We found 42009 price guide item(s) matching your search

E Engelheart - A N African scene with figures beneath an arch, watercolour, signed lower left, 24 x 29 cm

Eight day longcase clock with painted dial inscribed Smith, Pittenweem, with rocking ship in the arch, in mahogany case with inlaid shell, boxwood stringing and banding and scroll pediment. Condition Report Wilson, false plate. Generally good condition. The rocking ship dial looks original, almost certain. The dial has been either nicely restored or is very clean. Rocking ship appears original. The case is good, has minor veneer variations. Rear feet detached but present.

Attributed to John Warwick Smith, (British 1749-1831) "Shepherd in rural landscape"Painted depicting a shepherd and flock before a stone arch way and rural plains, unsigned, 48x59cms, oil on canvas, framed. CONDITION REPORT: Painting has undergone some restoration and appears to have been relined and cleaned.Under ultra violet light, the lower section fluoresces green only, indicating only small amounts of the original natural varnish remains. It appears the painting has been revarnished.Small area of overpaint to the sky area. Overall restoration, however appears to be sympathetic.

A late 19th Century T. Saunders of Dorchester Mahogany aneroid barometerThe scroll arch case, with silvered circular dial and mercury thermometer, 103cm long.

A superb late 18th early 19th c. walnut, Queen Anne design, Triple Overmantle Mirror having a central arch top wide pane flanked by similar smaller panes in elegant ogee moulding, good patina, 54'' w x 21'' h.

An early 19th c. Oak wall hanging Corner Cabinet, having moulded cornice over the single door with applied arch top moulded panel, opening to reveal three shaped shelves and original lock, brass 'H' hinges, plain sides and on lower moulding. 30" wide x 40" high x 20 1/4" deep.

A late 18th century 8 day longcase clock, oak and mahogany case with full length door, quarter reeded columns surmounted by a swan necked pediment and brass paterae, ogee feet, the painted dial signed for George Monks of Prescot and having rolling moon dial to the arch, false plate cast name looks to be Wilson, though has been cut out for the moon work which is consistent with the dial style and colours, 8-day two-train bell striking movement with two cast iron weights and pendulum. Est £600 - £800

A contemporary grandmother longcase clock, Westminster chiming triple weight driven movement, brass arched dial with applied chapter ring and Tempus Fugit to the arch, mahogany stained wooden case with glazed opening doors.Estimate £60 to £80

A contemporary granddaughter clock, Westminster chiming spring wound movement by Metamec, square brass dial with applied chapter ring and corner spandrels to the arch, mahogany stained wooden case with opening doors to the hood and trunk.Estimate £60 - £80

Fritz B Althaus (Exh.1881-1914): 'Natural Arch Torquay', watercolour signed and dated 1902, 32cm x 49cm Condition Report Click here for further images, condition, auction times & delivery costs

A SETH THOMAS WESTMINSTER CHIMES BRACKET CLOCK WITH MOON PHASE DIAL, mahogany case with break arch door and carry handle, eight day floating balance movement, H 36 cm, W 25 cmCondition Report:Case has been re-varnished.

An Edwardian mahogany miniature longcase clock the break arch brass dial with Roman chapter ring and matted centre, the timepiece drum movement with platform lever escapement. The hood with side frets and Corinthian columns, conforming trunk, patera inlaid door and base, 62cm high

A scarlet japanned eight day longcase clock the 12" brass break arch dial with silvered Roman chapter ring, Arabic five minutes and stylised fleur-de-lys half hour marks, signed Jno. Shaw, London, matted centre with subsidiary seconds and date aperture, mask spandrels and strike/silent ring to the arch and five pillar movement. The dome top moulded stand up hood with turned pillars over a break arch trunk door with gilt chinoiserie decoration upon a single skirt base, 248cm high

A 19th Century mahogany wheel barometer the 7 1/2" silvered dial signed C Gatty, No.89, Leather Lane, Holborn, with spirit tube thermometer, the case with rosette and shell inlay, break arch pediment and boxwood stringing, 96cm high

An oak boardroom bracket clock the arched silvered Roman dial signed Thomas Gammage & Son from James McCabe's, 1 St Michaels Alley, Corn Hill, London, 3818, with strike/silent ring to the arch. The substantial signed and numbered triple fusee chain movement chiming the quarters on four coiled gongs and striking the hours on a further gong, anchor escapement and pendulum hold fast. The break arch case mounted with five cast and gilded brass finials over plain turned columns, the sides with sound frets and quatrefoil motifs to the moulded inverted breakfront base, 80cm high, together with an associated bracket with pendant finials and scroll carved fielded panel.

