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Lot 163
Mia Risberg New Shoes, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Mia Risberg is a visual artist based in Ann Arbor, Michigan, painting and drawing in a variety of mediums. Born in Sweden, she spent her childhood often moving and living in various countries before settling in the United States as a young adult. Her work depicts people, places, and moments, and reflects an interest in ambiguous narratives. She has exhibited at various venues in the U.S, and curated contemporary art exhibits for the Rasa Festival, a yearly multi-disciplinary festival. Exhibitions 2021 Glimpses; An Interactive Exhibit, Aquarium Gallery, Ann Arbor, MI (Solo Exhibit) 2021 Telephone: An International Collaborative Project (Virtual Group Exhibit) 2020 Residency Fellow, at The Virginia Center for Creative Arts, Amherst, VA 2019-2020. Unraveling Racism, 22 North Gallery, Ypsilanti, MI & Norwest Gallery, Detroit, MI (Group Exhibit) 2020 Creative Distancing, Art Museum of South Texas, Corpus Christi, TX (Online Group Exhibit) 2019 All Media Exhibition, Detroit Artist Market, Detroit, MI (Group Exhibit) 2017 89th Michigan Regional Exhibit, Muskegon Museum of Art, Muskegon, MI (Group Exhibit) 2017 30th Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA (Group Exhibit) 2016 PowerArt! Ann Arbor, MI (Painting selected for Public Art Project) 2015 Art for Charlie Competition, East Lansing, MI. (Juried Shortlist, Group Exhibit) 2015 All Media Exhibit, Ann Arbor Art Center, Ann Arbor, MI (Group Exhibit About the postcard artworks These paintings reflect my interest in capturing and depicting moments and memories. Childhood ones when the world holds magic, but can also be complicated or multifaceted, are particularly intriguing to me.
Lot 164
Mia Risberg The Long Day, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Mia Risberg is a visual artist based in Ann Arbor, Michigan, painting and drawing in a variety of mediums. Born in Sweden, she spent her childhood often moving and living in various countries before settling in the United States as a young adult. Her work depicts people, places, and moments, and reflects an interest in ambiguous narratives. She has exhibited at various venues in the U.S, and curated contemporary art exhibits for the Rasa Festival, a yearly multi-disciplinary festival. Exhibitions 2021 Glimpses; An Interactive Exhibit, Aquarium Gallery, Ann Arbor, MI (Solo Exhibit) 2021 Telephone: An International Collaborative Project (Virtual Group Exhibit) 2020 Residency Fellow, at The Virginia Center for Creative Arts, Amherst, VA 2019-2020. Unraveling Racism, 22 North Gallery, Ypsilanti, MI & Norwest Gallery, Detroit, MI (Group Exhibit) 2020 Creative Distancing, Art Museum of South Texas, Corpus Christi, TX (Online Group Exhibit) 2019 All Media Exhibition, Detroit Artist Market, Detroit, MI (Group Exhibit) 2017 89th Michigan Regional Exhibit, Muskegon Museum of Art, Muskegon, MI (Group Exhibit) 2017 30th Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA (Group Exhibit) 2016 PowerArt! Ann Arbor, MI (Painting selected for Public Art Project) 2015 Art for Charlie Competition, East Lansing, MI. (Juried Shortlist, Group Exhibit) 2015 All Media Exhibit, Ann Arbor Art Center, Ann Arbor, MI (Group Exhibit About the postcard artworks These paintings reflect my interest in capturing and depicting moments and memories. Childhood ones when the world holds magic, but can also be complicated or multifaceted, are particularly intriguing to me.
