We found 26510 price guide item(s) matching your search

FOOTBALL, modern, mainly Magic Box Int. Topps Match Attax, Futera, Pro-Set, Magic Box Shoootout, 2004/5-2006/7, duplication (some heavy), EX to MT, 1000s (two boxes)

EPHEMERA, selection inc. Magic Alba Weekly, The postal History Annual (1980 & 1981), embossed printed duty stamps, Langham Hotel christmas card (1934), petrol coupon book, Camberlain House supper menu (1912), Coast Lines Vessels wall poster etc., G, 54*

CHRISTOPHER A LANE: KING LEONARD'S CELEBRATION, ill Sharon Dahl, Illinois, 1990, 1st edition, signed and inscribed by artist, 4to, original pictorial laminated boards, vgc + GARY DRAGER 'COOPER EDENS': IF YOU'RE AFRAID OF THE DARK REMEMBER THE NIGHT RAINBOW, La Jella, California, The Green Tiger Press, 1979, 1st edition, oblong original pictorial wraps + 'TWO LITTLE GIRLS' AND [CLAUD FRANCIS FOTHERGILL]: THE WONDERFUL ADVENTURES OF MRS BROWN, Chorley Wood, Camp & Tours Union [1946], 1st edition, 4to, original cloth backed pictorial boards + ANDRE MAUROIS: FATTYPUFFS AND THINIFERS, ill Fritz Wegner, London, The Bodley Head, 1968, 1st edition, 4to, original pictorial boards + GLADYS M REES: LOOSEY AND LANKEY, London, Museum Press, 1945, 1st edition, contemporary inscription on half title, 4to, original pictorial cloth worn and soiled + JANE SHAW: MAGIC SHIPS, London, Collins [1943], 1st edition, contemporary prize label on ffep, 4to, original cloth, d/w + STEPHEN BONE & MARY ADSHEAD: THE LITTLE BOYS AND THEIR BOATS, London, J M Dent, 1967 reprint, 4to, original cloth, d/w (price clipped) (7)

EBBA L HOFFMAN: BEYOND THE BLUE MOUNTAINS, ill H Artelius, London, Hutchinson [1935], 1st edition, 7 coloured plates as called for, original cloth + VICTORIA STEVENSON: CLOVER MAGIC, ill Pauline D Baynes, London, Country Life, 1944, 1st edition, 10 plates as list, contemporary inscription on ffep, original cloth + J B S HALDANE: MY FRIEND MR LEAKEY, ill Leonard H Rosomann, London, Cresset Press, 1937, 1st edition, contemporary inscription on ffep, original cloth, spine dulled + WILHELMINA HARPER (ED): THE GUNNIWOLF AND OTHER MERRY TALES, ill Kate Seredy, London, George G Harrap, 1937, 1st edition, original cloth + LORNA LEWIS: PUPPY AND THE CAT HODGE, ill Lucy Dawson, London, Collins, 1938, 1st edition, 7 plates as list, original oblong cloth soiled, (5)

Packet: six children's EP records in original sleeves comprising THE TALE OF BENJAMIN BUNNY, narrated by Vivien Leigh; ALISON UTTLEY: SAM PIG AND THE WATER BABY - LITTLE RED FOX AND THE MAGIC MOON, both narrated by David Davis; REV W AWDRY: EDWARD'S DAY OUT and EDWARD AND GORDON - THE SAD STORY OF HENRY AND EDWARD, GORDON AND HENRY, both narrated by Johnny Morris; S G HOLME BEAMAN: TEA FOR TWO, narrated by Redvers Kyle, (6)

GEORGE ARMSTRONG (ED): THE WIZARD, 1947, vol 1 number 8 + MAGIC WAND AND MAGICAL REVIEW, October 1947 and March 1948, Nos 215 and 217, original wraps + THE GEN, Unique Magic Studio/Studio of Unique Magic, 1948, February and November, vol 3 Nos 3 and 12, original wraps (5)

A quantity of Magic \lantern slides in three sets to include Balloon & Flights, together with a piano roll

FREDERICK ROLFE (BARON CORVO): THE CARDINAL PREFECT OF PROPAGANDA AND OTHER STORIES, intro Cecil Wolf, London, Nicholas Vane, 1957 (250) out of series, original cloth backed decorative boards + MONTAGUE SUMMERS: WITCHCRAFT AND BLACK MAGIC, London, Rider & Co, [1945], 1st edition, original cloth, spine dulled, part d/w loosely inserted (2)

