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Lot 1

Lilly Poole A 19th century 8-day mahogany longcase clock the twin train movement with anchor escapement striking on a bell false plate the chapter ring with Roman numerals subsidiary date aperture and seconds dial the enamelled dial inscribed "Tempus Fugit" in a scroll held by an eagle in the arch the arched hood with waved cresting spiral turned columns crossbanded trunk and base bracket feet 226cm high

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A 19th century carved oak panel depicting Joseph of Arimathea and Mary Magdalen taking Christ to the tomb on a donkey in an ogee arch within a rectangular frame 59cm wide 113cm high

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Inlaid mahogany mantel clock case, 5” circular dial and surmounted by a broken arch pediment, 14.75” high

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18th century lantern clock case for the Turkish market, the 6” brass dial signed Charles Howse, London to the arch, now fitted with a later movement, 11.5” high

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MAHOGANY VERGE BRACKET CLOCK, the double fusee movement with pull repeat and signed John Taylor, London, to the engraved back plate, the 8” arched brass dial similarly signed and with chime-silent and date subsidiary dials, the case with broken arch pediment, 20” high

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OAK DOUBLE FUSEE BRACKET CLOCK striking on a gong, the 8” circular white dial signed S. Smith & Son, 9 Strand, London within a brass inlaid case surmounted by a broken arch pediment, 17” high

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Oak three train mantel clock, the Gustav Becker movement striking the quarters on rods, the arched silver dial within an arch top case, 12.75” high

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Double fusee mantel clock striking the quarters on gongs, the 6” arched silvered dial within an inlaid mahogany arch top case, 14.5” high

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DOUBLE FUSEE BRACKET CLOCK, the back plate engraved with Prince Wales feathers and foliate scrolls, the 7” silvered dial signed Abel Panchaud, Oxford Street, with strike-silent dial to the arch and calendar aperture, the ebonsied case surmounted by a bell top, 19.5” high, together with an ebonised wall bracket (illustrated inside front cover)

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Single fusee mantel timepiece, the 7” brass dial signed Dent, London and painted with a spaniel and wild fowler to the arch and within a later broken arch case, 13.5” high

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EBONISED DOUBLE FUSEE BRACKET CLOCK, the movement converted from verge escapement and with engraved back plate, the 7” brass dial signed Marmaduke Storr, London, with strike-silent dial to the arch and calendar aperture to the matted centre, the case surmounted by a bell top and carrying handle, 22” high

Lot 1

Mahogany three train longcase clock chiming the quarters on tubular bells, the 12” brass dial with moon phase to the arch, the case with bevelled glazed door flanked by quarter pillars, the hood surmounted by a broken arched pediment, 91” high

Lot 1

MAHOGANY THREE TRAIN LONGCASE CLOCK with later quarter chime on tubular bells and nest of bells, the 12” brass dial with strike-silent and seconds dials, the arch with added chime indicator - Westminster-Eight on bells or tubes, the case with ogee door and surmounted by a fret work swan neck pediment, 93” high (illustrated inside back cover)

Lot 1

Mahogany and oak eight day longcase clock, the 14” painted dial signed Thomas Heywood, Bangor, with moon phase to the arch over subsidiary seconds dial and calendar aperture, the case with crossbanded door flanked by fluted columns and surmounted by a swan neck pediment, 89.5” high

Lot 1

Mahogany eight day longcase clock, the 12” painted dial signed Carter, Totness, with moon phase to the arch over subsidiary seconds dial and calendar aperture, the later case with arched door and swan neck pediment, 88.5” high

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MARQUETRY ALARM LONGCASE CLOCK, five pillar movement, the 12.75” brass dial signed Thomas Chilton, London, with moon phase to the arch over subsidiary seconds dial, calendar aperture and central alarm disk, the Dutch walnut case inlaid overall with flowers and foliate motifs and surmounted by a broken arch pediment, 96” high (illustrated inside back cover)

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FINE MAHOGANY THREE TRAIN QUARTER CHIMING LONGCASE CLOCK, the five pillar movement striking on eight bells, the 12” brass dial signed Eardley Norton, London no.1162 to the arch with strike-silent, seconds dials and calendar aperture and chinoiserie spandrels, the mahogany case with stepped long door flanked by corinthian quarter columns and surmounted by a square hood, 88.5” high. It is thought that the chime may be St. Petersburg

Lot 1

A late Victorian mantel clock in an oak arch top case with spiral turned columns to the sides, the embossed brass face with silvered chapter ring with Roman numerals and roundel above inscribed Tempus Fugit, fitted an eight-day striking and chiming movement on a gong, 38.25cm (15") high

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A Continental cupboard with arch top, the front with glazed roundel and two quatrefoils above a pair of glazed panel doors with arcaded tops, flanked by turned pilasters, fitted a drawer below, 73cm (28.5") wide

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A mahogany swing frame mirror with broken arch top plate

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A gold painted pier glass with arch top and glove box, 35cm wide x 135cm high.

