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Click here to subscribeA CASED RUMMY POKER AND OTHER GAMES SET, contents not checked, with a cased magnetic travel games compendium, contents not checked but many pieces still sealed in original packaging, a Marx 'Magic Roundabout' bagatelle game and a Marx Treasure Island bagatelle game, both bagatelles c.1970's but appear complete and in fairly good condition, a South Staffordshire Regiment cap badge and dog badge (6)
Magic Lantern Slides - approximately 48 photographic slides relating to The Royal Navy at War in World War II, including the evacuation of Dunkirk, Ark Royal sinking, Human Torpedos, British Troops arriving at Bone North Africa, German and Italian Prisoners from North Africa, etc, contained in a Wooden ' The Houghton-Butcher ' Slide Box (detailed list included)
Magic Lantern Slides - approximately 71 Magic Lantern Slides including approx. 56 mainly photographic slides, Royal Navy Service in M.Ls (Motor Launch) during World War 1 (mostly personally taken by Lt. J.A. Kinloch R.N.V.R) including scenes of Gallipoli, German Submarines. Airships. etc; together with approx. 9 slides of H.M.S Battle Sailing Ships including H.M.S Blenhein, H.M.S Victory, H,M.S Duke of Wellington, etc, many annotated, some makers including Newton & Co; all contained within a Mahogany Lantern Slide Box with Brass Mounts (detailed list included)
Magic Lantern Slides - approximately 90 slides including approximately 18 photographic slides relating to Royal Navy Ships visit to Halifax Canada in 1901 (detailed list included) approximately 55 photographic slides relating to life aboard sailing ships and world ports and approximately 17 slides relating to the history of Merchant Ships in drawing format (detailed list included), all contained in a wooden slide box
Magic Lantern Slides - approximately 65 Magic Lantern Slides, mainly photographic, including Shipping interest and relating to Cape Horn, Heavy Seas, Patagonia, Wildlife and Polar regions, Whaler ' Eclipse ', HMS Terror, 'Discovery' many annotated, all contained within a Johnson of Hendon Wooden Magic Lantern Slide Box with metal fasteners (detailed list included)
Magic Lantern Slides - approximately 61 Magic Lantern Slides, mainly photographic, relating to Merchant Ships, Steamships and Cruise Liners dating from Early 20th century, including British Ships, Pacific Ships, Canadian Ships, East Africa, Suez Canal, Cruise Liner leaving Liverpool, probably Cunard / White Star Line, R.M.S Queen Mary, S.S. Aquitania, R.M.S Mauretania, Duchess of Hamilton sunk by mine off Harwich 1916, mostly annotated, all contained within a Wooden Slide Box (detailed list included)
Magic Lantern Slides - approximately 43 Magic Lantern Slides, mainly photographic, relating to Russo-Japanese War at sea 1904-1906, all annotated and marked ' Destroyers and Mining '' Lecture Library, Royal Naval College, Greenwich ', all contained within a Mahogany Slide Box with Brass Mounts (detailed list included)
Large quantity of vinyl records including 'Nat King Cole Melody Mile', various other Nat King Cole, 'Magic Mandolins The Geoff Love Mandolins', 'The Best Of Peggy Lee' etc; 'Bing Crosby A Christmas Toast', 'At the Jazz Band Ball with Eddie Condon and his Orchestra', 'Anne Shelton I'll Be Seeing You' etc, 'The Very Best of Nat King Cole', 'Isn't it Heavenly Joe Loss and his Band 1933-1934', 'Sentimentally Yours Al Bowlly', 'Johnny Mercer Sings Johnny Mercer', 'Billy Cotton and his Band Somebody Stole My Gal' etc; 'Ray McKinley Class Of 49', 'The Boyd Raeburn Orchestra Experiments In Big Band Jazz 1945', 'The Golden Age Of Felix Mendelssohn's Hawaiian Serenaders', 'Scott Wood & His Six Swingers 1935:1936' etc, 'Van Phillips and His Band 1928-1934', 'Great British Dance Bands Play Jerome Kern 1926-46', 'The Golden Age of Noel Gay', 'Dancing The Night Away', 'Nat King Cole Thank You, Pretty Baby', 'Alice Faye In Hollywood (1934-1937)' etc, 'June Christy Recalls Those Kenton Day', 'Doris Day Whatever Will Be, Will Be', 'Keely Smith I wish you Love', 'Rosemary Clooney with orchestra arranged and conducted by Nelson Riddle', 'Zing! Ross Mitchell, His Band And Singers', 'The Glenn Miller Story' etc, approximately 450Click here to view further images, condition reports, sale times & delivery costs for this lot.