PETER TOMPKINS: THE MAGIC OF OBELISKS, New York, Harper & Row, 1981, 1st edition, original cloth, d/w (top panel with closed tear) + GEOFFREY T MARTIN: THE HIDDEN TOMBS OF MEMPHIS, London, Thames & Hudson, 1991, 1st edition, original cloth, d/w + NIGEL & HELEN STRUDWICK: THEBES IN EGYPT, London, British Museum Press, 1999, 1st edition, original cloth, d/w + MICHAEL A HOFFMAN: EGYPT BEFORE THE PHARAOHS, London, Michael O'Mara, 1991, 1st edition, original cloth backed boards, d/w (price clipped) + PETER FRANCE: THE RAPE OF EGYPT, London, Barrie & Jenkins, 1991, 1st edition, original cloth, d/w + GEORGE RAWLINSON: THE EGYPT OF HERODOTUS, London, Martin Hopkinson, 1924, original cloth backed boards worn (6)

DONALD MOORE: 2 titles: WE LIVE IN SINGAPORE, London, Hodder & Stoughton, 1955, 1st edition, contemporary inscription on ffep, original cloth, d/w (part losses); WHERE MONSOONS MEET, London, George G Harrap, 1956, 1st edition, contemporary inscription on ffep, original cloth, d/w (small part losses) + RONALD ROSE: SOUTH SEAS MAGIC, London, Robert Hale, 1959, 1st edition, contemporary inscription on ffep, original cloth, d/w (small part losses) (3)

A LARGE QUANTITY OF MAGIC THE GATHERING GAME CARDS

Vintage 1960's 'Tri-Magic' Metamorphic drinks trolley/table H75cm W82cm D39cm approx

Various Victorian religious Tract Society and other cloth banners, printed with a variety of scenes, stamped 65 St Paul's Church Yard, various others for Working Men's Educational Unit, WM3, and a quantity of others, in a pressed carrying case advertising for a magic lantern show, 48cm wide.

A QUANTITY OF AQUA MAGIC MATS, A CHLDS BARBECUE PLAYSET ETC

A BOXED GNOME PROJECTOR AND A ANTIQUE MAGIC LANTERN A/F (5625 AND 5626)

Household items to include Magic Bullet, as new. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Lucy MJ Ball Looking Back Pen, Ink and Gouache on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lucy was born in 1956 and has lived in the UK since then. She studied at Swansea College of Art on the foundation course and at Canterbury College of Art on the Fine Art course, specialising in painting. Later on, as a mature student, she studied History of Art at Birkbeck College, University of London. Before moving to Devon from Oxfordshire in 1997, Lucy was principally a painter, once in Devon her practice as an artist went on hold for many years and for very many reasons. Returning to her practice she found herself producing very different work. Having done very little printmaking previously, she became captivated by the medium and in particular etching and aquatint. She exploits the darkness of the technique which perfectly suits much of her imagery which is often of dark subject matter peppered with a similarly dark humour. Subject matter is mostly to do with the human condition, relationships of people, of people and place and of people and animals. Lucy's subject matter is also informed by literature and myth. She also sees it as a cathartic process. The alchemical violence of the etching process perfectly suits this subject matter. She enjoys the unpredictability of printmaking and the surprises it creates. The process of etching provides her with a feeling of alchemically creating magic. It is a process requiring both creativity and a patient, often slow but considered adherence to technical considerations. Considerations which can of course, be bent and manipulated. Lucy suggests that monotype printmaking satisfies a need for intuitive and often unlikely outcomes, this medium along with drawing feeds and adds to her library of images and scenarios.   Select Exhibitions/Awards 2021 Selected for Woolwich Contemporary Print Fair November 2021 Selected for RA Summer exhibition September '21-January '22 2021 Limekiln Gallery, Cornwall Summer Exhibition 2020/21 Journey: A Mayflower 400 Project. A Transatlantic Touring Exhibition. Tamar Valley Printmakers UK and Printmakers of Cape Cod USA - Torre Abbey and Plymouth exhibitions 2020/21 RWA 168 Annual Open Exhibition 2020 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall 2019 Red Dot Art Mini Print Exhibition 2019 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2019 RWA 167 Annual Open Exhibition 2018 RWA 166 Annual Open Exhibition 2018 Red Dot Art Mini Print Exhibition 2018: RBSA Print Prize Open exhibition (third prize winner) 2018: International Mini Print - Seacourt (group) 2018: Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2017: Endelienta, open exhibition, Cornwall (group) 1991: HallRichards Gallery, London (solo) 1990: Cole and Cole Solicitors, Oxford (group) 1988: RWA, Bristol (136th annual open) 1988: Oxford Billboard project 1988: Red in Tooth and Claw, Westgate Exhibition Room, Oxford (group) 1987/8: Cahill and Grebler Gallery, London. Christmas show (group) 1986: Women on Men, Cahill and Grebler Gallery, London (group) 1980's: Open studio shows during the decade.

