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Mixed Toys, including hollowcast lead farming figures by Britains and Timpo, boxed Britains Tractor Roller, plastic animals, petrol pumps, a childs magic lantern with nine boxed sets of strip slides, Dinky and other diecast vehicles, including Dinky Pullmore car transporter and two racing cars, two Tri-ang Minic vehicles etc.
Barringer, Wallis & Manners - an early - mid 20th century novelty wool tin, in the form of a spool, printed with mischievous kittens and inscribed A Stitch in Time Saves Nine, 150 Yards, 14cm high, 10cm diam; a cylindrical tin, Durex Cellulose Tape, printed in cream and orange, 2cm high, 14cm diam; others, conforming; others, `Atlacide` Weedkiller Dust; Storrilac Enamel Paint; Magic Products Elastic Stain; Quick Black (11)
A boxed Meccano Construction Set no. 8, dating from 1958, the contents include a funnel, boiler sections, rubber tire, girders, cross sections, flat plates, hinges plates, pulleys, gears, fan blades, an E15 electric motor in original box, a Magic clockwork motor, (contents not checked), the set includes instructions for outfits six, seven and eight
JEAN HUGARD, 6 ttls: THE MAGIC ANNUAL FOR 1937-1938 AND 1939, 1937, 1939, 1st edns, 2 vols, orig cl gt, 2nd work ex lib; MORE CARD MANIPULATIONS, [1950], vols 1-3, orig wraps; SILKEN SORCERY, nd, inscr dtd 1944, orig pict wraps; THIMBLE MAGIC, circa 1936, orig pict wraps v worn; MODERN MAGIC MANUAL, 1969, orig wraps + LEWIS GANSON, 7 ttls: THE DAI VERNON BOOK OF MAGIC, nd, orig cl ,d/w + six others + DAI VERNON: MALINI AND HIS MAGIC, Ed Lewis Ganson, [1964], orig cl gt, d/w (16)
WILL BLYTH: PAPER MAGIC, 1929, 1st edn, orig pict bds worn + C IVOR SMITH: MY MYSTERIES, 1924, 1st edn, orig pict bds worn + NORMAN HUNTER: NEW AND EASY MAGIC, 1925, 1st edn, orig pict bds worn + A H & HORACE WALKER: UP TO DATE CONJURING, nd, 2nd impress, orig pict bds worn + W G STICKLAND: IT A BOOK OF NOVEL AND ORIGINAL INTERESTING TRICKS, [1936], 1st edn, orig wraps + G J CANNELL: MODERN CONJURING, 1940, 1st edn, orig pict wraps + BERT DOUGLAS: MODERN MAGIC, 1941, 1st edn, orig pict wraps + five others similar (12)
WILL GOLDSTON, 2 ttls: TRICKS AND ILLUSIONS, nd, 2nd edn, orig pict bds worn; THE YOUNG CONJUROR, nd, 2nd edn, part 1, orig pict bds worn + FREDERICK MONTAGUE: WESTMINSTER WIZARDRY, [1928], 1st edn, orig pict bds worn + JOHN LEWIS ANGELO “PROFESSOR HOFFMANN”: CONJURING TRICKS, [1901], orig pict bds reinforced + DAVID DEVINE: THE BOOK OF MYSTERY AND MAGIC, [1929], orig wraps + H J BURLINGAME: MAGICIANS HANDBOOK, Chicago 1942, orig pict wraps + J C CANNELL: MODERN CONJURING, 1940, 1st edn, orig pict wraps + CHARLES CRAYFORD: THE FIFTY BEST CONJURING TRICKS, [1923], orig wraps, pict d/w + two others similar (10)
WILL DEXTER, 4 ttls: FAMOUS MAGIC SECRETS, circa 1965, orig cl, d/w; SECRETS OF THE CONJUROR’S CRAFT, circa 1965, orig cl, d/w; THE ILLUSTRATED BOOK OF MAGIC TRICKS, circa 1965, orig cl, d/w; THIS IS MAGIC, 1958, 1st edn, orig cl + ERIC HAWKESWORTH, 6 ttls: PRACTICAL LESSONS IN MAGIC, 1967, 1st edn, orig cl, d/w; MAKING A SHADOWGRAPH SHOW, 1969, 1st edn, orig cl, d/w; THE ART OF PAPER TEARING, 1973, orig wraps; CONJURING, 1971, 1st edn, orig cl, d/w; A MAGIC VARIETY SHOW, 1973, 1st edn, orig cl, d/w; RAG PICTURE SHOWS, 1974, 1st edn, orig cl, d/w + KARL FULVES, 5 ttls: SELF-WORKING CARD TRICKS, NY 1976, orig pict wraps + four others all 1st edns + PETER ELDIN, 5 ttls: ISN’T THAT AMAZING, 1979, 1st edn, orig wraps + four others including two 1st edns (20)
