We found 42009 price guide item(s) matching your search

Wall clock by R. MacAdam, Dumfries, in walnut, mahogany and stained wood case, with arch top glazed door, shaped top and tapered base (case re-worked).

German mantel clock for Ewen, Dumfries, with silvered convex dial, in mahogany break arch case, 27cm.

Early 20th century three train mantel clock by Gustav Becker, no. 2282926, with silvered convex dial, chiming on five gongs, in mahogany case with break arch, 37cm.

Eight day long case clock with painted 14in dial with the continents at the spandrels and a scene commemorating the abolition of slavery in the arch, in mahogany case with reeded mouldings, ebony line inlay and scroll cresting, c. 1830.

Eight day timepiece by Breakenrig, Edinburgh with 10 5/8in (27cm) brass circular dial and narrow plates, in an oak case with arch door, quarter columns and scroll cresting, c. 1800.

Samson of Paris arch top tea bottle decorated with flowers on a textured basket work and wavy ground, 11cm.

A pair of late 17th century carved oak panels, each with thumb carved arcaded arch over stop-fluted thumb carved columns, 38.5 x 24cm; and one other single panel carved in relief with four flower heads, 40 x 24cm

A late 18th century oak longcase clock, the painted arch dial signed Richard Wright of Witham, w.12", having subsidiary seconds dial and rolling date aperture, twin winding holes for an eight day brass five pillar weight driven movement striking on a bell, the case with arched and panelled door to the trunk, h.208cm (excluding finials)

An early 18th century chinoisserie red lacquered longcase clock, having a pagoda top, three quarter turned pilasters flanking arched brass 12" dial, signed to the centre Anthony Mowray of London, having strike/silent dial to the arch, brass chapter ring (requires re-silvering) with Roman and Arabic numerals, subsidiary seconds dial, cast brass spandrels, matted centre with date aperture, twin winding holes for an eight day brass five pillar weight driven movement striking on a bell, the case lacquer decorated with figure landscape scenes to a boxbase (lacquerwork restored), h.235cm (excluding later finials)

An early 19th century oak longcase clock, the arched brass dial signed Packer & Taylor of Reading, w.12", having painted ships automata to the arch, subsidiary seconds and date dial, twin winding holes for a brass eight day five pillar weight driven movement striking on a bell, the case with arched panelled door, h.216cm

A late Georgian mahogany longcase clock, having a broken swan neck pediment and fluted pilasters flanking arch brass dial, w.11¾", the unsigned dial being highly complex with the arch showing day of the week and signs of the zodiac, subsidiary seconds dial, full calendar dial with rolling moon, month and day dates, twin winding holes for a four pillar eight day weight driven movement striking on a bell, the case with quarter turned and fluted pilasters, h.215cm Footnote; possibly an apprenticeship as the materials used in parts are of poor quality, but dial is extremely complex

A William IV mahogany North Country longcase clock, the hood having double spiral turned pilasters flanking unsigned painted arch dial, w.14", with rolling moon dial to the arch, subsidiary seconds dial and rolling date aperture, twin winding holes for a brass four pillar eight day weight driven movement striking on a bell, the case with further spiral reeded pilasters to a boxbase, h.242cm

Reproduction Queen Anne style walnut china display cabinet, with broken-arch top, single astragal glazed door, fitted two shleves to interior, two drawers below and on cabriole supports and pad feet, 55cm wide

19th century set of four walnut dining chairs, each with broken-arch toprail, foliate carved to curved central splat, stuffover seat on square tapering supports

SIR GEORGE GILBERT SCOTT (1811 - 1878) Framed, signed, dated c.1847/8, watercolour on paper. Rear view of Bradfield Church, Berkshire. Inscribed in pencil `Geo. Gilbert. Scott. W. B. Moffatt - arch. 20 Spring Gardens, London.` Scott and Moffatt, a former pupil of Scott`s, worked in partnership for a number of years. In 1847/8 they rebuilt Bradfield Church for Rev. Thomas Stevens. 41cm x 61cm

SIR GEORGE GILBERT SCOTT (1811 - 1878) Framed, signed, dated c.1847/8, watercolour on paper. Rear view of Bradfield Church, Berkshire. Inscribed in pencil `G. G. Scott. W. B. Moffatt - arch. 20 Spring Gardens, London.` Scott and Moffatt, a former pupil of Scott`s, worked in partnership for a number of years. In 1847/8 they rebuilt Bradfield Church for Rev. Thomas Stevens. 31.5cm x 46cm

A reproduction oak blanket chest carved with central arch to front flanked by stylised foliage and scrolls, size 113cm wide, 50cm deep and 64cm high