A George III green japanned eight day longcase clock the 12" brass break arch dial with silvered Roman chapter ring, fleur-de-lys half hour marks, Arabic five minutes, matted centre with subsidiary seconds, engraved date aperture and ringed winding holes, with mask and scroll spandrels, the arch with convex disc signed Thomas Milner, London, flanked by dolphin mounts, the hood with plain pillars over a break arch trunk door with gilt chinoiserie decoration, 205cm high

A Regency ebonised bracket clock with painted convex Roman dial, twin train fusee movement with bell strike and anchor escapement, the shouldered plates signed John Thwaites & Co, London, the break arch single pad top case with a swing handle over front scroll and side fish scale brass frets, moulded skirt base raised upon gilt brass ogee bracket feet, 42cm high handle down

An Irish mahogany eight day longcase clock the brass break arch dial with Roman chapter ring, Arabic five minutes, signed Robt. Welsh, Ballymena, the foliate engraved centre with subsidiary seconds and date arch, rococo spandrels and later applied arch with simple engraved moon and stars, the hood with dentil moulded swan neck pediment with applied rosettes flanking a classical urn over fluted columns, conforming trunk, quarter columns and shaped top trunk door, the base with canted fluted corners raised upon bracket feet, 237cm high

An oak eight day longcase clock the 12" square brass dial with Roman chapter ring, subsidiary seconds and date arch, signed Barrow, Ross, with cherub and coronet spandrels, the hood with scroll pediment over plain brass capped pillars, mahogany crossbanded short door and plain base with bracket feet, 210cm high

A Sheraton revival mahogany aneroid wheel barometer with spirit tube thermometer, the patera inlaid case with break arch pediment, brass urn and checker strung border, 99cm high

A Chippendale style mahogany grandmother clock the brass break arch dial with silvered Roman chapter ring, Arabic five minutes, signed J Stevenfon (sic) Stafford, foliate scroll engraved centre, eagle and urn spandrels, the arch with rolling moon and subsidiary strike/silent and silent/chime dials, the substantial three train movement chiming on four tubular gongs and striking on a further gong. The foliate applied hood with swan neck pediment, three turned finials and fluted pillars and brass fish scale side frets over a pendant moulded throat and glazed door flanked by quarter fluted columns and canted base upon ogee bracket feet, 212cm high

An opal, diamond and ruby ring, the white mount stamped '14K', the shallow oval cabochon measuring 18.6mm x 14mm, together with an arch of five graduated brilliant cuts above and below, all within a ruby border, finger size O, weight 17.7g gross

A George III oak longcase clock, by Hugh Pannell, Northallerton, with two-train striking movement. Height excluding brass finial 204 cm. CONDITION REPORT: The clock hood has some pieces of the dentil cornice missing which should be visible on our image. There is also some evidence of old woodworm beneath the left and right sections of dentil moulding. The glazed door is in generally good order but there are three stress fractures to the arch. The door itself requires properly fixing. The hinges are not working correctly. We have the key and pendulum and the clock appears to operate when weight is applied to the mechanism. The hammer is missing as is the rack return spring. The rack lever needs repair. There is no bell. The striking mechanism has basically been deactivated. The seatboard has been replaced at some point in the clocks life but as the mask around the dial appears to fit the aperture we do not think that this clock is a marriage. The door is not warped. We do not have a key. The sides of the trunk are in generally good condition. The base is in good order also. There is however a slight gap between one of the planks. The left hand base return moulding is present but detached. We have the weight.

