We found 42009 price guide item(s) matching your search

George III oak corner cupboard, moulded cornice over two panelled doors, stepped ogee arch upper panels, the lower section fitted with small drawer over two panelled doors, on bracket feet Dimensions: Height: 183cm  Length/Width: 92cm 

William Brooksbank of Bradford - late oak and mahogany 30-hour 19th century longcase clock c1860, with a swan necked pediment and turned wooden +finial, with a break arch hood door flanked by bobbin turned pilasters, trunk with canted corners and a short trunk door on a broad plinth with banding, painted dial with painted cottages to the spandrels and a depiction of a country girl to the arch, with broad Roman numerals, makers name and stamped brass hands, dial pinned to a chain driven countwheel movement striking the hours on a bell. With weight and pendulum.William Brooksbank is recorded as working from Market Street, Bradford, 1837-71.Dimensions: Height: 240cm  Length/Width: 60cm  Depth/Diameter: 27cm

Sinford, of Newcastle - mid 19th century Oak and Mahogany 8-day longcase clock c1840, with a break-arched pediment and three brass ball and spire finials, break arch hood door flanked by turned pilasters with wooden capitals, trunk with a long door with cross banding and a gable top, rectangular plinth with a integral shaped base, painted dial with floral depictions to the spandrels and a pastoral scene to the arch, with Roman numerals, seconds and date dials and stamped brass hands, rack striking movement , striking the hours on a bell. With weights and pendulum.Dimensions: Height: 230cm  Length/Width: 50cm  Depth/Diameter: 25cm

Joseph Quarman Templecloud, a George III long case clock with arched brass and silvered dial with pierced spandrels and subsiduary date and seconds dials fitted with a brass movement striking on a bell, the mahogany case with broken arch cornice, arched trunk door and box base

George Clapham, Brigg (Lincolnshire) - A Georgian long case clock with brass and silvered arch dial with pierced spandrels, eight day movement, the mahogany and inlaid case with line inlaid decoration and ribbed detail

A late Victorian over mantel mirror of large proportions, the mahogany frame with broken arch pediment with carved floral and ribbon detail over a large bevelled mirror plate, 135 x 158cm

A Victorian walnut bookcase enclosed by a pair of arch glazed doors. 35"w x 79"h

An oak longcase clock with break-arch dial and three train movement striking and chiming on twelve tubular gongs. Of recent manufacture. 74" high

MONTBLANC, PATRON OF ARTS, FRIEDRICH II THE GREAT, 4810 A LIMITED EDITION FOUNTAIN PEN, NO. 4265/4810, 1999 Cap and Barrel: Gold plated cap and barrel with interlinking beaded arch detail, the cap with a clip Nib and Filling System: Retractable fine nib stamped 18K and 750, cartridge filling system, uninked Accessories: Original Montblanc Friedrich II box, Friedrich II International Reply Card and Friedrich II outer card box Friedrich II (Frederick The Great), King of Prussia from 1740-1786, transformed Prussia from a small Principality into one of the leading European states in military affairs, politics, philosophy, music art and architecture. Friedrich's collections of paintings, sculpture and decorative arts were brought together at the Palace of Sanssouci which he built in the 1750s and 60s at Potsdam Condition Report: Like new condition.Minor wear to the outer boxCondition Report Disclaimer

MONTBLANC, PATRON OF ARTS, FRIEDRICH II THE GREAT, 4810 A LIMITED EDITION FOUNTAIN PEN, NO. 3613/4810, 1999 Cap and Barrel: Gold plated cap and barrel with interlinking beaded arch detail, the cap with a clip Nib and Filling System: Retractable fine nib stamped 18K and 750, cartridge filling system, inked Accessories: Original Montblanc Friedrich II box, Friedrich II International Reply Card, Friedrich II outer card box and white card sleeve Friedrich II (Frederick The Great), King of Prussia from 1740-1786, transformed Prussia from a small Principality into one of the leading European states in military affairs, politics, philosophy, music art and architecture. Friedrich's collections of paintings, sculpture and decorative arts were brought together at the Palace of Sanssouci which he built in the 1750s and 60s at Potsdam  

GREAT BRITAIN GB mint stamp collection spanning 2010-2023, estimated usuable FV~£825, also some used examples held in one green lever arch folder.

