We found 42009 price guide item(s) matching your search

david George Fawcett A.T.D., F.R.S.A. (1935-1973) Bradford Street Scene in Winter, with a figure under the arch of a bridge, buildings nearby signed verso, oil on hardboard, 51cm by 84.5cm, unframed david George Fawcett was born in Bradford and met David Hockney at school there. Along with David Oxtoby they attended art school together in Bradford and subsequently in London at the Royal College of Art. After college they remained very good friends with David Hockney staying with the artist at various times, sharing an art studio in Kent. He also exhibited at the Royal Academy. Hockney was best man at his wedding in 1958. He was killed in a plane crash in March 1973. See illustration

19th century burr walnut and gilt metal overmantel arch top mirror inlaid with boxwood stringing, 59" x 49"

Good mahogany eight day longcase clock, the 12" arched brass dial signed John Grant, Fleet Street, London, with subsidiary seconds dial and calendar aperture to the matted centre, with strike/silent dial to the arch, five pillar movement with anchor escapement, within a handsome figured mahogany case with long cockbeaded moulded door flanked by quarter fluted ormolu mounted columns and surmounted by an arched moulded hood, 87" high (with two brass cased weights)

Pair of 19th century giltwood and gesso mirrored wall brackets, with arch shaped plates over open shelves and decorated in relief with flowers, foliage and birds, each 22" x 8" approx

An Edwardian triple panelled dressing screen, the shaped crested arch mahogany frame with sectional navette shaped glazing above cloth screen depicting classical scenes, 183 x 46 cm (each panel).

An early 19th Century mahogany long case clock, the broken swan neck pediment over arched door enclosing the arch painted dial with date and seconds hand, the case with long door with inlay reeded pilaster decoration.

A silver salver, George Jackson & David Fullerton, London 1904, of rounded hexagonal form, with anthemion and gadrooned rim, enclosing persian style ogee arch and floral chased decoration, raised on three ball and claw feet, bearing stamp for ‘Sussex goldsmiths Co. Brighton’, 20.5cm wide, weight 14oz

A George III Longcase Clock, the 8-day movement with foliate engraved brass dial, seconds dial, date arch, by George Gwyn, Ramsbury, the arch with strike/silent dial, rococo scroll spandrels, contained in mahogany case with swan neck pediment, 229cm high

A George III stick barometer, the exposed tube with brass plates, vernier, signed S.Bossi, with thermometer to the side, the mahogany case with ebony stringing and broken arch pediment, glass and cistern cover missing, 95cm high.

A pair of Victorian mahogany pot cupboards, each with shaped three-quarter gallery above arch fielded panel door enclosing shelf, on plinth base, 40cm wide. (2) One bearing metal label for Brew and Claris Manufacturers, 20 Finsbury Place, London.

GEORGE III OAK LONG CASE ARCH DIAL CLOCK BY MARTIN HALL, YARMOUTH, THE TWIN TRAIN EIGHT DAY MOVEMENT WITH MOON PHASE AND SECONDS DIAL

A Staffordshire Pottery Figure group, modelled as two theatrical figures on a bridge, before a bough encrusted with shredded clay vegetation, a swan under the arch.

A GEORGE III MAHOGANY LINNET CAGE with break arch pediment, feeding tray and wirework front, with bone handle and bun feet, 17 1/2" wide

A PAIR OF ANTIQUE VENETIAN GREEN AND GILT PAINTED MIRRORS each with break arch pediment, mask and scroll mounts, 26" x 11 1/2" overall

A VICTORIAN MAHOGANY BOOK CASE in two parts, the interior of the upper half fitted three shelves, enclosed by glazed panel doors, with break arch pediment and cupboards below, fluted pilaster, arched panel doors and ogee bracket feet, 32" wide

A LARGE GEORGE III MAHOGANY ASTRAGAL GLAZED BOOKCASE with broken arch pediment, dentil pediment, blind carved frieze, over a pair of astragal glazed doors enclosing shelves, upon a base with folding flap, fitted interior, over two short and three long graduated drawers with brass handles and supported on bracket feet. 3ft 8ins wide.