A Georgian oak longcase clock, with two-train striking movement by William Kipling, London, with ship automaton to arch. Height 204 c (see illustration). CONDITION REPORT: The clock case is generally a little tired. The hood is all present and the glass undamaged. The gilt capitals have been repainted and the general feel to the finish is a little tired. The trunk door is currently locked and we do not have a key. The door is not warped. There is a small repair to the top left hand corner. There is a further small repair to the left hand side of the lock. The lock has probably been forced at some point. The sides of the case are not warped but there are some old stress fractures, scuffs and marks. The moulding below the door is all intact. The base panels have some stress fractures particularly to the front. The plinth moulding may not be original but has certainly been on the clock for a very long time and is in keeping. We have two weights and the pendulum and when weight is applied to the movement it does appear to tick and strike. We have however not had the clock running for any significant length of time. The movement is a little dirty but looks to have been cleaned in fairly recent times. The dial itself is in good order as is the silvering. The ship automaton seems to operate as it should. The seat board is old and appears to be original. The mask around the dial fits at the bottom and sides but there is a gap around the arch at the top. This could simply be settlement but may indicate a marriage. The ship automaton could possibly be a later addition to what was originally a square dial clock as there are two visible pins where the arch is attached to the square dial.We have just noticed that the left hand rear quarter round pillar at the back of the case is missing. The right hand rear quarter round corner pillar has evidence of old woodworm in the soft wood at the bottom.

A George III walnut longcase clock, by Wilkinson of Wigton, with moon phase and date aperture, the dial also inscribed "Jane Bird". Case height 225 cm (see illustration). CONDITION REPORT: The clock is generally in extremely good condition. There has been a break to the right hand swans neck pediment which should be clear on our image. There has been a further break to the left hand pediment which is much less visible. The remainder of the hood is in generally very good order with only minor stress fractures to the bottom left and right of the arch. The silvered brass dial has clearly recently been cleaned and re silvered and is in very good condition as is the moon phase. We have the weight and pendulum. The pendulum is unfortunately missing the suspension strip. The clock does however tick and strike without the pendulum if that makes any sense. The seatboard would appear to be original and in our opinion the clock is not a marriage. The trunk door is in good condition and not warped. The sides of the case have old stress cracks but no significant issues. The clock base is also in generally good condition with only minor stress cracks and marks as one might expect. The backboards are in good condition and original. The only real issue is the small matter of the clock suspension at the top of the pendulum which is a very minor issue. We can see no evidence of any woodworm and there is no brasswork so to speak of other than the face of the clock.

A Victorian walnut open armchair, with exposed moulded showframe, upholstered back, arms and seat and raised on front cabriole legs terminating in castors (see illustration). CONDITION REPORT: The chair is structurally very sound with no loose joints. The moulded showframe around the deep buttoned back is all in good order and only a little dirty in the carved sections. There are some marks to the showframe around the braiding and it looks as if the piece may have been studded at some point where the braiding now is. There is one old nail head visible at the right hand bottom section of the arch just above the braiding. The front arm and leg are in good condition with only minor surface scuffs to the proud parts of the carving. The castor is original. There are scuffs again to the showframe along the front by the braiding possibly indicating studding. The left hand arm is in generally good order although there is a loss to the carving on the front left hand section of the leg and a further loss just to the left of the seat pad. The leg and the scroll have not been broken and the castor is original. The rear legs are in good order with only minor old surface scuffs and scratches as one would expect. The castors are original. The upholstery is in generally good condition with no staining or discolouration. There are no tears. The braiding is generally in good condition all round.

A George III inlaid mahogany and simulated rosewood longcase clock by Nicholas Himes of Helston, with eight day striking movement and rhyme to the arch, the case with fluted quarter column corners and raised on ogee bracket feet. Height 232 cm (see illustration). CONDITION REPORT: We would have thought this clock is circa 1790. The clock hood is in generally good condition with no significant damage issues. It could do with a clean and polish. The trunk door is not warped. The brass lock escutcheon is probably original as are the hinges and door knob. The satinwood urn to the centre of the door has a section of veneer in the centre which is slightly lifting but there are no losses. The corner spandrels are in good condition. The clock base is also in good condition with no warping to the front panel. The feet would appear to be original and in generally good condition. The case, as stated, would benefit from a clean. We have the weights and pendulum and the clock is currently ticking away and striking as it should. The silvered brass dial is in generally good order although a little tarnished and dirty in places. In our opinion the clock is not a marriage. There is no sign of any woodworm.

A George III walnut longcase clock, by George Chambers, Newcastle, with two-train striking movement and moon phase to the arch, with long trunk door, the case raised on bracket feet. Height 236 cm.

