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John Shinnors (b.1950) St. John's Night, Carraroe, Inishmor oil on canvas on panel signed lower right and titled on reverse 108 x 143cm (42.52 x 56.30in) Private Collection Limerick artist John Shinnors is justly celebrated for his inventive pictorial puzzles based on the most ordinary subject matter: mackerel laid out in the fishmongers counter, washing flapping on the clothes-line, Fresian cattle in a field, scarecrows, badgers, Loop Head lighthouse. Many of his chosen motifs share a monochrome, black-and-white palette. He prefers that colour, when he uses it, makes a point. It certainly does so in St. John's Night, Carraroe, Inishmor, which richly displays his expertise with shades of black and white and volcanic bursts of colour, and another trademark quality: an air of mystery and magic. St John's Eve, usually coincident with the Summer Solstice, is traditionally celebrated by communal bonfires, beacons in the night. Here, John Shinnors counterpoints the intense glow of the flames with a stark, elemental terrain, the bonfire in Carraroe with the forbidding sea-bound fortress of Inish Mór nearby. The dark shelf of the island's formidable cliffs juts out into the Atlantic waters, phosphorescent in the half-light of midsummer darkness. Midsummer mirrors midwinter in a fine example of pictorial drama. Aidan Dunne, March 2018.
A Large pair of Japanese Ivory TusksJapan, Meiji period (1868-1912)Each carved in sunk relief with a continuous scenes from the Kojiki, the first depicting Susanoo about to kill Yamata no Orochi, the second depicting Umisachi-hiko and Oogetsuhime emerging from the waves.Height 33.5 cmCatalogue note:Kojiki ("Records of Ancient Matters" or "An Account of Ancient Matters"), it is the oldest extant chronicle in Japan, dating from the early 8th century (711–712) and composed by ? no Yasumaro at the request of Empress Genmei. The Kojiki is a collection of myths concerning the origin of the Japanese archipelago, and the Kami. The myths contained in the Kojiki as well as the Nihon Shoki are part of the inspiration behind many practices. Later, the myths were re-appropriated for Shinto practices such as the misogi purification ritual.Umisachi-hiko (luck of the sea), in Japanese mythology and folklore, was a deity of the bounty of the sea and enchanted fisherman. He appears with his younger brother Yamasachi-hiko (Luck of the Mountains, Hoori) in the "Luck of the Sea and the Luck of the Mountains" episode. When the fish hook he lends to his younger brother is lost at sea, he demands its return rather than to accept any compensation. Later he is defeated and subjugated by his younger brother, who has obtained mastery of the tides with a magic jewel.Susanoo is the Shinto god of the sea and storms. He is also considered to be ruler of Neno-Katasu-Kuni (now Yasugi, Shimane-ken). He is the brother of Amaterasu, the goddess of the Sun, and of Tsukuyomi, the god of the Moon. All three were born from Izanagi, when he washed his face clean of the pollutants of Yomi, the underworld. Amaterasu was born when Izanagi washed out his left eye, Tsukuyomi was born from the washing of the right eye, and Susanoo from the washing of the nose. Susanoo used Totsuka-no-Tsurugi as his weapon. CONDITION REPORT In overall good condition, with minor crack to the base of one vase, the other with very minute losses.