A GEORGE III MAHOGANY LONGCASE CLOCK with square brass and silvered dial by Morris of Dublin with seconds dial and date aperture in an inlaid mahogany and satinwood case with break arch pediment, dial 12" diameter x 84" high (see illustration)

A fine Regency period mahogany and brass musical and quarter chiming bracket clock By Barrauds of London the enamelled dial with Roman chapters signed Barrauds, Cornhill, London and numbered '867', the arch with subsidiary dials for chime/silent and six tune selections, the similarly signed three train fusee and chain movement with anchor escapement, chiming the quarters on ten bells and playing one of six tunes at every hour on thirteen bells, the backplate and the pendulum bordered by foliate engraving, the pagoda top case with ball finials, fish scale fretted frieze above two similarly fretted door panels, the arched and glazed front between brass strung canted uprights flanked by twin pull-cords and leaf cast carrying handles, the skirted brass bound apron on brass ball feet 35cm wide, 65cm high, 25cm deep Literature: see Cedric Jagger, Paul Philip Barraud Antiquarian Horological Society 1968, and the supplement of 1979.

A George III period mahogany longcase clock the key fret carved swan neck pediment above brass dial with matted centre, subsidiary calendar aperture and seconds dial, the Roman and arabic chapter ring flanked by rococo cast spandrels, signed James Cowan to the arch, above a strike/silent lever with an anthemion and leaf scroll engraved escutcheon, between corinthian pilasters, the arched trunk door between caddy moulded uprights, on shaped apron and bracket feet the twin train movement striking the hours on a bell 223cm high

An early 19th century mahogany eight day longcase clock the twin train movement striking on a bell, the white enamelled dial with Roman chapter ring, subsidiary seconds and date dials, floral painted spandrels, with painted moonphase dial to the arch, the hood with swan neck pediment and gadrooned urn finials, above arched glazed door flanked by spirally reeded columns and demi columns, the case with triple arched trunk door flanked by spirally reeded columns, on panelled base with circular mouldings and bracket feet 236cm high

A late 19th century walnut musical longcase clock In the Gothic taste the crocket carved pediment with spire pilasters flanking a circular engraved brass and silvered dial with Gothic chapters and levers for silent/chime, Westminster/Whiltington chimes, with a subsidiary seconds dial in the arch, the three train movement chiming on nine tubular bells, the glazed lancet arched trunk door between Gothic uprights on a stepped plinth base 60 cm wide, 238 cm high, 40 cm deep

A fine 18th century blue japanned month-going longcase clock By Hugh Richards of London the twin train movement with anchor escapement striking the hours on a bell, the pagoda top with ball finials above a silvered roman and arabic chaper ring, the matted centre with subsidiary seconds dial and calendar aperture flanking maker's name plate, within rococo cast spandrels, the arch with an international time zone dial decorated with stars and Roman chapters, indicating times for (inter alia) Dublin, Cape Clear, Zealand and Amsterdam, the arched trunk door above a skirted plinth base raised on block feet, the whole decorated with ho-ho birds and scenes from Chinese courtly life 240cm high Property of a private Surrey collection.

A George I period carved giltwood wall mirror the egg and dart moulded broken arch pediment with a central pierced shell, the interlinked foliate scroll moulded frame enclosing a bevelled upper and lower plate 52cm wide, 137cm high

An unusual George I period walnut bureau-bookcase, incorporating an automaton musical clock movement by Christopher Pinchbeck the upper portion with broken pediment and pierced brass fretwork incorporating musical trophies amongst exotic birds and foliage, enclosing painted dial signed CHRISTOPHER PINCHBECK, LONDON, the triple train movement with anchor escapement, the brass chapter ring with Roman and Arabic numerals, pendulum and calendar apertures, subsidiary seconds and tune dials, painted with a lady and her lover to the arch, the lady playing the harp and the gentleman singing from a music sheet, with a glazed arched door above a pair of bevelled plate glass doors enclosing a cupboard, above a long drawer, the associated base with fall front enclosing drawers and pigeonholes above two long drawers on squared cabriole legs 92cm wide, 233cm high, 85cm deep Note: The musical elements of this clock are now missing.