An oak longcase clock in the 18th century manner, the arched brass dial with silver chapter ring, Roman and Arabic numerals inscribed "Tempus Fugit" to the arch, within an arched case with moulded cornice and glazed trunk to a fielded panelled base on ogee bracket feet

18th Century oak longcase clock by William Hartshorne of Broseley with arch shaped pediment having phoenix finial, 12” brass dial with fan shaped calendar aperture, Roman and Arabic numerals - 30 hour striking movement, 208cm high Please see images - telephone department for further information 01934 830111

George III mahogany and oak longcase clock by Daniel Seddon of Frodsham, the hood with swan neck pediment and reeded pillars with brass capitals, trunk with long door flanked by reeded chamfers and standing on bracket feet, arch shaped brass dial with moon phase, silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and calendar aperture signed D.Seddon Frodsham, eight day striking movement, 224cm high Please see images - telephone department for further information 01934 830111

A George II walnut striking bracket clock, by John Ellicott, London, with brass handle to the inverted bell top, 8 inch silvered brass dial bearing plaque “John Ellicott, London”, two-train movement, date aperture and strike and silent to the arch, five pillar fusee movement with verge escapement and the backplate signed within foliate engraving. Height excluding carrying handle 20 ins, width 12 ins (see illustration).

An Edwardian longcase clock by Chas Frodsham 115 New Bond Street, number 2044, having a swans neck pediment above an arched glazed door enclosing the 12 inch arched brass dial with Roman numerals, chime and silent to arch, subsidiary seconds dial and three-train movement striking on a single gong and chiming on four gongs flanked by fluted columns with Corinthian capitals, with long trunk door beneath, glazed, the base profusely inlaid. Height 100 ins (see illustration).

An early 19th century oak and mahogany crossbanded longcase clock by John Telford of Carlisle, with swans neck pediment above the arched painted dial with steeplechase scene to arch, Roman numerals, date aperture and thirty hour movement, flanked by simple columns. Height 85.5 ins.

A George III mahogany crossbanded longcase clock, with 12 inch arched brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial, two-train striking movement and with Tempus Fugit to the arch, flanked by fluted columns with Corinthian capitals, with long arched trunk door beneath flanked by quarter column corners with brass capitals and with conforming base. Height 90 ins (see illustration).

An early 19th century mahogany longcase clock by H. Anderson of Kincardine, with eagle and ball terminal between the swans neck pediment and above the arched glazed door enclosing the 14 inch square arched painted dial with ship automaton to the arch, with Roman numerals, subsidiary date and seconds dials and two-train striking movement and spandrels painted with scenes emblematic of the four seasons, flanked by simple columns with brass capitals, with arched crossbanded trunk door beneath flanked by quarter columns and with conforming base. Height including finial 88 ins (see illustration).

A late George III oak longcase clock, the brass arched dial signed 'Sam Lambell, Northampton', with centred subsidiary dial and date aperture within a ring of Roman and Arabic numerals and pierced corner spandrels, under the signed arch with dolphin surround, the hood with swan-neck pediment over line strung turned corner hood pilasters, over an inlaid long trunk door, on a box base and cut out plinth, 215cm high

A modern lacquered brass and polished steel skeleton clock by Comitti, London, the single fusee movement with dumbell weights, subsidiary lunette shaped seconds arch over the standard 4 1/2 inch silvered chapter ring of Roman numerals on a stained wooden plinth with five glass cover, overall height 45cm, width 32cm

A late 19th century walnut veneered an ebonised triple weight Vienna regulator, the 7 inch white enamel dial with ring of Roman numerals, the eight day movement striking on two coiled gongs, the glazed arch trunk door with fluted and leaf carved front corner pilasters, under a stepped cornice above a cushion moulded basket base, 128cm high

A Victorian tub reading chair, the low arch back over enclosed arms, with fluted scroll front armrests, the later associated book rest with brass right angle adjustable tubular support, the bow-front front seat rail above fluted tapering legs terminating in brown salt-glazed castors, 61cm wide

A Regency mahogany open bookcase, the pointed arch low back over three open shelves, supported on ring turned corner columns, with boarded back and splay front feet (at fault), 76cm wide, 132cm high, 21cm deep

A pair of silver wine coasters, each with pierced arch decoration to sides, Birmingham 1973, diameter approx 13.8cm.

A George V silver mounted photograph frame with arch surmount and beaded rim, Birmingham 1916, height approx 18cm, three silver mounted rectangular photograph frames, two small silver photograph frames and two plated photograph frames.

