We found 42009 price guide item(s) matching your search

Masonic items: masons certificates two leather suitcases, containing Regalia, Masons etched glass mug engraved 1882, Old Monkland Royal Arch chapter, and two bowling club enamelled badges. (6)

An early 19th century oak and inlaid cased long case clock, the eight day movement with painted arch dial and Roman numerals enclosing subsidiary seconds dial and date aperture inscribed "Thos Norris ... "

A GEORGE III OAK LONGCASE CLOCK the brass break-arched dial signed on the silvered chapter ring John Bates ATHER/STONE, with subsidiary seconds dial, date sector and dolphin spandrels, a silvered disc to the arch, having eight day movement in crossbanded and line inlaid case with brass-mounted swan neck pediment, turned fruitwood pillars and fluted pilasters, on bracket feet, 226cm h 1919 Inventory: (Hall) (probably) "8 day Oak inlaid long case Clock with brass dial". The lacquer on the dial degraded the movement original to the dial and probably to the case but in need of overhauling, the case repolished, minor shrinkage crack and small veneer loss around the base

A late 18th century oak thirty hour longcase clock, with broken arch pediment above circular dial with date aperture, signed Jas Bown, Matlock, with inlaid and crossbanded decoration on ogee feet.

An early 19th century oak and mahogany eight day longcase clock, the broken arch pediment above and arched painted enamel dial with subsidiary seconds and date aperture, signed by W Wain, Alfreton, above a crossbanded door, on bracket feet.

A good early/mid 19th century mahogany eight day longcase clock, the Gothic arch pediment above a circular dial with subsidiary seconds and calendar dials, by Thomas & John Ollivant, Manchester, above a gothic arch door flanked by cluster columns.

A late 19th Century mahogany cased bracket clock by John Perry of Nottingham, the three train movement peeling on eight bells and striking on five gongs, the arched brass dial having foliate decoration with silvered Roman chapter ring and three subsidiary dials (chime/silent, slow/fast, Westminster chimes/chimes on eight bells), the case having scrolled arch with pediment with acorn finial, reeded pilasters fretwork sound frets on a plinth base.

PAIR OF ITALIAN WALNUT PARQUETRY COMMODES 18TH CENTURY the cleated rectangular tops above a pair of foliate inlaid frieze drawers and two architectural arch long drawers, raised on square legs with pierced angle brackets (2) 124cm wide, 92cm high, 63cm deep

An Art Deco arch top fire inset

Georgian verge escapement bracket clock by john rayment of huntingdon, ornate break arch face with applied spandrels and silvered chapter ring, in ebonised basket top casing, fusee movement and two bell strike, 19" high

Georgian eight day long cased clock by samuel austin of rumsey, brass break arch face with silvered chapter ring, attractive mahogany cross banded oak casing with conch shell medallion

A Four Fold Cast Brass Russian Polytych/Icon; each of the four panels cast and enamelled with four subsidiary panels depicting allegorical scenes below mirab arch panels, 7ins x 4¼ ins (18 cms x 11 cms). * ]

A Fabulous Quality 17th Century Carved Oak Panel. The rectangular panel having a recessed arch-topped centre richly carved in relief with the figure of Saint George on horseback slaying the dragon and adorned with foliate sprays at the corners. 15½ ins x 12½ ins (39.5 cms x 31.5 cms). ]

A Fine Late 16th/Early 17th Century Carved Oak Court Cupboard of modest proportions. The top having a dentil moulded under-edge above a guilloche frieze raised on bulbous cup & cover supports flanking a recessed cupboard. The posts carved with stylised foliage and having gadrooned covers surmounted by scroll capitals. The cupboard having a central door with a recessed panel inlaid with a chequer-banded diamond below a guilloche arch contained in a deep foliate carved frame. The canted sides with similar decoration. The lower section having a long guilloche carved frieze drawer raised on bulbous posts echoing the top, with stile supports to the rear leading down to a base shelf above a rail of undulating foliage. 43¾ ins (111 cms) in height, 45 ins (114 cms) wide, 15 ins (39 cms) deep.* ]

A Fine 18th Century Walnut Lowboy. The quarter veneered top having herringbone & cross-banded borders with a moulded edge above a shaped arch apron incorporating one short and two deep drawers divided by applied double mouldings. The shape enhanced by a raised edge forming an inverted point to the hips of the cabriole legs; terminating on pointed pad feet. 28½ ins (72 cms) in height, 33 ins (84 cms) in width, 18½ ins (47 cms) in depth. ]

A Fine William & Mary High Back Walnut Caned Side Chair. The crested top rail pierced & carved with an arch of C-scrolls and plumes of foliage above a long caned back panel, flanked by fluted & stop-reeded tapering columns leading down to the caned seat. The conforming front rail uniting two S-scroll legs with a curved X-form under-stretcher centred by a ball finial. ]