Lot 165
Mia Risberg The Teacher, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Mia Risberg is a visual artist based in Ann Arbor, Michigan, painting and drawing in a variety of mediums. Born in Sweden, she spent her childhood often moving and living in various countries before settling in the United States as a young adult. Her work depicts people, places, and moments, and reflects an interest in ambiguous narratives. She has exhibited at various venues in the U.S, and curated contemporary art exhibits for the Rasa Festival, a yearly multi-disciplinary festival. Exhibitions 2021 Glimpses; An Interactive Exhibit, Aquarium Gallery, Ann Arbor, MI (Solo Exhibit) 2021 Telephone: An International Collaborative Project (Virtual Group Exhibit) 2020 Residency Fellow, at The Virginia Center for Creative Arts, Amherst, VA 2019-2020. Unraveling Racism, 22 North Gallery, Ypsilanti, MI & Norwest Gallery, Detroit, MI (Group Exhibit) 2020 Creative Distancing, Art Museum of South Texas, Corpus Christi, TX (Online Group Exhibit) 2019 All Media Exhibition, Detroit Artist Market, Detroit, MI (Group Exhibit) 2017 89th Michigan Regional Exhibit, Muskegon Museum of Art, Muskegon, MI (Group Exhibit) 2017 30th Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA (Group Exhibit) 2016 PowerArt! Ann Arbor, MI (Painting selected for Public Art Project) 2015 Art for Charlie Competition, East Lansing, MI. (Juried Shortlist, Group Exhibit) 2015 All Media Exhibit, Ann Arbor Art Center, Ann Arbor, MI (Group Exhibit About the postcard artworks These paintings reflect my interest in capturing and depicting moments and memories. Childhood ones when the world holds magic, but can also be complicated or multifaceted, are particularly intriguing to me.
Lot 166
Mia Risberg First Day, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Mia Risberg is a visual artist based in Ann Arbor, Michigan, painting and drawing in a variety of mediums. Born in Sweden, she spent her childhood often moving and living in various countries before settling in the United States as a young adult. Her work depicts people, places, and moments, and reflects an interest in ambiguous narratives. She has exhibited at various venues in the U.S, and curated contemporary art exhibits for the Rasa Festival, a yearly multi-disciplinary festival. Exhibitions 2021 Glimpses; An Interactive Exhibit, Aquarium Gallery, Ann Arbor, MI (Solo Exhibit) 2021 Telephone: An International Collaborative Project (Virtual Group Exhibit) 2020 Residency Fellow, at The Virginia Center for Creative Arts, Amherst, VA 2019-2020. Unraveling Racism, 22 North Gallery, Ypsilanti, MI & Norwest Gallery, Detroit, MI (Group Exhibit) 2020 Creative Distancing, Art Museum of South Texas, Corpus Christi, TX (Online Group Exhibit) 2019 All Media Exhibition, Detroit Artist Market, Detroit, MI (Group Exhibit) 2017 89th Michigan Regional Exhibit, Muskegon Museum of Art, Muskegon, MI (Group Exhibit) 2017 30th Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA (Group Exhibit) 2016 PowerArt! Ann Arbor, MI (Painting selected for Public Art Project) 2015 Art for Charlie Competition, East Lansing, MI. (Juried Shortlist, Group Exhibit) 2015 All Media Exhibit, Ann Arbor Art Center, Ann Arbor, MI (Group Exhibit About the postcard artworks These paintings reflect my interest in capturing and depicting moments and memories. Childhood ones when the world holds magic, but can also be complicated or multifaceted, are particularly intriguing to me.