Lucy MJ Ball Showroom Pen, Ink, Watercolour and Crayon on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lucy was born in 1956 and has lived in the UK since then. She studied at Swansea College of Art on the foundation course and at Canterbury College of Art on the Fine Art course, specialising in painting. Later on, as a mature student, she studied History of Art at Birkbeck College, University of London. Before moving to Devon from Oxfordshire in 1997, Lucy was principally a painter, once in Devon her practice as an artist went on hold for many years and for very many reasons. Returning to her practice she found herself producing very different work. Having done very little printmaking previously, she became captivated by the medium and in particular etching and aquatint. She exploits the darkness of the technique which perfectly suits much of her imagery which is often of dark subject matter peppered with a similarly dark humour. Subject matter is mostly to do with the human condition, relationships of people, of people and place and of people and animals. Lucy's subject matter is also informed by literature and myth. She also sees it as a cathartic process. The alchemical violence of the etching process perfectly suits this subject matter. She enjoys the unpredictability of printmaking and the surprises it creates. The process of etching provides her with a feeling of alchemically creating magic. It is a process requiring both creativity and a patient, often slow but considered adherence to technical considerations. Considerations which can of course, be bent and manipulated. Lucy suggests that monotype printmaking satisfies a need for intuitive and often unlikely outcomes, this medium along with drawing feeds and adds to her library of images and scenarios.   Select Exhibitions/Awards 2021 Selected for Woolwich Contemporary Print Fair November 2021 Selected for RA Summer exhibition September '21-January '22 2021 Limekiln Gallery, Cornwall Summer Exhibition 2020/21 Journey: A Mayflower 400 Project. A Transatlantic Touring Exhibition. Tamar Valley Printmakers UK and Printmakers of Cape Cod USA - Torre Abbey and Plymouth exhibitions 2020/21 RWA 168 Annual Open Exhibition 2020 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall 2019 Red Dot Art Mini Print Exhibition 2019 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2019 RWA 167 Annual Open Exhibition 2018 RWA 166 Annual Open Exhibition 2018 Red Dot Art Mini Print Exhibition 2018: RBSA Print Prize Open exhibition (third prize winner) 2018: International Mini Print - Seacourt (group) 2018: Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2017: Endelienta, open exhibition, Cornwall (group) 1991: HallRichards Gallery, London (solo) 1990: Cole and Cole Solicitors, Oxford (group) 1988: RWA, Bristol (136th annual open) 1988: Oxford Billboard project 1988: Red in Tooth and Claw, Westgate Exhibition Room, Oxford (group) 1987/8: Cahill and Grebler Gallery, London. Christmas show (group) 1986: Women on Men, Cahill and Grebler Gallery, London (group) 1980's: Open studio shows during the decade.