An ivory netsuke of TakarabuneJapan, 19th centuryTakarabune or Treasure Ship is a mythical ship piloted through the heavens by the Seven Lucky Gods during the first three days of the New Year.Height 4.6 cm.Catalogue note: During the first three days of the New Year the Seven Lucky Gods are said to pilot through the heavens and into human ports a mythical ship called the Takarabune, or Treasure Ship. The gods carry with them takaramono, or treasure things, including the hat of invisibility (kakuregasa), rolls of brocade (orimono), the inexhaustible purse (kanebukuro), the secret keys to the treasure shed of the gods (kagi), the scrolls of books of wisdom and life (makimono), the magic mallet (kozuchi), the lucky raincoat (kakuremino), the robe of fairy feathers (hagoromo), and the bag of fortune (nunobukuro) CONDITION REPORT
Tyler’s Lanternescope Slide Viewer,C.1880, English, signed to the top 'Tyler's Lanternescope, Rd 136372', on black ebonised stand with compass type joint to base of the viewer, viewer wood and papier-mache with hand painted floral decoration to top, conical brass tube at front with magnifying lens and ground glass screen to rear, for viewing magic lantern slides
A Biunial Magic Lantern,C.1890, English, signed to plaque at top 'Husbands & Sons, St Augustines Parade, Bristol, the French polished mahogany body with two paneled doors to each side, black steel plate interior, two condenser lenses, 6in projection lenses to front with rack and pinion focusing and flaps to front, two 'R.R. Beard' slide holders, brass dissolving curtain behind lenses, height 63cm
A Biunial Magic Lantern,C.1890, English, signed to plaque at top 'J Ottoway & Son, Makers, London', the large French polished mahogany body with two panelled doors to each side, black steel plate interior, two condenser lenses, 6in projection lenses to front with rack and pinion focusing and flaps to front, two 'R.R. Beard' slide holders, brass dissolving curtain behind lenses, height 63cm
SAX 2524 - GEORGE SZELL - MENDELSSOHN ITALIAN SYMPHONY (1ST UK EDITION) - A very clean 1st UK edition pressing of George Szell conducting The Cleveland Orchestra performing Mendelssohn and Weber (Columbia 'turquoise/silver' SAX 2524). The record is in superb Ex+ condition with perhaps just one or two extremely faint and miniscule paper marks under very bright light. The 'Magic Notes' original sleeve is in clean Ex condition with just a couple of rather light creases.
SAX 2486 - OTTO KLEMPERER - MOZART SYMPHONIES (1ST UK EDITION) - Another lovely performance here with Otto Klemperer conducting the Philharmonia Orchestra performing Mozart Symphonies No. 40 In G Minor and No. 41 in C (Jupiter) (Columbia 'turquoise and silver' SAX 2486). The record is in Ex condition with a couple of light and minor surface markings - the original gloss to the vinyl remains and the labels are superb and clean. The 'Magic Notes' sleeve is in very clean Ex condition with some rather minor wear to the laminate and (again, very minor) signs of ringwear on the front.
DEXTER GORDON - DOIN' ALRIGHT (BLP 4077) - A very clean early US mono (believed to be from 1963) pressing (BLP 4077) of the magic album also featuring Freddie Hubbard, Horace Parlan, George Tucker on bass and Al Harewood on percussion. With 'Blue Note Records Inc New York USA' labels and '43 West 61st St.' address on the sleeve. The record is in Ex+ condition with just a couple of extremely faint, light and wispy surface markings. With RVG stamped and the plastylite 'p' etched. With '27 Years Of Blue Note' original inner. The sleeve is in neat VG+ condition with a small seam split just starting to appear on the top (opening) edge.
INTRODUCING JOHN COLTRANE & ART ENSEMBLE OF CHICAGO - Marvelous collection of 18 x LPs featuring the talents of John Coltrane, Art Ensemble Of Chicago, Lester Bowie and also including a Hat Hut Steve Lacy double! Coltrane titles (x7) are Live In Paris (Affinity AFFD 24), Expression (1st UK stereo issue SIPL 502 - Ex/Ex), First Meditations (For Quartet), Live At Birdland (Impulse 1975 RE AS-50), Live At The Village Vanguard Again! (1974 RE AS-9124), Afro Blue Impressions (2620 101) and Live At Birdland (AFF 79). Art Ensemble/Lester Bowie titles are The 5th Power (BSR 0020), I Only Have Eyes For You, All The Magic!, Urban Bushmen (ECM 1211/12), Full Force (ECM 1167), Reese And The Smooth Ones (AFF 22), Message To Our Folks (AFF 77), Live (AFFD 46) and Nice Guys (ECM 1126). Also with Steve Lacy - Blinks (hat ART 2006). Condition is often very well presented Ex.
THE ART ENSEMBLE OF CHICAGO/FREE JAZZ RARITIES - Wonderful selection of 7 x beautifully presented LPs. Titles are Milford Graves - Nommo (1970s IPS reissue IPS-290 - outstanding Ex+/Ex+ copy), Louis Moholo's Viva-La-Black - S/T (Ogun OG 533 - Ex/Ex+) and The Art Ensemble Of Chicago/Lester Bowie (5) - People In Sorrow (US Nessa N-3 original -Ex+/Ex), Live At Montreux Jazz Festival (US original AECO 004 - Ex+/Ex), Urban Bushmen (ECM 1211/12 - Ex+/Ex), Nice Guys (ECM 1126 - Ex+/Ex+ with insert) and Lester Bowie - All The Magic! (ECM 1246/47 - Ex+/Ex with inserts).
