We found 42009 price guide item(s) matching your search

A BLACK PAINTED WROUGHT IRON ROSE ARCH, 91" high x 68 1/2" wide x 149" long

A BLACK PAINTED WROUGHT IRON ROSE ARCH, 90" high x 66 1/2" wide x 108 1/2" long

A RECONSTITUTED STONE GOTHIC DOORWAY ARCH with column supports, 88" high overall

GEORGE CLARKE, LONDON (LEADENHALL STREET) (1725-1766), A BRASS LANTERN CLOCK, c.1760, with Turkish market chapter ring and verge escapement, signed within a roundel to the arch. Height 36cm, dial 21cm by 21cm (8.25" by 8.25")

John Cawood, Stockton, 18th Century 8-Day Striking Longcase Clock having brass arched dial (top arch loose), having silvered dial with Arabic and Roman numerals having seconds dial and calendar with spandrels in form of cupids holding crowns, in lacquered case having all over chinoiserie figure, building, bird, floral and landscape decoration, 2m 13cm high

A Modern Oil on Board depicting river landscape with watermill and church in background, in gilt frame, 45cm x 62cm, also a black and white etching depicting arch bridge with town on hillside, unframed (2)

A Victorian Mahogany Bookcase on cupboard with moulded cornice, pair of glazed two pane doors with arched top, opening to reveal three adjustable shelves, the base having ogee fronted frieze drawer over arch panelled doors flanked by corbels, on plinth base, 50 1/2`` wide x 86`` high x 21`` deep

An Edwardian Queen Anne style Mahogany Bureau/Bookcase, with arch moulded top, pair of six pane glazed doors revealing three adjustable shelves, the base having fall front with automatic lopers, opening to reveal various stationary compartments and drawers over three drawers, standing on long cabriole legs, 37`` wide x 85`` high

A Victorian Pine Cased Mantle Clock, with eight day movement, arch top case (as found).

A framed well executed watercolour of a continental town scene with a quiet pathway leading past a stone building with steps and overhanging lanterns, and a Gothic arch visible beneath the ox overhanging yellow blossom draped branches of a tree. 12 1/4`` x 9 3/4`` approx.

[Rogers (Thomas)] The Faith Doctrine and religion professed & protected in the Realme of England... Expressed in 39 Articles ittle torn and repaired in margin ink inscription on title [STC 21228] John Legatt 1607 bound with Articles Agreed Upon by the Arch-Bishops and Bishops of both Provinces and the Whole Clergie A1 blank with decorated signature [Wing C3998] Printed for the benefit of the Common-wealth 1642 bound with Articles of Religion Agreed Upon by The Archbishops and Bishops and the rest of the Clergie of Ireland A1 blank lacks last f. blank [STC 14262] Thomas Downes 1629 Clement Spelman`s copy with his ink signature on titles of 2 pamphlets together 3 works in 1 vol. some water-staining browned contemporary calf gilt rubbed head and tail of spine; and another copy of the first mentioned sm. 4to (2). *** Probably Clement Spelman (bap. 1598 d. 1679) judge; youngest son of Sir Henry Spelman (1563/4-1641); a cousin of the same name was the recorder of Nottingham.

Cranmer (George) Concerning the New Church Discipline an Excellent Letter 2 line border on title bookplates of Henry Davis and Joseph Thompson later half calf extensively rubbed [Wing C6826; Madan II 196] [Oxford] 1642 § [Sparrow (Anthony compiler)] A Collection of Articles Injunctions Canons Orders Ordinances and... other Publick Records of the Church of England engraved frontispiece repaired and creased title edges chipped disbound [Wing C4039A] R. Norton for Timothy Garthwait 1661 § [Ussher (James)] The Judgement of the late Arch-Bishop of Armagh and Primate of Ireland engraved frontispiece A1 signed frontispiece signed A2 title and preliminary ff. loose at beginning contemporary sheep worn lacks upper cover and spine [Wing U188] John Crook 1658; and 14 others English Religion v.s. v.d. (17).(17)

