We found 42009 price guide item(s) matching your search

THOMAS HALLY, GLASGOW AN EARLY 18TH CENTURY INLAID WALNUT THREE TRAIN LONGCASE CLOCK with caddy top and narrow trunk arched top door fitted lenticle and standing on a plinth base. The 12" brass dial with chapter ring and mask head spandrels, enclosing a matted centre with three winding holes and date aperture below an arch top with name plaque and strike silent hole. Fronting a large eight-day movement with finned pillars and strike on a bell, the barrel and musical bells are missing 244cm high.

MAPPIN & WEBB, LONDON AN EXCEPTIONAL ART NOUVEAU STYLE QUARTER CHIMING LONGCASE CLOCK the mahogany case with carved pediment above a glazed door, the trunk having a glazed door with acanthus leaf carved decoration flanked by two reeded and carved baluster columns on a panelled base stood on ogee bracket feet. The gilt brass arched dial having silvered engraved chapter ring with applied gilt Arabic numerals, the subsidiary seconds dial on scroll engraved centre and two subsidiary dials to the arch for Chime/Silent and Whittington Chime/Westminster Chime fronting a substantial three train weight driven movement with deadbeat escapement and Harrison maintaining power chiming the quarters on eight tubular gongs and the hour on a coiled gong, three brass cased weights and mercurial pendulum 269cm high

AN EARLY 20th CENTURY FRENCH MAHOGANY MANTEL CLOCK the arch top case with reeded quarter columns and inlaid maple panel enclosing a 3.5” convex porcelain dial with Arabic numerals fronting an eight day spring driven movement with platform escapement 21.5cm high.

GEORGE GOODALL, MICKLEFIELD A RARE GEORGE III MUSICAL LONGCASE CLOCK MOVEMENT having an arched brass dial with moulded border, silvered Roman and Arabic chapter ring and gilt pierced corner spandrels, polished and engraved centre with calendar aperture and silvered tune selector, the arch enclosing a silvered engraved revolving moon disc. The substantial three train eight day weight driven movement playing seven tunes on ten bells with 20 hammers powered by a large wooden cylindrical pin barrel with unusual propeller style fly wheel and striking the hours on a larger bell.

THOMAS PACE, LONDON A GEORGE III FIGURED MAHOGANY MINIATURE DOUBLE FUSEE BRACKET CLOCK the arch-topped moulded case with brass finials and fish scale sound frets. Having a 4.5” floral engraved silvered dial with signed name plaque to the arch and roman numerals, fronting a small double fusee 8-day movement with anchor escapement and striking the hours on a steel bell 27cm high with the handle down.

SAMUEL SMITH, LONDONAN EARLY 18th CENTURY MUSICAL LANTERN CLOCK the 10” arched brass dial having signed Roman chapter ring and matted centre the arch engraved with a portrait of Peter The Great of Russia with emblems of war including a cannon, cannon balls, swords, and banners, inscribed round a flag ‘PETRO ALEXII FIL RUSSORIUM MAGNO CESARI’. The weight driven movement with verge escapement and cylindrical musical barrel chiming the hours on a nest of eight bells and a larger bell 39cm high.

ANTONY GATTY, FISHER ROW, READINGA REGENCY TRAVELLING THERMOMETER IN MOROCCAN LEATHER CASE the mercury thermometer mounted on silvered engraved calibrated scale signed in the arch and fitted in a red leather case 21.3cm overall.

AN EARLY 20th CENTURY FRENCH MAHOGANY CASED MANTEL CLOCK the arch top case with chequered strung inlay and brass columns enclosing a 5” porcelain dial with Roman numerals fronting a spring driven eight day movement striking the hours/half hours on a gong 30.5cm high.

WILLIAM MASON, LONDONA GEORGE III FIGURED MAHOGANY BRACKET CLOCK the bell top case with pineapple finials and brass carrying handle above a moulded glazed door enclosing a 7.5’ brass and silvered dial with rococo spandrels, Roman and Arabic chapter ring with matted centre having date aperture and mock pendulum, subsidiary strike/silent dial to the arch fronting an eight day double fusee movement with full engraved backplate, verge escapement striking the hours on a bell 54cm high.

