We found 42009 price guide item(s) matching your search

Quantity of various longcase clock dial corner and arch spandrels; together with an assortment of brass clock fittings

Mahogany three train mantel clock, the Gustav Becker movement striking and playing on five rods, the 7.25" silvered arch dial with chime/silent subsidiary dial to the arch within moulded arch stepped pillared case, 16.5" high (pendulum)

A stripped pine freestanding open bookcase with acorn and oak leaf detail flanking an arch and fixed shelves

An Art Deco style mirror, with a central arch plate flanked by orange stained sides, 96cm high.

A modern silver photograph frame, the rectangular easel frame applied with a painted rocking horse in the arch, with beaded rim. 13cm by 19cm

A modern silver frame, the rectangular easel frame with arch top and embellished with ribbon tied pendant bellflowers. 17cm by 12cm

James Hardy & Co., Aberdeen, a Scottish inlaid mahogany cased 8 day longcase clock, the 12" brass and steel dial, signed in the arch, with subsidiary seconds and date calendar, engraved with scrolling foliage and with spandrels cast with masks, mythical beasts and scrolls, the urn topped hood with swan neck pediment above free standing tapering fluted pilasters, the trunk with fluted quarter columns flanking a figured door centred by a floral motif, the base with shaped apron and raised on bracket feet, with weight, pendulum and case key. 2.12m

Walker, Workington, a mahogany and oak cased 30 hour longcase clock, the 14" dial painted in the arch with ships, the hood with swan neck pediment and free standing pilasters, the broad case raised on bracket feet. 2.35m

A fine Edwardian mahogany vitrine, possibly Waring & Gillow, the central glazed section with arch top, flanked by a pair of fielded arch panel doors with fiddleback veneered panels, over a pair of short drawers, raised on tapering square section legs, joined by a shelf stretcher, terminating in spade feet. 1.92m by 1.36m by 0.41m

An 18th century style oak dresser and rack, the enclosed rack with fret carved and pierced apron above seven spice drawers, the base with three frieze drawers over three short graduated drawers flanked by a pair of cupboard doors with fielded ogee arch panels, fitted with brass backplate handles and pulls. 1.96m by 1.51m by 0.54m

A HENRY VIII CANTERBURY HALF-CROWN (ARCH-BISHOP WARHAM ISSUE) HOLED, Elizabeth I 1561 sixpence and 1570 threepence. (3)

A large modern pine corner cabinet, the upper section with Gothic style arch and two shaped shelves on a base of two panelled cupboard doors

A GEORGE III OAK LONGCASE CLOCK by John Smith, Bungay, the case with long arch door above a rectangular plinth, the hood with turned tapering pilasters surmounted by a fretwork frieze, the brass arch dial with silvered chapter ring, with Roman and Arabic numerals, inscribed `I Mark Time Doest Thou` with a subsidiary seconds dial and date aperture, with a two-train movement striking on a bell, 87" high

A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, with brass dial signed `Richardson Weverham`, the silvered chapter ring surrounding a central subsidiary seconds dial and date dial, with an eight-day two-train movement striking on a bell, the flat top hood with a painted wooden panel, signed `J. French, Cabinet Maker, Weaverham`, the dial flanked by turned fluted columns, the tall trunk with an arch topped door between quarter recessed columns, on a conforming base, 79" high

A GEORGE III OAK LONGCASE CLOCK, the brass dial beneath a tablet inscribed `James Greene, London` the dial with subsidiary seconds dial and date aperture, with a two-train eight-day movement striking on a bell, the arch top with scrolling cornice, the door flanked by turned columns, the trunk door with a central inlaid panel of a bird amongst foliage, 84" high

A GEORGE III LONGCASE CLOCK, the brass spandrels, with a thirty hour movement striking on a bell, the case with arch topped door flanked by quarter recessed columns, 83" high

A GEORGE III MAHOGANY LONGCASE CLOCK by Nathaniel Brown of Manchester, the silvered chapter ring with Roman numerals enclosing a subsidiary seconds dial and date aperture, the arch with a moon phase, with a two-train eight-day movement striking on a bell, the hood with swan-neck pediment above painted panels, the door flanked by fluted columns, the trunk with similar quarter recessed stop-fluted columns and tall arch topped door, 90" high

An early 19th Century oak longcase clock with painted arch dial for a 30 hour movement, movement missing, 211cm high

A mid Victorian mahogany wardrobe, internally fitted with drawers and applied arch door mouldings, 208cm high x 141cm wide x 62cm deep

Two 19th century engravings, inc. a view of Tanfield Arch, Co Durham in a period frame

A collection of religious items and wax seals, including a silver and coral rosary, a silver crucifix, a white metal pencil, a cased wax seal for Henry Edward Manning - Arch Deacon of Chichester, other wax seals and items (parcel) well worth a look!