An Imposing 17th Century Italian Ebonised & Inscribed Bone Cabinet on Stand. The deeply moulded cornice above three frieze drawers. The architectural front with a central portico and Corinthian columns incorporating a door opening to reveal a carved & domed arch drawer above two multi faceted tortoiseshell inlaid concave drawers. The surrounding drawers with pen-worked bone plaques depicting figural narrative scenes bordering the shell-decorated arched niches composed of recessed panelled sliding drawers and compartments. The sides having marquetry panels of interlinked lozenges and heart corners. The later stand having a long frieze drawer of moulded panels with bone stringing, and raised on bold tapered block legs 70 ins (178 cms) in height, 52 ins (132 cms) in width, 19 ins (48 cms) in depth. ]

AN EARLY VICTORIAN MAHOGANY CARVER having moulded hoop back and arch splat, scroll forearms, drop-on rexine seat, raised on turned baluster and ringed forelegs

Oak and mahogany eight day longcase clock, the 13" arched painted dial signed Tho Farrer, Pontefract, with Arabic numerals and subsidiary seconds dial and painted to the arch with a river scene, the inlaid case with a swan neck pediment over fluted supports and a single door flanked by canted sides, 86" high

A daguerreotype, portrait of a gentleman seated beside a marble column and holding a walking stick in his right hand, with arch top and in a plain folding case.

An upholstered armchair, the arch back and scroll arms above claw and ball feet and another armchair on taper legs with brass castors.

A Victorian Aesthetic movement walnut and parcel gilt breakfront side cabinet by Lamb of Manchester, the triple-mirror galleried back with central gilded arch inset a Tudor rose beneath, on two central ebonised and gilded pillar supports, the top with burr walnut panel and ebonised surround, the base enclosed by a pair of glazed doors with cupboard to each side, each set a floral gilt panel, on square legs, 183cm (72") wide/see illustration.

A French walnut side chair, the moulded rectangular, arch-top back with padded, upholstered centre panel, above a conforming loose-cushioned seat, shaped apron, cabriole supports (old worm damage), late 19th century

A fine and heavy early 20th Century six division Gothic arch style silver Toast Rack by Walker and Hall, assayed Sheffield 1906 approximately 14½oz, illustrated inside back cover

A 20th Century Arts and Crafts style blonde oak Stool having hinged top above chip carved sides and Gothic arch style shaped ends

An early 19th century oak and mahogany crossbanded longcase clock, with swans neck pediment above the arched glazed door enclosing the painted dial with Roman numerals, painted spandrels and village scene to arch, with thirty-hour movement, flanked by turned columns, with crossbanded trunk door beneath with flat pilaster and conforming base. Height 83 ins (see illustration).

James Hamilton Hay (1874-1916), "Dark Arch", Runcorn Bridge, etching, signed in pencil, unframed. 30cm by 24cm

James Hamilton Hay (1874-1916), "Dark Arch", Runcorn Bridge, etching, signed in pencil, unframed. 30cm by 24cm

James Hamilton Hay (1874-1916), "Dark Arch", Runcorn Bridge, etching, signed in pencil, unframed. 30cm by 24cm

Two 19th century teacups with saucers, decorated respectively with a three arch bridge with figures over river and hand painted floral sprays heightened with gilding and with royal blue ground, one by "Ye Olde English Grosvenor China Jackson & Bolsing Longton, England" the other Crown Staffordshire.

A fine Guernsey Regency mahogany secretaire bookcase the flared moulded pediment inlaid with a variety of contrasting bandings, centred with an oval roundel depicting a lion holding a Union Jack shield, over cross banded doors with thirteen pane astragal glazing with boxwood strung glazing bars, enclosing three adjustable shelves with boxwood strung veneered edging, the base with rosewood edge banding to the top and a deep secretaire drawer inlaid with a large oval in flame mahogany with rosewood cross banding, ivory escutcheon and the original gilt brass handles, the interior with later green baize writing surface and a fine fitted interior with an arrangement of eleven drawers and eight pigeonholes, veneered in rosewood with boxwood and ebony edge banding and turned ivory handles, surrounding a central compartment with architectural veneers depicting an arched doorway flanked by pillars and larger columns concealing upright secret compartments, above a tiled floor, the arch inlaid with the Eye of Providence, the rosewood door inlaid with a fleur-de-lys patera, opening to reveal a deep mahogany veneered drawer which, when removed, allows the whole central compartment to be withdrawn, revealing two secret drawers to the reverse and a handwritten inscription in ink to the top of the compartment within a heart, "Made & Sold by Nicholas Lihou to Capt. Cohu, Guernsey, Sepr. 13 1813", with "THOMAS COHU" handwritten beneath in later ink, the base with roundel veneered doors with rosewood cross banding, enclosing three veneered slides with feather edge banding, on outswept feet, 43.75in (111cm) wide x 90.25in (229cm) high x 22.75in (58cm) deep.