Lot 313
Kristine Moran Overcoming Waves - Study, 2021 Oil on Arches Paper for Oil Signed on verso 10 x 15cm (3¾ x 5¾ in.) Born in Montreal, Kristine Moran earned a BFA from the Ontario College of Art and Design in 2004 and went on to earn an MFA from Hunter College, NYC in 2008. She has exhibited at Monica DeCardenas Gallery, Milan; Western Exhibitions, Chicago; Nicelle Beauchene Gallery in New York City; The Hole NYC; the Daniel Faria Gallery in Toronto and the Glenbow Museum in Calgary. Her work has been reviewed in Artforum, FlashArt, MOMUS and Artslant.com, as well as in NYArts Magazine, Canadian Art Magazine, Bordercrossings, Art Papers, Elle Magazine and Harper's. Moran's work is featured in Phaidon's painting anthology, Vitamin P2: New Perspectives in Painting. Her work is included in the collection of the Albright-Knox Art Gallery, the Glenbow Museum and the University of Toronto. 2008 MFA, Hunter College, Department of Art, New York City 2004 BFA, Ontario College of Art and Design GROUP EXHIBITIONS 2020 CUBED, The Hole NYC, with artists Andreas Angelidakis, Ara Peterson, Clinton King, Irina Ojovan, Jean Nagai, Jonny Niesche, Kristine Moran, Lilah Rose, Luke Diiorio, Luke Murphy, Palma Blank, Rebecca Ward, Robert Moreland, Thomas Trum 2018 The Armory Show, NYC, with Daniel Faria Gallery Expo Chicago, with Daniel Faria Gallery Art Toronto, with Daniel Faria Gallery 2017 Nasty, Daniel Faria Gallery, Toronto 2016 Cuevas Tilleard, NYC, Scale A Wall, curated by TownHall Meeting Mercer College Gallery, NJ, Magic, curated by Tiffany Calvert Mulherin New York, Practice Makes Practice, NYC Left Field Gallery, CA, How High? curated by Ryan Travis Christian GP Presents, NYC, curated by Anna Ortt RESIDENCIES 2022 Interlude Artist Residency, Livingston New York 2015 Artist Residency, Detroit Michigan 2009-2010 LMCC Workspace Artist-in-Residence, NYC 2008-2009 Marie Walsh Sharpe Foundation Artist in Residence, NYC About the Postcards Through this latest painting series I continue to explore my obsession with swimming and all of its various meanings to me. My paintings contend with the sensations, rhythms and mental states experienced during long periods of time spent swimming across a body of water such as a lake or a river. Because a lack of movement can bring on death, swimming uniquely positions itself as a way to confront one's own mortality. A mental game is played to fight off fears of failure and the desire to survive is expressed at every stroke. The "Mad Cap Swimmers" are a group of women. They are the joining of forces that together are stronger than the sum of their parts. The water begins to rise and the swimmers are ready. They have been training for the challenge ahead. Their goal is an unknown place - an ambiguous landscape that is in view but just out of reach.
Lot 314
Kristine Moran Diving In - Study, 2021 Oil on Arches Paper for Oil Signed on verso 10 x 15cm (3¾ x 5¾ in.) Born in Montreal, Kristine Moran earned a BFA from the Ontario College of Art and Design in 2004 and went on to earn an MFA from Hunter College, NYC in 2008. She has exhibited at Monica DeCardenas Gallery, Milan; Western Exhibitions, Chicago; Nicelle Beauchene Gallery in New York City; The Hole NYC; the Daniel Faria Gallery in Toronto and the Glenbow Museum in Calgary. Her work has been reviewed in Artforum, FlashArt, MOMUS and Artslant.com, as well as in NYArts Magazine, Canadian Art Magazine, Bordercrossings, Art Papers, Elle Magazine and Harper's. Moran's work is featured in Phaidon's painting anthology, Vitamin P2: New Perspectives in Painting. Her work is included in the collection of the Albright-Knox Art Gallery, the Glenbow Museum and the University of Toronto. 