We found 42009 price guide item(s) matching your search

A light oak church pulpit open armchair with gothic arch panelled back and blue vinyl seats and H stretcher together with a pair of matching side chairs, largest is 115 x 58cm, (3)

Cream painted metal garden arch arbour Condition Report Click here for further images, condition, auction times & delivery costs

Paduan? copies of sestertius of Claudius, reverse:- Triumphal arch, Sear 1851/2, Titus reverse Mars, Sear 2459, an as of Nero, reverse incuse, a concoction of a silver piece of Ancient Greece, in bronze, with two holes and another concoction in white metal, with the Three Graces reverse, F to GF [5]

The 2006 Silver Proof Piedfort Collection, the six coin set comprising Five Pound Crown Queen Elizabeth II 80th Birthday, Two Pounds (2) Brunel 'The Man' and Brunel 'His Achievements', One Pound Egyptian Arch, Fifty Pences (2) Victoria Cross 'The Award' and Victoria Cross 'The Heroic Acts' nFDC (some slight toning on the 50p) cased as issued with certificates

A Good Mahogany Eight Day Centre Seconds Longcase Clock, signed J.Kaye, Liverpool, circa 1770, swan neck pediment with gilt decorated eglomise blue glass panels, nicely figured trunk door flanked with fluted pilasters, plinth with raised quatre form panel, 13-1/4-inch arched brass dial with a silvered signed chapter ring, dial centre with an engraved winged cherub and scroll decoration, date aperture, moonphase in the arch, four pillar movement with rack striking on a bell, 256cm high see illustration 15.06.17, Hood with later finials, moulding around the hood glass door with signs of restoration in parts, underside of the hood with fine strips of wood missing, trunk sides with scuff and cut marks, trunk door and the plinth raised panel with small cracks to veneers, plinth sides with cracks, dial chapter ring is slightly discoloured, movement looks complete, with pendulum and two weights.

An Ivory Plaque, Northern French, 14th century, carved with the Madonna and Child flanked by two attendants within a Gothic arch, the upper register with a further half figure, 12cm high See illustration For a related panel see Sotheby's New Bond Street, 2.12.08, lot 18

An Unusual Eight Day Longcase Clock with Rocking Eye Automata, signed Barnaby Matthews, Dublin, circa 1740, arched top with a blind fret front panel, Corinthian capped columns, later inlaid marquetry floral, bird and urn d-ended trunk door panels, later marquetry plinth, 13-3/4-inch arched brass dial with a silvered signed chapter ring, finely matted dial centre with recessed seconds dial and date aperture, ringed winding holes, painted face in the arch with rocking automata eyes, four pillar movement with anchor escapement and inside countwheel striking on a bell, possibly later case, 265cm high see illustration16.06.17, Hood with small pieces of moulding missing in parts, later finials, visible black tap to the top side of the hood, later inlaid marquetry panels, marquetry inlay lacking in parts, plinth has been partly re-built, plinth with later stepped skirting, woodworm holes are visible around the stepped base, dial is clean, spandrels are possibly later, re-painted face in the arch, movement with later automata moving parts, later seatboard, small blocks of wood have been added to both side cheeks to raise the dial and movement up within the case, (possibly in a later case), with pendulum and two weights.

Algernon Talmage RA (1871-1939) Figures and horse mounted guardsmen before Marble Arch Signed, oil on board, 24cm by 34cm See illustration

VICTORIAN MAHOGANY WASHSTANDthe white marble top with low raised back cupboard below enclosed by two arch moulded panel doors, on a box base, 82 cm wide

VICTORIAN VIENNA WALL CLOCKthe arch moulded pediment with an arched brass dial below, enamel chapter ring with Roman numerals and 8 day movement, contained in a walnut case, 110cm high

Arcadian "We've Kept The House Fires Burning", Eccles shell, City of London arch, Moffatt three monkeys and other crested items. (11):- One Tray

WILLIAM AND MARY WALNUT OYSTER VENEERED CHEST ON STAND, with two short and three graduated long drawers on a stand with two drawers flanking an open arch, the top with geometric and foliate inlay inside a crossbanded border, the body oyster veneered inside crossbanding, stand probably adapted or later, height 116cm, width 100cm, depth 60cm

World. A mixed accumulation of world stamps in three lever arch files, most used, mounted, c.15% mint mounted.

Pakistan: 1947-1957. A small accumulation in a lever arch files, (c.150).

