We found 42009 price guide item(s) matching your search

An early 19th Century mahogany Lancashire longcase clock with reeded columns to the sides and similar patera to the door, fitted an arch top painted dial showing the phases of the moon and having an eight-day movement by Nathaniel Dumrite, Stockport

Arch dial mantle clock etc A/F (2)

James Yardley, Bishop Stortford, a George III oak longcase clock, the break arch hood with fluted columns, break arch long trunk door, on a rectangular plinth with shaped skirting, the 12inch brass dial signed on a disc to the arch, with silvered chapter ring, engraved centre, seconds dial and date aperture, gilt foliate spandrels, with 8 day 5 pillar movement, 211cm high

W Harwick, Eton, a George III ebonised bracket clock, the inverted bell top case with glazed side panels, the signed breakarch enamel dial (rubbed) with strike/silent to the arch, twin fusee 5 pillar movement with anchor escapement, upon ogee brass feet, 47cm high

A George III mahogany press, circa 1770, the swan neck break arch pediment with fret carved panels above a fitted interior with slides, the panel doors with floret carved medallions to each corner above drawers on bracket feet 216 x 122 x 58cm (84 x 47 x 22in)

A good quality reproduction mahogany finish bureau bookcase, the upper section with broken arch pediment above a pair of astragal glazed doors revealing adjustable shelving and the fall front below revealing an interior fitted with pigeon holes, drawers etc. above 3 serpentine fronted drawers and raised on squat cabriole legs with ball and claw terminals.

J N Gatward Hitchen, an 18th century eight day longcase clock, with moonphase, brass and silvered dial in arch top, waisted mahogany case (distressed)

A MID 19TH CENTURY WELSH OAK CABINET BACKED DRESSER, having moulded cornice above two glazed cupboards with two open shelves between, the base with three cockbeaded drawers above two arch panel doors flanking centre dog kennel standing on pierced scroll bracket feet. C1840. 66” Wide x 17” Deep x 80” High.

A LATE 18TH CENTURY OAK WELSH DRESSER, having open rack back with moulded cornice over arched freize and having shaped sides, the base with moulded edge top above an arrangement of moulded edge drawers all with later turned knobs, arch shaped apron below with pot board base and baluster turned supports on stile feet. Swansea Valley. C1790. 56” Wide x 17.5” Deep x 76” High.

VICTORIAN MAHOGANY GLAZED BOOKCASE, having moulded top over centre arch glazed door flanked by two glazed doors, fitted shelves to the interior on bracket feet. C1890. 44” Wide x 17.5” Deep x 47” High.

VICTORIAN MAHOGANY BREAKFRONT MIRROR BACKED SIDEBOARD, having pierced foliate moulded frame to the arched plate, the base with moulded edge above recessed centre drawer, two blind arch cupboards below flanked by projecting arch panel cupboards on platform base. C1890. 88” Wide x 27” Deep x 92” High.

LATE 18TH CENTURY WELSH OAK COFFER, having moulded and panelled top, now fixed above ogee pointed arch four paneled front, now split to provide two cupboard doors on a projecting base with an arrangement of five drawers. 56” Wide x 20.5” Deep x 40” High.

AN 18TH CENTURY WELSH OAK COFFER, now with fixed top above four panel pointed arch ogee moulded front, now split to provide two cupboard doors, on a projecting base with three freize drawers above shaped apron on stile feet. C1780. 56” Wide x 20” Deep x 42” High.

SET OF SIX (5+1) 19TH CENTURY MAHOGANY SABRE LEGGED DINING CHAIRS, having flute moulded arch cresting’s and bar backs with stuff over upholstery. Five single chairs and one scrolled arm elbow chair. C1830. (6).

SET OF SIX MAHOGANY GEORGE I STYLE DINING CHAIRS, having vase shaped splat backs under arch scroll crestings, bow fronted drop in seats standing on cabriole legs with shell mouldings and ball and claw feet. 20th century. (6).

EARLY 19TH CENTURY MAHOGANY WASH STAND, having shaped arch back over pierced upper surface with undershelf having freize drawer and circular shelf to the stretchers below on square legs. C1820. 17.5” Wide x 15” Deep x 40” High.

19TH CENTURY WELSH MAHOGANY EIGHT DAY LONGCASE CLOCK, by Joseph Kern & Company Swansea, hood with eagle and ball brass finals above arched aperture flanked by twist turned pilasters, the waist with similar pilasters flanking inlaid and moulded rectangular door, panel base with bracket feet. Arch brass face with seconds and date dials, marked Josh Kern & Co Swansea. Eight day two train movement striking on one bell. The face 18” x 12.5”. 88” High overall.