George I longcase clock by John Bowen of Bristol, largely re-built and re-lacquered case having a pagoda hood, long door with lenticle, arch shaped brass dial having silvered chapter ring with Roman numerals, subsidiary dial to the arch with aperture for penny moon, outer lunar calendar and inner tidal ring, further subsidiary seconds dial and calendar aperture signed John Bowen, Bristol, eight day striking movement, 246cm high. See A.J. Moore - The Clockmakers of Bristol 1650-1900, page 108

19th Century mahogany longcase clock, hood with shaped pediment having three brass finials, glazed door flanked by tapered reeded columns, the trunk fitted long arch shaped door, standing on bracket feet, the arch shaped painted dial having Roman numerals and three subsidiary dials, eight day striking movement, 232cm high

Georgian style brass inlaid mahogany bracket clock, the pagoda top with a brass swing handle and four conforming finials, arch shaped fretwork side panels, the silvered dial with Roman numerals, brass movement striking on a gong, standing on brass splayed bracket feet, 36cm high

An early 19th century oak and mahogany crossbanded longcase clock, circa 1810, the hood with scroll cornice and enclosing an enamel dial with roman numerals, 37cm d, floral spandrels and moonphase arch with figure playing a harp, crossbanded shaped door,

A late 19th Century Mantel Clock with a German Lenzkirch movement with gong strike in walnut case with broken arch pediment, steel and brass dial and bracket feet. 13" (33cms) high.

A George III style mahogany bracket clock, circa 1900, fitted with a French barrel movement, signed Japy Frêres, the arch topped case with fishscale brass panelled sides and brass inlaid decoration, 13½ in. high

A 19th century oak and ebonised Gothic Revival secretaire bookcase, the moulded cornice above two glazed doors decorated with ebonised tracery astragals, between arched sunken field uprights, the deep secretaire drawer flanked by a short drawer above two panelled cupboard doors enclosing slides, each decorated with an ecclesiastical style arch, flanked by similarly turned pilasters and side panels, on short square section legs, 200cm high x 126cm wide x 58cm deep

A walnut breakfront library bookcase in the Queen Anne manner, the broken arch pediment with giltwood rosettes and leaf decoration above four astragal glazed doors enclosing adjustable walnut veneered shelves, the lower part with three frieze drawers above four crossbanded cupboard doors, on scroll carved ogee bracket feet, 227cm high x 183cm wide x 40cm deep

A 19th Century Damascus and walnut parquetry desk, the superstructure with shelf and bank of drawers above mosaic inlaid top decorated with abalone shell and various specimen woods, the kneehole banded by three drawers on angular cabriole legs ending in moulded block feet, 120cm high x 126cm wide x 81cm deep, including a Damascus inlaid armchair, with solid seat and mihrab arch aprons, on turned and block feet (2)

"Mahogany glass section display cabinet of Globe Wernicke style, arch back, dentil decoration, four sections"

An early 19th Century mahogany cased long case clock, the arched hood with swan neck pediment flanked by gilt metal mounted Corinthian style pillars over a wavy moulded trunk door further flanked by quarter reeded pilasters and Corinthian style mounts to a moulded base on bracket feet, the eight day movement with silvered arched dial inscribed to the arch "Tempus Fugit", centred by an engraved Ho Ho bird, Arabic and Roman numerals within floral scrolled spandrels centred by a subsidiary seconds dial with castellated star, date aperture flanked by a galleon at sea, a fort on a hill top, steel hands (ILLUSTRATED)

A George III mahogany cased long case clock, the arched hood with swan neck pediment centred by a cresting flanked by turned pillars over a moulded trunk door to a moulded base on bracket feet, a twin chain weight driven eight day movement to a silvered chapter ring, engraved to the centre with floral scrolls, date aperture, Arabic and Roman numerals, the brass back plate with applied pierced and floral scrolls surmounted by an arch painted with a three masted galleon flying various ensigns and inscribed "William Newby Kendal" (ILLUSTRATED)