EDWARD SUMMERS SQUIER: TRICKS AND MAGIC MADE EASY, NY 1919, orig cl + PROFESSOR P R S FOLI: FORTUNE-TELLING BY CARDS, 1919 reprint, orig pict bds + C H BULLIVANT: THE DRAWING-ROOM ENTERTAINER, 1922 reprint, orig pict bds + BERT DOUGLAS: ORIGINAL MAGIC FOR ALL, 1927, 1st edn, orig pict bds + NELSON DOWNS: CONJURING WITH COINS, 1919, 2nd impress, orig pict bds + PROFESSORS DAY AND LEVANI: CONJURING APPARATUS UP-TO-DATE, 1922, orig pict wraps + C LANG NEIL: AFTER-DINNER SLEIGHTS AND POCKET TRICKS, 1921 reprint, orig pict bds reinforced + HARRY LATOUR: MAGICAL SUGGESTIONS, 1921, 1st edn, orig pict cl + four others similar (12)
A large quantity of magic lantern slides to include "The Mouse Hunt", "Puss in Boots", "The British Army", "Animals", "Cats Tea Party", "Kittens and Mittens", etc. "Alice in Wonderland", "Mischievous Boys and Pea Shooter", "The Elephant`s Revenge", "New Geography & History Series", "Great World War", "Yellowstone Park", "World Odds", "Newton & Company", "Children`s Tales, Portraits, Nursery Rhymes", etc., together with a W.G. Hughes magic lantern in original box
* A carved wooden ancestor figure, Chambri Lakes, Sepik River, Papua New Guinea, mid-20th c., wooden black-painted figure of male form, with red and white-painted detail, shell eyes, pierced ears tied with twisted twine, and twine loin cloth threaded with a shell, 675 x 90mm (26.5 x 3.5ins). Ancestor figures were made to represent both individual family ancestors and tribal ancestors, as well as clan or tribal totemic animals and other bush spirits. Traditionally they were cared for by family elders who kept the figures in shrines and made frequent offerings to them for the well-being of the family. The figure’s powers could be heightened by being anointed with magical medicines and they were used in a number of ways: to protect the sick from evil forces, guard villages from unwelcome intruders and to ascertain the guilt, or otherwise, of a defendant. It was believed that they could enhance life by interceding on a high plane to provide food, prevent and cure illness, acquire stature, and counter sorcery. This ancestor figure is from the collection of the controversial and eccentric artist Robert Lenkiewicz (1941-2002). The artist would have been particularly interested in the connection between tribal art and the occult. At the time of his death Lenkiewicz’s libray contained some 25,000 volumes devoted to art, the occult sciences, demonolatry, philosophy, metaphysics, alchemy, death, psychology and sexuality, preoccupations which surface in many of his paintings, and his collection of books on magic and witchcraft was one of the finest in private hands. (1)
Farleigh (John) Graven Image original pictorial boards browned 1940 § Powers (Alan) Eric Ravilious: Imagined Realities original wrappers 2003 § Alexandre (N.) The Unknown Modigliani original wrappers 1994 § `Shall we join the Ladies?`: Wood Engravings by Women Artists of the Twentieth Century one of 500 copies Oxford 1979 § Lewis (John) John Nash: The Painter as Illustrator Godalming 1978 § Postan (A.) The Complete Graphic Work of Paul Nash lacking title 1973 § Knight (Laura) The Magic of a Line 1965 § Salaman (M.C.) The New Woodcut Studio Special Number 1930 plates and illustrations most with ownership signature on front free endpaper some with pen & ink sketch all but the first three original cloth the last four with dust-jackets some a little frayed all rubbed; and 15 others on artists and illustration 8vo & 4to(23)