19TH CENTURY WELSH MAHOGANY LONGCASE CLOCK, by William Jones, Tredegar, having arched hood above arch aperture flanked by reeded pilasters, the waist with plain banded door flanked by canted angles on a panel base with bracket feet. Arch painted face with coastal scene to the arch and floral spandrels, and seconds dial and date aperture. Eight day two train movement striking on one bell. Face 18” x 13”.

LATE 18TH /EARLY 19TH CENTURY WELSH OAK LONGCASE CLOCK, having flat hood over arched aperture flanked by baluster turned pilasters, plain waist door on panelled base with skirted support. Arch painted dial with bird spandrels and portrait to the arch indistinctly named with “Fishguard”. Eight day two train movement striking on one bell. The face 19” x 13.5”. 88” High overall.

A LATE 18TH CENTURY WELSH OAK THIRTY HOUR LONGCASE CLOCK, by G Evans, Pontypool having moulded cornice with later pediment above square aperture flanked by turned columns, moulded arch waist door above panel base with bracket feet. painted face with Roman numerals, seconds dial and date aperture, single finger and thirty hour movement striking on one bell. Dial 10” x 10”. 82” High overall.

SIX VOLUMES OF WELSH INTEREST, Killdare S Meager, “Swansea and Nantgarw Pottery’s” catalogue of the collection of Welsh pottery and porcelain on exhibition at the Glyn Vivian Art Gallery Swansea, 1949. Hard cloth. Richard Roberts Jones of Aberdaron “Memoir Of” published by Cadell and Arch London 1822. Marble boards with paper spine. Iorwerth C Peate “The Welsh House” published by Evans of Liverpool 1944. Hard cloth, L Twiston-Davies and H J Lloyd- Johnes “Welsh Furniture”. Hard cloth. “The Myvyrian Archaiology of Wales”, collected out of ancient manuscripts published by Thomas G Denby 1870. (6).

An early 20th century mahogany and walnut display cabinet in the French style, having arch break top, central glazed door and panels, on heavy carved bun feet

A heavy iron garden bench by Pierce Wexford with an arch backrest, decorated with pierced fan and trefoil-shape decorations; scrolling armrests with leaf form designs; iron strip seat; resting on saber-shaped legs with hoof feet. (Good condition)

Edwardian Inlaid Mahogany Arch Top Mantel Clock with silvered dial on four brass bun feet

A Charles II oak chest, the moulded edge lid with replaced hinges, above a channelled frieze with thumbnail and punched decoration, above three panels the centre with a carved arch flanked by two lozenges, moulded and punched decorated stiles on cut out ends, 25.5in (64.5cm) h, 44in (112cm) w, 16.75in (42.5cm) d. Old restorations.

A walnut chest on chest, with cross and feather banding, the moulded cornice with canted corners above an arrangement of five short and three long drawers, the base with a brushing slide and three long drawers, the base drawer with a recessed arch panel with a sunburst motif with face, and flanked by fluted pilasters, on bracket feet, 19th century, 77.75in (197.5cm) h, 45in (114.5cm) w, 22.5in (57cm) d.

An Edwardian inlaid mahogany display cabinet, the broken arch pediment over serpentine glazed doors and cupboards below, 85.5cm wide 40cm deep 224cm high

CLARK, FROME, AN 18th CENTURY LONGCASE CLOCK MOVEMENT, 30.5cm arched brass dial with subsidiary seconds and date aperture, penny moon in the arch, 8 day weight driven movement with four pillars and rack striking, (moon and date ring not connected), now with a japanned oak case with long arched trunk door. 2.12m

ATTRIBUTED TO J.P. WHITE OF BEDFORD: AN ARTS & CRAFTS LIMED OAK BEDROOM SUITE, with Gothic decoration, comprising single bed, chest of drawers, toilet mirror, cheval mirror, dressing table and stool and wardrobe, each piece with painted decoration and Gothic arch carving, the pulls and general form typical of the Arts & Crafts movement and the wardrobe with iron strapwork hinges. Wardrobe 1.76m by 1.00m by 0.49m

AN 18th CENTURY OAK CUPBOARD, the central door with a pair fielded ogee arch panels, flanked by a pair of fielded panels, above a pair of fielded panels over a long base drawer, raised on a plinth, panelled sides and back. 1.76m by 1.27cm by 0.57m

Seventeen Pieces of Crested China- Intersteing Shapes including Piano, Marble Arch, Motor Cycle, Coal Wagon, Bathing Hut etc

BANKART, George P. Modern Plasterwork construction castings and fixing, 1926, folio Arch Press 33 loose cards, original folder and ties

AN 18TH CENTURY ENGLISH BLUE AND WHITE OCTAGONAL PLATTER printed with two oriental figures and a roaming dog benath an arch. Minor chips and wear. 21ins wide.