BRITISH COMMONWEALTH and REST OF THE WORLD stamp collection held in five lever arch folders, well presented and sorted by country, mostly 20th century used stamps, vendors tally comes to around 10,000 stamps total, also two folders of cigarette and tea cards.

GREAT BRITAIN GB mint stamp collection spanning 2000-2009, estimated usuable FV~£950, also some used examples held in one green lever arch folder.

GREAT BRITAIN GB mint stamp collection spanning 1953-1999, estimated usuable FV~£300, also used examples held in one green lever arch folder.

GREAT BRITAIN GB stamp collection spanning QV-QEII, mostly definitive and regional issues, both mint and used, estimated value of the mint Machin, Wilding and other definitives ~£140, also QV penny reds, GV seahorses etc, held in one green lever arch folder.

An impressive mid-Victorian giltwood and gesso overmantel mirror, the break arch top with a surmount of a central putto playing a pipe, flanked by foliage and birds, the moulded section frame with a beaded inner border, 188cm x 113cm.

A Victorian walnut and brass mounted adjustable book slide. With folding ends, width 35cm, a similar example, with pointed arch shaped ends, together with a mahogany and an oak example (4).

HAROLD RILEY (1934-2023) (ARR) 'Salford Arch' - A framed oil on board. Unsigned. Framers label verso. Image size 33cm x 25cm "Harold Riley, 1934-2023, sold his first painting to the Salford Museum and Art Gallery when he was just 11 years old. He won a scholarship to Slade, a travel scholarship to Italy and a British Council scholarship to study art in Spain. After his National Service, his returned to his beloved Salford where he stayed and worked for the rest of his life. He was great friends with the reknowned writer Shelagh Delaney - A Taste of Honey; Dance With a Stranger - of whom he did a portrait and to whom, he gifted many of his paintings. The two oils in this auction represent a Salford of their childhood, the Salford that would inspire their work. In 2014 he unveiled the plaque on the childhood council home of Shelagh Delaney. Their friendship lasted a lifetime." "She was one of the people in my life that I loved very much. We first got to know each other at school. We were, as they say in Salford, ‘going out together’." This painting has come from the family of Shelagh Delaney. The painting is not glazed so has been open to surface dust and dirt. There are no obvious signs of damage to the painting. The frame does have cracks in the corners, watermarks and knocks and scuffs all over through age and use/storage.

This beautiful Swarovski Crystal Nativity Scene set includes the Arch and the Holy Family set of four figurines. The Arch is meticulously designed with clear crystal arches and pillars, standing at 3.75"H, while the Holy Family includes three figures, all delicately crafted in crystal. The set captures the timeless beauty of the nativity scene with intricate detailing and exceptional craftsmanship. The original packaging is included, ensuring the set's preservation and authenticity. Box measures: 5"H.Issued: 1991-1993Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.

RARE HENRY VIII TUDOR OVERDOOR, NOSTELL PRIORY, WYNN OF GWYDYR AND PLAS MAWR, NORTH WALES, DATED 1538. The breakfront pediment above a horizontal panel relief carved with renaissance interlace of foliage and dragons, having two sidesmen supporting a cartouche with central merchant’s mark having inversed initials ‘M W’ for Maurice Wynn, c.1520-1580, flanked by acanthus carved brackets. Above a larger tympanum shaped panel with deep arcade, carved in high relief with a pair of Centaurs supporting an armorial of a crowned maiden on a base of lilies, the symbol of the Mercers Company, further flanked by a pair of inset Tudor roses. Inscribed and dated in raised gothic script lettering ‘ANNO ~ DOMINI ~ 1538’. With spandrel brackets to the door arch carved with male and female heads set within a cornucopia of trailing foliage, all flanked by renaissance pillars elaborately carved with spirals, leaves, lancet crosses, pomegranates and fluted tracery, originally polychrome painted in red ochre, still retaining a substantial amount of base colour, with a natural dry patination. Being an overdoor and frame from an internal panelled room. 125cm wide approx 300cm high Provenance - Purchased from Nostell Priory, Wakefield, Yorkshire. Christies Auction on instruction of the Winn family, 30 April – 1 May, 1990. Note - Nostell Priory was purchased by the Wynn’s (Winn) of Gwydir Castle, Wales, in 1654. They had made their fortune in the fabric trade in London in the Tudor period. Nostell was a partially converted Priory after the reformation with later 16th and 17th century additions, it was this property and land the Wynn’s acquired. The auction consisted of furniture and furnishings from over four centuries, including a great tester Bed made for the second Baronets second marriage in 1673 which Beedham Antiques also bought. In the immediate grounds close to the house is the late medieval church of St Michael and Our Lady, Wragby, the local parish church. Within it are various Tudor and renaissance interior fixtures and fittings in Oak that were installed by the Wynn’s. This Overdoor appears to never have been installed within Nostell nor was it used in the Church. Having the merchants mark of Maurice Wynn, plus the Mercers Company armorial on the overdoor strongly suggests it was brought with them from one of the other Wynn properties. Whether it was from the family seat at Gwydir or their London property linked to the fabric trade is presently not known. *CR No remarks.