An antique carved oak settle late-17th century and later, with triple moulded arch panelled back divided by foliate scroll carved stiles which are headed by sea serpent and green man carving, the central panel with a carved figure of a King, flanked by sunflower carved panels, over a panelled seat and shaped arms on turned supports, within a chip carved seat rail, on tapering outswept supports, 54in (137cm) wide x 43in (109cm) high.

An early 19th century Scottish longcase clock with eight day movement striking on a bell, the engraved brass dial signed to arch `Robt. Townsend Grienock`, with silvered Roman Numeral chapter ring with outer seconds, subsidiary seconds and calendar aperture and gilt brass spandrels, the hood with castellated peaked pediment, arched cross banded door and pierced oval sides, the trunk with canted corners and cross banded moulded door, on a plain base, 85.5in (217cm) high, movement a/f and requires reassembly.

A George III oak longcase clock with eight day movement striking on a bell, the enamelled Roman Numeral dial signed `John Wallace Leven`, with subsidiary seconds and calendar dials, painted with a dove and floral spray to the arch and fruit to the spandrels, the case with broken arch pediment with brass finial and roundel mounts, over an arched glazed door and fluted pillars on brass mounts, the trunk with a shaped door and fluted pilasters, on a plain base with ogee bracket feet, 84in (213cm) high.

Limestone classical arch- Freemasons Arms,Leicester.

A Doulton Lambeth stoneware jardiniere stand cylindrical form, cast in low relief with interlocking arch design above flower stems, in blue ochre and brown impressed marks 38.5cm. high

A GEORGE III MAHOGANY KNEEHOLE DESK, the moulded edge top above a frieze drawer, arch drawer and cupboard below, flanked by three small drawers, oak lined with brass swan neck handles, raised on ogee bracket feet, 31 ins wide.

A beech cased American 30 hour mantel clock in Gothic arch case, the glazed door with glass panel painted with flowers and foliage and an oak cased aneroid barometer with attached thermometer (2)

An oak bookcase cupboard, the bookcase with three adjustable shelves, each door with twelve glazed panels, the pediment with linen-fold type carving, the base fitted with two drawers and two panelled doors, the doors with arch carved decoration and each inlaid with boxwood and ebony decoration of a flowering tree

Unusual early twentieth century German Art Nouveau mantel clock in painted terracotta case with naked girl with two doves resting under arch with painted flowers behind, brass dial above and electric light in arch - impressed marks to back, 54cm high

An Italian Partizan, possibly 16th Century, the broad tapering long blade with a medial ridge and foundry mark of a cross within an arch, and a pair of up-turned basal lugs, each with a swollen medial ridge, the socket with a pair of long straps on the wood haft later covered in brass studded crimson velvet, with gilt metal thread tassels, 280cm long; a Very Similar Partisan, the broad tapered blade with a pair of upturned long spike lugs, 270cm long. (2)

"Oak coffer with arch decoration, early 20thC"

"Walnut table cabinet, two doors with arch top panels, two internal drawers, on shaped bracket feet"

"Late Victorian mahogany hall table, lozenge top, twin turned legs on arch feet and turned stretcher "

"Edwardian mahogany music cabinet, broken arch mirrorback pediment, satinwood inlay, drawer over glazed door flanked by shelves and lateral sheet music pigeon holes "

A REGENCY MAHOGANY AND BRASS INLAID BRACKET CLOCK, the silvered dial signed Tunnell, Fleet Street, London, with Roman numerals, with an eight-day twin-train fusee movement, striking on a bell, the arch topped case surmounted by a carrying handle, the sides with pierced “fishscale” panels, the front with brass and ebony inlay, on ball feet, 19” high

A GEORGE III MAHOGANY LONGCASE CLOCK, with brass dial and silvered chapter ring, with a strike/silent dial above, signed William Gass, London, the dial with subsidiary seconds dial and date aperture, with an eight-day movement striking on a bell, the arch topped hood surmounted by a ball and pinnacle finial, the trunk with an arch topped door, 89” high.

A GEORGE III OAK LONGCASE CLOCK, with brass dial, signed Robert Moore, Ockley, the arch dial with a rocking figure of Old Father Time, with a motto “See how your time doth pass away...” with a thirty hour birdcage movement, striking on a bell, with a flat topped hood, the trunk with an arch topped door, 78” high

A GEORGE III MAHOGANY LONGCASE CLOCK, the white enamel dial inscribed “George Lambert, Blandford”, with an eight-day movement striking on a bell and the dial with subsidiary seconds dial and date aperture, the lunette with a rocking merchant man in stormy seas, in a mahogany case with arch top and a narrow trunk with full length door, 91” high.