Meccano, Victory Industries - Three boxed construction toys motors. Lot includes a Meccano No.1 Clockwork Reversing Motor (with Key); a Meccano 'Magic' Clockwork Motor; and a Victory Industries 'The Mighty Midget Electric Motor'. All three motors appear in Mint condition complete with instructions, housed in Excellent overall boxes with some dust and minor storage wear.
PEPPER, John Henry - The Playbook of Metals : including personal narratives of visits to Coal, Lead, Copper, and Tin Mines - illust, org. pictorial cloth rubbed and stained, contents good, small 4to, 1861. With - Parlour Pastimes for the Young: Pantomime and Dialogue Charades, fire-side games .. Parlour Magic, etc, etc. Edited by Uncle George, illust, org. red pictorial cloth rebacked, small 4to, 1857. With 3 others.(5)
Rachel Ross White Butterfly with Two Salt Spoons, 2021 Acrylic on Board Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) I work from a studio at my home in Edinburgh. After graduating in 1987, I worked for 20 years as an illustrator before becoming a fine artist. I exhibit regularly in the UK and internationally. Education Central St Martins Exhibitions/Awards Prizes from Royal Glasgow Institute and Lynn Painter-Stainers where I was runner up in 2012. I have also regularly exhibited in the Sunday Times Watercolour Competition, Royal Scottish Academy and Royal Scottish Watercolour Society as well as regular solo shows with the galleries that represent me. Gallery Representation Panter and Hall, Open Eye Gallery Edinburgh, Beaux Arts Bath, Hybrid Gallery About the postcard artworks It is a form of magic for me to recreate the world around me in two dimensions. I enjoy the technical challenge of the realism in my work but I also want to connect at a deeper emotional level with what I choose to paint and how I paint it. "
Rachel Ross Coffee Spoon with Venetian Souvenir, 2021 Acrylic on Board Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) I work from a studio at my home in Edinburgh. After graduating in 1987, I worked for 20 years as an illustrator before becoming a fine artist. I exhibit regularly in the UK and internationally. Education Central St Martins Exhibitions/Awards Prizes from Royal Glasgow Institute and Lynn Painter-Stainers where I was runner up in 2012. I have also regularly exhibited in the Sunday Times Watercolour Competition, Royal Scottish Academy and Royal Scottish Watercolour Society as well as regular solo shows with the galleries that represent me. Gallery Representation Panter and Hall, Open Eye Gallery Edinburgh, Beaux Arts Bath, Hybrid Gallery About the postcard artworks It is a form of magic for me to recreate the world around me in two dimensions. I enjoy the technical challenge of the realism in my work but I also want to connect at a deeper emotional level with what I choose to paint and how I paint it. "
Rachel Ross Quail's Egg with Key and Salt Spoon, 2021 Acrylic on Board Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) I work from a studio at my home in Edinburgh. After graduating in 1987, I worked for 20 years as an illustrator before becoming a fine artist. I exhibit regularly in the UK and internationally. Education Central St Martins Exhibitions/Awards Prizes from Royal Glasgow Institute and Lynn Painter-Stainers where I was runner up in 2012. I have also regularly exhibited in the Sunday Times Watercolour Competition, Royal Scottish Academy and Royal Scottish Watercolour Society as well as regular solo shows with the galleries that represent me. Gallery Representation Panter and Hall, Open Eye Gallery Edinburgh, Beaux Arts Bath, Hybrid Gallery About the postcard artworks It is a form of magic for me to recreate the world around me in two dimensions. I enjoy the technical challenge of the realism in my work but I also want to connect at a deeper emotional level with what I choose to paint and how I paint it. "
Carla Kranendonk Johanna, 2021 Acrylic, Glue and Paper on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Carla Kranendonk (b. 1961, Steggerda, Netherlands) is an artist famous for her richly coloured images of strong African women. Education She studied Painting and Drawing at the Rijksacademie van Beeldende Kunsten Amsterdam from 1984 to 1987, and since then has exhibited her paintings across the world. Kranendonk's works combine vivid brushwork with hand-embroidered paper collage, as well as photographic elements. Her work is a tribute to the female characters she portrays, paying homage to black women's beauty, strength, inspiration and power. Gallery Representation She is represented by the Rebecca Hossack Art Gallery, London, and her work is held in private collections in New York, Cape Town, the Middle East, Barbados, Curacao, Geneva, Israel and London. She currently lives and works in Amsterdam. Exhibitions 2019 - Strong - Rebecca Hossack Art Gallery, London 2018 - Odalisque - Rebecca Hossack Art Gallery, London Awards: 2008 - Basisstipendium, Fonds van Beeldende Kunsten Amsterdams 2005 - Black Magic Woman Award 2005 (Winner)Rebecca Hossack Art Gallery About the postcard artwork I wanted to paint something positive about black women, showing their beauty and strength. I love to work with colour and patterns. I have been inspired by fabrics I had purchased during my extensive travels throughout Africa, and particularly in Senegal. I am always fascinated by the way women pay such careful attention to their beautiful clothes. I draw on these when creating my own patterns, giving my own signature to each one."