A late Victorian oak cased station wall clock with fusee movement, the painted circular dial with Roman numerals, the architectural case with moulded arch pediment above fluted borders and a shaped apron, height approx 81cm, together with pendulum and key.

A Victorian brass skeleton clock with single fusee movement striking on a bell, the silvered chapter ring with Roman numerals, the triple spire Gothic arch frame on a green marble oval base with glass dome, overall height approx 43cm, together with pendulum.

A late 19th Century ebonized Vienna style wall timepiece, the enamel two piece dial with Roman numerals, the glazed case with broken arch pediment and tapered apron, height approx 83cm, together with pendulum, weight and winder.

A George V mahogany mantel clock with eight day movement striking on a bell, the silvered break arch dial and chapter ring engraved with leaves and with Roman numerals, the case with reeded top surmounted by a carrying handle, above a break arch glazed door, on a reeded base and scroll moulded bracket feet, height approx 27cm, with a key.

A mid-18th Century chinoiserie lacquered longcase clock with brass five pillar eight day movement striking on a bell, the silvered brass break arch dial with moonphase indicator to the arch above a silvered chapter ring framing a matt gilt centre with subsidiary seconds, date aperture and applied silvered plaque inscribed `SamL Guy, London`, cornered with cast and pierced gilt mask and scroll spandrels, the hood with moulded pediment and arched glazed door flanked by turned columns, the arched trunk door painted and gilt with chinoiserie scenes of figures, buildings and trees above a plain base and moulded plinth, height approx 219cm, together with pendulum and two weights (faults).

An early Victorian oak Gothic Revival drop dial wall clock with eight day twin chain fusee movement striking on a bell, the silvered circular dial with Roman numerals and inscribed `John Moore & Sons, Clerkenwell, London, 15317`, the triple arched case with carved foliate finial above crockets and moulded tracery, flanked by a pair of hinged pierced arch fret panels to sides, height approx 129cm, together with a pendulum.

An early 19th Century figured mahogany longcase clock with eight day movement striking on a bell, the gilt brass break arch dial and silvered chapter ring with Roman numerals, framing subsidiary seconds and date aperture, cornered by pierced and cast shell and scroll spandrels, beneath a mask, dolphins and scrolls to arch, the arched hood with three gilt ball finials above a glazed door and fluted columns, the trunk with arched door, on a line inlaid base and bracket feet, height approx 225cm, together with pendulum and two weights (restoration).

A George V oak longcase clock with eight day chiming movement, the break arch silvered dial and chapter ring with Roman numerals cornered by pierced scroll and mask spandrels, the break arch pediment above a glazed door, moulded pendant detail, and plain base, on bracket feet, height approx 164cm, with a pendulum and two keys.

An Italian Della Robbia style pottery arched panel, 20th Century, moulded in relief with a depiction of the Annunciation beneath an arch of amorini, length approx 57.5cm (repaired).

A late 17th Century oak box, the hinged lid above caved arch sides, length approx 66cm.

A late Victorian oak bookcase cabinet, profusely carved with lion masks, foliate scrolls, fruit pendants and geometric strapwork, the two arch glazed doors above a single drawer and two cupboard doors, on bracket feet, height approx 222cm, width approx 130cm.

A framed pictorial invitation to the Coronation of George III in Westminster Abbey 22nd September 1761. The recipient to sit in the first gallery southside, arch 4, row (blank), seat 46. Signed at the bottom Jonathan Jordan and J Heaton, numbered in left hand margin 1476, gilt armorial seal to top left corner. 28cm x 24cm

A Regency figured mahogany bracket clock, in the classic London style having pad top case. The break arch pad top with cast brass handle, the movement set white enamel dial having Roman numerals and bearing `TUPMAN` `LONDON`. The case having cast brass fish scale panels with silk lining to the sides and front and full opening front door with brass mounted canted edges to the sides and cast brass bezel. The whole raised upon ogee bracket feet, 41cm high x 32cm wide.

An early 19th century Stick Barometer with silvered vernier scale inscribed J Solti with thermometer tube, in mahogany case with broken arch pediment, inlaid with boxwood stringing and with circular cistern cover, 3` 2" (97cms) tall.