A ROMAN REPUBLIC SILVER DENARIUS 114-113 BC, MN. Aemilius Lepidus, Laurated Head of Roma, (XVI in monogram) before, rev. MN Aemilio (MA in monogram) Equestrian statue, the Horseman holding spear, on base formed by triple-arch containing L E P, Sear 168 v.f/g.v.f

A SILVER DENARIUS, of Octavian OBV. Octavian rev. Actian Arch v.f, two small marks on cheek of Octavian, struck off centre, Sear 1558

Chinese carved ivory puzzle ball on stand and an ivory centre group in arch form on wood stand

Early nineteenth century mahogany and ebony stick barometer with concealed mercury tube, domed reservoir and arched top, turned ivory knob top, silvered scale signed - 'Dolland, London', 94cm overall CONDITION REPORT General overall condition good. Minor surface wear and scratching commensurate with age and use. Veneer is cracked across top of arch and top left hand side of case. Dial silvering is in good condition. Brass upper tube mount tarnished

Late eighteenth century longcase clock with thirty hour movement, fourteen inch painted break arch dial with floral spandrels, subsidiary second and calendar dials, signed W Flather Halifax, break arch decorated with scene of shepherd and dogs, in an oak and mahogany case with short trunk door and large shaped plinth hood with large central door, plain turned columns, box and spire finial and swan-neck pediment with brass rosettes, 229cm overall height

Victorian Westminster chime bracket clock with six pillar, triple fusee movement on five gongs, engraved silvered break arch dial, signed J. W. Benson Ludgate Hill London, with subsidiary strike silent dial, in a Gothic architectural Cathedral-style oak case with Gothic window, pierced side frets, 75cm overall height CONDITION REPORT Good overall condition. Movement clean and working. Silvered dial is streaked. Case good condition, no visible signs of any major damage

Baxter colour print, "Flora", arch, trimmed, gilt frame, in a secondary frame.

A 19th Century oak longcase clock by William Ross of Dover, the 12ins arched painted dial with Roman numerals and subsidiary seconds dial, the arch painted with a view of a three masted sailing ship and with floral spandrels to the eight day two train movement striking on a bell, contained in oak case with moulded cresting and plain turned pillars to hood, arched trunk door, on bracket feet, 85ins high Note: William Ross appears in Dover Apprentices lists as starting his indentures in 1827, but nothing else is known

A late Victorian walnut overmantel mirror, the broken arch cornice carved with a fan above a rectangular plate on scroll carved plinth base, 115cm high x 120cm wide. To be sold on behalf of the Royal Holloway University. Please note: Photographic representation of this lot is an example only, conditions may vary

A late Victorian walnut overmantel mirror, the broken arch cornice carved with a fan above a rectangular plate on scroll carved plinth base, 115cm high x 120cm wide. To be sold on behalf of the Royal Holloway University. Please note: Photographic representation of this lot is an example only, conditions may vary

A late Victorian walnut overmantel mirror, the broken arch cornice carved with a fan above a rectangular plate on scroll carved plinth base, 115cm high x 120cm wide. To be sold on behalf of the Royal Holloway University. Please note: Photographic representation of this lot is an example only, conditions may vary

A late Victorian walnut overmantel mirror, the broken arch cornice carved with a fan above a rectangular plate on scroll carved plinth base, 115cm high x 120cm wide. To be sold on behalf of the Royal Holloway University. Please note: Photographic representation of this lot is an example only, conditions may vary

A late Victorian walnut overmantel mirror, the broken arch cornice carved with a fan above a rectangular plate on scroll carved plinth base, 115cm high x 120cm wide. To be sold on behalf of the Royal Holloway University. Please note: Photographic representation of this lot is an example only, conditions may vary

A late Victorian walnut overmantel mirror, the broken arch cornice carved with a fan above a rectangular plate on scroll carved plinth base, 115cm high x 120cm wide. To be sold on behalf of the Royal Holloway University. Please note: Photographic representation of this lot is an example only, conditions may vary

A late Victorian walnut overmantel mirror, the broken arch cornice carved with a fan above a rectangular plate on scroll carved plinth base, 115cm high x 120cm wide. To be sold on behalf of the Royal Holloway University. Please note: Photographic representation of this lot is an example only, conditions may vary

A late Victorian walnut overmantel mirror, the broken arch cornice carved with a fan above a rectangular plate on scroll carved plinth base, 115cm high x 120cm wide. To be sold on behalf of the Royal Holloway University. Please note: Photographic representation of this lot is an example only, conditions may vary

A 19th century pine bookcase, with moulded cornice above two arch glazed doors, 101cm high x 120cm wide x 36cm deep

A later 20th Century French clear crystal table centre bowl with circular fluted body pulled to a high arch, unmarked, height 23 cm.

