We found 42009 price guide item(s) matching your search

A George III mahogany longcase clock by John Nevill Norwich, the arched hood with brass stop fluted columns, the brass break arch dial with eight day rack striking movement, the trunk with arch door, (repairs to case), pendulum, two weights and key, 224 cm high.

An oak longcase clock, with flat top hood, the trunk with arch moulded door, the 10" brass dial signed Jno Inkpen Horsham, the open framed thirty hour movement striking on a bell, two lead weights and pendulum, 208 cm high.

A mahogany longcase clock, the hood with inlaid Prince of Wales plumes and brass capped columns, the brass dial engraved Thomas Radford Leeds, the eight day rack striking movement with anchor escapement, the trunk with break arch door over crossbanded panel plinth, two weights and pendulum, 231 cm high.

A 19th Century mahogany longcase clock, the white painted dial with roman numerals, subsidiary seconds dial and date aperture, maker's name indistinctly inscribed, the arch painted with castle scene and sailing vessel with churches painted in the spandrels, fitted eight day movement, striking on a single bell, the case decorated with reeded moulded, raised on bracket feet, 20in. x 82in. high. See illustration

An early 19th Century mahogany longcase clock with white painted dial, inscribed "Robert Marshall, Greenside", fitted subsidiary seconds and date dials, painted with a spaniel flushing a pheasant to the arch, fitted eight day movement and striking on a single bell, the arched hood with glazed panelled door flanked by turned pilasters, a single cross banded panelled door to the trunk flanked by turned pilasters, raised on bracket feet, 21in. x 86in. high. See illustration

Period oak hanging corner cupboard, with arch fielded panel door and shaped shelf interior.

Early carved oak dresser with arch gallery back, supported on turned pillars and raised over a central cupboard base, 55" w x 83" h.

Harrison, Birmingham, an early 19th Century long case clock, the oak and mahogany cross banded case with broken swan neck pediment, broken arch painted dial with moon roller, seconds hand enclosing an eight day movement.

Gibson, Newcastle, a late 18th Century early 19th Century long case clock with broken swan neck pedestal over broken arch brass dial with silvered chapter ring seconds dial and date aperture enclosing the eight day movement.

ARTHUR EDWARD DAVIES RBA RCA (1893-1988, BRITISH) Signed Oil on Panel 'Westwick Arch' 4 3/4" x 7"

A LATE 18TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK, eight day movement, broken swan neck pediment, the dial painted to the arch with a female harpist, the spandrels with houses and ruins around a white dial, black Roman numerals, subsidiary seconds dial and date aperture, arched trunk door. Height 219cms. See illustration

AN EARLY 19TH CENTURY MAHOGANY LONGCASE CLOCK of 8 day movement striking on a bell, the painted dial with moon phase to the arch, black painted Roman numerals, seconds dial and date aperture, signed Cornelius Strange of Glasgow, the spandrels painted with fruit filled cornucopia; the hood with dentil moulded cornice and fret carved frieze, the trunk door flanked by wrythen moulded pilasters, on bracket feet, 200cms high. See Illustration

AN EARLY 20TH CENTURY MAHOGANY MANTEL CLOCK by Gustav Becker, arched silvered dial with black Roman numerals, chime/silent, fast/slow dials to the arch, eight day movement striking on a gong, the arched case on gilt metal ball feet, 30cms high

A MAHOGANY CABINET OF 18TH CENTURY DESIGN, having a fretwork broken arch pediment above a dentil cornice and blind fretwork frieze above two tracery glazed doors, the interior fitted with adjustable shelves, on cabriole legs with pad feet, circa 1920s, 113cms x 211cms

A MID 18TH CENTURY OAK PRESS CUPBOARD, the stepped cornice above a plain frieze with pendant finials over three ogee arch panelled cupboard doors, the lower section with central spice drawer and two frieze drawers above three panelled cupboard doors on bracket feet, height 191cms, width 148cms, depth 56cms

A VICTORIAN GOTHIC OAK CENTRE TABLE in the style of A W N Pugin, the rectangular top with concave edge above a plain frieze on pierced arch shaped end supports with carved flower heads held by a flying buttress support and rectangular stretcher, 151cms long x 74cms wide x 75 high. See illustration

