Kreuznach 75mm 1:3.5 Xenar taking lens, lens cap and original brown leather ever-ready case. Together with various Rolleiflex accessories to include a Panoramic Head, Rolleiflex 16 set, Rolleiflash, viewfinder hood, manual, Rollei accessory guide, a number of filters, and more, some in original boxes.
Dinky 107 "Stripey" The Magic Mini - finished in white with yellow, red and blue stripes, silver trim, red interior, chrome spun hubs - Good Plus still a lovely bright example, inner pictorial stand is generally Excellent complete with "Candy, Andy and The Bearandas" figures, outer yellow and red carded box with detailed picture is Good (slightly grubby around edges).

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30123 item(s)/page