Lucy MJ Ball Train Window - Rain Pen, Ink, Watercolour and Crayon on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Lucy was born in 1956 and has lived in the UK since then. She studied at Swansea College of Art on the foundation course and at Canterbury College of Art on the Fine Art course, specialising in painting. Later on, as a mature student, she studied History of Art at Birkbeck College, University of London. Before moving to Devon from Oxfordshire in 1997, Lucy was principally a painter, once in Devon her practice as an artist went on hold for many years and for very many reasons. Returning to her practice she found herself producing very different work. Having done very little printmaking previously, she became captivated by the medium and in particular etching and aquatint. She exploits the darkness of the technique which perfectly suits much of her imagery which is often of dark subject matter peppered with a similarly dark humour. Subject matter is mostly to do with the human condition, relationships of people, of people and place and of people and animals. Lucy's subject matter is also informed by literature and myth. She also sees it as a cathartic process. The alchemical violence of the etching process perfectly suits this subject matter. She enjoys the unpredictability of printmaking and the surprises it creates. The process of etching provides her with a feeling of alchemically creating magic. It is a process requiring both creativity and a patient, often slow but considered adherence to technical considerations. Considerations which can of course, be bent and manipulated. Lucy suggests that monotype printmaking satisfies a need for intuitive and often unlikely outcomes, this medium along with drawing feeds and adds to her library of images and scenarios.   Select Exhibitions/Awards 2021 Selected for Woolwich Contemporary Print Fair November 2021 Selected for RA Summer exhibition September '21-January '22 2021 Limekiln Gallery, Cornwall Summer Exhibition 2020/21 Journey: A Mayflower 400 Project. A Transatlantic Touring Exhibition. Tamar Valley Printmakers UK and Printmakers of Cape Cod USA - Torre Abbey and Plymouth exhibitions 2020/21 RWA 168 Annual Open Exhibition 2020 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall 2019 Red Dot Art Mini Print Exhibition 2019 Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2019 RWA 167 Annual Open Exhibition 2018 RWA 166 Annual Open Exhibition 2018 Red Dot Art Mini Print Exhibition 2018: RBSA Print Prize Open exhibition (third prize winner) 2018: International Mini Print - Seacourt (group) 2018: Fresh off the Press, Limekiln Gallery, Calstock, Cornwall (group) 2017: Endelienta, open exhibition, Cornwall (group) 1991: HallRichards Gallery, London (solo) 1990: Cole and Cole Solicitors, Oxford (group) 1988: RWA, Bristol (136th annual open) 1988: Oxford Billboard project 1988: Red in Tooth and Claw, Westgate Exhibition Room, Oxford (group) 1987/8: Cahill and Grebler Gallery, London. Christmas show (group) 1986: Women on Men, Cahill and Grebler Gallery, London (group) 1980's: Open studio shows during the decade.

Anna Harmon What Do You Know About Apples? Observation Is The Source To The Knowledge of Life Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I was born in the small Siberian city of Sayansk. Since childhood, I studied at an art school, but classical painting and traditional drawing caused boredom and irritation. After moving to St. Petersburg, being influenced by the history and architecture of the city, the Hermitage, the Russian Museum and other exhibition spaces, I realized that it was possible to go beyond the academic school and try myself in completely different techniques: oil, aerosol paints, ink. At the same time, an image was formed that can be traced in all the works of the author. Young spontaneity, openness to the world, something that allows you to look beyond social dogmas - the beauty of the naked human body, conflicts, the magic of the transition of one into another. At that time, in the Golitsyn Hall in 2019, the first exhibition was held together with other artists, the inspiration for these works were paintings by Henri Matisse, ancient Greek painting and personal impressions. With the help of naked impersonal images, I conveyed various aspects of human relationships and attitudes towards myself. In 2021, I signed a contract with MSK Eastside Gallery. The variety of shapes and colors collected on my canvas refers us to the unity of the unlike. To the fact that in our multicultural world, pluralism of opinions and the ability to live with them is the only thing that moves the world forward.   Education Self-taught   Select Exhibitions/Awards Golitsyn Hall. Moscow. 2019 RABOTA Auction. London. 2021   Gallery Representation MSK Eastside Gallery   Statement about AOAP Submitted Artwork What do you know about apples? What do you know about oranges? People admire the sea or mountains, modern cities, but no one pays attention to apples and oranges lying on the table at home. That's why they are so flat and simple on my postcards. These are familiar household items that our eye ignores. But take a closer look, what do you know about apples?