A George II period giltwood wall mirror the broken arch pediment with a central floral vase, below is a later bevelled mirror plate within a leaf carved inner frame with outer tassels, the shaped apron with a central shell motif (losses) 57cm wide, 117cm high

A late 18th century 8-day long case clock, the painted broken arch dial with raised Arabesques marked in both Roman and Arabic numerals, the mahogany case with an arched top hood, 204cm (80in)

An early 19th Century oak cased longcase clock, the 13ins arched painted dial with domed centre decorated with Roman numerals, subsidiary seconds dial and date aperture, the arch decorated with a haymaking scene and cottages to spandrels to the eight day two train movement striking on a bell, contained in oak case banded in mahogany, shaped cresting and turned and fluted pillars to door, shaped trunk door and fluted quarter columns, on bracket feet, 88ins high

An early 20th Century mahogany longcase clock of 18th Century design, retailed by H. Grantham of Manchester, the 10ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds and date dials and showing phases of the moon to arch, to the eight day two train movement striking on a bell, contained in mahogany case with arched and moulded cornice and turned and stop fluted columns to hood, shaped, crossbanded and figured veneered trunk door flanked by fluted quarter columns, astragal panelled plinth and on ogee bracket feet, 83ins high

A late 18th Century oak longcase clock by Baddely of Albrighton, the 12ins arched silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch and spandrels finely engraved with leaf scroll designs to the eight day two train movement striking on a bell, contained in case later carved with a standing figure of a soldier, mask, leaf scroll and scale designs, with scroll pediment and turned and fluted pillars to hood, the shaped trunk door with fluted quarter columns, on bracket feet, 91ins high Note : Thomas Baddeley recorded working Albrighton 1795

A late 18th Century mahogany longcase clock by Henry Williams of Lancarvan, the 12ins arched brass dial, the wide silvered chapter ring with Roman and Arabic numerals and subsidiary seconds dial and date aperture, with engraved and textured dial centre, showing phases of the moon to the arch and indicating high water at Aberthaw Key to the eight day two train movement striking on a bell, contained in mahogany case with shaped and moulded pediment and later fretted frieze panel and turned and fluted pillars to hood, shaped trunk door flanked by fluted quartered columns, on bracket feet, 85ins high Note : Henry Williams recorded working Llancarfan, born 1727 in Gloucestershire, active from 1753, died 1790

An 18th Century mahogany longcase clock by John Fladgate of London, the 12ins arched brass dial with silvered chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture and with strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in mahogany case with caddy top and turned, fluted and brass stopped pillars to hood, arched trunk door and plinth with raised rectangular panel, on bracket feet, 92ins high Note : John Fladgate recorded working Conduit Street, London, Apprenticed 1743, Clockmaker and died 1781. For a period up to 1775 he was in partnership with Richard Wilder as Fladgate & Wilder. The business was carried on by his widow to 1793

AN OAK MANTEL CLOCK, GUSTAV BECKER the 13.5cms arched silvered dial with Arabic numerals, Regulation and Chime/Silent dials in the arch, the three train movement chiming on four gongs and striking on a larger gong, the case with twist turned pillars and ogee bracket feet, 33cms high (with pendulum & key)

A MAHOGANY LONGCASE CLOCK CASE to accommodate a 13 inch broken arch dial with shaped pediment on turned pillars, long trunk door and panelled plinth, 87" high

AN OAK & MAHOGANY LONGCASE CLOCK, PETER BARRATT, St Day, the 33cms broken arch brass dial signed on a silvered medallion in the arch as above, with silvered chapter ring, Roman numerals, Arabic five minute intervals, matt centre with subsidiary seconds dial, gilt pierced foliate spandrels, the four pillar movement with anchor escapement, rack striking on a bell, the case with swans neck pediment on fluted pillars, long trunk door flanked by fluted pilasters, panelled plinth and ogee bracket feet, 88" high (with pendulum, weights and case key)

A late 19th Century mahogany stick barometer of plain form with ivorine arch top register above conforming thermometer, length 91.5cm. ILLUSTRATED.