JOSEPH WINDMILLS, LONDON AN EARLY 18th CENTURY BURR WALNUT MONTH DURATION LONGCASE CLOCK the hood with caddy top pediment above an arched glazed door and side columns on a long trunk with moulded six sectional veneered door on box base. The 13” brass arched dial with silvered Roman chapter ring and Arabic minute track, matted centre with subsidiary seconds dial, the arch with recessed silvered star and calendar dial surrounded by gilt spandrels fronting a month duration six finned pillar movement striking the hours on a bell 270cm high.

A 19TH CENTURY SMALL ARCH-TOP WHITE MARBLE AND CAST GILT BRASS MOUNTED FRENCH MANTEL CLOCK with stepped base and turned feet, the silvered Roman chapter ring with gilt hinged door and centre fronting and eight-day spring-driven timepiece movement with lever platform escapement 17cm high

EDWARD SHEPLEY, MANCHESTER A RARE LATE GEORGIAN FOUR TRAIN MUSICAL AND TIDAL LONGCASE CLOCK the flamed mahogany case with swan neck pediment above a glazed arched door flanked by two cluster columns repeated on the trunk enclosing a 14" painted arched dial with Roman numerals, Arabic calendar and minute track with centre seconds, centre calendar and subsidiary dial with tune selection. The painted corner spandrels representing the four seasons with tidal times and rotating moon dial in the arch depicting Nelson celebrating victory at the Battle of the Nile fronting an eight-day weight driven movement playing seven tunes on twelve bells and the quarters on two separate bells striking the hours on a larger bell 247.5cm high.

ROBERT SPENCE, DYSARTAN UNUSUAL GEORGE III LACQUERED LONGCASE CLOCK having break arch pediment above arched glazed door flanked by two turned columns, the trunk with arched top door on box base. The 9” brass arched dial with silvered Roman chapter ring and Arabic minute track matted centre, silvered cartouche to the arch and gilt spandrels fronting a single train eight day weight driven movement with passing strike on bell 209cm high.

AN EDWARDIAN MARQUETRY INLAID MAHOGANY ARCH-TOP MANTEL CLOCK with plinth base and brass ogee feet, the silvered convex dial with Roman chapter ring fronting an eight-day spring driven movement with gong strike 30.5cm high

GEORGE TYLER, LONDON A GEORGIAN EBONISED TRIPLE FUSEE QUARTER CHIMING BRACKET CLOCK the arch top case with pediment top above an arched glazed door, fish scale side frets and loop handles sat on brass ball feet enclosing a painted arched 8” dial with Roman numerals and signed in the arch fronting a triple fusee quarter chiming movement on a nest of eight bells with fully engraved and signed backplate 59cm high

FRANCIS WELLS, LONDON A MID 18TH CENTURY EBONISED INVERTED BELL TOP VERGE BRACKET CLOCK with folding brass handle above an inverted bell-shaped top, glazed side windows and hinged brass edged door with sound frets; standing on a moulded plinth base and shaped brass bracket feet. The 7" brass arched dial with silvered chapter ring having Roman numerals and outer minute markings, matted dial centre with date dial, name plaque and mock pendulum aperture; the arch with Strike/ Silent function and Rococo cast brass spandrels. Fronting a fully engraved eight-day double fusee movement with verge escapement and hour strike on a bell 44cm high with the handle down.

JOHN BATEMAN, LONDONA LATE 18TH CENTURY FLAME VENEERED MAHOGANY 8-DAY QUARTER STRIKING LONGCASE CLOCK the 12" silvered dial with floral engraved spandrels, roman numerals and signed to the centre, fronting an eight day three train weight driven movement striking the quarters on eight bells and the hours on a gong. The arch topped case with quarter columns and stepped panel base 218 cm high.