An early 19th Century mahogany, cross banded and boxwood line inlaid longcase clock, the arched hood with swan neck pediment flanked by ring turned columns over a banded door flanked by further ring turned columns to a plain fronted base on splayed bracket feet, the arched painted dial with three quarter striking movement on 9 bells, having floral painted spandrels, the arch with an oval depicting a lady in Classical dress holding a sabre, 14" dial with Roman and Arabic numerals centred by subsidiary seconds dial, inscribed "T Mawkes, Belper" (ILLUSTRATED)

Trade cards: Barratt & Co, Prominent London Buildings, two cards, Marble Arch & Tower Bridge (gd) (2)

A GEORGE III OAK LONGCASE CLOCK the break arched and painted dial with subsidiary seconds dial and date sector, signed to the arch Chas Dale Atherstone, with rose and forget-me-not spandrels, having eight day movement in crossbanded case, the hood with segmental pediment, blind fret frieze and brass mounted pillars, the trunk with a full length ogee arched door flanked by pilasters, 230cm h ++Dial with old restoration. Movement in need of cleaning but complete and original. The case of even light colour with old repair to the skirting around the base

An exceptional late 19th Century games compendium, the figured walnut case inlaid a central monogram with coronet over in a bird`s eye maple reserve, the two panel doors inlaid scrolls and flowers within arch top reserves, the hinged cover fitted a triple folding board for chess, backgammon and the horseracing game and a folding board for nine men`s morris and chess, a tray fitted a white and red stained ivory chess set, draughts, cribbage board and solitaire board, both inlaid mother-of-pearl, a false drawer and two drawers beneath fitted draughts, games markers, Bezique markers, cards, mother-of-pearl gaming counters, shakers, dice, other markers etc, 46cm (18") wide/see illustration

A mahogany quarter chiming longcase clock by John Ellicott, London, circa 1765, the 12" dial signed John Ellicott, London with finely matted centre and rococo scroll spandrels, seconds dial, calendar aperture and strike/silent dial in the arch, the massive three-train six-pillar movement with dead beat escapement, striking on a bell and chiming the quarters on a nest of eight bells, the case with broken arch cresting and frieze fret above brass-capped stop-fluted hood pillars, with broken arch trunk door and panelled plinth with shaped apron, 234cm (92") high/ see illustration

A mahogany arch top cheval glass, on square column supports and splay feet, the plate 120cm x 30cm (47.25" x 12")

AN EARLY 20TH CENTURY GOTHIC REVIVAL SILVER, SILVER GILT AND GARNET CIBORIUM, CHALICE AND PATEN, by Frederick Denby Wray, London 1909, the chalice having a conical bowl held within a deep silver gilt calyx of inverted arch panels of raised trefoil tracery with floral crockets, the hexagonal tracery stem with large lobed knop, collet set with six garnet cabouchons, above a convex collar and pointed trefoil ogee arched tracery, on a hexagonal lobed and spreading foot raised on pierced diamond gallery and flange, 22cms high; the ciborium having a stepped domed cover with a bottonée cross collet set with a garnet cabouchon, the hemispheral bowl on conforming stem and base, 30.5cms high; a silver gilt paten engraved with the sacred monogram within a sunburst cartouche, 14cms diameter (London 1901), total approximate weight 53ozs. See illustration

AN EARLY 19TH CENTURY LONGCASE CLOCK BY WILLIAM HILES OF STROUD, signed to the painted dial (30cms) and having black Roman and Arabic numerals; two subsidiary dials; moon phase to arch and floral spandrels, 8-day movement striking on a bell; the case having a broken arch pediment with brass rosettes and ball and spire finial, above a fluted frieze and plain turned pilasters, the trunk door inlaid in satinwood and ebony with shell paterae, and on shaped bracket feet, 221cms high