A mid 19th Century overmantel mirror with broken arch pediment having an egg and dart border, the frieze with central rectangular cameo panel and two smaller ovals to each side applied swags of harebells, having fluted capital columns to the sides (painted at a later date), the bevelled glass plate 127cm x 135cm (50"x 53")

An early Victorian arch top overmantel mirror with scalloped arch top and acanthus clad spiral columns to the sides, 132cm x 107cm (52" x 42")

A late 19th Century overmantel mirror with broken arch pediment with acanthus egg and dart border, the frieze with central urn ribbon ties/garlands of laurel etc with fluted capital columns to the sides, gilt and white painted at a later date, the bevelled glass plate with cantered corners, 136cm x 132cm (53.5" x 52")

An 18th Century oak and yew wood long case clock, the hood surmounted by a scrolled arch pediment with central brass eagle orb, the turned pillars flanking an arched panelled door enclosing a brass spandrilled dial with silvered chapter ring, inscribed "James Scholfield, Barnsley", the centre of the dial finely engraved with a harvesting scene amongst foliate scrolls, calendar aperture and rocking moon face movement, full length panel door on a box base flanked by reeded canted angles, 225cm high - see illustration

A 19th Century cylinder bureau bookcase, the upper section enclosed two arch top glazed doors, fitted interior over two cupboards, on block base, 44" wide

A walnut bedside cabinet enclosed two doors, on square taper supports, a wall cupboard fitted shelf over, an oak jardinière stand, and Victorian walnut and Tunbridge banded arch top overmantel mirror, plate 18" x 28"

A stripped pine display bookcase, the upper section enclosed three glazed arch top doors over three cupboards, on block base, 78" wide`

'For My Dear Boy', a late 18th century creamware coffee can painted with the inscription on a puce swagged banner forming and arch above a lion standing in a landscape, 6.5cm high (D)

A 19th century oak and mahogany banded longcase clock, the swan neck pediment above 12inch dial signed 'Petts Hertford' painted with a young cricketer to the arch, with four pillar 8 day movement (repairs, probably associated) 202cm high

A 19th century 8 day longcase clock, the hood with swan neck pediment and convex 14inch painted dial signed 'Richd Holroyde, Stockport', with moon phase disc to the arch and subsidiary seconds and calendar dials, the trunk with canted corners and shaped door upon a rectangular plinth, 235cm high (some cracking and sections of veneer missing)

An Unusual 18th Century Folk Art Painted Pine Hanging Wall Cupboard. The moulded cornice having a chip carved edge and domed central pediment carved with a grotesque face mask above an arch topped door bearing a naive relief-carved man holding a staff with traces of paint-work and the initials J.O.J.Q. below, 20 ins (51 cms) wide, 10 ins (26 cms) deep and 30 ins (76 cms) high.

A Pair of 17th Century Cast Iron Fire Dogs. The columns ornamented with a central crest initialled IHS, above the arch form double footed base 19 ins x 11 ins (48 cms x 28 cms).

A Fine Early 18th Century Welsh Bureau Bookcase. The upper section surmounted by a swan neck pediment with carved rosette terminals centred by a large acorn finial. The shaped arch-topped fielded panel doors opening to reveal star-burst marquetry to the inner sides, and adjustable shelves sliding into slide groove with pigeon holes to the top beneath a fretted canopy and four short drawers to the bottom. The fall front bureau with book-rest opening to reveal a fitted interior with recessed well, pigeon holes & stepped drawers concealing secret compartments. The front having three graduated drawers standing on bracket feet 80 ins (203 cms) high, 33 ins (84 cms) wide and 20½ ins (52 cms) deep.

An 18th Century Oak Longcase Clock, with an eight day movement. The 12 inch (30 cm) square brass face having a silvered chapter ring with hours & minute divisions, encircling a subsidiary seconds dial and a calendar aperture amidst sprays of engraved flowers and inscribed John Evans, LAMPETER (Circa 1750-60). The corners embellished with scrolling floriate gilt spandrels. The hood having a key design moulded frieze above a glazed door with shaped brass H-hinges & flanked by columns. The case with a double arch-topped long trunk door and canted sides enriched with stop-fluting. Measuring 84 ins (213.5 cms) in height.