GRAVELL & TOLKIEN, LONDON A GEORGE III EBONISED BRACKET CLOCK the arch top case with brass finials, side carrying handles and front caryatid columns enclosing an 8” painted arch dial with Roman numerals and Arabic outer minutes, centre calendar and subsidiary Strike/Silent dial to the arch fronting an eight day quarter chiming movement on two bells with verge escapement and engraved border to the signed backplate: the clock comes with its original brass mounted bracket 57cm high, bracket measures 32cm high.

JAMES CONDLIFF, LIVERPOOL A LATE 19th CENTURY DOUBLE FUSEE QUARTER STRIKING WALL CLOCK the signed 10” painted circular dial with Roman numerals fronting a large eight-day five pillar movement striking the quarters on two bells. The flamed mahogany arch top case with canted corners and opening glazed door above tapering concave base 103cm overall.

1930's period oak seven piece dining suite comprising: panel top refectory style drawleaf table, the turned supports with polychrome painted carved stylised foliate decoration, together with six arch back chairs having upholstered seats and backs and standing on conforming carved and painted supports Condition:

Victorian boxwood inlaid walnut breakfront chiffonier, the raised back with central arch shaped mirror having a carved pediment, flanked to either side with an oval bevelled mirror, open shelf below, the drop centre base with a central marble slab top, fitted two drawers and with three mirror panel doors below interspersed by turned pillars and standing on a plinth base Condition:

George III oak two section standing corner cupboard, the upper section fitted arch shaped fielded panel door with crossbanded decoration, the base fitted conforming rectangular panel door Condition:

An Edwardian mahogany and inlaid arch top mantel clock with two train movement, gong strike and enamel dial, h: 32cm, w: 26cm

A George III style yew Windsor chair with pierced arch back, shaped seat and cabriole legs

A metal trunk, a painted broken arch architectural shelf/pediment and a good panel from a piano incorporating two brass candle holders

HMS Tourmaline. Manuscript Log & Diary inscribed "Arch ... Gudgeon, HMS Tourmaline, April 4th 1893". Detailed & legibly written log (approx 130pp) covering the period January 1894 to May 1896. Sheerness to Canada, extensive visits to Caribbean Islands & Central America, Canada again, then Caribbean & Central America & home. Tourmaline was an Emerald Class composite screw Corvette or Masted Cruiser; this would be her last significant voyage, she was paid off in July/August 1896 & ultimately scrapped in 1921.

Cumberland & Westmorland Ant. & Arch. Society. Transactions. New Series. 37 various vols.

An 18th century oak 8 day longcase clock, engraved brass arch dial signed Baker of Malling, subsidiary calendar & second dials, height including finial 2.07 m

A Porcessionarium Sac. Ord Praed by Arch Bishop Antonij de Monroy, first edition published Rome 1679.

Smith's Enfield two train, arch shaped mantel clock with key and pendulum.(B.P. 24% incl. VAT)

Inlaid, arch topped box, containing various mother-of-pearl playing tokens in the form of fish and discs.(B.P. 24% incl. VAT)

A BOXED DAVID WINTER CAMEOS STAND AND SET OF TWELVE SCULPTURES, together with other boxed and loose sculptures to include Christmas ornaments 'A Christmas Carol', 'Holly Berry Cottage' 1999, 'Yuletide Cottage' 2001 D1188, 'The Winter Chronicles' stand, D1055, 'The Garden Chapel' D1118 (certificate), 'Mr Delver's Cottage' D1063 (certificate), 'Winter Arch', (signed) etc (over 25 pieces) (two others with certificates)

A GEORGE III OAK, MAHOGANY AND INLAID LONGCASE CLOCK, 8 day movement, signed J R Chambly Wolverhampton, Arabic numerals, seconds hand and painted Nelson figure to arch, approximate height 225cm (two weights, pendulum, winding key, sd)

GRAHAM PARKER/THE RUMOUR - Excellent collection of 20 x LPs/12" with 9 x 7". Titles include Live Sparks (promo only SP 63 and fully signed by the band on the front cover!), Live At Marble Arch (signed by Graham on the front cover), The (Black) Pink Parker (promo sampler Mercury MK 28), Mercury Poisoning (promo grey vinyl), The Parkerilla (US double SRM 2-100), Squeezing Out Sparks, Historia De La Musica Rock, The Up Escalator (SEEZ 23 with cool large promo poster), Another Grey Area, (The Real Macaw), Steady Nerves, The Weekend's Too Short, The Mona Lisa's Sister and Live! Alone In America. Condition is largely Ex to Ex+.