New Zealand: 1862-1966. An accumulation mostly on hingeless mounts in a lever arch folder, mostly used but a few sets and individuals mint, including SG62 3d lilac 16 perf., (c.600).

Four division Gothic arch toast rack 3.5” wide Sheff 1931 by EV 100g

A Victorian copper circular tiered jelly mould, by Benham & Froud, no. 410, with two rows of flattened arch top panels, plain circular base, stamped makers mark with quatrefoil stamp, 10cm high, 10.5cm diameter.

A Victorian copper circular shaped jelly mould, no. 409 C, twisted ribbon top over pointed arch and flute sides, 9cm high, 12cm diameter

A Victorian copper border mould, no. 319, with wavy castellated top, and pointed arch and half flute sides, 6.5cm high, 15cm diameter.

A Victorian copper ring shaped jelly mould, by Benham & Froud 537, formed from overlapping arch top panels, stamped makers mark 6cm high, 13.5cm diameter.

A 19th century French copper circular tiered jelly mould, by Trottier, ribbon scrolled top, over arrangement of pointed arch, flute and domed panels, plain base, stamped Trottier Brevete, 11.5cm high, 15.5cm long.

A Victorian copper circular tiered jelly mould, by Benham & Froud, 458, with six arch section panels with lappet bases, plain circular base, stamped makers mark and fleur de lys mark, 10cm high, 11.5cm diameter.

A Victorian copper circular tiered copper jelly mould, 244, composed of overlapping pointed arch panels interspaced with finger flutes, plain circular base, suspension ring, 12cm high, 13.5cm diameter.

A 19th Century bevelled plate wall mirror, in carved arch top frame with central vase finial and fluted pilasters, 55" x 36"

A 19th Century mahogany bureau bookcase with arch top enclosed two beaded glazed doors, base fitted secretaire drawer and three other drawers, on bracket supports, 34" wide

A mahogany arch top cheval dressing mirror and a two-lap towel airer

An Asprey's early 20th Century arch top mantel clock in black and gilt chinoiserie decorated case, 6.5" high

Two Victorian style arch top overmantel mirrors, in silvered and gilt frames

An early 20th Century brass spirit kettle, on stand with arch handle

Ottoman Banjalucca namaslyk (prayer hanging), early 20th century, 5ft. 1in. X 3ft. 2in. 1.55m. X 0.97m. Some discolouration/dirt marks.The white felted wool ground exquisitely embroidered in gold coloured metal threads with flowers and foliage, the columns to each side supporting the floral mihrab arch. With fine metal thread fringing to all sides. Lined.

A William IV/Victorian oak and mahogany longcase clock, the 33.5cm painted dial, inscribed with Roman numerals, moon phases to arch, the spandrels painted with the four Evangelist, subsidiary seconds dial, dae aperture, twin winding holes, eight day movement striking on a bell, the broad case with swan neck pediment, turned pilasters and quarter columns, outlined with boxwood and ebony stringing, bracket feet, 229cm high, c.1840 Condition Report: Old cracks to door and base, dial with a few scars and missing hand from subsidiary dial movement dirty but seems OK; a few losses to banding and inlay

An Edwardian inlaid mahogany George III style bureau bookcase with swan neck arch cornice, oval panel glazed doors enclosing three shelves above fall with fitted interior, two short over three long drawers, on bracket feet, 99cm

Edwardian inlaid mahogany arch topped bracket or mantel clock, having brass Roman face marked: Barraud and Lunds of London. (B.P. 24% incl. VAT)

Four oak or mahogany arch topped mantel clocks. (4)(B.P. 24% incl. VAT)

Early 20th Century mahogany arch topped mantel clock, having silvered Roman face and two train movement striking on one gong.(B.P. 24% incl. VAT)

Large modern bracket type mantel clock with brass face, having silvered dial, with presentation plaque dated: 1992, Barcelona Olympics, together with an Art Deco design three train, arch topped mantel clock. (2)(B.P. 24% incl. VAT)

A Hilditch & Son part tea service, printed in blue with The Eskimo Child pattern, circa 1820-25, and similar with three figures and an arch, nineteen pieces and a collection of ten Hilditch & Son plates in varying chinoiserie and floral patterns (29). Six pieces of Hilditch & Son tea ware, printed and coloured with The English Shepherd pattern and a collection of eleven Hilditch tea cups and saucers in varying chinoiserie and floral patterns (28). A Hilditch & Son part tea service, printed and coloured with The Garden Party pattern, twelve pieces, three pieces with The Shell Carriage pattern and a collection of ten Hilditch & Son plates in varying chinoiserie and floral patterns (25).