Henry Gibbs Massey, British 1860-1934. Marble Arch, circa 1900. Watercolour. 17.5 x 25cms

CATALOGUE AMENDMENT: The clock movement is by Winterhalder & Hofmeier, the clock retailed by J W Benson, London, ebonised mahogany chiming bracket clock, late 19th Century, with arched brass dial with signed silvered chapter ring, regulator to the arch, the repeating movement chiming on five gongs, with pendulum, on gilt brass paw feet, with a wooden shelf plinth, the clock 55cm high, 30cm wide and 23cm deepPlease note our special conditions of sale regarding clocks and watches (Please note condition does not form part of the catalogue description. We strongly advise viewing to satisfy yourself as to condition. If you are unable to view and a condition report is not already available, please request one and it will be provided in writing).

Cast iron Armada commemorative fire back, centred with a roped anchor, flanked with hop vines, and with a date of 1626 to the arch, 75cm x 64cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satisfy yourself as to condition. If you are unable to view and a condition report is not already available, please request one and it will be provided in writing).

18th century Welsh oak lowboy, the plain plank top above an arrangement of one long and two short drawers, around central arch, standing on square tapering legs. 83x49x73cm approx. (B.P. 21% + VAT)

19th century Welsh oak eight day long case clock marked John Parry of Lampeter, having broken swan neck pediment to the hood, with arched aperture, flanked by turned columns, the waist with panelled door and turned columns, on a panelled base. Repainted face with Roman numerals, seconds dial and date aperture. The arch decorated with children dancing.Two train movement strikes on one bell. With pendulum and two weights. 49x34cm approx. (B.P. 21% + VAT). A little dry overall, but basically complete. includes two weights and pendulum.

19th century Welsh oak and mahogany eight day long case clock, the arched painted face marked J Lehman, Swansea. Having broken swan neck pediment to the hood above arched aperture, moulded supports flanking cross banded and shaped waist door on a panelled base. The arched face with Roman numerals, seconds dial and date aperture, painted with Scotsman hunting to the arch, with stags and hounds to the spandrels. Two train movement, strikes on one bell. (B.P. 21% + VAT) Includes weights and pendulum.

Two Masonic hallmarked silver jewels, Past Master and Royal Arch. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

Georgian style (20th Century) Mahogany, pair of waterfall bookcases, with break arch pediment and reeded edges, standing on bracket feet, 76cm wide x 108.5cm high x 24cm deep (2) Some stains, marks and scratches throughout. They are sturdy and fit for purpose.

A 19th Century walnut and Tunbridge banded breakfront credenza, embellished with gilt metal mounts, the interior fabric lined shelves enclosed by four arch panelled doors on a platform plinth terminating in bracket feet, 180cm wide x 36cm deep x 112cm high

ENGLISH GROUP OF CARVED PANELS, 16TH CENTURY AND LATER to include a large linen-fold carved panel, 80cm x 49cm (31 ½in x 19in); a rectangular panel with carved arches and foliage, 56cm x 33.5cm (26in x 13in); a pair of narrow pierced and carved tracery panels, 85cm x 13.5cm (33 ½in x 5 ¼in); a panel carved with floral diaper pattern, 30.5cm x 20.5cm (12in x 8in); a small foliate and flower carved panel; and a pair of pierced and carved pointed arch panels, 59cm x 17.5cm (23 ¼in x 6 ¾in), carved oak (8)

