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42009 item(s)/page
A William IV mahogany bracket clock, the 8 inch convex painted dial signed `W.H. Hind, Aylesbury`, with centred twin winding holes within a ring of Roman numerals, the twin fusee movement striking on a single bell, the arch case with leaf and scroll mouldings and brass inlaid stringing, raised on four compressed bun feet, with Gothic arch single panel pierced grills to the sides, 28.5cm wide, 42cm high, 16cm deep
A mahogany Gothic revival four poster bed, circa 1835, the pointed arched foot board bearing the crest of the Pughs of Llanerchydol Hall, Welshpool, the stepped cornice on reeded lappeted turned end columns, on Gothic arch moulded square supports with stepped square collars to the base, united by a pointed arch footboard with central crest within a moulded border, the padded pointed arch headboard between plain uprights united by an arched pierced frieze over a plain slatted base, 184cm wide (72.5inches), 254cm high (100 inches), 209cm long (82.5cm inches) Note: David Pugh of Llanerchydol Hall is believed to have commissioned John Adey Repton in 1820 to gentrify the house. Samuel Lewis recorded the house as a modern castellated mansion beautifully situated on the acclivity of a hill. The Pugh family lived at Llanerchydol from 1776 when David Pugh Senior a local man who made his fortune selling tea in London purchased the site and built a new house to replace the Tudor house that burnt down. A succession of the Pughs lived at the hall until 1912 when the estate was split up, the house was purchased by the Verdon`s who lived at the Hall until 1985 when the property was sold in a state of decay; however recent owners have now reinstated the Hall to its former Gothic revival grandeur.
An early 19th Century Longcase Clock, the brass arched dial inscribed "T Ramsbottom, Criglestone" with phases of the moon aperture and date ring, the arch painted with a rural landscape, in oak case with swans neck pediment, the trunk with quarter round mouldings and shaped door. 7` (214cms) high.
19th century French gilt-metal and porcelain clock garniture, the clock with bird finial above broken arch pediment, the porcelain dial depicting blue-tit and nest to centre, surrounded by gilt metal egg and dart decoration over similar hand-painted panel flanked by cherubs and courting doves below, the garniture urn-shaped vases with gilt-metal ram`s head handles, the porcelain body in the vase hand-painted with birds, the gilt metal base with similar painted porcelain panel, the clock having 8-day bell striking movement, clock 34cm high
19th century oak and mahogany cross-banded long-case clock, the painted broken-arch dial inscribed "THOS. Hardy, Newark", and having castle-painted spandrels and arch, subsidiary seconds dial and calendar arch with 8-day striking movement, the hood with swan-neck pediment and turned pilasters, the trunk with inset quadrant pilasters, 211cm high
A Fine Flemish Baroque Oil on Canvas depicting The Virgin & Child amidst billowing clouds with a worshiper, angel and two cherubs at their feet. The break-arch topped canvas measuring 21½ ins x 13 ins (54.5 cms x 33 cms) and fitted into a fine carved & painted giltwood surround. The dentil moulded architectural pediment centred by a roundel finial initialed RA flanked by sprays of acanthus. The swept sides bearing flaming urn finials nestled upon lavish foliate scrolls with flower head terminals, sweeping down to square canted breakfront corner pedestals surmounted by further urns of gilded flames. The inner border carved with a chain of laurel leaves and headed by a winged amorino, 36½ ins x 21½ ins (93 cms x 55 cms).
A Fine William & Mary High Back Walnut Caned Side Chair. The crested top rail pierced & carved with an arch of C-scrolls and plumes of foliage above a long caned back panel, flanked by fluted & stop-reeded tapering columns leading down to the caned seat. The conforming front rail uniting two S-scroll legs with protruding knops and joined by an unusual double demi-lune stretcher centred by a ball finial.
An 18th century mahogany cased bracket clock, with twin fusee movement, the dial having a gilt silvered chapter ring signed `Chris Pinchbeck, London` encircling a matted centre with pierced gilt brass spandrels to the corners and a strike/silent dial in the arch, the caddy top case with gilt brass handle above an arched glazed door, with pierced fretwork sound holes backed in red silk, the brass movement back plate ornately etched with heraldic crest, standing 42 cm high (minus handle), on squat moulded square feet, 26.5 cm wide x 17 cm deep. Illustrated.
Victorian mahogany longcase clock , broken arch painted dial with rolling moon, figural spandrels personifying the Continents, Roman hours, subsidiary seconds and date rings, signed Summersgill, Preston , two-weight movement on a false plate, in a swan neck hood with twist columns on broad tunk and set-out plinth (no feet) Height 225cm (two weights, pendulum).

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42009 item(s)/page