JAZZ LPs - Magic collection of over 75 x LPs. Artists/titles will include Lee Morgan - Sidewinder (stereo RE, French), Thelonious Monk - April In Paris Live, John Coltrane with Lee Morgan - One Two & Four, Dave Brubeck, Kenny Clarke - All Smiles, Buck Clayton, Clifford Brown, Gene Ammons, Kenny Burrell - God Bless The Child, Sidney Bechet, and Al Bowlly. Condition is generally VG to Ex+.
RIVERSIDE RECORDS - LPs - We've certainly got the magic touch here with 9 x original title LPs (8 x UK and 1 x US). Titles are Tadd Dameron - The Magic Touch (UK blue/silver reel RLP 419 - Ex+/Ex), Budd Johnson And The Four Brass Giants (UK blue/silver reel RLP 343 - Ex+/Ex), Abbey Lincoln - Abbey Is Blue (2nd US 'Bill Grauer Productions Inc. on label RLP 12-308 - Ex/Ex), The Amazing Mr. Waller (UK white/blue reel and mic 12-109), Byrd At The Gate (UK blue/silver RLP 467), Chicago - The Living Legends (UK RLP 398), Duke Ellington & Billy Strayhorn (UK RLP 475), Bix Beiderbecke (UK RLP 12-123) and Louis Armstrong (RLP 12-122 UK). Condition is often Ex to Ex+.
JAZZ LPs - Eclectic and well presented collection of over 95 x LPs. Artists/titles include Arnett Cobb & The Muse All Stars, Abbey Lincoln - It's Magic, Tal Farlow, Charlie Parker, Ben Webster Meets Oscar Peterson, Billy Strayhorn's Septet, Kenny Burrell - Tin Tin Deo, Billie Holiday, SLan Stewart & Bucky Pizzarelli, Johnny O'Neal, Mahalia Jackson, Erroll Garner, John Bunch Trio, Jackie Gleason, Earl Hines with Paul Gonsalves, Kim Parker, Mick Pyne, Frank Butler, Richie Kamuca's Charlie and Charles Brown. Condition is often Ex to Ex+.
ELECTRIC BLUES - 18 x magic LPs! Artists/titles are Magic Sam - Live (Delmark 645/646) and Magic Touch (Black Magic 9003), Taj Mahal - The Natch'L Blues (Direction 8-63397 - Ex/Ex) and S/T (ED 166), Otis Rush - Troubles Troubles, Groaning The Blues (LP 560) and Right Place, Wrong Time, Jimmy Reed - Plays 12 String Guitar Blues (Stateside SL 10089) and Just Jimmy Reed (Stateside SL 10055), Buddy Guy - In The Beginning and Left My Blues In San Francisco, Snooks Eaglin - Blues From New Orleans and Portraits In Blues, Albert King - King Of The Blues Guitar and I Wanna Get Funky. B. B. King and Pee Wee Crayton. Condition is generally VG+ to Ex.
MOUTH ORGAN MASTERS - Yes indeedy, how about these 9 x LPs featuring masters of the harp! Titles are Sonny Boy Williamson - Down And Out Blues (UK original Pye NPL 28036 - glossy Ex/neat VG+ some light discolouration on the reverse), Portraits In Blues (SLP 158 - neat VG+ to Ex copy) and The Blues Of (Storyville SLP 170 - VG+ with a surface mark running with the groove on track A2/Ex), Shakey Jake - Good Times (Prestige Bluesville BVLP 1008 - nice Ex/VG+) The Best Of Little Walter (1964 original UK Pye NPL 28043 - Ex/VG+), Slim Harpo - Knew The Blues and Got Love If You Want It (FLY 558), Walter Horton - Fine Cuts (BLP 069) and James Cotton - S/T (Black Magic 9009). Condition is generally VG+ to Ex.
Collection of vintage magic tricks, to include "Water to Wine Trick", battery-powered trick hand, rabbit in a sack, "Swiss Army Wallet", jumbo playing cards, "Farelli's Master Speller", Jack Bridwell's "Mental Flashes", Eric C. Lewis's "The Amazing Candle", Peter Warlock's "Gap in the Curtain", bottle trick, wooden tricks etc. (1 box).