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A Victorian satinwood apprentice cabinet chest, the out-swept pediment above two arch top doors enclosing shelves, over one cushion draws and three long graduated drawers on a plinth base, 46cm wide x 80cm high x 27cm deep. Illustrated

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An early 20th Century oak single wardrobe, the Gothic arch door flanked by carved Tudor rose decoration, raised on bracket feet, bearing makers name plate 'Harrison Gibson Ltd. Ilford', 79cm wide x 183cm high x 40cm deep.

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A late 19th Century walnut hall stand with broken arch pediment, over a shaped mirror surrounded by six coat hooks, a glove box and stick stand with turned supports and all over carved decoration.

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A walnut hanging display cabinet with arch top over astragal glazed door enclosing pair of shaped shelves, 69cm wide.

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A LIMED PALE OAK TALL CHEST of four long drawers with carved gothic arch decoration and on trestle supports, 30" wide.

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George III oak long case clock the broken arch brass face named James Green Nantwich the chapter ring enclosing subsidiary seconds dial and date aperture two train striking movement in swan neck hood with plain columns on corner column trunk and set out base raised on ogee bracket feet. Height 201cm. (pendulum 2 weights)

Lot 1

Victorian oak long case clock banded in mahogany the painted break arch face decorated with spandrel castles and Italianate lake with subsidiary seconds and date aperture named George Keates Cheadle two train movement in a swan neck hood with turned columns on trunk with a marquetry frieze and turned corner columns on set out base. Height 214cm (2 weights pendulum)

Lot 1

George III oak long case clock banded in mahogany the painted broken arch face with flower and shell decoration subsidiary seconds and date aperture two train movement in swan neck hood with fluted columns on quarter column trunk and canted corner base. Height 212cm. (pendulum 2 weights)

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Longcased clock face and two-train movement late 18th century the broken arch painted face with a rolling moon subsidiary seconds and date named J Bolton Chester le Street.

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Oak hall table, two drawers, arch decoration

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An oak eight day striking longcase clock with broken arch pediment and 12" arched painted dial over a shaped trunk door with reeded canted sides and a stepped base 83" tall to final.

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A 19th Century longcase clock, the arched dial painted with female allegorical figures to the spandrels and a female playing a harp to the arch, having eight day movement, date and seconds dial, in mahogany case, with swan neck pediment on turned columns, panelled door flanked by further columns on similar panelled base with scroll feet, 97" high.

Lot 1

A CHARLES MEIGH STONEWARE LARGE GOTHIC JUG, relief moulded with various saints in an ogee arch, 10" high, impressed mark to the base, a similar smaller white salt glazed jug, 7" high and one other Charles Meigh salt glazed jug 'The Minster Jug' with a pewter cover, 10" high (3)

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A MONOCHROME PRINTED HEXAGONAL JUG, with scenes and inscribed 'Peace, Love and Unity', 8" high and two Victorian lidded jugs, one decorated with Dick Whittington and the other with saints, each in an ogee arch, approximately 8 3/4" high (3)

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A SET OF FOUR OAK AND ELM DINING CHAIRS of Hepplewhite type, arch top rail on pierced and waisted splat, drop in seats, on chamfered legs joined by stretchers

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A collection of postage stamps from various countries contained in lever arch files.

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An Indian Miniature Painting in opaque watercolour and gold, of a woman seated by a deity beneath an arch, 20x11.5cm: together with three other Indian and Mughal miniature paintings, (4), (part unframed)

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A 19th century pine pelmet, the broken pointed arch, with dentil, egg and dart moulding, together with a similar example, (2)

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An early 19th century mahogany and oak cased 8-day longcase clock, the arched dial painted with floral corners and scene in the arch, also indistinctly marked for the maker and Huntingdon, the case fitted with swan neck pediment above a trunk, canted corners and inlaid decoration, 216cm (86in) (see shared illustration)

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A Victorian oak cased mantel clock, the arch painted dial with automaton horseman in a landscape, 61cm (24in) high