A 19th Century tortoise and ivory shell toilet swing mirror with scroll feet and ivory urn finials to side supports, all below arch top pediment, 33cm high, ILLUSTRATED.

A modern oak cased Admiral Fitzroy barometer with brass back plate and moulded broken arch top pediment, length 106cm.

A late 19th to early 20th Century oak bookcase of small proportions, with a carved cornice and double arch panelled doors above the base section fitted with a single frieze drawer and double door cupboard, detailed with 'Green man' mask mounts, all raised to bulbous turned front legs, 94cm wide x 171cm high.

An early 19thC painted arch dial eight day striking oak longcase clock, having swan neck pediment, mahogany banding , the dial with subsidiary seconds & date aperture, inscribed by 'James Thomas, Newton Abbott', standing on plinth base, Height 82"

A Pair of French Cut Steel Shoe Buckles, another pair of French cut steel shoe buckles, a cut steel tiara shaped brooch (no pin), and another cut steel arch shaped brooch (no pin) (6)

A William IV Mahogany Longcase Clock, the arched hood with swan neck pediment and spiral turned pilasters above an arched panel door and similar base, the painted dial inscribed 'Thomas Evans, Bangor', the arch painted with a young girl with dog, with Roman numerals and subsidiary seconds dial and date aperture and with eight-day two train striking movement on a bell See illustration

A Reproduction Oak Side Cabinet, with frieze drawer above an arch carved panel door raised upon turned legs with stretchers

An Early 19th Century Mahogany Linen Press, the shaped moulded cornice above two arch panel doors, the lower section with two short and two long drawers with oval brass handles, raised upon outswept legs See illustration

Shaped mirror, urn finials, arch top

George III mahogany longcase clock with brass and silvered dial with strike/silent in the arch, subsidiary second hand and date dials, by Peter Smitton, London, eight day striking movement, 86.5" high h: 86.50 in.

8 day arch dial clock in cross banded and inlaid oak case c.1830

A mid 20th Century Burr Walnut cased Mantel Timepiece, the arched case with a single glazed and arched panel and raised on four compressed lacquered Brass feet, to an arched Brass dial with matt finish, signed to the arch “Tempest Fuget” over a Roman chapter ring and further blued steel fleur de lys hands, to a circular Brass movement with lever platform escapement, height 7”

A late 18th Century Oak Cased 8-Day Long Case Clock, Rd Stimson of Ely, the arched hood with pagoda pediment and acorn finials, over ¾ columns, to an ogee throat and long shaped trunk door, and plinth base (reduced), to a 12” arched brass dial, signed to a boss in the arch within cast and applied floral and foliate spandrels, enclosing a Roman and Arabic chapter ring to a matted centre with sunk subsidiary seconds and date sector and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 79 ½”

A late 18th Century Oak cased 8-day Long Case Clock, Thos French of Norwich, the arched hood with overhanging cornice to ¾ columns and ogee throat with long arched trunk door and plinth base, to a 12” arched Brass dial with strike silent subsidiary to the arch, flanked by dolphin spandrels and further spandrels depicting the four seasons, enclosing a Roman and Arabic silvered chapter ring with matted centre and subsidiary seconds, date sector and applied name plaque, to a movement united by four knopped pillars with anchor escapement and strike on a bell (case and movement associated), height 80”

A 3rd quarter of the 18th Century Mahogany Cased 8-Day Long Case Clock, W Clark of York, the arched hood with overhanging cornice, free standing columns and ogee throat with plain frieze to a long arched trunk door and plinth base, to a 12” arched brass dial, signed to a date subsidiary in the arch, over cast and pierced floral, foliate and urn spandrels, enclosing a Roman and Arabic chapter ring with matted centre and subsidiary seconds with blued steel hands, to a movement with plates united by four knopped pillars and anchor escapement, strike on a bell (movement and case associated), height 85 ½”

