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signed; signed and titled on the reverse acrylic on board 49 by 59,5cm; 64 by 75 by 4cm including framingAtmosphere is the word of choice when stepping into one of John Meyers works. The artist?s paintings are innately representational, and Meyer bases the style of his works on theories of realism, so they are often loose depictions of existing places. Each intentional stroke layers to create a scene that is a pleasing depiction of a familiar place, whilst also creating tension and emotion that draws the viewer in. The emotion that is evoked through his creation of mood and atmosphere leaves enough room for viewer perception, which is where the meaning in his work is truly born. The viewer?s relationship with the space evolves with further inspection and judgement, giving Meyer?s works a fluidity in their evolving meaning. The complexity of Meyer?s work essentially surrounds a need for retrospection and introspection, and as rarely are interpretations the same, the creation of that place takes shape in the viewer?s mind, resulting in inherently unique spaces. In this way, Meyer describes his works as being ?made?. ?He presents us with strikingly real illusions, all distinctly familiar, yet ultimately invented? (Everard Read). Meyer is a master of light, and uses dramatic shadows and glimmering highlights to further enforce the emotional tension in his spaces. His precise layering and tight control over the painted surface means very little emotion is translated through the strokes themselves, but this perhaps presents the emotional ambiguity required for individual relationships to form between the viewers and the work. In this way, Meyer can be seen as a master of both landscapes and narratives, which makes his works truly unique. The artist describes his process and the endless possibilities in terms of meaning: ?One could say I?m obsessed with the magical properties of paint, with the process that allows for and unlocks the magic. It all depends on where you direct your energy?. John Meyer, Biography, [O]:https://www.johnmeyerpaintings.com/about/Accessed 24 January 2022Everard Read Cape Town, John Meyer, [O]:https://www.everard-read-capetown.co.za/artist/JOHN_MEYER/biography/Accessed 31 January 2022
Britains - Corgi - Marx - A collection of 14 x loose model vehicles including # 1143 Corgi American La France Fire Truck, # 266 Corgi Chitty Chitty Bang Bang, # 287 Ford Transit Accident Unit and others. The Fire Truck and Britains Tractor have partial boxes with them. The models all show signs of play use, some have damage / parts missing, they are in Fair to Good condition overall. Also includes a The Magic Roundabout record. (This does not constitute a guarantee)
A BOXED CODEG TOY-TOWN TELEPHONE EXCHANGE, of tinplate and plastic construction, exchange unit is missing cradle for handset but otherwise appears complete and in fairly good condition with only minor marking paint loss and wear, box complete but has some damage and wear, with a quantity of boxed Meccano clockwork motors (3x Magic Clockwork and 1 No.1 motor), contents not checked but two are missing keys, quantity of boxed Plastic Meccano nut and bolts, boxed Lego accessory pack, No.420 and boxed Raleigh cycle inner tube (18 X1-75), contents of boxes not checked and some with minor damage
Disney Interest. Includes Walt Disney Productions Genuine Silver Plate Mickey Mouse Spoon In Original Box, Some Disney Pins, Donald Duck Teddy, Aladdin Disney Princess Figure, Walt Disney Silver plated Gifts by Cavalier Mickey Mouse Fork and Spoon In Original Box, Walt Disney Productions - Disney land Castle Spoon In Original Box, Vintage Glass Ware - Walt Disney World Glass Dish, Lovely Decoration and No Chips etc - The Magic Kingdom Theme + Looney Tunes Mug In Box +Silver Plated Teddy Bear Money Box - New In Box etc. Interesting Lot. Please See Photos.