A later 20th Century Brierley Crystal pedestal bowl of shallow circular form cased in ruby over clear and flash cut with a repeat Gothic arch panel design, height 17 cm by 19 cm.

A mid 19th Century clock picture, painted as arch with figures to the foreground and windmill in the distance, the reverse opening to reveal an early additional fob watch mechanism, 19cm x 28cm, framed.

A Victorian mahogany twin pedestal sideboard with an arched upright with acanthus scrolls above a serpentine fronted top and three frieze drawers, each pedestal fitted with an arch panel fronted cabinet, 200cm wide by 160cm high.

A 20th Century stripped pine dresser and rack, fitted with three frieze drawers, over a cupboard base centred by an arch, on plinth base, 138cm wide.

Twentieth century oak glazed bookcase, the arch top above a pair of glazed leaded light doors enclosing adjustable shelves with cupboard below, raised on bracket feet, width 91cms

A late Regency brass inlaid rosewood firescreen, with acanthus carved reeded handle to the arch top, woolwork tapestry panel depicting exotic animals and plants on splayed acanthus carved feet, 120 cms high by 56cms wide

Coloured engraving - Le Bas After Le Roy Arch "Vue du Dromos de Sparte" (Plate 14) in margin, 30 x 46cms, mounted, framed and glazed

* Martin (John, 1789-1854). Bridge over Chaos, mezzotint on laid paper, a proof of the small plate version of Paradise Lost by John Milton, printed by J. Lahee, and published by Septimus Prowett, 1826, a good dark impression in good condition, with thread margins, plate size 193 x 267mm (7.65 x 10.6ins), framed and glazed with William Weston Gallery label to verso, together with The Appearance of the Arch Angel Michael, mezzotint on laid paper, a proof from the small plate version of Paradise Lost by John Milton, printed by Chatfield & Co., and published by Septimus Prowett, 1826, a good strong impression in very good condition, trimmed to margins, plate size 192 x 270mm (7.6 x 10.6ins), framed and glazed (2)

* Osborne (Malcolm, 1880-1963). Admiralty Arch, drypoint etching looking through Admiralty Arch towards Buckingham Palace, signed in pencil to lower margin, plate size 21.9 x 26cm (8.75 x 10ins), framed and glazed, together with Holyrood Church, Stirling, drypoint etching, signed in pencil to lower margin, plate size 26 x 20cm (10 x 8ins), framed and glazed, plus Semur, Burgundy, drypoint etching, signed in pencil to lower margin, plate size 21 x 37cm (8.25 x 14.5ins) (3)

* Walcot (William, 1874-1943). Oxford Street from Marble Arch, etching with drypoint, signed in pencil to lower margin, 14 x 22cm (8.5 x 5.5ins), framed and glazed (1)

A lead glazed table top atrium, arch shape with mirror back, 43cm.

Thomas Roycroft of London. An early 18th century black lacquered eight day longcase clock, the 12 inch brass dial with associated arch, subsidiary seconds and date aperture, five pillar movement with anchor escapement, case with gilt chinoiserie landscape decoration, 8ft 4in.

An Edwardian silver seven bar toast rack, with arch shape dividers, on ball feet, indistinct maker`s mark, Sheffield, 1902, length 6.25in, 7 oz.

A Mahogany 8-Day Striking Small Arch Topped Mantel Clock with inlaid stringing, round silvered dial with Arabic numerals on ogee feet, 20cm high

ARR Philip Reeves ARSA RSA RSW RE ARCH (1931 - 1991) `Landscape Loch Fyne` Pen, signed bottom right, 21 x 60cm

A Russian niello and silver brooch, designed as an arch from which a bell is suspended, approx. 3cm, hallmarked St. Petersburg, circa 1890.

An oak longcase clock with arch top hood, the trunk with fluted capitals to the sides, fitted a circular steel dial with eight-day striking and chiming movement

An Edwardian mahogany arch top mantel clock inlaid an oval patera and boxwood stringing, fitted an eight-day movement striking on a gong, 32cm (12.5") high

A good late 19th century black slate and bronze mantel clock by Elkington & Co, the domed case with central circular dial set with Roman numerals and decorated with twin bronze plaques and bronze figures with French movement and raised on stepped brass feet, length 57cm. CONDITION REPORT: Small chips to front left and back right corners. Chip to rim of top arch at front, 2 inches to right of centre.

An early 19th century oak and mahogany crossbanded longcase clock, the hood with broken swan neck pediment above half cut pilasters and arch painted dial set with Roman numerals, inscribed "Thos Glase Bridgenorth", with short arched inlaid door, rectangular plinth base and bracket feet, with eight day movement, height 217cm.

A Longton Hall coffee can of cylindrical form with rustic branch handle, painted in ‘Castle Painter’ style with buildings, a ruined arch and an obelisk, ‘C’ mark in manganese, circa 1755, 6.5 cm high, tiny crack, part of one leaf missing.