A metal bound chest, hinged dome top, carry handles to sides, 32.5cm high, 46cm wide, 29cm deep; another, smaller; an Indian spice cabinet, 75cm high; early 20th century printer's type trays; Gothic arch mirrors, etc (9)

An 18th Century oak coffer, the later two plank top on replacement hinges over a four panel carved arch front on guilloche carved stile supports, 150.5 cm wide x 49 cm deep x 65 cm high

An early 19th century oak, mahogany crossbanded longcase clock, with eight day bell striking movement and arched 13'' moon phase dial. Together with another arch dial longcase clock and a third with 12'' square dial named kalabergo, Banbury. Each at fault

A LATE GEORGIAN OAK POT BOARD DRESSER, early 19th century, the boarded delft rack with ogee moulded cornice over three shelves, the fascia with centre drawer over an arch flanked on either side by two drawers, brass drop handles, on ring turned columnar supports and block feet, 54" w x 16 1/2" d x 74 1/3" h (Est. plus 24% premium inc. VAT)Condition Report: Good colour. Delft rack reduced, replaced handles. Some mild staining/shrinkage splits to top. Some liquid stain marks to rear right of pot shelf and at least one board of same replaced.

A JOINED OAK DRESSER of late 17th century design, possibly 19th century and assembled using old wood, the moulded edged plank top over deep arcaded frieze with three geometrically moulded drawers with brass pear drop handles, raised on four ring and baluster turned front legs on block feet and square section back legs, 76 1/2" w x 24 1/2" d x 36 1/4" h (Est. plus 24% premium inc. VAT)Condition Report: Some variation in colour due to fading. Loss to moulding over arch on left side, otherwise good.

A JOINED OAK PANELLED CHEST, late 17th century and later, the hinged plank lid opening to a void interior, the fascia with four panels each carved with an arch over a stylised flower, within strapwork banding, on corresponding stiles, 57 1/2" w x 21 1/4" d x 31 1/4" h (Est. plus 24% premium inc. VAT)Condition Report: Been through a workshop and repolished, also later carved and now more a decorator’s piece. New hinges and bearers to lid and opening of same altered.

George III oak longcase clock, the broken arch pediment above a painted dial decorated with flowers and birds, inscribed ' Jonathon Ivifon ', with single train movement (door at fault)

19th Century mahogany and oak longcase clock with broken arch pediment above a painted dial, inscribed ' A. Klerser, York ', with subsidiary dials and two train movement, striking on a bell

A mahogany and line inlaid waterfall bookcase, early 19th century, with scrolling break arch pediment over three shelves 65cm wide28.5cm deep100cm high

Pair of modern long arch topped wall mirrors, each approximately 32 x 107cm

Bespoke wrought iron garden suite to include an arch and various scrolled floral free standing ornaments. Height 223cm.

A large metal classic garden arch, size: W128 x H240cm.

A charming Swarovski crystal figurine featuring four baby Lovebirds perched on a frosted three-pronged arch branch. Part of the Feathered Beauties theme, these faceted clear crystal Lovebirds showcase Fire Opal crystal beaks that add a striking contrast to their transparent bodies. Their jet-black eyes stand out against the delicate white background, creating an inquisitive expression. The piece bears the Swarovski marking, ensuring authenticity and craftsmanship. This item has its original box.Artist: Adi StockerIssued: 1996-2011Dimensions: 2"HCountry of Origin: AustriaCondition: Age related wear.

Winterhalder and Hoffmeier - German 8-day three train Edwardian oak cased mantle clock, with a break arch pediment, brass sound frets to the sides and conforming glazed door beneath, with flanking reeded pilasters on a stepped plinth raised on paw feet, sheet brass dial with fretted spandrels and matted dial centre, silvered chapter with Roman numerals, gothic steel hands and subsidiary dials for pendulum regulation and chime select, going barrel movement, chiming the quarters and striking the hours on nine coiled steel gongs. With pendulum and keys.Dimensions: Height: 46cm  Length/Width: 35cm  Depth/Diameter: 24cm

