We found 42009 price guide item(s) matching your search

AN EARLY 19TH CENTURY WALNUT LONGCASE CLOCK, the plain hood with moulded cornice and columns, arched door enclosing painted 13 1/2'' / 34cm dial with lunar phase mechanism to the arch, floral spandrels, subsidiary seconds and date dials, Roman and Arabic numerals, named 'R. ROSKELL, LIVERPOOL', plain trunk and plinth with reeded moulding, overall height 226cm, with door key, pendulum and weights (condition: lunar phase mechanism has some crackling to the paint, otherwise in good overall condition)

[Foxe, John]. [ Acts and Monuments of Matters most speciall and memorable happening in the Church, volume 1 only of three, 7th edition, 1632], lacking title and 2 final leaves of text also lacking, double column text in Roman and black letter, numerous woodcut illustrations and one folding plate only, some leaves torn and repaired (mostly at rear of volume), occasional dampstains and few marks, few ink stamps, 20th century brown half morocco, rubbed and scuffed, folio, together with Juvenal , Decimus Junius Juvenalis, and Aulus Persius Flaccus translated and illustrated, as well with sculpture as notes. By Barten Holyday, D.D. and late Arch-Deacon of Oxon., Oxford: W. Downing for F. Oxlad Senior, J. Adams, and F. Oxlad Junior, 1673, title in red & black, engraved map and three plates (two folding), illustrations to text, title dust-soiled and spotted, occasional dampstains and marginal toning, few tears, 19th century half calf, extremities rubbed, small folio, with other 17th & 18th century antiquarian volumes, many defective and incomplete volumes, including Du Bartas His Divine Weekes and Workes by Josuah Sylvester, [1621], and A Display of Heraldry by John Guillim, 5th edition, 1679 etc. (Qty: 15)Sold with all faults, not subject to return.

A Victorian gilt gesso wall mirror, the arch frame decorated with leaves and berries etc., 161cm H, 62cm W.Provenance: The property of Joan Stephenson, Kirkwood, North Church Walk, Newark, Nottinghamshire.

A Victorian mahogany cabinet bookcase, with ogee moulded cornice, over two arched glazed doors, revealing shelves, enclosed by scroll capital sides, over a base with two cushion moulded drawers and two arch panelled doors, on plinth base, 205cm H, 107cm W, 50cm D.

A Victorian burr and figured walnut triple wardrobe, with moulded cornice, arch moulded mirror centre door, revealing a double width arrangement of press drawers and solid drawers with integral moulded handles to the left and full length hanging with box base to the right, on plinth, 204cm H, 195cm W, 52cm D.

A George III mahogany standing corner cupboard, with moulded cornice and two double panelled arch doors with boxwood stringing and cross banding, two further doors to base, on bracket feet, 230cm H, 112cm W across the canted corners.

A Victorian mahogany chiffonier, with scroll carved and flamed back, serpentine moulded top, bowfront frieze drawer over two arch panel doors and plinth, 93cm H, 116cm W, 40cm D.

Early 19th Century figured mahogany cased longcase clock by John Smith of Chester, the 32 cm wide dial with gilt brass spandrels and silvered chapter ring, the eight day three train movement striking the hours and quarters on nine bells, with calendar and seconds aperture and moon phase to arch, contained in case with scrolled cresting, the trunk with quartered and fluted column, shaped door on ogee bracket feet, 230cm high, good overall condition, recently overhauled, however whilst the 'musical' side of the mechanism appears to lose power when striking and will need attentionNote: seatboard appears a replacement, thus it is impossible to tell if the movement and case are a marriage or not

Possibly Unique IssueUssher (James) Strange and Remarkable Prophesies and Predictions of the Holy, Learned, and excellent James Usher, Late L. Arch-Bishop of Armagh, and Lord Primate of Ireland, Sm. 4to London (For R.G.) 1678. First Edn. (1 of 4 issues), 8pp. disbound. Ex. Rare. ESTC R504328, Notes one copy only. Not recorded by Sweeney. (1)