Anna Harmon What Do You Know About Oranges? Observation Is The Source To The Knowledge of Life Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I was born in the small Siberian city of Sayansk. Since childhood, I studied at an art school, but classical painting and traditional drawing caused boredom and irritation. After moving to St. Petersburg, being influenced by the history and architecture of the city, the Hermitage, the Russian Museum and other exhibition spaces, I realized that it was possible to go beyond the academic school and try myself in completely different techniques: oil, aerosol paints, ink. At the same time, an image was formed that can be traced in all the works of the author. Young spontaneity, openness to the world, something that allows you to look beyond social dogmas - the beauty of the naked human body, conflicts, the magic of the transition of one into another. At that time, in the Golitsyn Hall in 2019, the first exhibition was held together with other artists, the inspiration for these works were paintings by Henri Matisse, ancient Greek painting and personal impressions. With the help of naked impersonal images, I conveyed various aspects of human relationships and attitudes towards myself. In 2021, I signed a contract with MSK Eastside Gallery. The variety of shapes and colors collected on my canvas refers us to the unity of the unlike. To the fact that in our multicultural world, pluralism of opinions and the ability to live with them is the only thing that moves the world forward.   Education Self-taught   Select Exhibitions/Awards Golitsyn Hall. Moscow. 2019 RABOTA Auction. London. 2021   Gallery Representation MSK Eastside Gallery   Statement about AOAP Submitted Artwork What do you know about apples? What do you know about oranges? People admire the sea or mountains, modern cities, but no one pays attention to apples and oranges lying on the table at home. That's why they are so flat and simple on my postcards. These are familiar household items that our eye ignores. But take a closer look, what do you know about apples?

Maryam Deyhim Magic Face Oil Colours on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Maryam's work is characterised by a fine attention to detail and acute observation of society and human behaviour in general. Her special interest is in the way that people interact and co-exist both in the modern-day environment and the commonality and contrasts with the past. Maryam's art captures and contrasts the emotional energy and vibrancy of the crowd or group with the more profound, and often more genuine, emotional response of the individual.   Education She previously studied graphic design and took classes in caricature and animation.   Select Exhibitions/Awards 2021 Summer Exhibition ( Royal Academy Of Art - London) 2020 NDSM-Fuse Gallery (Amsterdam) 2018 "Passion For Freedom" Royal Opera Arcade (ROA) Gallery (London) 2016 The Royal Birmingham Society of Artists (RBSA) Prize 2016 Exhibition 2016 Ashurst Emerging Art Prize exhibition (London) 2015 "Passion For Freedom" at Mall Galleries (London) 2015 Ashurst Emerging Art Prize exhibition (London) 2014 "Passion for Freedom" at Embassy Tea Gallery (London) 2013 Espacio Gallery (London) 2021 Summer Exhibition ( Royal Academy of Art- London) 2021 Finalist - International Artist Grand Prize/Art Revolution Taipei 2020 Shortlisted "Smash the Narrative" at NDSM-Fuse Gallery (Amsterdam) 2020 Finalist - International Artist Grand Prize/Art Revolution Taipei (Taiwan) 2019 Shortlisted "Soundstripes 3" short silent films (Huddersfield) 2018 Shortlisted "Passion For Freedom " awards at Royal Opera Arcade (ROA) Gallery (London) 2016 Finalist- London International Creative Competition (LICC-London) 2016 Highly commended, Ashurst Emerging Artist Prize, UK (London) 2015 1st place - Self-Portrait category for Self Portrait( American Art Awards ) 2015 Shortlisted "Passion For Freedom " awards at Mall Galleries (London) 2015 Shortlisted for Ashurst Emerging Art Prize (London) 2014 Shortlisted for "Passion for Freedom" awards at Embassy Tea Gallery (London) 2013 1st place - Art Brut category for Bar ( American Art Awards) Statement about AOAP Submitted Artwork Art is more than just an activity that brings pleasure and relaxation for me; it is my means of self-expression, the point of access to a world without boundaries and artificial constraints. I am generally an optimistic person and hope that one day everyone will be truly free and able to express themselves in a world of harmony and equality.

Wanda Orme The Truth is an Act of Love Black Oxide and Ash on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Wanda Orme is an artist working across the mediums of photography, sculpture and the written word to pursue an exploration of the world which is both analytical and visceral. Born on the Isle of Man and raised in London, she is drawn to margins, coastlines and wild places. Her work explores desire, instinct, resonance and the relationships between human and non-human bodies. Her works often carrying within them a duality - intimacy and expanse, destruction and creation. Her artistic practice is deeply rooted in an engagement with an animate world that talks back, she is seeking to learn.   Education MA Anthropology (University of California, San Diego), MA Psychology (New School for Social Research, New York)   Select Exhibitions/Awards Nominated for The Louis Roederer Art Prize for Sustainability (2022) Nominated for The Prix Pictet Global Photography Award (2019, 2020) Wanda is known for her site-specific sculptural installations concerning water and the environment. She is the author of three books, The Becoming Light of Water (2018), Blue on Fire (2021) and Volcano Songs (2021). Clients and Publications include: AnOther Magazine, Photo London, The Sunday Times Style, Dazed Digital, Coco de Mer, Vogue Italia and byNWR Studios.   Statement about AOAP Submitted Artwork THE TRUTH IS AN ACT OF LOVE. The truth matters, there is vulnerability and power in it. The truth can work magic. You can both hold it and offer it. To hold another's truth is a tenderness.