2008 MFA, Hunter College, Department of Art, New York City 2004 BFA, Ontario College of Art and Design GROUP EXHIBITIONS 2020 CUBED, The Hole NYC, with artists Andreas Angelidakis, Ara Peterson, Clinton King, Irina Ojovan, Jean Nagai, Jonny Niesche, Kristine Moran, Lilah Rose, Luke Diiorio, Luke Murphy, Palma Blank, Rebecca Ward, Robert Moreland, Thomas Trum 2018 The Armory Show, NYC, with Daniel Faria Gallery Expo Chicago, with Daniel Faria Gallery Art Toronto, with Daniel Faria Gallery 2017 Nasty, Daniel Faria Gallery, Toronto 2016 Cuevas Tilleard, NYC, Scale A Wall, curated by TownHall Meeting Mercer College Gallery, NJ, Magic, curated by Tiffany Calvert Mulherin New York, Practice Makes Practice, NYC Left Field Gallery, CA, How High? curated by Ryan Travis Christian GP Presents, NYC, curated by Anna Ortt RESIDENCIES 2022 Interlude Artist Residency, Livingston New York 2015 Artist Residency, Detroit Michigan 2009-2010 LMCC Workspace Artist-in-Residence, NYC 2008-2009 Marie Walsh Sharpe Foundation Artist in Residence, NYC About the Postcards Through this latest painting series I continue to explore my obsession with swimming and all of its various meanings to me. My paintings contend with the sensations, rhythms and mental states experienced during long periods of time spent swimming across a body of water such as a lake or a river. Because a lack of movement can bring on death, swimming uniquely positions itself as a way to confront one's own mortality. A mental game is played to fight off fears of failure and the desire to survive is expressed at every stroke. The "Mad Cap Swimmers" are a group of women. They are the joining of forces that together are stronger than the sum of their parts. The water begins to rise and the swimmers are ready. They have been training for the challenge ahead. Their goal is an unknown place - an ambiguous landscape that is in view but just out of reach.
Lot 1472
Silver & silver plated salts plus pair of coasters and other items: Includes hallmarked silver salt and pair of early plated salts all with blue glass liners, together with pair of 19th century silver plated bottle coasters, also an 11 cm magic lantern lens, large malachite polished mineral specimen and plated meat skewer. An interesting collection.
Lot 724
SUSAN WILLIAMS-ELLIS FOR PORTMEIRION: a group of 'Magic City' coffee ware comprising coffee pot, six cups and saucers and two jugs Condition Report : crazing throughout, two cups wtih slight chips, squat jug has a tiny chip to top of spout Condition reports are offered as a guide only and we highly recommend inspecting (where possible) any lot to satisfy yourself as to its condition.
Lot 281
L'Epee, Duet Classic, ref. 50.6556/201, a cased musical clock, current model, Swiss movement, cal. 2012, 41 jewels, 5 barrels, 40 days power reserve, Reuge musical movement, skeleton dial, Arabic 3 and 9, lance hands, subsidiary power reserve dial, fitted in a glass and stainless steel case, 26.5 x 37 x 10.5cm, accompanied by a black lacquer case, guarantee card, winding key and outer card packagingThe clock plays a six to eight second tune on the strike of the hour or on demand. The twelve tunes are:1. Canon - J. Pachelbel2. The four seasons (Spring) - A. Vivaldi3. The Magic Flute - W.A. Mozart4. Polonaise Op.40 'Militär '- F. Chopin5. La Traviata - G. Verdi6. The Blue Danube - J. Strauss7. Hungarian Dance No.5 - J. Brahms8. Solveig's Song (Peer Gynt - Suite 2) - E. Grieg9. Waltz of the flowers - P.I. Tchaikovsky10. Suite burlesque dolente - G.Tailleferre11. Waltz No.1 (Jazz-Suite 2) - D. Chostakovitch12. Edelweiss - R. RodgersCondition Report: Appears in new conditionCondition Report Disclaimer
Lot 393
A miscellaneous collection of magic lantern slides, late 19th / early 20th century including some 'copper-plate slider' examples, polychrome decorated, one titled / stamped 'humorous No.7', with four similarly comical in theme, two of wildlife including a lion and a seal and Kings and Queens of England and two incomplete boxes of monochrome. Topographical views including British bridges, river landscapes and coastal scenes (a quantity)Condition report: Polychrome slides, some with significant paint loss. Most chipped, some monochrome examples cracked and chipped. Boxes at fault.