Mahogany 'Strawberry Hill' design Windsor armchair, pointed arch top over Gothic pattern pierced splats, dished seat on shield carved cabriole supports, united by crinoline stretcher Dimensions: Height: 106cm  Length/Width: 60cm 

Robert Dalgliesh of Falkirk – Early 19th century 8-day mahogany longcase clock with a break arch pediment and conforming hood door, hood with flanking turned pilasters and brass capitals, trunk with canted corners and spire topped door, on a rectangular plinth with applied shaped skirting, silvered sheet break arch dial with engraving to the spandrels and arch, Roman numerals, five minute Arabic’s and matching steel hands, calendar aperture and seconds dial, with a recoil anchor escapement, rack striking movement, striking the hours on a Bell. With weights and pendulum.Dimensions: Height: 197cm  Length/Width: 47cm  Depth/Diameter: 24cm

Junghans-German early 20th century walnut cased 8-day mantle clock, with an ogee carved pediment and turned wooden finials, break arch door with brass spandrels beneath flanked by brass caryatids, glazed panels to the sides on a stepped plinth raised on brass paw feet, brass dial with a matted centre and silvered chapter with Arabic numerals and Fleur-di Lis steel hands, twin train rack striking movement with a ting tang chime on the quarters. With Key and pendulum. Dimensions: Height: 58cm  Length/Width: 32cm  Depth/Diameter: 20cm

Pattison of Halifax - Late 18th century mahogany 8-day longcase clock, With a swans necked pediment and brass patera, recessed break arch hood door beneath flanked by plain turned pilasters with brass capitals, trunk with satinwood inlay, reeded columns and a curved top door with an ivory escutcheon, conforming plinth raised on bracket feet, brass dial with a rolling moon to the arch, cast spandrels , engraved and silvered dial centre and chapter ring, chapter with Roman numerals, five minute Arabic's and minute markers, makers name to the dial centre with seconds and date work, dial pinned to a rack striking movement, striking the hours on a cast bell. With weights and pendulum. John Pattison is recorded as working in Halifax c1783. This item has been registered for sale under Section 10 of the APHA Ivory ActDimensions: Height: 235cm  Length/Width: 56cm  Depth/Diameter: 27cmCondition Report: Ivory Act - Submission reference: GCA8W6PG

John Abbot of London – early 18th century walnut 8-day longcase clock c1740, hood with glazed side panels and tall swept pagoda pediment above a break arch hood door with attached pillars and gesso wooden capitals, long trunk door with a conforming break arch top on a rectangular plinth with applied shaped skirting, brass dial with a matted center and continuous herringbone engraving to the surround, cast spandrels, silvered chapter with Roman numerals, five minute Arabic’s, minute track and inner quarter hour track, subsidiary seconds dial and square date aperture, silvered tempus fugit boss to the break arch, dial pinned directly to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 250cm  Length/Width: 45cm  Depth/Diameter: 22cm

William Hayler of Chatham (Kent) - Fine George III black japanned chinoiserie decorated longcase clock c1760, hood with a break arch top, glazed side panels and three matching wooden finials, conforming hood door beneath with attached pilasters, long trunk with a break arch door and moulded surround, on a square double stepped plinth with a flat base, case and hood profusely decorated with scenes of gilt pagodas, temples, birds, people and panels of floral decoration, brass dial with cast brass spandrels and a silvered boss to the arch, silvered chapter with Roman numerals, minute track and five minute Arabic's, matted dial centre with seconds dial, date aperture, matching steel hands and silvered cartouche with makers name, dial pinned directly to a five-pillar rack striking movement with a recoil anchor escapement. With pendulum, weights and key.William Hayler is recorded as working in High Street, Chatham, from 1750-1810, possibly two makers (father & son) working in succession.Dimensions: Height: 237cm  Length/Width: 53cm  Depth/Diameter: 26cmCondition Report: Date intermediatory wheel missing and a small crack to the hood door glass.

Early 20th century - mahogany cased 8-day miniature longcase clock with a matching wall mounted bracket, break arch hood with ball finials and recessed quarter pilasters, conforming trunk with a long door and break arch top on a decorative plinth with a raised panel and stepped base, circular dial with Roman numerals and spade hands within a glazed bezel, French insert timepiece movement with a cylinder platform escapement, wound and set from the rear. With key.Dimensions: Height: 78cm  Length/Width: 26cm  Depth/Diameter: 17cmCondition Report:Slight damage to the plinth moulding.