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A Victorian gentleman”s mahogany wardrobe, the central inverted section with two short and five graduated drawers, surmounted with a scrolled pediment, flanked by two wardrobes, each with arch top panelled sections, on a plinth base, 207cm x 227cm

Lot 1

A set of eight mahogany dining chairs, 19th Century, each moulded arch back centred with an anthemion and a pierced vase splat with a drop in seat, and an “H” stretcher, two carvers, six singles

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A fine Victorian flamed mahogany cheval mirror, the arch top plate having fret work surmount, and supported on turned pillars joined by a moulded and shaped platform, on scrolling legs, 78" high, 40" wide

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A George III mahogany secretaire breakfront bookcase, the upper parts having a moulded frieze over four Gothic arch astragal glazed doors, the base having a central secretaire with fitted interior, over three graduated drawers with ebony stringing, oval pressed brass back plate handles, flanked a pair of drawers over a single cupboard, raised on turned feet, 44" wide

Lot 1

An oak longcase clock, with pillared hood and full length door, with canted trunk, the painted 11" dial having moon roller to arch, painted with Belton House, the spandrels painted with Grantham scenes, being The King's School, Boothby Pagnell Manor, Angel Hotel and The Blue Pig, the chapter ring having Roman hour numerals enclosing the subsidiary dials, and marked L Springfield, Grantham, eight day movement, striking on a bell, 89" high

Lot 1

A mahogany longcase clock, having arched and reeded inset pillared hood, full length trunk door and bracket feet, the 11" painted dial having a galleon to the arch, rose painted spandrels, Roman hour numerals and subsidiary seconds and date rings, and painted L Springfield, Grantham, eight day movement, striking on a bell, 78" high

Lot 1

A George III mahogany longcase clock, with swan neck reeded pillared hood, the trunk having full length shaped door, with quarter inset reeded columns, the painted 12" dial having an urn to the arch, floral spandrels, Roman hour numerals, subsidiary date and second rings, marked G. B ** ***burgh, eight day movement striking a bell, 85" high

Lot 1

Late Victorian Mahogany Dressing Table Mirror on rectangular canted corner base, with rectangular bevelled glass mirror plate with broken arch pediment

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Oil on Board of the Arch Duke of Austria in gilt frame

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Robt. Swan Bridlington a carved oak longcase clock the lacquered 12inch dial named around the arch containing a maritime painted lunar disc with silvered engraved chapter ring and centre dial subsidiary seconds and calendar dials the 8 day deadbeat escapement movement now striking on a tubular bell and with a later added third train chiming on eight bells 240cm high

Lot 1

Joliffe Northampton a 19th century oak and mahogany longcase clock with swanneck pediment above 12inch painted dial with lunar disc to the arch and 8 day bell striking movement the trunk with quarter columns (lacking feet) 205cm high

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A silver twin handled pedestal cup with Ogee arch border makers mark R.P. Chester 1929 7.5cm high; together with other items including a toastrack a pedestal dish a desk calendar and others. 40 oz

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Victorian oak clerk's desk, barleytwist supports, carved vine leaf oval arch lift lid

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18th century oak longcase clock, the hood with swan neck pediment and reeded columns flanking the glazed door enclosing 12.5in brass dial with pierced spandrels and date arch, marked J Fernal, Wrexham, with eight day movement, the trunk with reeded quarter columns flanking the door, 214cm high.

Lot 1

A late 19th century mahogany bookcase/display cabinet with single gothic arch glazed door above pair of panel doors on bracket feet

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A group of nephrite and jadeite jewellery, comprising; a pair of green and lavender jadeite triple hoop earrings, a jadeite pendant pierced and carved with flowers and fruit, a Danish white metal and oval nephrite pendant by N E From, with a twin-arch surmount, three pairs of nephrite pendent earrings, an oval cabochon nephrite three stone triple scroll brooch, and a nephrite 'Tiki' pendant.

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A 19th century Continental yew and ebonised coffer with geometric panelled front and arch panelled sides on bun feet 3ft 9ins

Lot 1

An Edwardian Sheraton Revival painted satinwood lowboy with bow front top decorated with cherubs over drawer and arch flanked by two short drawers decorated throughout with ribbons garlands and vases on tapering legs 1ft 10ins

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A George III Scottish mahogany eight day longcase clock with floral painted arched dial and spandrels date and seconds dials signed J & A McNab Perth in swan neck arch hood with column supports and panelled trunk 7ft 2ins

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