A Late 16th Century & Later French Oak Dressoir. The top section having a moulded cornice above a carved frieze raised by fluted columns with scroll capitals. The fielded panel doors with face mask carvings, the central panel having a figure in a recessed arch, with two cushion front drawers below. The lower open section with carved cartouche back, foliate carved brackets and fluted columns rising from the deeply moulded base on squat bun feet. 45½ ins (116 cms) wide, 60 ¾ ins (154 cms) high, 19½ ins (49.5 cms).

A Fine 18th Century Chinoiserie Lacquered Longcase Clock. The eight day movement having a 12 inch (30.5 cm) brass dial with a silvered chapter ring encircling a silvered centre signed John Clark, Bury (Bury St Edmonds, circa 1770) and incorporating a subsidiary seconds dial, a calendar aperture and finely engraved foliate embellishments. The arch having a silvered Strike/Silent dial flanked by pierced gilt mounts, with spandrels adorning the corners. The hood having a pagoda pediment painted with floral sprays, and surmounted by three gilt spired-ball finials. The arched cornice above two decorative columns flanking the glazed door. The impressive long arched top trunk door edged in moulding and intricately decorated with a chinoiserie figural scene; continued on the base, and highlighted in gilding. 101 ins (257 cms) high, 19 ins (48 cms) wide, 9¼ ins (23.5 cms) deep.

A James I Oak Wainscot Chair having a shaped cresting rail of carved leafy scrolls with lobe terminals above scrolling spandrel 'ear-pieces'. The single back panel gouge-carved with an arch framing stylised foliage & ball flower motifs with a nulled base rail and edge-moulded seat. The down-swept arms on turned posts; the similarly turned legs with square feet united by peripheral stretchers.

An Attractive Oak Coffer Bach. The front having a cross-banded border framing three lip-moulded stepped-arch topped panels above two cock-beaded drawers raised on bracket feet, 25 ins (64 cms) wide, 14½ ins (37 cms) deep and 18 ins (46 cms) in height.

An 18th Century 30 Hour Oak Longcase Clock, Circa 1720 of good colour & patination. The single handed 11 inch (28 cm) square brass dial inscribed W.Hough, Wrexham along the chapter ring encircling a matted centre engraved with scrolling foliate sprays surrounding a calendar aperture & having decorative brass spandrels to the corners. The thirty hour movement striking the hour on a bell. The hood carved with the initials M D K 1740, and having turned columns flanking the glazed door. The arch-topped slender trunk door edged in applied D-mouldings. Standing 75½ ins (192 cms) high, 17½ ins (44.5 cms) wide and 11½ ins (29 cms) deep.

A Fine 14th Century Gothic Carved Ivory Plaquette depicting Christ Crucified beneath a tracery arch, 4 ins x 2¾ ins (10 cms x 7 cms)

A Splendid 17th Century Arcaded Oak Armorial Panel carved with Royal Coat of Arms beneath a gadrooned arch and flanked by rails adorned with undulating vines issuing clusters of fruit , 18 ins x 22½ ins (46 cms x 57 cms).

A wheel barometer with break arch pediment, decorative inlay, silvered dial and thermometer, the dial signed A Gobbi & Pelisino of Swaffham, 39" high.

A Victorian mahogany bookcase cabinet top with pointed Gothic arch panelled doors, 46" wide x 48 1/2" high.

An early XIX century mahogany longcase clock the arched painted dial with an automaton of Adam & Eve in the arch, subsidiary seconds ring and date aperture, signed "Wm. Latch Newport", contained in a swan neck pedimented hood flanked by Corinthian columns, the base enclosed by a short door, chevron banded and boxwood strung overall 226cm high

11" brass arched dial signed John Oliver, Poulton on the chapter ring and a boss to the arch, the centre with two winding holes and calendar aperture engraved with birds and foliage; also a clockmaker's precision iron tool, 11" long, quantity of colletts and an ebonised bracket clock stand and carved cresting (5)

English mahogany double fusee small bracket clock, the movement with anchor escapement, rise and fall regulation, striking the hours on a bell, the back plate finely engraved with laurel and scroll designs, the 4.25" finely engraved and chased arched dial signed Haley, London on the subsidiary seconds dial to the arch, within a later triple pad top arched case with brass carrying handle, supported upon ormolu ogee bracket feet, 11.5" high