[Taylor, Jane & Ann]. Signor Topsy-Turvey’s Wonderful Magic Lantern; or, The World turned upside down... Illustrated with Twenty-Four Engravings, 1st ed., printed for Tabart & Co. at the Juvenile and School Library, 1810, pp.71+[1](ads.), eng. frontis. (close-trimmed at top edge clipping image), and twenty-three eng. plts., contents generally browned, and small stain to fore-margin throughout (just clipping edge of images/text in places), a few short edge tears/nicks, mid. 19th c. half calf gilt, lightly rubbed and spine faded, 16mo. Gumuchian 5517; Moon, Benjamin Tabart’s Juvenile Library, 171(1). Extremely rare. Not in Osborne. A curious and amusing little book, which Marjorie Moon calls “an excellent production”. She adds “the verses are neat, pointed and (as may be expected, considering the authors) easily to be understood by children” and she describes the plates (possibly by Isaac Taylor, junior) as “among the more proficient illustrations in children’s books of the period”. The imaginative engravings and accompanying verse are apparently the result of the Magic Lantern operator’s ineptitude as he shows slides upside down, causing humorous reversals of standard roles, such as: ‘Monkey turned Beau’; ‘The Dunce turned Scholar’; ‘The Boy turned Giant’; ‘The Ass turned Miller’; ‘Game turned Sportsman’; ‘Fish out of Water’; ‘The Moon in the Dumps’; and ‘The Horse turned Driver’. In some cases the ludicrous takes on a rather alarming tone, for example, ‘The Cook Cooked’ shows the cook being roasted on a spit by a hare, ‘The Mare turned Farrier’ shows a horse hammering a nail into the farrier’s foot, and ‘The Hogs Court of Inquiry’ shows a number of bewigged hogs presiding over a butcher with bound limbs. Apart from a partial American reprinting in 1811, the book was never published again, in stark contrast to the rest of the Taylor sister’s oeuvre. This may have been in part because Benjamin Tabart was declared bankrupt in 1810, though it still seems surpring that the work was not taken up by another publisher. It seems probable that, despite the moralistic tone of some of the tales, the over-riding theme of anarchy - more subversive than the standard content of early nineteenth century children’s literature - was just too much for contemporary audiences. (1)
* Rupert Bear. A complete run of Rupert Bear Annuals, pub. Daily Express, 1936-2007, col. and b&w illusts. to text, magic painting pages in the 1960’s vols. only partly completed, some vols. with the usual ownership name and price clipping etc., orig. pict. boards/wrappers, a few early vols. with some restoration (particularly 1939-42), later vols. generally in excellent condition, 4to, together with Rupert Painting Book, pub. L. T. A. Robinson, n.d., c. 1949, colouring pages largely untouched, orig. col. pict. wrappers, 4to, plus Rupert and the Wonderful Boots, pub. Sampson Low, n.d., c. 1946, col. illusts. throughout, orig. col. pict. wrappers, some wear and splitting to spine, folio. The volumes for 1936 and 1950-54 are in unusually bright clean condition. Overall a very acceptable collection. (74) The 1950 Rupert Annual has a neat tape repair to lower spine.