A VICTORIAN MAHOGANY AND PARCEL GILT CORNER DISPLAY CABINET, the frieze carved with a band of rosettes and gilt ribbon tied laurel swags above twin arch fronted open shelves flanked by a glazed single door cabinet to either corner, on short turned legs, 109cms wide x 109cms long x 110cms high. See illustration

Thomas Richardson, Brampton (c.1800-1828), a mahogany banded oak 30 hour Cumberland longcase clock, the painted dial, signed Richardson/Brampton, decorated in the arch with figures by a cottage

C Gowland, Sunderland, a George III mahogany longcase clock, the eight-day movement with a painted arch dial, subsidiary seconds and calendar dials, 254cm

A 18thC oak and mahogany banded long case clock with arch painted dial signed Wainwright, Nottingham, thirty hour striking movement.

An oak Georgian long case eight day clock, the painted arch dial with Roman numerals - Geo Berrill Stony Stratford (case in need of restoration) View on staceyauction.com

An Edwardian arch shaped mantel clock, the mahogany case inlaid with boxwood and enamelled dial View on staceyauction.com

Mahogany wheel barometer/thermometer, the 8" silvered dial signed Fognoni & Vanoni, Shepton Mallet, the case inlaid with conch shells and a foliate roundel, surmounted by a broken arch pediment

Unusual mahogany electric longcase clock, the 11.75" brass arched dial signed Rebere, Telechron, with silvered chapter ring, pierced gilt foliate mask and moon phase to the arch, the movement chiming on five steel tubes, the case with long glazed door flanked by fluted pillars and surmounted by a lancet cornice, 81.5" high

Small German wall timepiece with spring pendulum, the 5" painted arched dial painted with fruit and a rabbit to the arch

English ebonised double fusee bracket clock, the movement with pull repeat and foliate engraved back plate, the 7" brass arched dial with strike/silent subsidiary dial to the arch over a silvered chapter ring enclosing a matted centre with false bob pendulum and calendar aperture, the case with finely engraved pierced stylised foliate ormolu panels, surmounted by a caddy top with gilded brass carrying handle, 18" high

German mahogany three train bracket clock, the Gustav Becker movement striking and chiming on five rods, the 7.25" silvered arched dial with chime/silent subsidiary dial to the arch, within a stepped pillared rounded arched case, 16.5" high

Black slate two train calendar mantel clock, the S. Marti movement striking on a bell, the 5" white chapter ring enclosing a recessed visible escapement over a calendar dial with subsidiary days of the week/date of the month dials over a moon phase aperture, within a scrolling stepped case inlaid with malachite panels and surmounted by a broken arch rounded pediment, 17.75" high

Large English ebonised triple fusee director`s clock, the movement quarter chiming on eight bells and striking on a gong, the 9" silvered floral engraved dial with chime/silent subsidiary dial to the arch, the case with canted corners applied with ormolu caryatids and surmounted by a moulded rounded arched top and square caddy terminating in a turned brass finial, 25" high

German oak ting-tang two train mantel clock, the W & H movement striking on a gong, the 5" brass arched dial with silvered chapter ring enclosing a matted centre and with a subsidiary slow/fast dial to the arch, within a stepped case surmounted by a rounded arched cornice, 18.25" high

Oak and mahogany crossbanded eight day longcase clock, the 13" painted arched dial with subsidiary seconds and calendar dials, painted with an oval marine vignette to the arch, the case with long mahogany crossbanded door flanked by quarter fluted pilasters and surmounted by a broken moulded swan neck pediment and brass urn finial, 93.5" high

Large figured mahogany eight day longcase clock, the 14" painted arched dial signed J. Calloway Junior, Leeds, with subsidiary seconds and calendar dials, the spandrels painted with ruined Churches and the arch with a girl and her dog by a stile, the case with short door flanked by turned pillars over a circular panelled base and surmounted by a broken arch swan neck moulded pediment, 91" high