Jason Shoolbred & Co Late Victorian/Edwardian Rosewood Veneered And Boxwood Inlaid Dropside Occasional/Writing Table, inlaid scrolling foliage decoration. The raised back with broken arch pediment, line inlaid moulded edge top with two drop flaps, leather topped, apertures for two square base ink wells and pens, central drawer beneath above an open bookshelf over a pair of drawers. Four taper turned supports with vase shape capitals, set on four block and turned feet with ceramic castors. Number 4114. Stamped to drawer Jas Schoolbred And Co. height 28 Inches. 27 x 17 Inches deep.

A French 19th century gilt and decorated clock garniture, the urn topped case above arch and four lobed finials, balustrade frieze and a pair of parcel gilt caryatid figures flanking the 10cm (4in) silvered dial, with coloured centre and gong-striking drum movement, with coloured relief moulded panel below, on a rectangular plinth and scroll feet, with presentation inscription dated 1880, 44.5cm (17.5in) high, on a shaped gilt wooden stand and glass dome on ebonised plinth, together with a pair of conforming decorated urns on stands, (one side dome lacking), overall height of clock dome and stand 57cm (22.5in)

Scottish School (early 20th Century) Earth - a personification of Earth, a female figure embracing infants playing with deer within a painted stone arch oil on canvas 90 x 120cm (35 x 47in) Other Notes: One of a design of four murals. Lined canvas. Paint layer is stable. Areas of retouching across surface. Varnish is clear and even. Frame in good condition.

William Jourdain, London , a George III mahogany longcase clock, the hood with swanneck moulding, fretwork panels to the sides, canted columns, the one piece silvered 12inch dial with strike/silent to arch, seconds dial and date aperture, Arabic numerals, engraved spandrels, 5 pillar movement with wooden pulley wheels, the trunk with arched door, flanked by stop fluted quarter columns, on a rectangular plinth base, some damage to case, 243cm (95in) lacks mask around dial. some old damage and losses to case

A George III mahogany eight day longcase clock, the break arch hood with small swanneck pediment, 12inch brass dial with strike/silent to the arch, signed Jn Barber Stratford, seconds dial and date aperture, Rococo spandrels, five pillar movement with replacement seatboard, the trunk with break arch door, upon a panelled plinth base 219cm (85in)

A pair of 18ct gold and rainbow gemset ear pendants, each wire hook suspending a closed crescent set with white stones then an arch with a graduated fringe of multi-coloured oval cut gems, London hallmarks 2016, length 6.4cm

An 18ct gold diamond, emerald and sapphire brooch, designed as an arch of two flowers, with a graduated curve of round cut emeralds or sapphires for the anthers between diamond set marquise form stamens to swept back polished petals and stem, London 18ct gold hallmarks 1965, length 5.4cm

Follower of Abraham Louis Rodolphe Ducros Peasants by a Roman arch Watercolour 58.5 x 45cm; 23 x 17¾in ++Foxing and staining in sky, areas of rubbing

18TH CENTURY BRASS FACED LONG CASE CLOCK by John Evans of Lampeter, the plain pine case now stripped, arch moulded door and panelled base. Brass face with Roman numerals and seconds dial with date aperture, the field engraved with sailing ships at sea and having pierced brass spandrels. Eight day, two train movement, striking on one bell. The face 28cm square approx. 190.5cm high. CONDITION REPORT: Case is poor having much old worming and has been viciously stripped, face lacks silvering to the chapter ring, otherwise appearing complete.

18TH CENTURY WELSH OAK COFFER, having hinged moulded edge top over four ogee pointed arch panels to the front standing on bracket feet. 128 x 52 x 72cm. CONDITION REPORT: Good colour, the top is on replaced wire hinges, vertical splits to one side panel, the other side panel a little dry and bleached, basically sound.

EARLY 20TH CENTURY MAHOGANY TWO DOOR GLAZED BOOKCASE, having moulded cornice over two glazed, arch panel doors revealing five adjustable wooden shelves, on a platform base. 104 x 36 x 200cm. CONDITION REPORT: Basically sound and usable condition, minor scuffs and wear commensurate with age, no serious evident damage.

EARLY 19TH CENTURY WELSH OAK COFFER, now with fixed top over flip front, having three ogee pointed arch panels with inlaid star motifs, two doors flanking centre panel over three moulded drawers on bracket feet with later casters. 152 x 58 x 97cm. CONDITION REPORT: Top now fixed and front panel divided to provide two doors, evidence of old worming and splits to the top particularly, damage to lower bracket feet in places, good medium colour, scratches and wear commensurate with age.