Giacinto Gigante (1806-1876) with additions by a Borbone pupil, probably Princess Maria Annunziata di Borbone (1843-1871). Archduchess Karl of Austria and mother of the Arch Duke Franz Ferdinand (1863-1914). Pencil, watercolour and gouache - Chapel by Lake Lucrino, between Baia and Pozzuoli, in glazed frame, 21cm x 28.5cm Provenance: Abbott and Holder Ltd, 2014, No. 52, ‘The Borbone Album: Watercolours by Giacinto Gigante and his Royal Pupils The authenticity of this work is confirmed by Dr Luisa Martorelli, Museo di San Martino, Naples who considers that it is by the Princess

A late 19th century mahogany bookcase , with a fret work broken arch atop a dentil cornice over astragal glazed doors, with cupboards below, 136cm wide, 40cm deep, 223cm high

An arch framed overmantel mirror

A pair of early 20th century mahogany arch topped mirrors with bevelled plates, 64 x 23cm

A Lauris musical triple weight grandmother clock with boulle work case and raised on an ogee pedestal with marquetry inlay, having arch top dial incorporating on moon roller.

A French inlaid arch top 8 day mantle clock with day/date apertures and striking on a bell, approx 29cm. Comes supplied with a key.

GARDEN BENCH, by Tristen May, triple Gothic arch, 16cm W.

GARDEN BENCH, by Tristen May, triple Gothic arch, 16cm W.

19th C mahogany and brass inlaid arch top double fusee bracket clock with plain dial, lion mask handles and brass meshwork panels

19th/20th C walnut wind-up arch top clock with boxwood inlay and stepped ebonised base (9.5cm x 6cm x 12cm)

French painted armoire, arch top with two glazed doors, W125cm, H191cm, D54cm

A Victorian mahogany framed arch top tapestry screen, 57cm wide x 94cm high, a 20th century oak jardiniere stand with barley twist column 22cm wide x 99cm high and a regency style mahogany wine table 35cm wide x 51cm high, (3).

An early 20th century arch top pine single door wardrobe, with single drawer to base on bun feet, 102cm wide x 180cm wide.

A mid-20th century walnut arch top side cabinet, with specimen wood veneered sunburst front on cabriole supports, 80cm wide x 133cm high.

A pair of Hepplewhite design mahogany arch back carver chairs on tapering square supports, 56cm wide x 96cm high.

A Queen Anne mahogany arch top display cabinet with single drawer over cupboard doors on bun feet, 56cm wide x 198cm high.

A Ghirodes prayer rug, Turkish, the plain banded indigo mehrab rising to a leaf filled arch; a plant border, 176cm x 121cm.

David Matthews of London - an C18th oak and mahogany longcase clock, the arched 12" brass dial signed to convex disc to arch, within dolphin spandrels, the brass chapter ring with Roman and Arabic numerals within cast mask spandrels, having date aperture, matted centre, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case having mahogany crossbanding and canted corners over a boxbase with bracket feet, h.209cm

An Elliott of London walnut cased musical bracket clock, in the mid-18th century style, retailed by Garrard & Co of London, the figured walnut case with caddy top and lacquered brass carry handle over an arched brass dial, with silvered chapter ring, Garrard retailers badge to matted centre, and with Whittington, Westminster and Winchester chimes dial to the arch, with further chime/silent and slow/fast subsidiary dials, three winding holes for a wire-driven triple fusee musical movement playing eight hammers on eight bells, with further hammer on large bell, the backplate signed Elliott London and numbered 109/250, the case with glazed side panels and rear door, h.39cm (handle down). Footnote: This clock was made for the Crown jewellers Garrard of Regent Street, London, to commemorate the anniversary of the London clockmaker Daniel Quare . The pierced brass carry handles incorporate the initials DQ. In good working order with all functions working.Some tarnishing to carry handle.Case complete and excellent; no splits, losses to woodworm, some fading to back only.With original ‘T’ winding key.An excellent example.

A GOOD LATE VICTORIAN ENGLISH EBONISED BRACKET CLOCK BY BIRCH & GAYDON, LONDON, eight day movement with Westminster chime, the case with bell top pediment having a brass handle above gilt dial with subsidiary 'strike/silent' and 'slow/fast' dials to the arch, maker's name and address on silvered chapter ring with Roman numerals and with Rococo spandrels. The stepped case having applied gilt metal mounts, filigree and red silk side panels, all on gilt metal bracket feet, 42.5cms high Condition Report: excellent, appears to be complete without later replacement parts, case structurally sound without signs of splitting or raising, working at time of cataloguing but without guarantee - please view. Door key and winder key with us. Provenance: Cardiff Estateslight paint cracking at the top of each side.