Stained walnut wall clock, cased, with broken arch pediment and turned finials (damaged) and a Hermle modern stained wood wall clock with Westminster chime

19th century oak longcase clock with eight-day striking movement, the painted broken-arch dial inscribed 'Peter Poignand, Jersey', the dial with painted figures, horse and cart in the arch and having subsidiary seconds and calendar dials, whelkshell spandrels, the trunk with broken-arch door and brass presentation plaque, 212cm high

Early 20th century inlaid and stained wood bucket-style mantel clock having broken arch top with four pineapple finials, engraved brass dial, chiming movement, on four brass supports, 27cm high

Small Edwardian mahogany satinwood crossbanded line and lunette inlaid bookcase with a broken arch pediment above a pair of astragal glazed doors, the base with two cupboard doors on bracket feet

Modern Continental longcase clock, walnut case with swan-neck pediment, the hood and case with turned supports, arched glazed doors, plinth base, 11" arch brassed dials, signed Olympia, the movement striking on four gongs, 220cm,

19th Century oak longcase clock having broken arch hood above a square plain white painted dial with Arabic numerals and date aperture with thirty hour weight driven movement above a crossbanded flush panelled door flanked by quarter reeded pilasters on a conforming plinth base with pendulum and weight (at fault)

An Oriental bronze buddha, seated beneath an ornamental arch on a stepped base, H. 31cm

After H. J. Walter (20th Century school), townscape study of an arch, oil on panel, signed lower left, in Edwardian oak frame, numbered 61/5407 to verso, 35cm x 44cm

An arch top garden mirror with gate

William Smith, London a lacquered longcase clock: the eight-day duration movement striking the hours on a bell, with the unusual shaped plates having scroll sides to the arched base and an unusual strike/silent lever arrangement, with the brass twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, the matted centre having a subsidiary seconds dial and date aperture and a silvered plaque engraved with the name Wm. Smith, London, with the arch having a silvered dial for 'Strike/Silent', with cast-brass c-scroll spandrels to the four corners and further 'dolphin' spandrels within the arch, the lacquered case having raised Oriental chinoiserie decoration, fluted flat columns to the flat-top hood, and standing on bracket feet, height 213cm.

Starey, London, an ebonised bell-top bracket clock: the eight-day duration, double-fusee movement having a verge escapement and striking the hours on a bell with pull hour repeat, the backplate engraved with floral and rococo decoration and signed Starey, London within a cartouche, the eight-inch brass break-arch dial having a painted centre with black Roman hour numerals and decorative blued steel hands, with two painted subsidiary dials within the arch for 'strike/silent' and alarm setting either side of a shaped inset panel signed for the maker Starey, London, with engraved decoration below and with cast-brass floral spandrels to the four corners, the case ebonised on fruitwood, with applied cast-brass mounts to the lower front moulding, the canted corners, the bell-top and inset either side of the top of the dial, with turned wooden finials and surmounted by a brass carrying handle, with decorative cast side frets, standing on brass bracket feet, height 58cm, handle up, 54cm handle down.* Biography John Starey is recorded as working at the Royal Exchange, London from circa 1770, becoming a Freeman of the Clockmakers Company in 1785 until his death in 1800.