A late Victorian arch topped four fold screen with green Rexine covering.

A wirework garden arch.

A MASONIC OAK AND MAHOGANY LONGCASE CLOCK by T Marshall, the eight day movement with anchor escapement striking on a bell, the 14" arched dial painted with Masonic emblems amongst landscapes, the arch with allegorical figure scene, the chapter ring inscribed with owner Emanuel Clegg`s name in place of numbers, secondary dial over a painted shield flanked by male figures with banner inscribed "Industry and Benevolence Unite Us In Friendship", the dial inscribed verso "T Marshall maker 1845", the banded case with scrolled pediment on baluster turned columns, arched door flanked by reeded pilasters, panel base with waved apron and splayed feet, 91 1/4" high Provenance: The vendor is a direct descendant of the original owner

AN OAK LONGCASE CLOCK by Gabriel Smith, Chester, the eight day movement with anchor escapement striking a bell, 13" arched brass dial, the centre chased with name cartouche, secondary dial and calendar aperture, silvered chapter ring with Roman and Arabic numerals, the arch with silvered boss chased with an eagle, the case with arched split pediment centred by a brass turned finial and raised on fluted columns, banded door with moulded edge, on panel base and plinth, 87 1/2" high

AN OAK LONGCASE by Dodson, Holbeck, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with floral spandrels and with bird on flowering branch in the arch, Roman and Arabic numerals, seconds dial and calendar aperture, the mahogany banded case with scrolled pediment and brass finial on fluted columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 92 1/2" high

A MAHOGANY LONGCASE CLOCK by T Tait, Felton, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with cottages in the spandrels and a figure in the landscape in the arch, Roman numerals and two secondary dials, the banded case with three brass finials and waved arch on baluster turned column, arched door flanked by quarter column, panel base, waved apron and bracket feet, 94" high

A MAHOGANY LONGCASE CLOCK by John Burges, Gosport, the eight day movement with anchor escapement striking on a bell, 11 3/4" arched brass dial with silvered chapter ring having Roman and Arabic numerals, matt centre with seconds dial and calendar aperture, the arch with signature boss, in modern case, the pagoda top with fret panel, turned finials on inlaid pilasters, moulded cornice on blind fluted columns, arched door flanked by quarter columns, the panel base with waved apron and bracket feet, 93 1/2" high

A SET OF THREE OAK SIDE CHAIRS, late 17th century, Cheshire/Lancashire, each with rectangular fielded panel back below an arch scroll cut cresting, flanked by pyramid finial surmounted uprights, the panelled solid seat raised on block and turned legs joined by oblong section stretchers, together with a near matching chair (4)

An early 19th Century Longcase Clock with painted arch dial in oak and mahogany case (incomplete).

An early 19th Century Longcase Clock, the painted arch dial with seconds and date rings and inscribed "Malton" with eight day movement in an oak case with broken arch pediment, mahogany cross banded door and bracket feet. 7` (214cms) high.

A 1930`s arch top oak long case clock with glazed door and chiming movement

MID VICTORIAN SIGNED PENCIL DRAWING " MOORISH ARCH MALAGA" 14.5" X 11"

EARLY 19TH CENTURY DUTCH FLORAL MARQUETRY FRIESLAND STAART KLOCK, BREAK ARCH FACE PAINTED WITH CHILDREN AND CANAL SCENE WITH BRASS ANGEL FIGURE, PENDULUM WINDOW 39" HIGH

CHINOISERIE LACQUERED GRAND DAUGHTER CLOCK BREAK ARCH DIAL WITH WESTMINSTER CHIME MOVEMENT

EARLY 19TH CENTURY EIGHT DAY LONGCASE CLOCK BY D BERRY OF HUNTINGDON, PAINTED BREAK ARCH FACE DEPICTING RURAL SCENES, ATTRACTIVE INLAID OAK CASING WITH SWAN NECK PEDIMENT AND INSET COLUMN SIDES