Lot 914
A Meccano boxed Set No.9A, with various mainly green and red pieces, a substantial quantity of loose Meccano items including motors, and a boxed Merit 'The Amazing Magic Robot Game'. CONDITION REPORT Box taped and with various rips, signs of wear, etc. We cannot guarantee that all pieces are present or from this set, but there is a large quantity, all in a playworn condition.
Lot 1575
Tyrannosaurus Rex / T Rex / Marc Bolan - 19 albums including Prophets / My People Were Fair, Unicorn /Beard Of Stars, T Rex, Electric Warrior, The Slider, Tanx, Futuristic Dragon, Zinc Alloy, You Scare Me To Death, Crown Of Jewels, Billy Super Duper, Beginning Of Doves, Dance In The Midnight, Dandy In The Underworld, Beyond The Rising Sun, The Unobtainable, Zip Gun, Across The Airwaves and Flyback, plus two 12 inch singles Rare Magic and Mellow Love
Lot 1493A
Kirby Micron Magic 80th anniversary edition vacuum cleaner. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133Condition Report: All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order.
Lot 423
MIXED VINTAGE COLLECTABLES GROUP to include Corgi Magic Roundabout Brian the Snail and other Magic Roundabout figurines, Robertson Golly figures, Wade Whimsies, Mister Men collectables, pocket book The Rubaiyat of Omar Khayyam, London 1907, matchboxes, His Masters Voice needle cases and other interesting items
Lot 99
Mickey Mouse Magic Lantern with quantity of slides including boxed Mickey Mouse Movie Stories issued by Ensign Ltd: The Birthday Party, The Moose Hunt, The Firefighters, Pioneer Days, Fishing Around, two The Cactus Kid, The Gorilla Mystery, Traffic Troubles, The Castaway, boxed Three Little Pigs and several loose slides.
Lot 52
A large collection of vintage glass slides including some early 20th century photographic slides, in two wooden cases, one by Bent Fink, Cheapside, London, an Ensign Mickey Mouse Magic Lantern and two boxes of associated slides, a vintage bakelite View-Master 3D, viewer and two circular slide cassettes, and a Vista-Screen 3D slide viewer with pack of ten views of Rudding Park. (3 items plus bag)
Lot 644
Edwardian English sterling silver sugar sifter, Sheffield 1926 (gothic A), octagonal baluster form with pierced lid, engraved "Presented to Herbert J Collings by the Magicans Club London 27th February 1927 A most entertaining and clever magician". Herbert J collings used the stage name Col Ling Soo and was a founder and president of the Magic Circle from 1928 to 1931 and again from 1954 to 1958. He worked for ENSA during WW2 122 grams 21 cm tall
Lot 5
c.1959 Norton 596cc 'Dominator 99' (see text)Registration no. Q734 CPFFrame no. P13 80712Engine no. 95938Norton's 500cc twin-cylinder engine first appeared in the racing singles' Featherbed frame in November 1951 as the Model 88. Introduced for 1956, the 596cc Model 99 was outwardly identical to its smaller brother. Endowed with greater power and higher gearing that enabled it to top the magic 'ton', the 99 retained all the excellent handling and steering characteristics associated with the Featherbed chassis. This Dominator 99 has the frame of a Model 50 (350cc single) dating from 1959; an engine from circa 1961; and a non-standard rear wheel complete with 'knobbly' tyre, which appears to be from an off-roader of some kind. The machine is offered with an old V5 document and an expired MoT (1989). The registration 'Q734 CPF' is listed in the HPI database; nevertheless, prospective purchasers should satisfy themselves with regard to this motorcycle's registration status prior to bidding.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 776