Comitti of London, a Queen Anne-style walnut chiming bracket clock: the eight-day duration movement striking the hours on a bell and the quarters on a further nest of eight bells, signed on the backplate with the clock details along with the movement maker's name, Keininger of Germany, the brass break-arch dial having black Roman numerals, and a round boss to the arch signed Comitti London, the walnut case with a bell-top pediment, brass finials to the four corners, a brass carrying handle and bracket feet, with a plaque stamped The Queen Anne Clock, 23/50, height 50 cm with handle, including original bill of sale for 2003 and further paperwork in green folder.

A Victorian cast iron triple chair back garden seat of Coalbrookdale type:, the domed arch backs with trefoil ogee pointed panels in radiating surrounds and with foliate scroll and shell crestings, the shaped sides pierced and decorated with scrolling foliage on splayed legs, having a wooden slatted seat, 172cm (5ft 7 1/2in) long.

John Rittson, a Georgian walnut stick barometer: the silvered plates signed The Great Barometer, Made & Sold by John Rittson within an opening glazed front door, the case having a concealed tube, moulded edges, break-arch pediment with cast-brass finial and turned cistern to the base, height 95cm.* Biography A John Rittson is recorded as working in Tekrill, a town in North Yorkshire, in the mid-eighteenth century, which would equate to other barometers signed for him that have the addition of the name Terill engraved on the dial, quite possibly a version of the town name. He is also known to have been both a clock and watchmaker.

Jon. Newson London, a black lacquer longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute outer numerals, with decorative blued steel hands, the dial centre with a subsidiary seconds dial, date aperture and an applied plaque engraved with the maker's name Jno. Newson, London, with cast-brass c-scroll spandrels to the four corners, the arch having a painted brass moonphase disc with engraved surround, the black lacquer case having three decorative panels to the trunk, the top depicting a courting couple in a garden, the middle with a group within a garden setting listening to a flautist and the lower, a woman attacking a stricken man with a ducking stool in the background, the arched-top hood with brass capitals to the three-quarter columns, the base with chinosierie decoration, all standing on bracket feet, height 210cm* Biography John Newson is recorded as working in Basinghall Street, London having been apprenticed in 1722 and becoming free of the Clockmakers Company in 1734, with his death probably in 1784.

John Adam, Paisley, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, with the thirteen-inch painted break-arch dial having typical Scottish decoration depicting the four seasons to each corner and with a lion and a seated lady to the centre, with a further image painted to the arch depicting a courting couple in a garden being spied upon, with black Roman numerals, subsidiary seconds and date dials, decorative steel hands and signed with the maker's name Jno. Adam, Paisley, the flat-top mahogany case having decorative herring-bone stringing to the edges, with further stringing to the trunk door and base, and standing on bracket feet, height 220cm.* Biography John Adam is recorded as working at 11, Smith-Hills, Paisley, Renfrewshire from circa 1820 until at least 1838. He married Catherine McNeilledge with whom he had various children including Eliza who died on the 20th February 1904 and Catherine who died on the 9th of June 1905.* Notes Ref: Donald Whyte, Clockmakers and Watchmakers of Scotland, Pub: Mayfield Books 2005.

A French Comptoise wall clock: the eight-day duration, weight-driven skeletonised movement with inverted verge escapement striking the hours on a bell, followed two minutes later with a repeat strike, being typical of this type of clock, the round white enamel dial set within a brass break-arch surround with decorative top and having black Roman numerals, decorative brass hands and signed Jennet Pére, à Paray le Monial, complete with iron wall bracket, height 42cm.* Biography A maker with this name is recorded as working in circa 1840.

Simpson, Wigton, an oak and mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute numerals, the silvered centre with decorative scroll engraving and marked to the outer aspect for the sweep date hand, with a subsidiary seconds dial and signed for the maker Simpson, Wigton, with cast-brass female-head spandrels to the four corners, and having a moon-phase disc to the arch painted with the moon against a blue ground with gilt stars, the oak case having mahogany crossbanding to the trunk, door, hood and base, the swan-neck pediment with brass ball-and-spire finial to the centre and brass patrea, the hood having full pillars with cast-brass Corinthian capitals, the trunk with canted corners and boxwood stringing to the mahogany upper panel, the base standing on bracket feet, height 226cm (inc. finial)* Biography The Simpson family of clockmakers were Quakers with the brothers John and Joseph setting up business circa 1758. John died in 1796 and Joseph soon after with John Simpson Junior continuing the business until his death in 1837. The majority of their clocks were of thirty-hour duration, but a number of eight-day examples are known with at least two housing musical movements.See Brian Loomes 'Clockmakers of Northern England', Mayfield Books 2007.