Black lacquer and chinoiserie decorated eight day longcase clock, the 12" brass arched dial signed Samuel Harris, London on the silvered chapter ring enclosing a matted centre with subsidiary seconds dial and calendar aperture, with silvered ring dial to the arch inscribed `Tempus Fugit` enclosing an engraved sunburst, the case with long moulded arched door, surmounted by a moulded stepped cornice, 87" high

Mahogany thirty hour longcase clock, the 14.5" painted arched dial signed Radcliffe, Elland, with subsidiary seconds and calendar dials, painted with a young lady playing a harp to the arch, the case with short door surmounted by a swan neck pediment, 97" high

Mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed Skelton Barrett, London on a silver arched plate to the matted centre with subsidiary seconds dial, calendar aperture and strike/silent dial to the arch, the case with moulded arched crossbanded long door surmounted by a rounded arched cornice over a blind fretwork panelled frieze, 83" high

Oak and mahogany eight day longcase clock, the 14" painted arched dial signed A. Coats, Wigan, with moon phase to the arch over subsidiary seconds and calendar dials, the case inlaid with quarter paterae to the base and overall with boxwood and ebony lines, with short pointed arched mahogany crossbanded door, surmounted by a swan neck pediment, 91" high

Mahogany eight day longcase clock, the 12" brass arched dial signed William Wasbrough, Bristol on the silvered chapter ring enclosing a rural engraved centre with subsidiary seconds dial and arched calendar aperture, the arch with silvered boss engraved with an eagle with outstretched wings, the case with long moulded arched door and surmounted by a rounded moulded arched pediment with dentil cornice and three spike and ball finials over a blind fretwork carved frieze, 86" high

Oak thirty hour longcase clock, the 12" painted arched dial indistinctly signed Bowra, Epsom, the arch and spandrels painted with Churches, the case with long arched door and surmounted by a moulded arched pediment with acorn brass finials, 84" high

Good mahogany eight day longcase clock with five pillar movement, the 12" brass arched dial signed Richard Holland, Coventry on a silvered boss to the arch, over a silvered chapter ring enclosing a subsidiary seconds dial and calendar aperture to the matted centre, the case with long moulded arched door surmounted by a pagoda top with pierced foliate gilt metal panel, 96" high

Oak and mahogany eight day longcase clock, the 14" painted arched dial signed Samuel Pirley, Birmingham, with subsidiary seconds and calendar dials, moon phase to the arch, the case with short crossbanded door inlaid with a conch shell, flanked by ring turned pillars and surmounted by a swan neck pediment, 91" high

Walnut and floral marquetry month going longcase clock with five pillar movement, the 12" brass arched engraved dial signed Fromantell & Clark on a silvered boss to the arch over a silent/night aperture, silvered chapter ring enclosing a subsidiary seconds dial, centre alarm dial and calendar aperture to the matted centre, the case with long door, the lenticle aperture covered with a pierced brass oval urn embellishment, decorated overall with birds, urns and vases with flowering foliage, surmounted by a broken triangular pediment over a geometric blind fret frieze, with two lead cased brass weights and pendulum, 95" high

A walnut writing table, the frame blind-carved, the rectangular top inset green leather sciver, three frieze drawers around a shallow arch, square tapering supports, spade feet, circa 1920s, 105cm wide

A George III, figured mahogany and line-inlaid, bowfront small sideboard, one long and two short drawers around an arch to the frieze, brass ring handles, square tapering supports, 92cm wide

** A good early 19th Century mahogany cased eight day Bracket Clock, the 8" silvered broken arch dial signed Trendell, Reading, the chapter ring with Roman numerals and the main dial with strike/silent dial, the twin fusee gilded movement striking on a bell, with gilded carrying handle and on four gilded ball feet, 17" high, together with a mahogany Wall Bracket, illustrated inside front cover