Shannon Bono I Am Here Acrylic, Spray Paint and Image Transfer on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Shannon Bono's (b. 1995, London) paintings embody an afrofemcentrist consciousness, sharing muted narratives and projecting the black women's lived experiences. She is invested in producing layered, figurative, compositions embedded with symbols and scientific metaphors that centralise black womanhood as a source of knowledge and understanding. Enamoured by African spiritually, Christian iconography and renaissance art she employs its purpose of cultural impact, liturgy and instruction for an improved society within her works. Shannon explores the internal body as well as the external, by merging the design of notable fabrics from Africa with biological structures and chemical processes in living organisms for the backgrounds of her works and using the anatomy as a second canvas in the foreground. She views the body as a powerful signifier that provokes dialogue, playing with pose, gesture and the gaze to challenge reality.   Education Bono received her MA in Art and Science from Central Saint Martin's University (2019) and a Postgraduate Certificate in from University of the Arts London (2021).   Select Exhibitions/Awards In 2021, Bono presented her first solo exhibition titled "The hands that hold you," at the Anderson Contemporary, London and she has been selected for Bloomberg New Contemporaries award 2021 showing at Firstsite and The South London Gallery. Recent exhibitions include "Love is the Devil: Studies after Francis Bacon" presented at Marlborough Gallery (2022), "Bold Black British," presented at Christie's (2021), "Reclaiming Magic" Royal Academy Summer exhibition and 'WOP' Avant Arte x WOAW Gallery Hong Kong (2021-2022). Other notable exhibitions she has participated in include The Lee Alexander McQueen Sarabande Foundation, Workplace Gallery and the Copeland Gallery. Shannon has been featured in Dazed Magazine and online press by Elephant magazine, Wallpaper magazine, Bustle, i-D and Soho house.   Statement about AOAP Submitted Artwork 'I AM HERE' was inspired by an inspirational and informative conversation I had with Julia the National female prison coordinator of the HepC trust. Julia shared with me the amazing and important work the trust are doing and emphasised the importance of reducing the stigma of HepC and aftercare for these women. I wanted the piece to speak to the strength of the women and their journeys those in prison and the women offering support working with the trust. The background design is based on the viral structure of Hep C and the hybrid female figure symbolises the strength of the women. I titled the piece after a poem I read in the I AM magazine which was created for the women in lockdown.

Ritva Georgiades Midnight I Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Ritva was born and raised in North Finland and has lived in England many years. She is Mixed Media artist. She loves paper and makes collages with many layers to create textured surfaces. she also uses strings of beads that she makes to attach on top of the collages.   Education BA (Honours) Surrey Institute of Art & Design   Select Exhibitions/Awards RA Summer Exhibition, Discerning Eye - Mall Galleries, Society of Women Artists   Gallery Representation McKay Williamson   Statement about AOAP Submitted Artwork In her collage work Ritva seeks beauty and magic.

Ritva Georgiades Midnight II Mixed Media on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Ritva was born and raised in North Finland and has lived in England many years. She is Mixed Media artist. She loves paper and makes collages with many layers to create textured surfaces. she also uses strings of beads that she makes to attach on top of the collages.   Education BA (Honours) Surrey Institute of Art & Design   Select Exhibitions/Awards RA Summer Exhibition, Discerning Eye - Mall Galleries, Society of Women Artists   Gallery Representation McKay Williamson   Statement about AOAP Submitted Artwork In her collage work Ritva seeks beauty and magic.

Ritva Georgiades Midnight III Mixed Media on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ritva was born and raised in North Finland and has lived in England many years. She is Mixed Media artist. She loves paper and makes collages with many layers to create textured surfaces. she also uses strings of beads that she makes to attach on top of the collages.   Education BA (Honours) Surrey Institute of Art & Design   Select Exhibitions/Awards RA Summer Exhibition, Discerning Eye - Mall Galleries, Society of Women Artists   Gallery Representation McKay Williamson   Statement about AOAP Submitted Artwork In her collage work Ritva seeks beauty and magic.