Steeleye Span / Lindisfarne - A collection of LPs, to include ten by Steeleye Span - Now We Are Six, Almanac, All Around My Hat, Portfolio, Commoners Crown, The Best Of Steeleye Span, Individually and Collectively, Below The Salt, Rocket Cottage, Original Masters, ten by Lindisfarne - Magic In The Air, Back And Fourth, Fog On The Tyne, Nicely Out Of Tune, Dingly Dell, Finest Hour, Lady Elenor, Roll On Ruby, Dance Your Life Away, Dingly Dell (Elektra Label), Happy Daze. (21)
Fleetwood Mac - A collection of LPs, to include Mr Wonderful mono Blue Horizon 7-63205, Kiln House RSLP 9004, Then Play On REP 44 103, Peter Green's Fleetwood Mac S EMB 31036, Black Magic Woman S CBS 31798, The Golden Era Of Pop Music S 68212, Oh Well Live 39007, London Live '68 THBL 1.038, Fleetwood Mac Live BR LP 16, Greatest Hits 69011, The Pious Bird of Good Omen S7-63215, English Rose (compilation) 22025, Rumors WB 56344, Live K66097, Greatest Hits WX221, Behind The Mask WX 335, Tusk K66088, Mirage WB KM 56952, Fleetwood Mac K54043, The Dance R1 46702, Tango In The Night WX65 and Penguin MS2138. (22)
Queen/ Freddie Mercury - A collection of LPs, to include Queen Live At Wembley '86 PCSP 725-1, A Day At The Races EMTC 104, A Night at the Opera EMTC 103, Queen II EMA 767, Jazz EMA 788, News of the World EMA 784, Innuendo PD115 (reissue), Sheer Heart Attack EMC 3061, The Miracle PCSD 107, Flash Gordon EMC 3351, Hot Space EMA 797, Queen I EMC 3006, You Made Us Feel Like We Could Fly ROXMB024 (2019 green vinyl release), The Game EMA 795, 2 x A Kind of Magic EU 3509, Killer Queens (Estadio José Amalfitani 1981) clear vinyl CRLVNY018, Greatest Hits EMTV30, The Works WORK 1, Live Magic EMC 3519, Mr Bad Guy CBS 86312, Barcelona POLH 44 and Radio Ga Ga 12 inch single 12 QUEEN 1. (24)
Lovin' Spoonful - A collection of LPs, to include Hums of the Lovin's Spoonful KLP 401, Whats Up Tiger Lily? KLP 8053, Daydream NPL 28078, Do You Believe in Magic KLP/S 8050 (two stereo and mono version), Everything Playing KLP 404, mono, and KLPS 8062 stereo, Once Upon a Time 2316 002, stereo, and The Best of Lovin' Spoonful Volume Two KLPS 8064. (9)
Hublot: Unico Magic Sapphire Chronographen-Armbanduhr. Transparentes Saphir-Kristallgehäuse. Num. 1302010. Automatikkaliber HUB1242 mit Datumsschnellverstellung. Skelettiertes Zifferblatt mit abwechselnd leuchtenden arabischen Ziffern u. Stabindexen, Hilfszifferblätter auf drei u. neun, äußere drehbare Datumsscheibe. Mont. an einem sign. schwarzen Kautschukband mit Titanfaltschließe. 49 mm. Mit Box. Nr. 484 von 500 Exemplaren. - Unico Magic Sapphire chronograph wrist watch. Number 484 of 500. Transparent sapphire crystal case. Numbered 1302010. Signed automatic calibre HUB1242 with quick date set. Skeletonised dial with alternating luminous Arabic numeral and baton hour markers, subsidiary recorder dials to three and nine, outer rotating date disc. Calibrated rehaut. Fitted to a signed black rubber strap with titanium deployant clasp. 49mm. With Box. - Neupreis 57.100 Euro. R
Hale (Kathleen, 1898-2000). Manda, the Jersey Cow, watercolour and pencil on paper, some light spotting (mainly at edges), mount aperture 26.0 x 34.0cm (10 1/4 x 13 3/8ins), framed and glazed (49.3 x 56.1cm), verso with red ink number 116, relating to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, and 2 pencilled numbers, together with: Hassan and Grace go for a Drive, circa 1958, two preliminary sketches for facing pages in Orlando's Magic Carpet (pp.20-21), which together form a continuous scene of the car journey, with camels and donkeys sharing the road with Hassan's car, both watercolour and pencil on paper, mount apertures 14.4 x 18.8cm (5 5/8 x 7 3/8ins), & 16.1 x 19.1cm (6 1/4 x 7 1/2ins) respectively, framed and glazed (36.6 x 40.0cm & 38.6 x 40.5cm respectively), the first with pencilled title on verso, with inscription 'Goldmark No 13', plus label of Goldmark Gallery, Rutland, and several numbers in coloured inks, one of which (no.87) relates to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, the second with 'Orlando's Magic Carpet' inscribed on verso, with the number 88A[?], plus: Can you see Mr. Fluff sitting like a Pom-Pom on the old Lady's hat?, 1940s, pen & blue ink and watercolour on paper, with some white bodycolour corrections, title inscribed by the artist in blue ink, a few spots and minor marks, mount aperture 31.0 x 21.5cm (12 1/4 x 8 1/2ins), framed and glazed (53.2 x 42.5cm), verso with pencilled 'No. No.', and number 32, and with red ink number 71, relating to the Kathleen Hale Memorial Exhibition held at the Redfern Gallery in 2001, with a print of the oil painting 'Orlando reclining amongst flowers', mount aperture 15.8 x 19.4cm (6 1/4 x 7 5/8ins), framed and glazed (27 x 29.8cm)Qty: (5)Footnote: Manda the Jersey Cow is also listed in the Michael Parkin exhibition A Summer Picnic of Pictures, 2002 (number 29) as 'Jersey Cow'. 'Can you see Mr.Fluff ...?' is a proposed illustration for an unpublished children's story 'Mr. Fluff', part reproduced in colour in Kathleen Hale's autobiography A Slender Reputation (plate 16).