English double fusee bracket clock movement, with floral engraved back plate, the 7" arched dial signed James Mitchell, London with calendar aperture and strike/silent dial to the arch

German two train bracket clock, the W & H movement chiming on five gongs, the 6" brass dial with regulator and chime/silent dials to the arch and within an ebonised arched top case, 16" high

English ebonised triple fusee musical boardroom clock, the movement playing on eight bells and chiming on a gong, the 7.5" arched brass dial with silvered chapter ring and matted centre, with chime/silent, fast/slow and chime on eight bells/Westminster subsidiary dials to the arch, within an ormolu mounted case with Corinthian columns and pierced gilded arched side panels, surmounted by a bell top with acorn finials, 29" high

English double fusee mantel clock, the movement striking on a gong, the 6.5" silvered arched dial signed Mappin & Webb, 172, Regent St, London.W. with subsidiary strike/silent and slow/fast dials to the arch, within an arched ebonised case inlaid with brass lines and geometric floral motifs, 16" high

English rosewood double fusee Gothic two train mantel clock, the movement striking on a bell, the 7" white dial signed J. Mackie, London, with strike/silent subsidiary dial to the arch, within a pointed arched and carved stepped case, 20.25" high

Large ebonised and ormolu mounted triple fusee bracket clock, the movement playing on eight bells and chiming on a gong, the 8" arched brass dial signed James McCabe, Royal Exchange, London, 3517 on a plate to the matted dial, with chime/silent lever and subsidiary slow/fast dial to the arch, within a foliate ormolu mounted case with pierced side panels and surmounted by a caddy top with ormolu handle, 25" high

Rosewood five glass onion top wheel barometer and a mahogany wheel barometer, the 9" silvered dial signed J. Noakes, Burwash within a boxwood banded case surmounted by a broken arch pediment, a.f (2)

Mahogany stick barometer case inlaid with chevron banding and surmounted by a broken arch pediment

Eight day movement, the 12" arched brass dial with subsidiary seconds dial, calendar aperture and ringed winding holes to the matted centre, with strike/silent to the arch; also another movement, the 12" arched painted dial signed James Oram, Somerton with subsidiary seconds dial and calendar aperture (2)

Eight day longcase clock movement, the 13" arched raised dial with subsidiary seconds and calendar dials painted with floral spandrels and a mallard shooting scene to the arch

Good three train musical longcase clock movement on eight bells, the 12" brass arched dial signed Thomas Robins, Chatham, with subsidiary seconds dial and four bells/eight bells dial to the arch

Eight day longcase clock movement, the 12" brass arched dial signed Samuell Ogborne, London on a boss to the arch, with subsidiary seconds dial and calendar aperture to the matted centre

Eight day longcase movement, the 12" arched brass dial signed Thomas Eastland, London on a plate to the matted centre, with subsidiary seconds dial, calendar aperture and strike/silent dial to the arch

Eight day longcase clock movement, the 14" painted arched dial signed Webley Bromsgrove with subsidiary seconds dial and calendar aperture, painted with dogs and rabbits to the spandrels and gamekeeper shooting ducks to the arch

Eight day longcase clock movement, the 12" arched dial signed Samuel Guy, London on a boss to the arch, the matted centre engraved with birds and foliage, with subsidiary seconds dial over ringed winding holes and calendar aperture

Eight day five pillar longcase clock movement, the 12" arched brass dial signed John Ellicott on an oval plaque to the matted centre also with a subsidiary seconds dial and calendar aperture, with strike/silent dial to the arch

Mahogany musical longcase clock circa 1920, the 10" arched brass dial with strike/silent and Whittington/Westminster levers, subsidiary seconds dial to the matted centre and chime/silent subsidiary dial to the arch, the movement chiming the quarters on eight tubular bells, the case with oval bevelled glazed long door and surmounted by a moulded arched cornice, 78" high

Oak and mahogany eight day longcase clock, the 14" arched dial signed J. Spittall, Whitehaven, with subsidiary seconds dial and calendar aperture, painted with rural Churches to the spandrels and a pastoral scene to the arch, within a Yorkshire style case with short door flanked by turned baluster columns and surmounted by a swan neck pediment, 88" high