AN EARLY 20TH-CENTURY COPPER "PITHER'S RADIANT STOVE LTD" (PITRADSTO) STOVE, in the gothic style, the truncated triangular top having a circular cover with oval finial, above a studded folded-over edge, the front having twin trefoil-pierced roundels above a stud-edged arch centred by a shield, above further studwork and a small fireplace with removable copper tray (lacking handle), the sides having arches and trefoils as on the front, maker's plaque verso (No 31486), 76cm x 28cm x 76cm high, (30in x 11in x 30in)
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A LARGE 20TH-CENTURY CRAFTSMAN-MADE OAK CUPBOARD, in two sections, the upper having a thick rectangular top above one long and two flanking short drawers with wooden knob handles, the lower stage having four arch-panelled cupboards with medieval-style hinges and escutcheons, on bracket feet, 251cm x 55cm x 131cm high, (99in x 22in x 51.5in)
A WILLIAM IV MAHOGANY SECRETAIRE BOOKCASE, in two near-matching stages, the upper stage having a moulded rectangular cornice with beading above two gothic-style arch-traceried glazed doors, enclosing three shelves, between beaded pilasters on a reeded base, the lower stage having a rectangular top with cushion-moulded edge above a beaded frieze, the fall-front secretaire drawer, with two beaded re-entrant oblong panels and wooden knob handles, enclosing a rosewood interior with central brass-strung retractable central door above a drawer, between two sets of three short over two long drawers and six pigeonholes, a secret valance drawer to each side, the writing surface
A mid-19th Century mahogany bracket clock, the silvered dial with roman numerals inscribed W.Triggs, Guildford, the spandrels and arch decorated with engraved acanthus leaf scrolls, and strike silent dial, the eight day movement striking on a single gong, with arched gothic style case flanked by cluster columns and conical finials, fretwork panels to the sides, raised on a breakfront plinth on bun feet, 15 1/2in. x 22in. high together with a matching mahogany bracket. (2)
An Edwardian mahogany longcase clock, the arched brass dial ornately decorated with applied spandrels, chime silent and chime selector dials to the arch, the silvered chapter ring with roman numerals, inscribed John Strachan, Forfar, fitted subsidiary seconds dial, the month going movement striking on eight bells and five gongs, the hood with carved decoration, flanked by brass-mounted corinthian pilasters, bevelled glass panelled doors to the hood and trunk enclosing the heavy brass-cased weights and pendulum, carved with scrolls and bird motifs, raised on a plinth base, 20in. x 96in. high.
A Victorian mahogany longcase clock, the painted dial with roman numerals and subsidiary seconds and date dial, painted with Britannia, a bust portrait of Nelson to the arch, fitted eight day chiming movement, the hood with swan neck pediment and turned finial flanked by turned pilasters, an arched panelled door below flanked by further turned pilasters, raised on bracket feet, 22in. x 93in. high,
A George III ebony cased bracket clock, having a brass swing carry handle, caddy top, corner finials, the arched brass dial with scroll cast corner spandrels, strike silent and silvered dial to the arch, silvered main dial with Arabic and Roman numerals, centre date aperture and signed to the matted centre 'Donson Peene?, Grays Inn', pierced blue steel hands, eight day twin train five pillar fussee movement with pull hour repeat striking on a bell, converted anchor escapement, engraved brass unsigned back-plate, the whole with glazed sides and back door, all raised on squat bracket feet, height 45cm .
A circa 1900 mahogany and inlaid mantel clock, having a Gothic arch with marquetry urn inlaid frieze above a white enamel dial with Roman numerals and quarter Arabic numerals, twin winding holes driving a French brass cylinder eight day movement striking on a spring, the case with further marquetry drapes and all raised on four brass ball feet, height 34cm . (See lot 508 for illustration).
A George III mahogany longcase clock, the domed hood with brass finials and fluted pilasters flanking brass arched dial, the arch with ship's autometer (later painted) and signed 'John Gullock, Rochford', the dial having scroll cast corner spandrels, the silvered chapter ring with Roman and Arabic numerals, engraved centre with date aperture, subsidiary seconds dial, width 12ins., pierced blue steel hands, five pillar eight day twin train weight driven movement having anchor escapement and striking on a bell, the case having Gothic arched panelled door with flame mahogany veneer, flanked by quarter turned fluted pilasters and raised on a panelled box base on bracket feet, height 203cm . (See lot 519 for illustration).
A George III Bracket Clock, the 19 cm arched square silvered dial signed "Angel Sparke Plymouth", with a strike/silent to the arch, fitted an 8 day movement striking on a bell, in an arch top mahogany case, with single pad and carrying handle, the sides with fish scale grills, on brass bracket feet, 47 cm.
A Longcase Clock, the 30.5 cm arched square brass dial signed "James Grieg Perth" to the arch, the chapter ring with Roman numerals, subsidiary seconds dial, and calendar aperture, fitted an 8 day movement, in a mahogany case, crossbanded and with boxwood stringing, the hood with swan neck pediment and corinthium columns, 226 cm.
An early 19th century small bowfront sideboard, mahogany veneered, with a frieze drawer above a central arch inlaid stringing, flanked by two further drawers fitted replaced brass plate handles, on square tapering reeded front legs, 3ft 4.25in (102.2cm) wide. The top with repaired cracks and bowed ends.
19th Century Longcase Clock, with painted arched dial, inscribed, "John Ede, Camelford" and with seconds dial and date aperture, the spandrels painted with churches and stannaries and the arch decorated with sail barges on a river, eight-day movement and contained within a mahogany case, with swan neck pediment, the hood with turned columns above a moulded frieze, shaped door with crossbanding and on a plain base with bracket feet, 234cms, (7'8").