EARLY 19TH CENTURY WELSH OAK POT BOARD DRESSER, having moulded cornice over three shelf boarded rack back with iron hooks, the base with moulded edge top over three moulded frieze drawers having bone escutcheons and turned knobs, repeating arch frieze below, on baluster turned supports with pot board, on platform base. South Wales. 159 x 42 x 202cm. CONDITION REPORT: A little dry overall, medium colour, some ink and other stains, general scuffs, knocks, wear and tear commensurate with age but basically sound.

18TH CENTURY WALNUT LOWBOY, the moulded edge top with quartered veneers within cross banded border over long cock beaded frieze drawer with shaped arch, flanked by two cock beaded box drawers below on cabriole legs. 79 x 47 x 73cm. CONDITION REPORT: Rather dry and faded, scuffed and marked commensurate with age, rather lacking in patination, some evidence of old worming, particularly to one back leg.

SET OF SIX GEORGIAN STYLE MAHOGANY DINING CHAIRS with scroll arch crestings, pierced vase shaped splats, drop in seats and cabriole front legs with ball and claw feet. Early 20th Century. (6) CONDITION REPORT: Leather seats need re-upholstering, the four single chairs all have slight movement in frames.

VICTORIAN INLAID WALNUT STRAIGHT FRONTED PIER CABINET, overall decorated with foliate design and having gilt metal mounts, arch glazed door with single shelf to the interior, on a platform base. 79 x 32 x 111cm. CONDITION REPORT: Clean condition overall, a little dry, no obvious significant damage or losses.

REGENCY MAHOGANY TWO STAGE PRESS CUPBOARD, having arch cresting with brass bullion over two panel doors with sliding shelves to the interior, flanked by reeded pilasters, the base with two short cock beaded drawers over one deep cock beaded draw standing on splayed bracket feet. 124 x 59 x 208cm. CONDITION REPORT: Fair condition commensurate with age, a little faded in places, and with scuffs, marks and general wear and tear, evident crack to one end panel. Two horizontal scuffs to one door.

LATE 19TH CENTURY WELSH PITCH PINE CORNER CABINET, having angled cornice over a pair of arch glazed doors revealing two fitted shelves to the interior and flanked by baluster turned pilasters, a projecting base with a pair of blind panel doors flanked by similar pilasters on turned feet. 118 x 53 x 200cm. CONDITION REPORT: Overall appearing in very clean and original condition, minor wear and tear only.

Great War 5th (Cyclist) Battalion East Yorkshire Regiment Postcard Photograph Archive, interesting archive of postcard photographs relating mostly to the 5th Cyclist Battalion of the East Yorkshire regiment, some other battalions also included. All mounted into a modern arch folder with many of the subject matters and places identified by previous owner. Towards the back of the album is a sketch by Thomas Allerton of his girlfriend, letter written in 1916 to her and a handwritten poem written by his sister after he was killed in action serving with the 9th Duke of Wellingtons, he was late 7th East Yorks. The collection was originally put together by G W Jefferson from Hull, who served with the 5th (Cyclist) Battalion East Yorks, later 18th Battalion York & Lancs during the Great War. (47 items)

Album of Documents Relating to the Paisley, Brownlee and Dyer Families from Scotland, including various city of Glasgow freeman vellum certificates, War Office document informing 2nd Lieutenant Thomas Paisley of his commission in the 10th Battalion Scottish Rifles, Memorial scroll and Buckingham Palace forwarding scroll for 2nd Lieutenant Thomas Paisley 10th Scottish Rifles (Killed 25th September 1915), The Grand Antiquity Society certificate for Thomas Brownlee Paisley 1922, Officer Training Corps certificates for Thomas Brownlee Paisley, Oxford & Cambridge school certificates, University of Cambridge certificate, Supreme Grand Royal Arch Chapter of Scotland scroll for Robert Brownlee Junior, Grand Lodge of Scotland scroll, CBE scroll certificate signed in ink by both George V and Edward VIII awarded to Robert Morton Dyer for services in Hong Kong with the Hong Kong & Whampoa Dock Co Ltd. All housed into a presentation album.