[§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) CLASSICAL HEAD - SELF-PORTRAIT Signed and indistinctly dated '46 / '49, watercolour 37cm x 27cm (14.5in x 10.25in) Exhibited: Open Eye Gallery, Edinburgh Note: Few British artists of the 20th century are quite an intriguing as Alan Davie. Low key and independent, Davie operated out with the art world 'scene' until his death in 2014 which means that, despite his popularity amongst critics and collectors, he isn't the household name he perhaps deserves to be. Born in Grangemouth, Scotland in 1920, Davie studied at the Edinburgh College of Art, developing a fascination with Continental artists including Paul Klee and Wassily Kandinsky. The quintessential polymath, his artistry encompassed jewellery-making, poetry and, most significantly of all, jazz music. He was an extremely talented musician and constantly sought to find ways to break down the boundaries of expression; seeking to literally convey music on canvas. The list of his friends and admirers is quite extraordinary given his lack of ego and choice to plough a furrow out of the limelight. He met and was admired by the great collector Peggy Guggenheim in Venice in the late 1940s and was close to members of the American Abstract Expressionist movement including Jackson Pollock. However, Davie gradually moved away from gestural expression to a more clarified vision, as shown in this fantastic example which is amply demonstrative of the complexity of his ideas. Taking reference points from a vast area of art history - Celtic, Buddhist, African, Hindi and Modernist to name but a few - he created a language of emblems and symbols with the aim of capturing the "mysterious and spiritual forces normally beyond our comprehension". Davie's esotericism and eccentricity earned him the reputation as something of a "shaman", a fitting title for an artist who sought to live his entire life as an exploration of the magic that underpins art, music and philosophy. The artist has had retrospectives at the Barbican, London, Tate St Ives and Tate Britain. He was appointed CBE in 1972 and elected a senior Royal Academician in 2012.
[§] ALAN DAVIE C.B.E., H.R.S.A. (SCOTTISH 1920-2014) OPUS 0.163 - MIRACULOUS FRUIT MAKERS, 1960 Signed and dated upper left, titled verso, oil on paper 42cm x 53.5cm (16.5in x 21in) Exhibited: 'Collector's Choice', Gimpel Fils, London; July 1967 Provenance: The artist's studio; Collection of Caroline Duveen, UK; Gimpel Fils, London; Private Collection, London Note: Few British artists of the 20th century are quite as intriguing as Alan Davie. Low key and independent, Davie operated outwith the art world 'scene' until his death in 2014 which means that, despite his popularity amongst critics and collectors, he isn't the household name he perhaps deserves to be. Born in Grangemouth, Scotland in 1920, Davie studied at the Edinburgh College of Art, developing a fascination with Continental artists including Paul Klee and Wassily Kandinsky. The quintessential polymath, his artistry encompassed jewellery-making, poetry and, most significantly of all, jazz music. He was an extremely talented musician and constantly sought to find ways to break down the boundaries of expression; seeking to literally convey music on canvas. The list of his friends and admirers is quite extraordinary given his lack of ego and choice to plough a furrow out of the limelight. He met and was admired by the great collector Peggy Guggenheim in Venice in the late 1940s and was close to members of the American Abstract Expressionist movement including Jackson Pollock. However, Davie gradually moved away from gestural expression to a more clarified vision, as shown in this fantastic example which is amply demonstrative of the complexity of his ideas. Taking reference points from a vast area of art history - Celtic, Buddhist, African, Hindi and Modernist to name but a few - he created a language of emblems and symbols with the aim of capturing the "mysterious and spiritual forces normally beyond our comprehension". Davie's esotericism and eccentricity earned him the reputation as something of a "shaman", a fitting title for an artist who sought to live his entire life as an exploration of the magic that underpins art, music and philosophy. The artist has had retrospectives at the Barbican, London, Tate St Ives and Tate Britain. He was appointed CBE in 1972 and elected a senior Royal Academician in 2012.
Royal Albert Old Country Roses Ceramic Collection comprising Christmas Magic Beaker, 1988, Fragrant Flowers Atomiser, 1962, Fragrant flowers Montrose Bud Vase 1988, Winchester Vase 1988, Leaf Dish 1962, ashtray, a large bowl 10 inches in diameter, large ewer 7 inches in height. All come with original boxes. Please note the canteen of cutlery is a separate lot and is not included with this lot.

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30126 item(s)/page