Ritva Georgiades Midnight IV Mixed Media on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ritva was born and raised in North Finland and has lived in England many years. She is Mixed Media artist. She loves paper and makes collages with many layers to create textured surfaces. she also uses strings of beads that she makes to attach on top of the collages.   Education BA (Honours) Surrey Institute of Art & Design   Select Exhibitions/Awards RA Summer Exhibition, Discerning Eye - Mall Galleries, Society of Women Artists   Gallery Representation McKay Williamson   Statement about AOAP Submitted Artwork In her collage work Ritva seeks beauty and magic.

A collection of black and white magic lantern slides:- New Zealand circa 1890-1907 in wooden box (some fading)

A collection of black and white magic lantern slides:-A tour of Egypt by motorbike circa 1920's - 30's in wooden box

A collection of black and white magic lantern slides:- A wealthy Edwardian family skiing, 1905 Dedion-Bouton motorcar outside The Wizard in Alderley Edge etc

A collection of black and white magic lantern slides:- British and Continental topographical scenes etc

From 1979 annual Shiver and Shake, 5 of 6 pages of Constable Claude and his Magic Machine by artist John Geering, in black pen and ink, each page signed and dated 6/4/88;  3 page Frankenstein's Monster by the same artist, black pen and ink; a one page colour strip 'Kate at Finnegan's Farm' and another short strip

Boxed collection of magic lantern slides including story sets, York & Sons, etc, approximately 60 slides.

A large collection of glass negatives and magic lantern slides, featuring the Holy Land, Wales, Italy and many more

TECHNO/ HOUSE - LP/ 12" PACK. A magic collection of 10 house/ techno LPs/ 12". Artists/ titles include Sterac Electronics - Keep On Running (MM106, Record Ex/ sleeve VG+), Various - Three Beat High And Rising (3BTTLP1, VG+/ VG+), CJ Bolland - The 4th Sign (RS 92024), VG+/ VG+), Various - Pentatonik Anthology (DVNT 1LP), Monika Kruse - Panorama (TERM 0102-3), John Beltran - Ten Days Of Blue (PFO 49), Blunted Boy Wonder - Innuendo (MMLP 008), Joe T Vannelli Project feat Harambee - Sweetest Day Of May (DB 095), Pako & Frederik - Atlantic Breakers (GUMU001VIN) & Annex Of Soul EP - Return Trip (LRR003). Condition is generally VG+ to Ex+.

ELECTRONIC SOUND - 7" LABEL RARITIES. A superb selection of 9 7" rarities released on Electronic Sound. Artists/ tiles include Devo - Live 1978 (ES744, yellow vinyl. Record Ex+/ sleeve Ex), Space/ Reed & Caroline - Magic Fly/ Before (ES745, Ex+/ Ex+), John Foxx - Underpass (ES748, red vinyl. Ex+/ Ex+), Thomas Leer/ Robert Rental - Splash Momentum/ The Waltz Of The Fatman (ES746, Ex+/ Ex+), Mike Vickers - The Adding Machine (ES749, Ex+/ Ex+), Karl Bartos - Without A Trace Of Emotion (ES750, includes insert. Ex+/ Ex+), Deux - Europe (ES751, Ex/ VG+), Amon Tobin/ Only Child Tyrant - On A Hilltop Sat The Moon/ Kink Of Kong (ES752, M/Sealed) & Malaria!/ Gudrun Gut - Your Turn To Run/ Boy Keep Swinging (ES753, M/ Sealed).