Carla Kranendonk Rose, 2021 Acrylic, Glue and Paper on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Carla Kranendonk (b. 1961, Steggerda, Netherlands) is an artist famous for her richly coloured images of strong African women. Education She studied Painting and Drawing at the Rijksacademie van Beeldende Kunsten Amsterdam from 1984 to 1987, and since then has exhibited her paintings across the world. Kranendonk's works combine vivid brushwork with hand-embroidered paper collage, as well as photographic elements. Her work is a tribute to the female characters she portrays, paying homage to black women's beauty, strength, inspiration and power. Gallery Representation She is represented by the Rebecca Hossack Art Gallery, London, and her work is held in private collections in New York, Cape Town, the Middle East, Barbados, Curacao, Geneva, Israel and London. She currently lives and works in Amsterdam. Exhibitions 2019 - Strong - Rebecca Hossack Art Gallery, London 2018 - Odalisque - Rebecca Hossack Art Gallery, London Awards: 2008 - Basisstipendium, Fonds van Beeldende Kunsten Amsterdams 2005 - Black Magic Woman Award 2005 (Winner)Rebecca Hossack Art Gallery About the postcard artwork I wanted to paint something positive about black women, showing their beauty and strength. I love to work with colour and patterns. I have been inspired by fabrics I had purchased during my extensive travels throughout Africa, and particularly in Senegal. I am always fascinated by the way women pay such careful attention to their beautiful clothes. I draw on these when creating my own patterns, giving my own signature to each one."
Carla Kranendonk Awa, 2021 Acrylic, Glue and Paper on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Carla Kranendonk (b. 1961, Steggerda, Netherlands) is an artist famous for her richly coloured images of strong African women. Education She studied Painting and Drawing at the Rijksacademie van Beeldende Kunsten Amsterdam from 1984 to 1987, and since then has exhibited her paintings across the world. Kranendonk's works combine vivid brushwork with hand-embroidered paper collage, as well as photographic elements. Her work is a tribute to the female characters she portrays, paying homage to black women's beauty, strength, inspiration and power. Gallery Representation She is represented by the Rebecca Hossack Art Gallery, London, and her work is held in private collections in New York, Cape Town, the Middle East, Barbados, Curacao, Geneva, Israel and London. She currently lives and works in Amsterdam. Exhibitions 2019 - Strong - Rebecca Hossack Art Gallery, London 2018 - Odalisque - Rebecca Hossack Art Gallery, London Awards: 2008 - Basisstipendium, Fonds van Beeldende Kunsten Amsterdams 2005 - Black Magic Woman Award 2005 (Winner)Rebecca Hossack Art Gallery About the postcard artwork I wanted to paint something positive about black women, showing their beauty and strength. I love to work with colour and patterns. I have been inspired by fabrics I had purchased during my extensive travels throughout Africa, and particularly in Senegal. I am always fascinated by the way women pay such careful attention to their beautiful clothes. I draw on these when creating my own patterns, giving my own signature to each one."
Carla Kranendonk Mareme, 2021 Acrylic, Glue and Paper on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Carla Kranendonk (b. 1961, Steggerda, Netherlands) is an artist famous for her richly coloured images of strong African women. Education She studied Painting and Drawing at the Rijksacademie van Beeldende Kunsten Amsterdam from 1984 to 1987, and since then has exhibited her paintings across the world. Kranendonk's works combine vivid brushwork with hand-embroidered paper collage, as well as photographic elements. Her work is a tribute to the female characters she portrays, paying homage to black women's beauty, strength, inspiration and power. Gallery Representation She is represented by the Rebecca Hossack Art Gallery, London, and her work is held in private collections in New York, Cape Town, the Middle East, Barbados, Curacao, Geneva, Israel and London. She currently lives and works in Amsterdam. Exhibitions 2019 - Strong - Rebecca Hossack Art Gallery, London 2018 - Odalisque - Rebecca Hossack Art Gallery, London Awards: 2008 - Basisstipendium, Fonds van Beeldende Kunsten Amsterdams 2005 - Black Magic Woman Award 2005 (Winner)Rebecca Hossack Art Gallery About the postcard artwork I wanted to paint something positive about black women, showing their beauty and strength. I love to work with colour and patterns. I have been inspired by fabrics I had purchased during my extensive travels throughout Africa, and particularly in Senegal. I am always fascinated by the way women pay such careful attention to their beautiful clothes. I draw on these when creating my own patterns, giving my own signature to each one."