Scarce WW2 Civil Defence Rest Centre Staff Armband, yellow on blue painted armband with REST CENTRE over the Civil Defence arch and REST CENTRE STAFF to the bottom. Good worn example.

An unusual George III 8-day longcase clock with alarum, 12in. arched, silvered dial signed Plowman, Chichester, with subsidiary date and seconds dials, moon phases to arch, movement striking on a bell, movement with separate alarum train controlling strike, mahogany case with three brass pommel finials, trunk door with ebony stringing, with weights and pendulum, 7ft. 2in.

Victorian mahogany arch topped wardrobe, the single mirrored door between two moulded panels, the interior with rail and clothes hooks, carved foliate frieze, single drawer to base (height 217cm width 118cm depth 45cm)

Stephen Crunn, Haverfordwest, a chiming mahogany longcase clock: the flat-top mahogany case with inlaid oval decoration either side of the arch to the hood, with ebony and boxwood stringing to the trunk door and base, the fluted pillars to the hood with cast-brass capitals, the later associated eight-day duration Victorian movement striking the hours on a gong and the quarters on four bells, the twelve-inch flat brass break-arch dial having engraved black Roman hour numerals, Arabic outer five-minute numerals, a subsidiary seconds dial, date aperture and engraved to the centre with floral decoration and the name Stephen Crunn, Haverfordwest, with engraved decoration to the four corners and arch, depicting a bird above a ribbon engraved with the Latin motto Tempus Fugit, with two subsidiary dials to the lower part of the dial for strike/silent and chime/silent, height 216 cms.* Biography Stephen Crunn is recorded as working at Haverfordwest, Pembrokeshire in the 19th century.

J. Jennens, Skinner Street, London, a chiming longcase clock: the eight-day duration movement striking the hours on a large tube gong and the quarters on a further eight large tubes, the thirteen-and-a-half brass break-arch dial profusely engraved with rococo and floral decoration, having a raised chapter ring engraved with black Arabic numerals, with a subsidiary seconds dial and two further dials to the arch for 'Strike/Silent and 'St Michael Chimes/ Westminster Chimes/ Whittington Chimes', engraved J. Jennens, Skinner Street, London,with three brass bound weights, the mahogany case having chequered cross-banding to the hood, trunk and base, the shaped glazed trunk door with applied mahogany moulding and decoration, with applied ebonised ball moulding to the shallow arch, height 228 cms.

Richard Chater, London, a pad-top late-Georgian bracket clock: the eight-day duration, double-fusee movement with anchor escapement, border engraving to the backplate and striking the hours on a bell, the silvered brass break-arch dial engraved with black Roman numerals, a strike/silent dial to the arch and the maker's name to the centre Richd Chater, London, with blued steel spade hands, the break-arch mahogany case having a cast brass handle to the top of the brass bound pad, fishscale frets to the sides and standing on brass bracket feet, height 40 cms.* Biography Two Richard Chater's are recorded as working in London in the late Georgian period, the first apprenticed in 1774, free of the Clockmaker's Company in 1781 and died in 1811, the second working from circa 1785, being the son of James Chater.

A Regency mahogany sideboard:, of bowed and breakfront outline, the ledge back with a domed arch centre and reeded mouldings, the base with a central bow fronted drawer and recessed cupboard below, enclosed by a pair of doors, flanked by a pedestal cupboard to either side, one fitted with three drawers, the other with interior door and cellarette drawer below, each enclosed by a reeded panel door, between reeded columns with carved foliate capitals, on short turned bun feet, 214.5cm (7ft 0 1/2in) long.

A large Chinese famille verte bowl: finely painted with warriors and other figures in audience before officials seated under the arch of a pagoda, the rim with four lotus form panels of auspicious objects on a diaper ground, Kangxi, 39 cm diameter [some minor frits] with stand and case.

Nathaniel Style, London, an ebonised bell-top bracket clock: the eight-day duration, double-fusee movement fully engraved to the backplate with rococo decoration, with the anchor escapement having rise and fall regulation to the pendulum and striking the hours on a bell, the brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and outer Arabic five-minute numerals, the matted centre with date aperture and 'false-pendulum' aperture with an engraved rear, with cast-brass spandrels to the four corners, the arch engraved with rococo decoration and with two raised silvered subsidiary dials for 'strike/silent' and regulation, with an inset silvered plaque between engraved with the maker's name Nathl. Style, London, the bell-top ebonised case having curved canted corners, brass fret-work to the front and sides, a brass carrying handle to the top and wooden feet, height 49 cms.* Biography Nathaniel Style is recorded as working at Wood Street, Cheapside, London becoming free of the Clockmakers Company in 1725 and retiring in 1773.