A late 18th Century Oak Cased 8-Day Long Case Clock, John Wenham of Dereham, the arched hood with “Whale Tail” pediment and overhanging cornice over plain ¾ columns to an ogee throat, and long arched trunk door with plinth base (reduced), to a 1st period painted dial, with river scene to the arch, over gilt highlighted gesso floral spray spandrels, enclosing a Roman and Arabic chapter ring, and further to subsidiaries for date and seconds with pierced steel hands, to a movement with plated united by four knopped pillars and anchor escapement, strike on a bell, height 82”

A giltwood and gesso pier mirror, the broken arch pediment centred a leaf carved cartouche, the frame with a punched and matted ground and acanthus relief carved decoration, the shaped bevelled plate above a shaped apron carved with plumes of feathers, the back with a trade label inscribed 'W. S. Spanton, Carver and Gilder, Picture Frame Maker and Printseller, 16 Abbeygate Street, Bury St. Edmunds', 18th century and later, 42.5in (108cm) h, 22.75in (57cm) w.

A late Victorian satinwood and painted china display cabinet, all over decorated ribbons, flowers, and trophies, the broken arch pediment above an astragal glazed door enclosing shelves, above two cupboard doors painted ladies in oval panels, to swept feet united by an undertier, 73in (185.5cm) h, 32.5in (82.5cm) w, 12in (31cm) d. One cupboard door warped.

A George IV mahogany open bookcase cabinet, the broken arch pediment with rosewood panels and acorn finials above an open bookcase with adjustable shelves and nulled edges, the conforming base with a pair of pleated silk and brass grille doors enclosing two adjustable shelves, on turned ebonised bun feet, 85.5in (217.2cm) h, 46.25in (117.5cm) w, 13in (33cm) d.

Robert Shaw, Irish, late 18th century- "Plan and Elevation of a Bridge.. to be built over the River Liffey at Island Bridge, Dublin"; pen and black ink wash, signed and with inscription, 31x42cm: together with two other late 18th century architectural bridge designs/proposals for the Island Bridge over the River Liffey, Dublin, by different hands, both pen black ink and watercolour, each with inscription and one signed Turnhale, Note: Island Bridge and the surrounding area are named, because of the island formed at the junction of the Camac and Liffey rivers. In 1577, during the reign of Queen Elizabeth I of England, while Sir Henry Sidney was Lord Deputy of Ireland, an arched stone bridge was built here to replace an earlier structure nearby at Kilmainham. This bridge was swept away by a flood in 1787, and in 1794 the replacement bridge, that is standing today, was constructed. The structure is a single 32-metre span ashlar masonry elliptical arch bridge and was originally named Sarah's Bridge after Sarah, Countess of Westmoreland and Vice-Queen of Ireland, wife of the then Lord Lieutenant of Ireland, John Fane, 10th Earl of Westmorland, who laid the first stone on the June 22, 1794. The bridge was renamed Island Bridge in 1922 following independence of the Free State, similarly to many other Dublin bridges named for British peers. (3) (unframed)

A George III style lacquered brass serpentine fronted fire curb, with foliate and gothic arch decoration, on three paw feet, width, 142cm.

* A wainscot oak panel, carved with a central figure of St.Paul, within an arch, and other emblems, height, 138cm, possibly 17th century, together with an Indian hardwood door panel, (2).

A George III oak and mahogany cross banded longcase clock, with painted dial and thirty hour movement, the hood with broken arch pediment decorated with a dentil cornice above fluted pilasters and an arched panelled door, the trunk below decorated with cross banding and inlaid shell motif, flanked by reeded pilasters, raised on bracket feet, 19in. x 81in. high.

An oak bracket clock with carved fish scale decoration to the cornice above the silvered dial and roman numerals, with regulator and chime silent to the arch, enclosed by a glazed panel door, fitted eight day movement, by Lenzkirch, striking on five gongs, raised on a plinth base, 12in. x 18in. high.

A Victorian mahogany gentleman's wardrobe, 19th century, the central chest with two short and five long graduated drawers flanked by two taller wardrobes with shaped cornice above arch panelled flame mahogany doors enclosing hanging rail, hooks and one internal drawer, two labels inside read Manufactured by J. Manuel, 89 Devonshire St, Sheffield, & Bowman Bros, Complete House Furnisher's, Camden, 195 x 223 x 64 cm.