Tiffanie Delune Moments with Self I, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tiffanie Delune is a Paris-born visual artist with a multi-media practice, living and working in London. Expanding from an initial focus on personal trauma and childhood experiences, her practice is instinctively embarking on a wondering wandering. She weaves apparitions in dreams and travel recollections with symbols of her mixed-race family, hints of femininity and flux of spirituality. Navigating between her shadow self and full of light, movement and energy forms, Tiffanie is interested in the magic of storytelling that engages conversations and evokes emotions. Approaching her work with playfulness and an intuitive curiosity, she creates multilayered pieces on cotton canvas, loose linen and smaller pieces of paper; inviting for a dialogue between the scale and the subject. Letting go of any inhibitions in the choice of materials, she longs for textures, meanings and a sense of memory - from acrylic, pastels and papers to glitter, threads, loo roll, keys, bags and dried flowers. In a conflicted world that feels deeply saturated, she puts a special emphasis on sharing a blended, unfiltered narrative in all its depth and authenticity. Self-taught, Tiffanie has fully emerged herself into her practice with daily rituals and creative challenges. Her work has since been exhibited in London, Paris, Lagos and Los Angeles; featured on Forbes, BBC Radio London, Contemporary And, The Financial Times and Artsy; and is held in the permanent collections of the Fondation Gandur pour l'Art in Geneva, Switzerland as well as the New-York Presbytarian Hospital for Women and Newborns in New York City. "The natural world is center stage to my creativity from constellations to the seas, tales of the African Motherland and visions of hope - untouched places without any form of conditioning, birthing a boundless sense of being. Blooming shapes and rich colours give life to unique characters and dreamscapes that infinitely dance between independence and sexuality, strength and vulnerability, stillness and vitality. Exhibitions Solo Shows 2020 Seeds Of Light, Curated by Katherine Finerty, The Gramophone Works, London 2019 Metamorphosis, Someth1ng Gallery, London 2018 Coloriosity, 16/16, Lagos Group Shows 2021 Art On A Postcard for International Women's Day, London 2021 In The Midst Of All That Is, Curated by Terrell Tilford, Band Of Vices, Los Angeles 2020 Art X Lagos, Lagos 2020 Art On A Postcard for International Women's Day, All Bright Mayfair, London 2019 Contemporary African Art, Piasa, Paris 2019 1-54 Contemporary African Art Fair, Somerset House, London 2018 Portraits of Animals, H Factor, Lagos Gallery Representation Ed Cross Fine Art
Tiffanie Delune Moments with Self II, 2021 Mixed Media on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Tiffanie Delune is a Paris-born visual artist with a multi-media practice, living and working in London. Expanding from an initial focus on personal trauma and childhood experiences, her practice is instinctively embarking on a wondering wandering. She weaves apparitions in dreams and travel recollections with symbols of her mixed-race family, hints of femininity and flux of spirituality. Navigating between her shadow self and full of light, movement and energy forms, Tiffanie is interested in the magic of storytelling that engages conversations and evokes emotions. Approaching her work with playfulness and an intuitive curiosity, she creates multilayered pieces on cotton canvas, loose linen and smaller pieces of paper; inviting for a dialogue between the scale and the subject. Letting go of any inhibitions in the choice of materials, she longs for textures, meanings and a sense of memory - from acrylic, pastels and papers to glitter, threads, loo roll, keys, bags and dried flowers. In a conflicted world that feels deeply saturated, she puts a special emphasis on sharing a blended, unfiltered narrative in all its depth and authenticity. Self-taught, Tiffanie has fully emerged herself into her practice with daily rituals and creative challenges. Her work has since been exhibited in London, Paris, Lagos and Los Angeles; featured on Forbes, BBC Radio London, Contemporary And, The Financial Times and Artsy; and is held in the permanent collections of the Fondation Gandur pour l'Art