A Georgian mixed wood cased longcase clock, the 11 1/2 painted Roman dial with twin winding holes and calendar aperture, the arch with a depiction of fishing boats at sea above spandrels of ruined churches and country cottages, the case standing on bracket feet, 85 high (with weights and winding key)

A MAHOGANY LONGCASE by Job Grice, Wandsworth, the eight day movement with anchor escapement striking on a bell, 12 1/4" arched brass dial with Arabic and Roman numerals, seconds dial, calendar aperture and signature shield, strike/silent dial to the arch, the flame mahogany case with pagoda hood having pierced fret panel on stop fluted pilasters, arched door flanked by stop fluted quarter columns, cut corner panel to base and bracket feet, 94" high (Illustrated)

AN OAK LONGCASE by Thomas Beverley Caister, the eight day movement with anchor escapement, bell striking with unusually large fly strike positioned outside the back plate, 12" arched dial painted with flowers in the spandrels and a young dancer in the arch, Roman and Arabic numerals, seconds dial and calendar aperture, the pagoda hooded case with shell marquetry patera on turned columns, ogee arched door with central keyhole, panel base and bracket feet, 87" high (Illustrated)

A MAHOGANY LONGCASE by J Williamson, Edinburgh, the eight day movement with anchor escapement striking on a bell, 12" arched silvered dial chased with trailing flowers, Roman and Arabic numerals, seconds dial and calendar aperture, signature to arch, the banded well figured case with box and ebony stringing, scrolled pediment with pierced fret panels and brass rosettes, brass eagle surmount, all on turned fluted columns, ogee arched door flanked by fluted quarter columns, panel base and bracket feet, 87 1/4" high (Illustrated)

A RETRO CHROMED STANDARD LAMP, with spherical plastic shade, adjustable arch supported on double ring base, approximately 195cm high

Carved and painted wood decorative arch

AN IMPORTANT 18TH CENTURY BRACKET CLOCK, by James Aickin of Cork, in an ebony and parcel-gilt case, with steel chapter rings, signed in the arch with subsidiary strike/silent and seconds dial, open-face pendulum into the matt brass back, calendar and quarter-repeat pull, engraved back plate, multiple strikes on bells, with gilt-brass carrying handle and ogee bracket feet. 44cm highJames Aickin (or Aicken) was born c. 1711 and died on the 14th of October 1795, aged 84. He was buried in Kilbrogan, outside Cork city. He was a prominent Freemason and worked active during the years of 1738-1780. The Corporation of Youghal, just east of Cork City set £8 aside for him for “repairing and putting up” the town clock in 1777. Along with bracket clocks such as this one he also manufactured long case models. He took at least two apprentices, William Knapp, who opened his own business in 1760. Cork was a major Atlantic port at this time, with extensive trade links to many European countries, and arguably the most cosmopolitan town in Ireland. James Aicken was married twice and he had at least two sons and two daughters. One of his sons, George, followed his father’s footsteps in the clock trade with premises also in James Street and Queen’s Place. He was apprenticed in London becoming a Freemason of the Clockmakers Company on the 29th May 1777 and is also listed among the Cork Goldsmiths. He returned to Cork, and, like his father, married twice. He had two children but died in 1813 taking the Aickin name from Cork clockmaking circles with him.

A set of twelve late 19th century carved mahogany framed dining chairs, each with studded leather upholstered high arch back, on turned supports, united by shaped stretcher, to include a pair of carvers, (12).

A Louis XVI style parcel gilt grey painted armoire, the breakfront central grill door flanked by smaller arch panel doors, on tapering turned fluted supports, 180cm wide x 218cm high.

A 19th century arch top brass studded six fold draft screen, painted with fruiting vines and birds of paradise, within a trellis background, 273cm wide x 157cm high.

A George II parcel gilt walnut framed rectangular wall mirror, with rounded arch top, 55cm wide x 95cm high.

SIMMONS, PARIS AND MANCHESTER, LATE 19th CENTURY FRENCH ORMOLU AND PORCELAIN MOUNTED FIGURAL MANTLE CLOCK, the 3 1/2" enamelled roman dial, powered by a drum shaped Japy Freres movement (No. 41050) striking on a bell and housed in a rustic, arch topped case surmounted with a worker tying wheat sheaves, above meandering vines and farming hand tools, the dial flanked by floral painted blue and gilt Sevres style porcelain panels, 13 1/2" (34.3cm) high