Property of a deceased's estate c.1960 Norton 596cc Dominator 99 Café RacerRegistration no. SFH 99LFrame no. R14 86635Engine no. 86635 R14Norton's 500cc twin found a new home in the racing singles' 'Featherbed' duplex frame in November 1951. The newcomer - titled 'Dominator 88' - was the first production Norton roadster to feature the lightweight, race-proven chassis. Updated annually, by the decade's end the Dominator had received an alloy cylinder head, full-width hubs, welded rear sub-frame, alternator electrics, coil ignition and - for 1960 - the narrower 'Slimline' Featherbed frame among countless other improvements. Introduced for 1956, the 596cc Dominator 99 was outwardly identical to the 88. Endowed with greater power and higher gearing enabling it to top the magic 'ton', the 99 nevertheless retained all the excellent handling and steering characteristics associated with the Featherbed chassis. One of the Rockers' favourites, the 99 remained essentially unchanged - apart from gaining alternator/coil-ignition electrics for 1958 - until dropped in 1962. Reregistered in 1973 (hence the 'L' plate), the Dominator 99 we offer has been reconfigured as a Manx-style café racer. Noteworthy features include twin Amal Concentric carburettors, alloy wheel rims, TLS front brake, central oil tank, 'Goldie' silencers, and a large-capacity Manx-type fuel tank. Offered for restoration and sold strictly as viewed, the machine comes with an old-style V5 document and an expired MoT (1973). Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 127
Property of a deceased's estate c.1960 Norton 596cc Dominator 99 Café RacerRegistration no. 166 GMOFrame no. R14 89359Engine no. 79761 14PNorton's 500cc twin found a new home in the racing singles' 'Featherbed' duplex frame in November 1951. Titled 'Dominator 88', the newcomer was the first production Norton roadster to feature the lightweight, race-proven chassis. Updated annually, the Dominator had, by the decade's en, received an alloy cylinder head; full-width hubs; welded rear sub-frame; alternator electrics; coil ignition and, for 1960, the narrower 'slimline' Featherbed frame among countless other improvements. Introduced for 1956, the 596cc Dominator 99 was outwardly identical to the 88. Endowed with greater power and higher gearing enabling it to top the magic 'ton', the 99 nevertheless retained all the excellent handling and steering characteristics associated with the Featherbed chassis. One of the Rockers' favourites, the 99 remained essentially unchanged, apart from gaining alternator/coil-ignition electrics for 1958, until dropped in 1962. This Dominator 99 'café racer' was registered to its late owner in September 1988. The machine features a large-capacity fuel tank; Borrani alloy wheel rims; Tickle top yoke; Commando TLS front brake; swept-back exhaust pipes; twin carburettors; 'racing' seat; Lucas competition magneto; and matching speedometer/rev counter. Last taxed to 20th September 2010, it comes with a quantity of SORNs and MoTs; old/current V5Cs; sundry bills; Norvil parts list; and an original 1960 Norton Maintenance Manual and Instruction Book. This motorcycle's condition, completeness, and correctness is not known and thus it is sold strictly as viewed. It should be noted, the V5C records the engine number suffix as its prefix.Lot to be sold without reserve.For further information on this lot please visit Bonhams.com
Lot 2
c.1961 Norton 596cc 'Dominator 99' (see text)Registration no. not registeredFrame no. 92469Engine no. 85487 15Norton's 500cc twin-cylinder engine first appeared in the racing singles' Featherbed frame in November 1951 as the Model 88. Introduced for 1956, the 596cc Model 99 was outwardly identical to its smaller brother. Endowed with greater power and higher gearing that enabled it to top the magic 'ton', the 99 retained all the excellent handling and steering characteristics associated with the Featherbed chassis. The model remained essentially unchanged, apart from gaining alternator/coil-ignition electrics for 1958, until dropped in 1962. Before the Featherbed's arrival, the 500cc engine had powered the Model 7 and the 600c unit the Model 77. Believed an older restoration, the Featherbed-framed Norton twin offered here has been fitted with the 600cc engine from a Model 77, as denoted by the '15' engine number suffix. Offered with a purchase receipt (2002).For further information on this lot please visit Bonhams.com
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