in Geneva, Switzerland as well as the New-York Presbytarian Hospital for Women and Newborns in New York City. "The natural world is center stage to my creativity from constellations to the seas, tales of the African Motherland and visions of hope - untouched places without any form of conditioning, birthing a boundless sense of being. Blooming shapes and rich colours give life to unique characters and dreamscapes that infinitely dance between independence and sexuality, strength and vulnerability, stillness and vitality. Exhibitions Solo Shows 2020 Seeds Of Light, Curated by Katherine Finerty, The Gramophone Works, London 2019 Metamorphosis, Someth1ng Gallery, London 2018 Coloriosity, 16/16, Lagos Group Shows 2021 Art On A Postcard for International Women's Day, London 2021 In The Midst Of All That Is, Curated by Terrell Tilford, Band Of Vices, Los Angeles 2020 Art X Lagos, Lagos 2020 Art On A Postcard for International Women's Day, All Bright Mayfair, London 2019 Contemporary African Art, Piasa, Paris 2019 1-54 Contemporary African Art Fair, Somerset House, London 2018 Portraits of Animals, H Factor, Lagos Gallery Representation Ed Cross Fine Art
Heidrun Rathgeb Looking Down (Jølster, Norway), 2020 Soft Ground Etching Edition:10 Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) I am a painter- printmaker living in the South of Germany, not far from Lake Constance. My work is based on specific, special moments in daily life. Often I am drawing my children, the landscape around or a particular memory. Over the past 20 years I have filled hundreds of small sketchbooks with personal‚ magic moments. The best of these drawings lead to an etching or a painting with an idea of a light, of an atmosphere and the intensity of a particular moment in time. Education Slade School of Fine Art , MFA 1996- 1999 Byam Shaw School of Art , London 1993-1996 Fachhochschule Wiesbaden, Germany , MA in Zoological Illustration(1987-1993) DTS University Sydney, Australia 1990, Schoolarship for Art& Design Exhibitions Browse& Darby Gallery London since 2007 until now yearly Gallery Artist's Exhibitions Kloster Siessen , Germany 2017 solo show Royal Academy Summer Exhibition 2019 and 2020 upcoming : Oliver Projects , Woolwich Print Fair , November 2021 Awards: DAAD Schoolarship 1990 DAAD Schoolarship 1997-1999 Heitland Foundation Schoolarship 1996 Artist in Residence 1993 Ladakh , Leh 2018 Bhaltos Trust, Isle of Lewis 2019 Künstlerhäuser Worpswede, Germany 2020 Kulturhuset Vemb, Artist in Residency West Jütland 2021 KH Messen, Norway artist residency for printmaking Gallery Representation Oliver Projects, London, Browse and Darby Gallery London, Mothflower.com About the postcard artworks The artworks are original etchings in a very limited edition maximum of 10.
Heidrun Rathgeb Mangata, 2020 Mezzotint Etching Edition:!0 Signed verso 10 x 15cm (3¾ x 5¾ in.) I am a painter- printmaker living in the South of Germany, not far from Lake Constance. My work is based on specific, special moments in daily life. Often I am drawing my children, the landscape around or a particular memory. Over the past 20 years I have filled hundreds of small sketchbooks with personal‚ magic moments. The best of these drawings lead to an etching or a painting with an idea of a light, of an atmosphere and the intensity of a particular moment in time. Education Slade School of Fine Art , MFA 1996- 1999 Byam Shaw School of Art , London 1993-1996 Fachhochschule Wiesbaden, Germany , MA in Zoological Illustration(1987-1993) DTS University Sydney, Australia 1990, Schoolarship for Art& Design Exhibitions Browse& Darby Gallery London since 2007 until now yearly Gallery Artist's Exhibitions Kloster Siessen , Germany 2017 solo show Royal Academy Summer Exhibition 2019 and 2020 upcoming : Oliver Projects , Woolwich Print Fair , November 2021 Awards: DAAD Schoolarship 1990 DAAD Schoolarship 1997-1999 Heitland Foundation Schoolarship 1996 Artist in Residence 1993 Ladakh , Leh 2018 Bhaltos Trust, Isle of Lewis 2019 Künstlerhäuser Worpswede, Germany 2020 Kulturhuset Vemb, Artist in Residency West Jütland 2021 KH Messen, Norway artist residency for printmaking Gallery Representation Oliver Projects, London, Browse and Darby Gallery London, Mothflower.com About the postcard artworks The artworks are original etchings in a very limited edition maximum of 10.