A 19th century arch top bracket clock with silvered face, chime/silent and fast/slow dials - 37cm tall

An Edwardian mahogany arch top mantel clock

A Victorian cream upholstered spindle and arch back nursing chair on turned supports

An early 20c German bracket clock by Winterhalder and Hoffmieir in oak case with round top and stepped base and having florally carved front corners and top arch. The sides have pierced oak side frets (one a/f) and the round top silvered dial has Roman numerals and strikes/silent and the pendulum regulation dials. The barrelled spring movement has a Ting Tang strike on two gongs and the clock stands 18.5in tall overall.

~ A mahogany eight day longcase clock, arch painted dial signed Jno Heron, Greenock, early 19th century

~ An oak thirty hour longcase clock, arch painted dial signed Thomas Morpeth, Hexham, early 19th century

~ A mahogany eight day longcase clock, arch painted dial signed Jno Dobie, Tanfield, dial arch with moon face, early 19th century

~ A mahogany eight day longcase clock, one piece silvered brass dial with engraved scenes and family crest in the arch, signed John Collings, Sodbury 1861, 18th century, later case

An oak eight day longcase clock, painted arch dial signed Wm Alexander, Aberdeen, circa 1800, in a possible later case

~ An oak and mahogany eight day longcase clock, arch painted dial signed Thos Bolton, Hamsterley, early 19th century

~ An oak thirty hour longcase clock, arch brass dial with silvered disc inscribed W Porthouse, Barnard Castle

~ A mahogany eight day longcase clock, arch brass dial with silvered disc in the arch signed John Hathorn, Newcastle, 18th century

A mahogany eight day longcase clock, arch brass dial signed on a silvered recessed plaque William Veitch, Haddington, late 18th century

~ An oak and mahogany thirty hour longcase clock, arch brass dial signed Thos Lawson, Keighley, 18th century

~ An oak eight day longcase clock, arch brass dial with a silvered disc in the arch signed Robt Holborn, South-Cave, late 18th century, possibly later case

George III black-lacquered chinoiserie brass-dial eight day longcase clock, William Liptrot, London, circa 1760, the 12" break arch brass dial having a silvered chapter ring with inner quarter hour track, Roman hours and Arabic minutes, signed Will'm Liptrot, London, framing a matted centre with silvered subsidiary seconds ring, all within Baroque mask spandrels, the arch with silvered Strike/Silent ring, knopped five-pillar movement striking on a bell, the hood with fretwork spandrels over gilt hood door and columns, long trunk door with gilt relief scene and conforming base on bracket feet, 218cm high Condition: Dial - minor wear to top of brass arch of dial plate, light tarnishing to silvered chapter ring between numerals VI and VII, calendar ring is operational, movement appears clean and sound but is not tested or guaranteed, there is no packing beneath the seat board, case has been cleaned and partly relacquered, horizontal crack across base, minor cracking to hood frame and no backing to spandrels, sold with two bronze-sleeved weights plus pendulum - **General condition consistent with age

George III inlaid oak-cased eight day brass dial longcase clock, Willis, Harthill, circa 1775, the 12" break-arched brass dial having a silvered chapter ring with Roman hours and Arabic minutes framing a matted centre with subsidiary seconds and calendar dials within chevron border, the arch with articulated figure of Father Time between sea serpents over engraved motto 'Tempus Fugit', the break-arched case with figured frieze, sunken columns, star-inlaid long trunk door and string-inlaid base with plinth, 214cm high Condition: Dial has tarnishing to the silvered chapter ring and to central arch boss, movement appears clean and sound but is not tested or guaranteed, later coiled gong mounted to backing boards (no bell surmount), later seat board, case is missing its finials, case in good order, plinth base possibly of later date, minor edge moulding losses to open side of trunk door, sold with two weights, pendulum and winder (pendulum has wooden rod which is snapped off where it meets the bob) - **General condition consistent with age