[Verbeek, Gustave]. The Upside Downs of Old Man Muffaroo and Little Lady Lovekins [cover-title], The New York Herald Co., 1904, 16pp. col. printed comic strip, soiled and torn with numerous adhesive tape repairs, one leaf with loss to fore-margin, contemp. cloth-backed boards, with printed labels on cover, rubbed and soiled, oblong folio. Rare. Containing: The Magic Carpet; The Bad Boy and the Stone; At the House of the Writing Pig; The Danger of Having an Idea; A Fruit Stealing Expedition; And the Cat Came Back; An Eventful Easter; The Story of the Stork; The Goose that Land a Golden Egg; A Narrow Escape; A Fish Story; The Fairy Palace; The Bird, the Berries and the Basket; An Old Story with a New Ending; The Negro and the Watermelon. (1)
Dickens (Charles). Little Dorrit, 1st ed., 1857, b&w etched plates, some foxing as usual, contemp. half green morocco, rubbed and some wear, with joints split at head and foot, 8vo, together with The Family Safe-All, a system of secondary cookery supplying excellent dishes for breakfast, luncheon, dinner, and supper, from cold and other fragments ..., 2nd ed., 1861, orig. blindstamped cloth gilt, a little rubbed and faded to spine and edges, minor fraying to extreme head and foot of spine, 8vo, plus Levi (Eliphas), Transcendental Magic, Its Doctrine and Ritual, trans. Arthur Edward Waite, new revised ed., 1923, b&w port. frontis., orig. cloth gilt, a little rubbed and spine lightly faded, 8vo, and other miscellaneous books, including 19th c. illustrated works, children’s books, a disbound 17th c. pamphlet entitled The Tryal and Examination of a late Libel, intitled, A New Test of the Church of Englands Loyalty [by Samuel Johnson], c. 1687, etc. (a carton)
Sabin, Edwin L - "Magic Mashie and Other Golfish Stories" 1st ed 1902 published by A Wessels Co New York - 14 short stories, all golf related - in decorative cloth boards and spine-complete with frontispiece tissue guard, pages uncut, slight front hinge weakness - internally clean hence (G) - scarce Illus.
* Wolfgang Hutter, Fantastic Realism, Austrian b.1928- "Trollflojten"; c.1973/74 (magic flute) published by A H Grapik, Stockholm, A folio of mixed technique, lithograph, screenprint and engravings, each signed and numbered 5/50 in pencil, twenty-eight separate examples including the title page, on Fabriano cream wove, mostly with margins, mostly good condition, a few with minor handling marks, loose sheets contained within blue wooden boards, presumably as issued, 60x66cm: Note: Painter, draughtsman, printmaker and stage designer. Hutter`s imagination is characterised by an artificial paradise of gardens and fantastical fairytale-like scenes. The son of A P von Gutersloh, Hutter studied at the Academy of Fine Arts Vienna, and is one of the founding members of the Vienna School of Fantastic Realism. Awarded the UNESCO Prize at the Venice Biennale in 1954. In 1966, he was appointed a professorship at the Hochschule für angewandte Kunst in Vienna. (folio, 28) (may be subject to Droit de Suite)
A Heeley A1 double lever corkscrew, with worn bronze finish; a chrome plated Heeley A1 double lever; an H D Armstrong 1902 patent compound lever corkscrew marked and worn; a compound corkscrew marked HEELEY 1880; two Magic Lever type corkscrews; two French zig zag compound corkscrews; and three Lever Signets. (11)
A James Heeley & Sons A1 double lever, with bronze finish, worn, marked JAMES HEELEY & SONS 6006 PATENT DOUBLE LEVER, A1 PATENT, twice; a Wiers 1884 patent lazy tongs corkscrew marked WIERS PATENT 12804, 25 SEPT 1884, HEELEY & SONS MAKERS on both sides, with bronze finish; another plain; a French PERFECT lazy tong corkscrew; another marked DEBOUCHTOUT; a Magic Lever cork drawer; and a modern example. (7)

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30123 item(s)/page