Heidrun Rathgeb River Boy, Rotach, 2020 Soft Ground Etching Edition:10 Signed verso 10 x 15cm (3¾ x 5¾ in.) I am a painter- printmaker living in the South of Germany, not far from Lake Constance. My work is based on specific, special moments in daily life. Often I am drawing my children, the landscape around or a particular memory. Over the past 20 years I have filled hundreds of small sketchbooks with personal‚ magic moments. The best of these drawings lead to an etching or a painting with an idea of a light, of an atmosphere and the intensity of a particular moment in time. Education Slade School of Fine Art , MFA 1996- 1999 Byam Shaw School of Art , London 1993-1996 Fachhochschule Wiesbaden, Germany , MA in Zoological Illustration(1987-1993) DTS University Sydney, Australia 1990, Schoolarship for Art& Design Exhibitions Browse& Darby Gallery London since 2007 until now yearly Gallery Artist's Exhibitions Kloster Siessen , Germany 2017 solo show Royal Academy Summer Exhibition 2019 and 2020 upcoming : Oliver Projects , Woolwich Print Fair , November 2021 Awards: DAAD Schoolarship 1990 DAAD Schoolarship 1997-1999 Heitland Foundation Schoolarship 1996 Artist in Residence 1993 Ladakh , Leh 2018 Bhaltos Trust, Isle of Lewis 2019 Künstlerhäuser Worpswede, Germany 2020 Kulturhuset Vemb, Artist in Residency West Jütland 2021 KH Messen, Norway artist residency for printmaking Gallery Representation Oliver Projects, London, Browse and Darby Gallery London, Mothflower.com About the postcard artworks The artworks are original etchings in a very limited edition maximum of 10.
Flan Flanagan The Magic Dog Levitates Egg, 2021 Pen on Cartridge Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) Flan Flanagan is a painter and artist living and working between London and Cornwall, UK. Her work reflects both the everyday and atavistic from her domestic life, imbued with wit, humour and subtle eroticism, and underlined with a dark-edged commentary on life and death. Education Flan trained as a sculptor and bronze founder, working as an artist's assistant for 10 years. Exhibitions Various group shows including, most recently, the Royal Academy Summer Exhibition, London 2020. Solo show, ""Black Blue, Lemon Red" at The Groucho Club, London January 2020. About the postcard artwork Both artworks are studies taken from Flan Flanagan's new series of large oil paintings that conjure with the magical, circus-like qualities of her young whippet. One is a pen drawing, the other a pastel sketch."
Alice Paz Untitled, 2000 TBC Signed verso 10 x 15cm (3¾ x 5¾ in.) Alicia Paz's paintings, collages and standing figures deal primarily with identity and the notion of a divided subject/author, and explore the mutability of subjectivity. Paz focuses on the female figure: the Self is experienced and presented as multiple, paradoxical, and in flux. Inhabiting fantastical and exotic landscapes, Paz's feminine subjects become fused and combined with organic life. Strange and unsettling visions of tree-women and monster-women also represent the fusion of the Subject with painting itself: she often depicts amphibian or plant-like figures "weeping" pigment, their limbs, hair, and various ornamental accoutrements mud-caked and dripping, as if extracted from a colourful, post-cognitive swamp. Her work at times incorporates elements taken from the applied and decorative arts, using these registers as a vehicules for intertwining narratives. Other recent subjects include cultural hybridity and representations of family, exploring the complexities of kinship and lineage in a globalized world. Education Paz graduated from U.C. Berkeley, ENSBA-Paris, Goldsmiths College, and Royal College of Art, London. Exhibitions Alicia Paz is currently exhibiting her work at the FRAC Ile de France, Château de Rentilly, as part of the group exhibition ""Le Cabaret du Néant"". Up-coming projects include "Life Stories", a group exhibition at Chatsworth House, UK, and a solo presentation at the Maison de l'Amérique Latine in Paris. Collaborative projects scheduled for 2021 include a show at the Beecroft Gallery in Southend-on-Sea, as part of Metal's Thames Estuary Festival, as well as at 20-21 Visual Arts Centre in North Lincolnshire, UK. Paz has had several solo exhibitions in the UK, France, Germany, Mexico, and Argentina, most recently at the Museo Leonora Carrington in San Luis Potosí, Mexico (2019), and also at Kunstmuseum Magdeburg, Germany (2016). The latter was accompanied by a 96-page bilingual monograph published by Verlag für Moderne Kunst, Vienna. As a multi-cultural artist, Paz's work was included in the group exhibit Tous, des sang-mêlés, held at MACVAL, Vitry-sur-Seine, France (2017). Earlier solo projects include an exhibit at Dukan Gallery in Leipzig (2014), Mexican Cultural Institute in Paris (2013), Pippy Houldsworth Gallery, London (2006) and Ruth Benzacar Gallery in Buenos Aires (2005). A semi-retrospective exhibit of her work was featured in L.A.C. Sigéan in collaboration with FRAC Occitanie (2010). Paz has also participated in various international painting survey exhibits such as Heute. Spektrum. Malerei. at Kunstmuseum Magdeburg (2012) as well as Slow Magic, Contemporary Approaches to Painting at the Bluecoat Gallery, Liverpool (2009). Between 1997 and 2002 Alicia Paz was represented by Espace d'Art Yvonamor Palix (Paris, Mexico City) along with artists Orlan, Sandy Skoglund, Aziz + Cucher, Studio Orta, and Duncan Wylie, among others. Paz's work is part of various international public and private collections and has been the subject of numerous catalogues and publications; her work has has been reviewed/featured widely (Art News, Art Press, Modern Painters, Art Forum, Turps Banana, The Guardian, Le Monde, Libération, Beaux-Arts Magazine, New York Times, Reforma, etc...). In August 2017 Paz unveiled a public sculpture commission at Kunstmuseum Magdeburg, titled Insel der Puppen (Island of Dolls), in steel and enamel. About the postcard artworks These are maquettes I developed in preparation for paintings, dating from 2000. For many years I have been interested representations of the ""artist figure"", allegories of painting, and gender relations between subject and author.