Portmeirion pottery Magic City pattern set of eight teacups and saucers, with other matching items

A batch of Tudor Mint Myth & Magic figures

A batch of Tudor Mint Myth & Magic figures

Seven Tudor Mint Myth & Magic figures on plinths

Eight Tudor Mint Myth & Magic figures

PORTMEIRION MAGIC CITY COFFEE POT TOGETHER WITH ROYAL DOULTON SNOOKER PLAYER CHARACTER JUG AND A STAFFORDSHIRE FIGURE 'THE MINSTRELS' (3)

COLLECTION OF SIX VARIOUS WOOD AND METAL MOUNTED MAGIC LANTERN SLIDE VIEWERS

SIX WOOD AND METAL MOUNTED MAGIC LANTERN SLIDE VIEWERS

The Magic Of A Name, Peter Pugh three volumes of the Rolls Royce Story, cased; and Botanical Garden Volumes 1 & 2, cased

MAGIC BULLET ELECTRIC BLENDER

A late 19th century Magic lantern, cased with slides

A collection of vintage 20th century Myth and Magic spelter and crystal figures to include The Powerful Dragon, The Dragon of Justice, Custodians of the Crystal, Mystique, The Enchanted Dragon, The Guardian of the Crystal, The Drout Keeper, Don't Push Me, The Real Dragon, The Dragon Knight, The Real Dragon, The Wrong Spell, Dragon of the rose, The Enchanted Bridge, The Celtic Dragon and a Royal Selangor pewter wine glass. Two accompanied by wooden plinths.

Magic Roundabout– Robert Harrop – Musical Box Limited Edition 500 MRMB1. Highly detailed resin statue based on the classic children’s animated series. Statue appears mint, with no damage. Boxed. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present. Largest measures 40cm.

Magic Roundabout – Robert Harrop – A collection of five figurines comprising of  Brian MR04, Dougal MR01, Florence MR02, Mr Rusty MR07, Collection Plaque MRCP,  . Highly detailed resin statue based on the classic children’s animated series. Statue appears mint, with no damage. Boxed. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present. Largest measures 10cm.

Magic Roundabout – Robert Harrop – A collection of seven figurines Brian MR04, Zededee MR03, Mr Machenry MR08, The Train MR09, Florence MR02, Mr Rusty Musical Box MR07, Collection Plaque MRCP. Highly detailed resin statue based on the classic children’s animated series. Statue appears mint, with no damage. Boxed. Note; from a large collection of Robert Harrop & other statues / figurines. Condition is stated within each description, however buyers are reminded that such statements are not forensic reports and all items will remain sold 'as is'. As a rule, statues do appear mint and undamaged, but this is not guaranteed. Boxes range in condition, and some have wear from storage. In all instances buyers are required to satisfy themselves. Certificates / paperwork are present if photographed, if there are no photographs of certificates then one isn't present. Largest measures 10cm.

Collectables to include Susie Cooper and a Magic Roundabout plate

A box of LPs, to include The Magic of Hawaii and Phil Kelsall etc

Two acoustic Guitars including Parlour (strings missing) and Magic.

Miscellaneous china to include egg cups; Andy Pandy, Magic Roundabout, Sitting bunnies, plus a Sadler biscuit barrel, part coffee set by Meakins, a large mottled bowl and Woods of England part Teaset in green etc.

Collection of approximately two hundred glass magic lantern slides including topographical views, manufacture of bricks, salt making, Tour Through Yorkshire, granite, steel making, continental mountains, castles and cathedrals, trees and botanical etc, many annotated, some with photographer's initials GWW

Brontë (Charlotte) "Currer Bell" Jane Eyre. An Autobiography, first American edition, small tear to title, not affecting text, New York, 1848 bound with Dickens (Charles) The Cricket on the Hearth, first American edition, New York, 1846, with 4 others, together 6 works in 1 vol., binders label to pastedown, some light foxing, closely trimmed at head and fore-margin, affecting text, lacking advertisements, hinges cracked but covers holding, contemporary calf-backed cloth, spine gilt, rubbed, upper joint cracked, 8vo, [c.1848]. ⁂ One volume containing six early American editions. The four not mentioned are Agnes Searle (1845), Margaret Graham (1847), The Hunchback of Notre-Dame (1844), and The Magic Goblet (1845).

A collection of cased vintage Olympus camera equipment to include: OM-4 & OM-2MD camera bodies, Quick Auto 310 Flash Unit, Itt Magic Flash, Olympus Motor Drive 1 winder, Control Grip 1, G.Zuiko 1:3.5 288 mm lens, F.Zuiko 1:1.8 50mm lens, Zuiko MC auto T 1:4 200mm lens, Tamron Sp lens & Adaptalls, filters, instructions caps etc.

Two metal dragon sculptures by Myth and Magic ‘The Keeper of Magic’ and ‘Bewitched’ on associated stand