Bindings. Milton (John). The Poetical Works, London: T Nelson & Sons, 1872, bookplate to front pastedown, all edges gilt, lightly spotted, later red panelled morocco, boards with gilt floral border, central panels with gilt inlays, authors name to central gilt panel, spine with central foliate gilt inlay with gilt border, author's name to centre of gilt panel with margins finished in green with gilt foliate head and tail pieces, extremities of joints and spine slightly rubbed, 8vo, housed in custom red clamshell box, together with: Swinburne (Algernon). A Golden Book of Swinburne's lyrics, London: Martin Hopkinson, 1927, number 18 of 250 copies, top edge gilt, broad gilt turn-ins with foliate devices, small gilt device to lower margin of rear pastedown, contemporary yellow crushed morocco, double gilt border, spine lettered in gilt, 8vo, with Nockolds (Harold). The Magic of a Name, London: G.T. Foulis & Co, (1945), numerous mounted illustrations, all edges gilt, gilt turn-ins, signed by Sangorski and Sutcliffe to lower margin of front pastedown, contemporary red crushed morocco gilt, spine in 6 compartments separated by raised bands finished in gilt, with each compartment with gilt border, spine lettered in gilt, extremities a trifle rubbed, spine slightly faded, 8vo, housed in a custom red slipcase, together with 12 othersQty: (15)
Davies (William H.). True Travellers. A tramps opera in three acts, with decorations by William Nicholson, 1st edition, London: Jonathan Cape, 1923, half-title, frontispiece and three other plates printed in black and green, illustrations printed in black, original green cloth-backed marbled boards, title label to upper board and spine, extremities slightly rubbed, slim 4to (limited edition 44/100 signed by the author illustrator, together with: Moss and Feather, 1st edition, London: Faber & Gwyer Ltd., 1928, additional illustrated title and one plate by William Nicholson, original boards, slim 8vo (limited Large Paper edition on handmade paper 307/500, signed by the author), Songs of Joy and others, 1st edition, London: A.C. Fifield, 1911, top edge gilt, remainder untrimmed, original green cloth, small 8vo, The Hour of Magic and other Poems, 1st edition, London: Jonathan Cape, 1922, frontispiece and illustrations by William Nicholson, bookplate to upper pastedown, original boards in dust jacket (both lightly spotted), small 8vo, plus 10 others by William H. DaviesQty: (14)
Buckley (Arabella B.). Through Magic Glasses and other lectures, a sequel to 'The Fairyland of Science', London: Edward Stanford, 1890, 3 monochrome plates plus numerous in-text illustrations, ink stamp to the front pastedown, previous owner inscriptions to the front endpapers, some light toning, all edges gilt, publishers original gilt decorated red cloth, boards & spine lightly rubbed to head & foot, 8vo, together with; Tidy (Charles Meymott), The Stiry of A Tinder-Box [The Romance of Science], London: Society for Promoting Christian Knowledge, 1889, monochrome illustrations, some minor toning, publishers original illustrated brown cloth, spi bf e lightly rubbed to head & foot, 8vo, plus other mostly modern science & mathematics reference, including publications by Routledge, Oxford, Sutton, Penguin, mostly original cloth in dust jackets, some paperbacks, G/VG, 8vo/4toQty: (6 shelves )
AURORE LEVASSEUR, (1987, France)."Nymphes et Satyres", 2021.Series "From Art History With Love".Oil on paper.Signed.Size: 50 x 34 cm."From Art History With Love" is a series of studies on paper based on academic style paintings, cut out and incorporating the palette of colour research in its margin. The aim is to highlight the creative process and play with notions of figuration, abstraction and the origin of the image.Artist trained at the Ecole Supérieure d'Art et de Design in Le Havre-Rouen (France) and at the Academy of Fine Arts in Palermo (Italy).In her painting, Aurore Levasseur challenges the stereotypical representation of bodies in today's world and in the history of art, transposing them into timeless figurative compositions.It is not a question of fetishising a type of body, but of bringing a more glorious gaze to it. A look of tenderness, love, sensuality and confidence, but also of tension, suffering and strength, so many adjectives that are usually associated with heroes.And what better way to talk about heroes than in myths and stories?The history of art is rich in inspirational scenes, haloed demiurges, praised martyrs, goddesses and muses. But in our time human beings have lost their magic, bodies, and in particular that of corpulent women, their favourite subject, are stigmatised and femininity is codified.In the long-term project "Mythologies of the female body", of which a first part of the exhibition was presented at the Untitled Factory gallery in Paris in May 2019, the selection aimed to recover what is beautiful, strong and sacred in the feminine and in her flesh. It is on this theme that Aurore Levasseur continues her creation, integrating figures from folk tales as well as mythological scenes, each time proposing various visions of femininity and the human.