Alice Paz Untitled, 2000 TBC Signed verso 10 x 15cm (3¾ x 5¾ in.) Alicia Paz's paintings, collages and standing figures deal primarily with identity and the notion of a divided subject/author, and explore the mutability of subjectivity. Paz focuses on the female figure: the Self is experienced and presented as multiple, paradoxical, and in flux. Inhabiting fantastical and exotic landscapes, Paz's feminine subjects become fused and combined with organic life. Strange and unsettling visions of tree-women and monster-women also represent the fusion of the Subject with painting itself: she often depicts amphibian or plant-like figures "weeping" pigment, their limbs, hair, and various ornamental accoutrements mud-caked and dripping, as if extracted from a colourful, post-cognitive swamp. Her work at times incorporates elements taken from the applied and decorative arts, using these registers as a vehicules for intertwining narratives. Other recent subjects include cultural hybridity and representations of family, exploring the complexities of kinship and lineage in a globalized world. Education Paz graduated from U.C. Berkeley, ENSBA-Paris, Goldsmiths College, and Royal College of Art, London. Exhibitions Alicia Paz is currently exhibiting her work at the FRAC Ile de France, Château de Rentilly, as part of the group exhibition ""Le Cabaret du Néant"". Up-coming projects include "Life Stories", a group exhibition at Chatsworth House, UK, and a solo presentation at the Maison de l'Amérique Latine in Paris. Collaborative projects scheduled for 2021 include a show at the Beecroft Gallery in Southend-on-Sea, as part of Metal's Thames Estuary Festival, as well as at 20-21 Visual Arts Centre in North Lincolnshire, UK. Paz has had several solo exhibitions in the UK, France, Germany, Mexico, and Argentina, most recently at the Museo Leonora Carrington in San Luis Potosí, Mexico (2019), and also at Kunstmuseum Magdeburg, Germany (2016). The latter was accompanied by a 96-page bilingual monograph published by Verlag für Moderne Kunst, Vienna. As a multi-cultural artist, Paz's work was included in the group exhibit Tous, des sang-mêlés, held at MACVAL, Vitry-sur-Seine, France (2017). Earlier solo projects include an exhibit at Dukan Gallery in Leipzig (2014), Mexican Cultural Institute in Paris (2013), Pippy Houldsworth Gallery, London (2006) and Ruth Benzacar Gallery in Buenos Aires (2005). A semi-retrospective exhibit of her work was featured in L.A.C. Sigéan in collaboration with FRAC Occitanie (2010). Paz has also participated in various international painting survey exhibits such as Heute. Spektrum. Malerei. at Kunstmuseum Magdeburg (2012) as well as Slow Magic, Contemporary Approaches to Painting at the Bluecoat Gallery, Liverpool (2009). Between 1997 and 2002 Alicia Paz was represented by Espace d'Art Yvonamor Palix (Paris, Mexico City) along with artists Orlan, Sandy Skoglund, Aziz + Cucher, Studio Orta, and Duncan Wylie, among others. Paz's work is part of various international public and private collections and has been the subject of numerous catalogues and publications; her work has has been reviewed/featured widely (Art News, Art Press, Modern Painters, Art Forum, Turps Banana, The Guardian, Le Monde, Libération, Beaux-Arts Magazine, New York Times, Reforma, etc...). In August 2017 Paz unveiled a public sculpture commission at Kunstmuseum Magdeburg, titled Insel der Puppen (Island of Dolls), in steel and enamel. About the postcard artworks These are maquettes I developed in preparation for paintings, dating from 2000. For many years I have been interested representations of the ""artist figure"", allegories of painting, and gender relations between subject and author.