19th Century Longcase Clock, with painted arched dial, with Arabic numerals and secondary seconds dial and date aperture, inscribed "..., Burslem", with rolling moon phase in the arch, eight-day movement and contained within an oak case, with swan neck pediment, fluted pilasters, ogee crossbanded door, flanked by quarter column fluted pilaster and on bracket feet, 220cms, (7'2.5").
Evan Williams, Trecastle, an oak 30 hour longcase clock, early 19th Century, swan neck pediment over two turned columns flanking a painted arched dial, signed to the centre, with Roman numerals and date aperture, with a castle to the arch and architectural spandrels, the movement striking on a bell (no pendulum or weight), the trunk with mahogany banded and inlaid door within quarter pilasters over an inlaid box base, height 85ins
An oak and mahogany inlaid longcase clock, the eight-day two-train movement with rack strike on a bell, the arched brass 12 1/4in dial with silvered chapter ring with Roman numerals, Arabic five-minute divisions, subsidiary seconds dial and calendar dial, the arch with silvered boss inscribed Hy. Jones Chabford, dolphin and foliate spandrels, the case with canted and fluted pilasters, the shaped door inlaid with a shell motif, the hood with broken pediment, 214cm high
A mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack-strike on a bell, the arched and painted dial with Roman numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted with rustic villas, the dial inscribed WILLIAMS, Cheltenham, the case with a shaped flame mahogany door, the hood with shaped pediment and three brass ball finials, the central surmounted with an eagle, 226cm high
An Edwardian mahogany chiming longcase clock, the eight-day three-train movement with deadbeat anchor escapement and striking and chiming on nine tubular gongs, the arched brass dial applied with foliate tracery and with a subsidiary seconds dial within a silvered chapter ring with Arabic numerals, the arch with 'Chime/Silent' and 'Westminster/Whittington/St. Michael' dials, and with retailer's plaque H.A. DOSSER WESTON-SUPER-MARE, the plain case with an oval glass panel to the door, the hood with swan-neck pediment, 234cm high
A MID 19TH CENTURY MAHOGANY DOUBLE CORNER CUPBOARD, the upper part with moulded cornice above an inlaid frieze with a pair of arch glazed doors beneath enclosing shaped shelves, the lower part with a pair of recessed arched panel doors, the whole with canted angles, the shaped apron on turned feet. Width 36". Height 82".
A crossbanded mahogany longcase clock, second quarter 19th century, the arched hood above a shaped door flanked by octagonal pilasters enclosing a 13" white painted enamel arched dial with rolling moon phase in the arch, Roman numerals, subsidiary seconds dial and data aperture and marked 'Josh Kerry?, Swansea', painted with castles and abbey ruins to the corners, eight-day movement striking on a bell above a crossbanded three-quarter length trunk door flanked by octagonal pilasters over a figured mahogany panel and ogive moulding and crossbanded base board and raised on shaped bracket feet, 86" high
An ebonised chinoiserie bracket clock, early 18th century, with caddy top and brass swing handle and four later gilt brass turned finials, above an arched glazed door with top corner spandrels enclosing 7" dial with silvered chapter ring and Roman numerals and visible pendulum disc and date aperture with strike/silent dial in the arch, mask and foliate spandrels, with later sash marked 'Thomas Hally, London', glazed side panels and arched glazed back door with double fusee hour striking movement with pull repeat, six graduated bells flanked by a larger bell, the escapement converted to anchor, foliate engraved back plate, gilt plinth, 16.5" high, 6.25" deep, 10.5" wide
A George III oak mahogany crossbanded and boxwood inlaid longcase clock, late 18th/early 19th century, the broken scroll pediment centred by a boxwood urn motif over an arched door flanked by reeded gilt brass pilasters and enclosing 14" white painted arched enamel dial marked 'Artinstall? Drayton' with Roman numerals, subsidiary seconds dial and date aperture painted with flowers to the corners and with rolling moon phase in the arch painted with an English frigate and country cottage, eight-day movement striking on a bell over a three-quarter length trunk door with boxwood and harewood conche shell motif flanked by reeded brass capped quarter pilasters over a conforming base board and bracket feet, distressed, 83" high
An oak and mahogany crossbanded longcase clock, early 19th century, the broken scroll swan neck pediment with brass terminals above an arched glazed door flanked by turned pilasters, enclosing a 14" white painted enamel dial with Roman numerals, subsidiary seconds dial and date aperture marked Rob Morris Stone, painted with rustic housing to the corners and farm workers in the arch, eight-day movement striking on a bell above a double pointed arched top trunk door centred by a boxwood and harewood conche shell motif between fluted quarter pilasters over a raised tablet, cushion moulding and further raised tablet base board, distressed, 85" high
An oak mahogany crossbanded and inlaid longcase clock case, early 19th century, with broken scroll pediment and arched glazed door flanked by turned pilasters over a boxwood inlaid frieze of a deer amongst foliage over a shaped top, lozenge centred trunk door flanked by turned pilasters and further bird and florally decorated panel, roundel inlaid baseboard and on a plinth, 92" high and a 14" white painted enamel arched dial marked indistinctly 'Cheadle', with Roman numerals and painted with rustic housing and abbey ruins in the corners and an Italianate landscape in the arch and an eight-day movement striking on a bell
An early 19th century mahogany longcase clock, the rectangular hood with inlaid stella decoration and fluted columns, having an arched waist panel door on a box base, the 31cm. arched brass dial with silvered chapter ring, subsidiary seconds and date aperture, signed to the arch 'Chas. Sargent, Mildenhall.', the twin train movement with anchor escapement striking to a bell, 213cm. high.

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42009 item(s)/page