THE MAGIC ROUNDABOUT, c.1993, two fibreglass rides from a coin-operated machine, manufactured by Jolly Roger Amusement Rides, modelled as Ermintrude and Dougal from Serge Danot's 'The Magic Roundabout', which originally aired in 1964, 75cm wide24cm deep56cm highCondition report: Withloss to decoration, scuffs, handles with rust. Some minor cracks occurring.
Photographic Technical Pamphlets and Societies Literature, including Johnsons General Photographic Catalogue 1962-63, The Ilford Book of Formulae, Colour Photography by Eric de Maré, The Retinette Guide, Photofacts Complete Pocket Calculators, a Shire Album on Magic Lanterns, Photographic Collectors Compendium, Royal Photographic Society literature and catalogues, local camera club catalogues, mainly 1940s
Mid 20th Century Kodak and Other Snapshot Cameras, comprising two Bantam Colorsnap II, two Brownie 44A, a Brownie 44B with Brownie Flasholder 4, a Brownie Cresta II, a Brownie Twin 20, an Instamatic 50, two Ferrania Rondines, one red, one black, a Purma Special, a Coronet 44, a Photo Magic and an Ilford Ilfomatic Super 100, A/F
Books on Stereoscopic Photography and others, Theodore Brown's Magic Pictures, Herbert, S, The Projection Box, 1997, Stereo Nudes 1850-1930, Nazarieff, S, Benedikt Taschen Verlag Berlin, 1990, two price guides and others (10); with others on photography and scientific instruments; Buck & Hickman tool catalogue, 1958; 'The Courier' (London Courier and Evening Gazette), February 16, 1813, including reference to Peninsular War; The History of England, Vol. IV, Coote, C, Longman, London, 1796; and others (a lot)
A collection of early 20th century magic lantern slides, several for HE Maddox, mostly African scenes, possibly missionary, including a children's school at Kabrole, scenes from Kaitango, plans for a new hospital at Kabarole Toro, a map dated 1901 with Kitagwenda at the centre, and possibly some military slides (in two boxes).
A collection of Manchester and other circus and theatre memorabilia items, comprising a Belle Vue Circus bill, a theatre bill for the Palace Theatre Oxford Street, Manchester, dated Monday June 26th 1939, 88 x 28cm, a theatre bill for the Palace Blackpool, dated Monday December 28th 1936 and listing 'Harry Roy and His Band', a theatre bill for the Aldershot Hippodrome, dated Monday November 9th 1931 and publicising 'Florrie Forde', with nine black and white photographic reprints of circus acts, a publicity photograph of the Reid Twins, a photograph from Gandey's Circus, a photograph of Belle Vue Circus, two photographs showing the magic shows of Van Buren and a further Van Buren publicity still with HRH Duke of Edinburgh, three further photographs, a 'Bertram Mills Circus Summer Season 1949' programme and other ephemera.
ALAN DAVIE; Magic Reader; a limited edition volume containing seventeen lithographs published by Paragon Press and Alan Davie, signed by the artist and no.44/50.PROVENANCE: from the Brian Morley collection. Brian Morley was born in 1935 in the Peak District, Derbyshire. He had a grammar school education at Buxton College and went on to study at Goldsmiths School of Art (University of London) from 1954-58. He won prizes for drawing and was given the John Murray Award for landscape painting by the Royal Academy in 1956 and 1958. He then studied painting at the Royal College of Art from 1958-61 where he was awarded his A.R.C.A. After graduation, he taught part-time in various art schools before taking up an appointment as Senior Lecturer in Fine Art at Manchester Polytechnic in 1975. He remained in Manchester until he retired as Head of the School of Painting and Printmaking in the Faculty of Art & Design at Manchester University in 2000.

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30123 item(s)/page