AN OAK LONGCASE CLOCK signed John Hartley, the eight day movement with anchor escapement striking on a gong, arched brass dial with Roman and Arabic numerals, the centre chased with masonic emblems and with secondary dial and calendar aperture, the arch with a silvered boss chased with an angel, the case with arched broken pediment and moulded cornice on fluted columns, arched door flanked by fluted quarter columns, panel base, on plinth, the whole later profusely carved, 87 1/2" high

A VICTORIAN EBONISED AND GILT METAL MOUNTED TABLE CLOCK, the triple fusee chain movement with anchor escapement and quarter chiming on ten bells and striking on five gongs, 7 1/2" arched brass dial with Roman numerals, signed M Rhodes, Bradford, the arch with subsidiary dials for slow/fast, and Westminster chimes, the case with flame finials on inverted bell top, loop carrying handles over pierced sunburst soundfrets, canted angles with caryatids, moulded base and scrolled bracket feet, 18" x 13 1/2" x 28 3/4" (Illustrated)

AN OAK POT BOARD DRESSER, early 19th century, the boarded delft rack with moulded cornice over three shelves, the base with central drawer over an arch flanked on either side by two drawers, brass drop handles, raised on turned columnar legs and block feet, 56" x 17 1/4" x 76 1/4" high

A SET OF FOUR VICTORIAN CARVED WALNUT DINING CHAIRS of spoonback form with overstuffed seats in royal blue dralon, arch scroll carved back, pierced and scrolled horizontal splat centred by a shell, raised on cabriole legs and scroll feet

A large continental mahogany half-tester bed with deep moulded canopy of orange satin drapes and drawn thread cotton back-cloth, arch panelled footboard on heavy turned and tapering supporting pillars, frame size 188 x 164 cm, 238 cm high

A good quality Arts and Crafts mahogany display cabinet, having inlaid Art Nouveau decoration, the twin stained glass panels enclosing shelves, the central panelled door having copper Art Nouveau hinges, raised on arch form, terminating on splay feet, height 176cm x 125cm (in need of restoration)

A 20th century oak longcase clock with a 25cm silvered dial with cast figural spandrels with a roundel in the arch Tempus Fugit, the brass three train movement striking on eight rods, the case with an arched hood, with pieced side panels above a glazed door, raised on a panel plinth base and bun feet with three cased brass weights and a pendulum, height 108cm (illustrated)

A Victorian mahogany longcase clock with a 35cm white dial with subsidiary seconds and date dials, one lacking pointer, with painted spandrels and a painted arch, decorated with birds, the two train eight day movement with anchor escapement rack striking on a bell, the case with a swan neck cresting above turned columns, raised upon a plinth base and shaped bracket feet, height 234cm (illustrated)

A Victorian oak longcase clock with a 31cm arched dial, signed, 'Humphreys Barnard Castle', with subsidiary seconds, painted spandrels and the arch painted with figures by a Classical ruin, the single train thirty hour movement with outside count wheel striking on a bell, the case with a swan neck crest, above brass capped columns, panelled door, raised upon a panel plinth base, height 225cm (illustrated)

A mid Victorian mahogany and cross banded long case clock with a 14in arch brass dial with cast cherub spandrels and roundel in the arch, engraved 'Tempest Fugit' the two train eight day movement with anchor escapement lacking saucer bell, the case with a swan neck cresting above turned columns cross banded door raised on a panelled plinth base lacking feet, with two weights, pendulum and winding key, 234cm (illustrated)

An early 19th century pearlware blue and white transfer decorated part dinner service decorated with men rowing on a river, a four arch bridge, large trees, castle and cathedral comprising; 9 x 25 cm plates, 12 x 20 cm plates, 10 x 18 cm plates & 2 small oval platters 26 x 19.5 cm

Thompson, Whitehaven, an impressive 18th century North country crossbanded walnut cased 8-day longcase clock, the hood with broken swan-neck pediment over an arched trunk door flanked by canted corinthium topped pillars in the Gillows manner, the brass dial with a 'working' beam engine piston engraved to the arch, the dial with subsidiary seconds dial and date aperture, raised on ogee moulded bracket feet. 237 cm high overall. Condition Report Reglued cornice segments uneven, splits to veneers on side of hood, many minor splits and blemishes, large split to front of box-base, lacquer loss in XII, ticking. Dial 29.5 cm diameter

Simpson, Wigton - an 18th century crossbanded flame mahogany 8 day longcase clock, the broken swan-neck top hood with arched door enclosing a gilt and silvered dial with moonphase to the arch, the dial with Roman numerals and subsidiary calendar, the trunk door initialed in releif 'M' 'N', raised on bracket feet. 218 cm h

A early 20th century oak mantel clock with a 17cm silvered dial, signed Finnegans Manchester with Roman numerals, the arch engraved "Tempest Fugit", the two train movement striking on a coil gong, the case with arched top reeded canted columns white metal plaque engraved to 'Jack Hewitt Huntsman and First Whip, Cheshire Hounds 1921-1929 from his many friends in Cheshire, raised upon ogee bracket feet