Victorian mahogany Duchess dressing table, D-shaped form with projecting corners and moulded top, the raised swing mirror in moulded arch frame with foliage carving, on carved and moulded supports over small drawers and hinged central compartment, fitted with single frieze drawer, on turned and fluted supports with lobe carved lower turnings, chamfered platform on brass and ceramic castors Dimensions: Height: 187cm  Length/Width: 122cm  Depth/Diameter: 56cm

John Greaves of Newcastle - Mid-18th century 8-day oak longcase clock with a flat top, double cornice and break arch hood door flanked by two turned pilasters, trunk with canted corners and a spire topped door with crossbanding, rectangular plinth raised on bracket feet, brass dial with cast spandrels and penny-moon dial and pointer to the arch, matted dial centre with a silvered chapter ring and seconds ring, chapter with Roman numerals, five minute Arabic's, minute and quarter tracks, square date aperture and fettled steel hands, dial pinned to a rack striking movement with a recoil anchor escapement. With pendulum and weights.Dimensions: Height: 210cm  Length/Width: 45cm  Depth/Diameter: 25cm

Georgian design oak and bevel glazed cabinet on stand, projecting moulded cornice over three pointed ogee arch window panes, enclosed by two doors, the stand fitted with three drawers, each with moulded front and brass drop handles, shaped apron over six cabriole supports Dimensions: Height: 190cm  Length/Width: 164cm  Depth/Diameter: 42cm

A circa 1800 North Country oak and mahogany cross banded long case clock, having an arch painted dial, signed John Davies, Brecken, with 30 hour movement, with pendulum and single weight, height 215cm

London Transport Underground enamel target/bullseye sign MARBLE ARCH with original bronze frame. In excellent condition measures 24.25in x 20in and is backed with wood for display.

A Hook and Spike Lantern Alarm Timepiece, signed P Russell, Devizes, circa 1760, lantern form four posted case, 5-inch arch brass dial with a silvered Roman numeral chapter ring, central silvered alarm disc, winged cherub spandrels, dial arch with a silvered disc signed, movement with verge escapement and alarm striking on a top mounted bell, bob pendulum21cm highMovement is discoloured and needs cleaning, movement side door panels are missing, movement top plate with both side frets missing, movement with alarm weight missing and alarm chain, later added spikes, dial is discoloured. With one weight.

A Good Mahogany Eight Day Longcase Clock, signed Harrison, Liverpool, circa 1780, swan neck pediment, flame mahogany trunk door flanked by fluted pilasters and surmounted by blind fretwork borders, base with flame mahogany raised central panel, 13-inch arch brass dial with a silvered Roman and Arabic chapter ring, chapter ring with inner date ring and corresponding central date hand, chequered dial centre with seconds dial and silvered plaque signed, dial arch with rolling moonphase aperture, four pillar movement with an anchor escapement and rack striking on a bell234cm highCase hood with some chips and small pieces of wood missing in parts, trunk with some blind fretwork missing to both sides, trunk door is very slightly bowed, trunk pilasters with small chips in parts, both sides of the base with small cracks, dial is slightly discoloured in parts, movement looks complete, with pendulum and two weights.

A Turkish Market Arched Brass Dial Hook and Spike Lantern Form Clock, signed Geo Clarke, Leaden Hall Street, London, circa 1760, 8-inch arched brass dial, chapter ring with Turkish numerals, arch with silvered plaque signed, side opening doors with Turkish crescent symbol, pierced frets, hoop and spikes, movement with verge escapement and outside countwheel striking on a top mounted bell, bob pendulum 36cm highDial is slightly discoloured, movement is complete, later small disc behind the dial to support the centre hand arbor, later pendulum bob and rod, with weight.

A Sèvres Porcelain Sucrier and Cover, circa 1780, of fluted ovoid form, outlined in underglaze blue and gilt, painted mark in blue12cm highCover with a small rim chip. Small arch shaped hair crack at the rim. Knop in good order.Base free from chips, cracks and repair. With a long glaze crack to the inside. Both with some slight gilt loss and cellotape residue.Consigned by a long standing private client.