A GEORGE III OAK DRESSER BASE, the rectangular top with a moulded border above an arrangement of five short drawers and a central arch, on square tapering legs, with panelled sides, 18th century and later, 71” wide

AN OAK “YEOMANS” BED with raised headboard with a central turned finial above arch topped panels and square section uprights with conforming finials, with panelled side rails and footboard, basically 17th century, 51” wide.. Provenance: Purchased in 1952 at the Eleven Day Sale of the Contents of Coldbrook Park, Abergavenny by direction of the Trustees of the Late Lady Helen Herbert. The Park first appears as the seat of Sir Richard Herbert in the reign of Henry VI. Colonel Henry Herbert of Coldbrook was rewarded by Cromwell with the contents of Raglan Castle. It is conceivable that this bed was part of those contents. The bed was gifted to the vendor in 1986.

A PAIR OF VICTORIAN GILT GESSO CONSOLE MIRRORS AND TABLES, the arch top mirrors within a scrolling and moulded frame above serpentine marble top tables with white serpentine tops above scrolling frames and single central cabriole legs, 91” high x 17½” high. Provenance: The Music Room at Wallingford Castle.

Twentieth Century Continental School : Figures by an arch in a Continental street, watercolour, indestinctly signed, 43 cm x 29 cm, together with the companion piece, framed. (2)

A Victorian arch top mahogany mirror back hall stand with turned wood pegs, marble top and carved cabriole legs, width 49", height 85"

A pair of Venetian style arch top pier mirrors, in ornate gilt frames, with extensive flower and acanthus pediments and mounts, height 63", width 35"

A large mid Victorian figured mahogany reverse breakfront twin pedestal sideboard, having raised arched mirror back in extensively carved frame, the base pedestals enclosed by arch panel doors, with central frieze drawer and carved mounts, width 86"

Angelus (a Sancto Francisco). The Rule of Penance of the Seraphicall Father S. Francis..., 2 vols., Dovay: by the widdow of Marke Wyon, 1644, addn. eng. title to each, vol. 1 in near contemp. vellum and vol. 2 in contemp. sheep with wear to spine, 12mo, together with A Manuell of the Arch. Confraternitie of the Cord of the Passion, Instituted in the Seraphicall Order of S. Francis..., 2nd ed., Doway, Baltazar Bellere, 1654, contemp. calf, upper joint split and spine worn with slight loss of leather at head & foot, 12mo, with Bonaventure (Saint, Cardinal), The Life of the most Holy father S. Francis Written, and in one booke compiled, by that famous and learned man S. Bonauenture a Freer Minor, Cardinall of the holy Roman Church Bishop of Alba, and the Seraphicall Doctor of the Church. Now lately translated into our English tongue..., Doway: Martin Bogard, 1635, lacks front free endpaper, rear free endpaper laid down to final leaf of text, contemp. vellum with yapp fore-edges, lacks ties, some dustsoiling and marks, 16mo, with [Breviary selections], The Generall Rubriques of the Breviarie, put into English..., At S. Omers: by Iohn Heigham with permission of Superiors., Anno 1617, 272pp., two folding tables, some light dampstaining, sewing partly broken, contemp. vellum with yapp fore-edges, dust soiled and slight wear, 16mo in 8s, plus seven other similar 17th-18th c. theology related. Provenance: Woodchester Priory Library. (12)

* Macpherson (Robert, 1811-1872). Arch of the Goldsmiths, sometimes called the Arch of Septimius Severus, in the Forum Boarium, c. 1860, mounted albumen print, image 35.5 x 27cm, together with a more faded albumen print by Macpherson, Arch of the Consul Dolabella on the Celian Hill, c. 1860, 40 x 27cm, both with photographer’s oval embossed stamp on mount beneath, numbered 76 and 54 respec., first mount a little soiled at extremities, second mount creased and soiled (2)

A laye 19th/early 20th Century 9 inch radius arm vernier ‘A’ frame sextant, silver arc calibrated to 150 degrees, signature worn to arch, together with telescope and accessories in a mahogany case, brass cartouche to top inscribed ‘R R C Backhouse R N’.

Four enamel plaques, probably Limoges late 19th century, comprising: two similar rectangular, painted in colours with the portrait of a Renaissance young man and of a Roman soldier, within ovals, the black borders with gilt and raised white scroll spandrels, 19.5cm (7.75in) x 15cm (6in) and 19.5cm (7.75in) x 15.5cm (6.25in); one smaller rectangular, painted in black and white with gilt highlights with the Holy Family under a Romanesque arch, 13.5cm (5.25in) x 11.5cm (4.5in); and one arch top, painted in black and white with gilt highlights with the Ascension, 15cm (6in) x 9.7cm (3.75in)