[DAWSON TURNER]: ACCOUNT OF A TOUR IN NORMANDY UNDERTAKEN CHIEFLY FOR THE PURPOSE OF INVESTIGATING THE ARCHITECTURAL ANTIQUITIES OF THE DUCHY WITH OBSERVATIONS ON ITS HISTORY ON THE COUNTRY AND ON ITS INHABITANTS, London for John and Arthur Arch, 1820, 1st edition, 2 volumes, half titles, 50 engraved plates, old calf gilt, spines gilt in compartments, morocco gilt labels, from the collection of the late Ron Fiske of Morningthorpe Manor (2)

Late 19th Century inlaid satinwood credenza or side cabinet, the superstructure having urn finials, inlaid friezes and bevelled rectangular mirror plates over a rectangular top with inlaid lunette frieze, arch-panelled central door with bats wing patera and bell flower swags between bevelled glazed doors enclosing shelves, 168cm x 37cm x 177cm high Condition: Central finial to mirror back has been broken into two sections, some dark scratches to top of lower section, otherwise sound

George III oak linen press, the upper stage with moulded cornice and arch-panelled doors enclosing four adjustable shelves over two shallow drawers, the lower stage of four short drawers on ogee bracket feet, 117cm x 38cm x 218cm high Condition: Some fading to right edge of left hand door where the two doors meet, minor moulding losses to upper corners of same, lower section has splits to side panels, otherwise sound

Pair of Framed Modern Arch Topped Mirrors

A George III inlaid oak longcase clock with 11 inch square painted dial marked Hulbert, Marshfield, with calendar aperture, shell painted spandrels, in swan necked surmounted hood with brass eagle finial, and brass capped column supports, the case decorated with inlaid oval panels and arch corners, 199cm high

Collection of Crested Ware Pieces 11 in Total. Large sizes, some rare and interesting ones, including Jovial Monk from Kirkham. Also includes 1. Black cat seated at fireplace 'We kept the home fires burning', 2. Blackpool - Progress 'Ferris Wheel' Arcadian, 3. Blackpool - Progress Pig - Florentine China. 4. 'Jovial Monk' Kirkham - Clifton. 5. Fleetwood Fisherman. 6. Blackpool Large Swan. 7. Blackpool Tower - Shelley. 8. Marble Arch, Hyde Park, City of London, Arcadian. 9. Model of 'Flanborough Lighthouse' Willow Art. 10. Model of the Old Lantern - Shelley China. 11. City of Leicester - Grandfather Clock.

Steven Scholes 1952 Oil on Canvas Titled 'The Euston Arch' Euston Station, London 1956 Oil on Canvas - signed to the lower right. Artists title and number 89118 to reverse, framed. 19.5 inches x 15.25 inches - 49 cm x 38 cm. Painting size only.

A 19th Century Whitehurst & Son longcase clock, Derby, oak case, crossbanded with mahogany having a swan neck pediment, turned columns, raised panel to base, white still arch 12 inch enamelled dial with painted spandrels date apperture and seconds hand, four pillar movement, with two weights and pendulum, the movement false plate inscribed Walker

A George III longcase clock, by Henry Walpole, London, 8 day movement striking on a gong, silvered 12 inch arch dial, gilt spandrels, strike silent to arch, date and seconds dial, Mahogany case, slim trunk door, raised panel to the base, Glazed sides to the hood, with hood door lock, with two brass cased weights and pendulum

Charles I Shilling, milled series, falling lace collar, pierced at 5 'o' clock; Elizabeth I, Shilling, sixth issue, mm Key, 1595-1598; Henry VIII Half Groat, 1533 - 44 Canterbury, Arch Bishop Cramer, TC beside shield, mint mark Catherine Wheel (3)

Arch wall mirror with gilt mount

A 19TH CENTURY MAHOGANY CASED EIGHT DAY LONGCASE CLOCK BY JOHN SALDANO - LONDON, the brass and silvered dial with subsidiary seconds dial and date aperture, 'strike / silent' dial to the arch, the figured mahogany case with turned pilasters, H 214 cm, twin weights and pendulum

An early 20th Century Gothic revival cast iron garden bench, the bench having a twin arch gothic form design, open back backrest, slatted seat raised on shaped supports united by stretchers.

A late 19th century  sewing machine of C arch form in the manner of  Willcox & Gibbs.Measures 25cm x 35cm x 20cm.