AN ATTRACTIVE EDWARDIAN EIGHT DAY LONG CASE CLOCK BREAK ARCH FACE WITH CHIME AND SILENT MOVEMENT, EBONISED CASING WITH SWAN NECK PEDIMENTS AND BLIND FRETWORK DECORATION

EARLY 19TH CENTURY 8 DAY LONG CASE CLOCK BY WILLIAM PAYNE OF TIVERTON, PAINTED BREAK ARCH FACE WITH RESTORED DECORATION IN OAK CASING WITH MARQUETRY HORSE MEDALLION AND SWAN NECK PENDIMENT HOOD

EARLY OAK PANEL COFFER WITH CENTRAL ARCH DESIGN DECORATION AND PUNCHED DESIGN LID 31" HIGH X 51" WIDE

An Oak cased 8 Day Long Case Clock, the arched hood with overhanging cornice to ¾ columns, with ogee throat, and long arched trunk door and raised on a plinth base, to an 11” arched brass dial with starburst to the arch and further dolphin spandrels, and further urn spandrels enclosing a Roman and Arabic chapter ring with outside minute and inside quarters track, and further half-hour markers, signed W Hulbert of Bristol, to a matted centre with subsidiary seconds and date sector, width pierced and stamped black hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell (case, dial and movement associated), height 80”

An early 19th Century Oak Cased 8-dayLong Case Clock, Gudgeon & Son of Bury, the arched hood with pierced and scrolling pediment, over freestanding columns, to a shaped throat and arched long trunk door, raised on a plinth base (reduced), to a 12” arched white dial, with strike/silent subsidiary to the arch, over a Roman chapter ring with Arabic quarters and outside minute track, enclosing subsidiary seconds and date with pierced steel hands, to a signed false plate and with plates united by four knopped pillars, and anchor escapement, strike on a bell (associated), height 78”

An early 19th Century Mahogany Cased 8 Day Long Case Clock, unsigned, the arched hood with overhanging cornice surmounted by a scrolling pediment over freestanding fluted columns, to an ogee throat and long truck door with reduced plinth base, to a 12” second period painted Arabic dial, with gilt highlighted basket of floral detail to the arch over fruiting spandrels to an Arabic chapter ring with further Arabic quarters and outside minute track enclosing subsidiary seconds and date sector with pierced steel hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement with strike on a bell, height 79”

A late 18th Century Mahogany and Boxwood Line Inlaid 8 Day Long Case Clock, M Juler of Norwich, the overhanging cornice with two globe and eagle finials over fluted Corinthian columns, to a shaped throat and long arched trunk door with reeded canted corners, to a panelled base and raised on splayed feet, to a 12” arched 1st period painted dial decorated with gamebirds to the arch over sweetpea and rose spandrels, with gilt highlighted gesso borders enclosing a Roman and Arabic chapter ring with outside minute track and enclosing subsidiary seconds and date sector, with pierced and stamped brass hands, to signed false plate and movement with plates united by four knopped pillars with anchor escapement and rack strike on a bell (associated), height 85”

Large paper brass rubbing, religious figure under an ecclesiastical arch, mounted on paper.

A late Victorian mahogany grandmother clock, the weight driven eight-day bell striking movement with 8 inch brass break-arch dial in a case with swan neck pediment above shaped-top trunk door flanked by pilasters, on panelled base incorporating bracket feet, 177cm (5ft 9.5ins) high overall. Provenance: Cornwallis

A George II brass mounted ebonised fruitwood bracket clock, signed Geo Philp Strigel, London, the twin fusee bell stiking movement with verge escapement and foliate engraved backplate and 7 inch brass break-arch dial with false bob and calendar apertures and oval nameplate to the matted centre within silvered Roman numeral chapter ring and foliate cast spandrels to angles, the arch with subsidiary Strike/Silent 3 inch dial and conforming mounts, the inverted bell top case with brass carrying handle and finials above brass fillet inset front door, canted angles and shaped fretwork panels to sides, on moulded base with brass bracket feet, 48cm high excluding handle, with a later wall bracket. Provenance: Berry

A World War II German Luftwaffe duty time piece by Junghans, black circular dial with illuminous Arabic numerals within arch topped case, 13 cm high.

A 20th Century stripped pine ecclesiastical style hall settle ,canopy cupboard top over a box seat with pierced arms and arch shaped doors, 81cm wide