Julia Peintner Woman as Greenhouse, 2021 Linocut Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Julia Peintner graduated from Central Saint Martins in 2015 and has since been working as a printmaker and painter in London. Drawing, painting and printmaking coexist in her practice. She works from imagination and sourced image material and analog photos. Her figurative images reference magic realism and show universal experiences and symbolic motifs. The subject matter is the figure in contemporary everyday life as seen through a mythological lens, giving the work a sense of the surreal and mystical. Peintner's work explores various themes, such as the figure in nature and the elements, the female body and figure in transformation, the ambivalence and of life in a city and identity in flux, dreams and the visible and invisible to the eye. Education Central Saint Martins, 2012-2015 Exhibitions She has exhibited in the UK and US as well as in Japan after being a resident at Studio Kura residency in 2015 and in 2017 with a focus on Japanese printmaking. Peintner has been working for Blackbird Editions and as Eileen Cooper's studio assistant since 2016. 2020 36th Annual Open, Southwark Park Galleries, London, UK - With Love, digital exhibition curated by Paint_Talk, UK - ING Discerning Eye, London, UK - Summer Exhibition, Royal Academy, London, UK 2019 Studio Stories - Works on paper, Boecho Gallery, London, UK - National Original Print Exhibition, Bankside Gallery, London, UK 2018 - 9 Artists, Thin House, London, UK - Summer Exhibition, Royal Academy, London, UK 2017 - Studio Kura Gallery, Fukuoka, Japan - Summer Exhibition, Royal Academy, London, UK 2015 - Painting International, Hechima Gallery, Kofu, Japan - A Room in Japan, Studio Kura Gallery, Fukuoka, Japan - Degree Show, Central Saint Martins, London, UK - Print/4, Arcane Gallery, London, UK - Post Internet Is Dead!, Fisher Gallery, Oberlin, Ohio, USA"
Julia Peintner Woman as Facehouse, 2021 Linocut Print on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) "Julia Peintner graduated from Central Saint Martins in 2015 and has since been working as a printmaker and painter in London. Drawing, painting and printmaking coexist in her practice. She works from imagination and sourced image material and analog photos. Her figurative images reference magic realism and show universal experiences and symbolic motifs. The subject matter is the figure in contemporary everyday life as seen through a mythological lens, giving the work a sense of the surreal and mystical. Peintner's work explores various themes, such as the figure in nature and the elements, the female body and figure in transformation, the ambivalence and of life in a city and identity in flux, dreams and the visible and invisible to the eye. Education Central Saint Martins, 2012-2015 Exhibitions She has exhibited in the UK and US as well as in Japan after being a resident at Studio Kura residency in 2015 and in 2017 with a focus on Japanese printmaking. Peintner has been working for Blackbird Editions and as Eileen Cooper's studio assistant since 2016. 2020 36th Annual Open, Southwark Park Galleries, London, UK - With Love, digital exhibition curated by Paint_Talk, UK - ING Discerning Eye, London, UK - Summer Exhibition, Royal Academy, London, UK 2019 Studio Stories - Works on paper, Boecho Gallery, London, UK - National Original Print Exhibition, Bankside Gallery, London, UK 2018 - 9 Artists, Thin House, London, UK - Summer Exhibition, Royal Academy, London, UK 2017 - Studio Kura Gallery, Fukuoka, Japan - Summer Exhibition, Royal Academy, London, UK 2015 - Painting International, Hechima Gallery, Kofu, Japan - A Room in Japan, Studio Kura Gallery, Fukuoka, Japan - Degree Show, Central Saint Martins, London, UK - Print/4, Arcane Gallery, London, UK - Post Internet Is Dead!, Fisher Gallery, Oberlin, Ohio, USA"
BARBARA CONSTANCE FREEMAN. Three illustrations for the covers of children's 'Magic Paint Books', no. 40, 46 and 53, together with associated books, all signed lower right, gouache, unframed, 30 x 21 cm, together with illustration for cover of children's 'Hidden Colour Paint Book', and associated book, unsigned, gouache, unframed, 22 x 31 cm
COLOUR PHOTOGRAPHY. A GROUP OF 3.25 X 3.25" MAGIC LANTERN SLIDES, C1950-60, OF FAMILY SCENES FROM A BRITISH FAMILY'S LIFE, INCLUDING HOLIDAYS IN CORNWALL, ELSEWHERE IN THE UK, SWITZERLAND AND ITALY (APPROXIMATELY 180), AN EARLIER MAGIC LANTERN AND A PORTABLE GRAMOPHONE Condition reportLantern with rust on housing, slides mostly in good condition. Gramophone showing the effects of some damp and dust
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