A late Regency rosewood chiffonier:, of small size, with reel turned mouldings, the shelved superstructure with angled arch ledge back, roundel ornament and ring turned column uprights, containing two frieze drawers, the cupboard below enclosed by a pair of brass lattice and silk panel doors, on bracket feet, 92.5cm (3ft 0 1/2in) wide.

A large Victorian chiming bracket clock: the eight-day duration, triple-fusee movement with anchor escapement, striking the hours on a gong and the quarters on a set of nine-bells, with engraved decoration to the backplate, the break-arch brass dial having a raised silvered chapter ring with black Roman numerals and decorative blued steel hands, three further silvered subsidiary dials within the arch for 'Chime'Silent', 'Regulation' and 'Westminster Chime/Chiming on Eight Bells', with a matted centre and cast-brass c-scroll spandrels to the four corners and arch, the ebonised case having a cast-brass gilded locking top opening to reveal the movement, surmounted by a brass carrying handle, with applied raised classical decorative friezes to either side, below and above the dial, with matching panels to each case side below a cast-brass handle, standing on matching bracket feet, signed under the chapter ring J.C. Jennens, London, height 66cm handle up, 62cm handle down.* Biography Possibly John Creed Jennens (& Son) working in London circa 1863 until at least 1875.

A Victorian giltwood and gesso overmantel mirror:, the egg and dart cornice with domed arch centre with floral foliate garland, having a guilloche and paterae decorated frieze with palmette centre, the plate within a moulded and foliate surround flanked by fluted baluster columns with acanthus leaf decoration, 177cm (5ft 9 1/2in) high x 164cm (5ft 4 1/2in) wide.

Three sectional arch top 'window' mirror in painted wood frame, W180cm, H150cm

Shapland and Petter 'The Lever Wardrobe' early 20th century oak clothes press, two arch top panelled doors with Art Nouveau detail enclosing retractable ratchet trouser press with 'Askew' mechanism and four drawers, above two long base drawers, W135cm, D70cm, H194cm

An Oak Eight Day Longcase Clock, signed Thos Twigg, Shelton, circa 1810, swan neck pediment, fluted pilasters, 13-inch arched painted dial, seconds, date aperture, painted scene in the arch, four posted movement with attached falseplate stamped Osborne, anchor escapement, rack striking on a bell, 214cm high 11.12.17, Pediment with small cracks to the top centre, columns with dents and chips, trunk door is slightly bowed, later feet, front of the plinth with one crack, plinth with some dents and small chips, dial has been re-painted, movement is complete, with pendulum and two weights.

A Victorian Mahogany Longcase Clock, signed Burlinson, Ripon, swan neck pediment, painted arch dial with subsidiary date dial, thirty hour movement, inlaid and crossbanded trunk with canted corners, plinth base, 216cm high

A Scottish Mahogany Eight Day Longcase Clock, signed Thos Low, Dundee, circa 1820, swan neck pediment, inlaid stringing and inlaid acorn leaf and urn decoration panels, 13-1/4-inch arched painted dial signed, seconds and date dials, painted figural corner spandrels, arch with a painted figural boat scene, four pillar movement with anchor escapement and rack striking on a bell, later case, 216cm high 11.12.17, Later case, hood sides with small cracks, hood door with cracks, trunk door slightly faded, dial with crazing marks and minor chips and the paint work is slightly lifting in parts, later seatboard, extra wooden blocks to both sides of the case cheeks, movement needs cleaning, with two weights and a pendulum.