Thomas Hully, London and Edward Foster, Carlisle, a marquetry longcase clock: the eight-day duration, weight-driven movement now striking the hours on a gong, the break-arch brass dial having a raised chapter ring engraved with black Roman numerals and fleur-de-lys half-hour markings, with engraved decoration and signed within a scroll Edward Foster, Carlisle, with cast brass 'female-head' spandrels, the arch having a round brass boss engraved with the name Thomas Hully,London, with decoration blued steel hands, the walnut case inlaid with floral marquetry decoration to the trunk door and base, with barley-twist columns to the hood, a caddy top and standing on bracket feet, height 225cms.* Biography Edward Foster was a member of a prominent clockmaking family whose members worked in Carlisle, Whitehaven and London. Edward was born in circa 1727, married in circa 1754 and died in 1809 and was recorded as being 'an outstanding maker' whose sons John, Henry, Thomas, William and Richard also became clockmakers, as did grandsons Robert, Thomas and William, the latter moving to London where he died in 1830. A number of fine longcase clocks are known signed either E. or Edward Foster and often without seconds dials.*Notes Exhibited. Leeds City Art Gallery, 1930.

Set of four arch top garden mirrors, 70cm h

A set of three arch top garden mirrors, 60cm x 36cm

Victorian faded mahogany framed cheval mirror with arch plate set within two carved and scrolled supports, shaped front and raised on four leaf carved curved legs with casters, mirror plate size 47ins x 23ins (a/f)

A 1930's oak arch top wardrobe

A Victorian oak and mahogany eight day longcase clock with painted arch top dial.

A large gilt framed hall mirror with arch top pediment.

A VICTORIAN SCOTTISH LONGCASE CLOCK WITH A PAINTED ARCHED DIAL INSCRIBED "D. DAWSON, GLASGOW", SECONDS AND DATE DAILS, THE SPANDRELS WITH PORTRAIT OF AUTHORS "BURNS", "RAMSAY", "FERGUSON" AND "SCOTT", "THE COTTARS SATURDAY NIGHT" IN THE ARCH ABOVE, ENCLOSING AN EIGHT DAY MOVEMENT STRIKING ON A BELL ABOVE, IN A MAHOGANY CASE (H: 222 cm)

GEORGE III LONGCASE CLOCK WITH A PAINTED DIAL INSCRIBED "JNO. LLOYD. BRECON", WITH A SECONDS DIAL CALENDAR APERTURE AND PHASES OF THE MOON IN THE ARCH ABOVE, ENCLOSING AN EIGHT DAY MOVEMENT STRIKING ON A BELL ABOVE, IN AN INLAID OAK CASE (H: 224 cm)

EARLY C20th MANTEL CLOCK WITH A SILVERED DIAL, SLOW/FAST AND CHIME/SILENT DIALS IN THE ARCH ABOVE, ENCLOSING A THREE TRAIN CHIMING AND STRIKING EIGHT DAY MOVEMENT BY GUSTAV BECKER, IN A MAHOGANY CASE (30.5 cm x 23.2 cm x 17.7 cm

An 18th/19th Century mahogany longcase clock, W. Trick, BidefordThe case with a twin swan neck pediment above turned uprights flanking a break arch dial with subsidiary second and date dial, Roman numerals and signed W. Trick, Bideford, the eight day movement striking on a saucer bell, the mahogany case with a plain rectangular door flanked by canted corners above an ebonised and embellished lower front panel and plinth base, complete with weights and pendulum, height 228cm.

A Georgian style mahogany longcase clock, early 20th Century With a domed pediment above a blind fretwork frieze, the hood with four fluted tapering columns flanking the break arch gilt metal 8" dial with silvered bezel, with a three train movement striking on rods, the case with canted fluted corners above a beaded lower panel, raised on bracket feet, 170cm high.

An 18th Century and later oak and mahogany cross banded longcase clockWith a later arched pediment above a brass eleven inch break arch dial adorned with openwork spandrels having a brass chapter ring painted with Roman and Arabic numerals, subsidiary second dial and eight day movement, the dial flanked by turned tapering columns above a shaped crossbanded door and conforming lower panel raised on bracket feet, complete with two weights and pendulum, height 220cm.

Early Victorian cast iron fire insert with decorative arch and raised grate