We found 42009 price guide item(s) matching your search

A 19th Century oak longcase clock, the engraved brass dial with eight day striking movement inscribed Peacock, Kimbolten, enclosed by a broken arch pillared hood over a shaped door on canted panel plinth base, height 216cm

An 18th Century brass eight day longcase clock movement, open arch dial and silvered chapter ring with pierced corner spandrels incorporating seconds and date subsidiary dials, width 30cm.

A 19th Century painted longcase clock movement, the arch decorated with an oval panel of a young girl with garland of flowers incorporating seconds dial, width 36cm

A 19th Century rosewood bracket clock with five pillar spring driven movement, painted arch dial within arch case (AF)

Two Pre-war Dinky 1934 Twenty Four Series Two Seater Tourers, for restoration. One green, fatigued, no chassis, rear arch broken, and the other green, with base plate fatigued, but with axles and wheels.

A George III yew and elm Windsor chair in the Strawberry Hill Gothic style, the back with pierced and carved tracery, shaped seat, cabriole front supports and turned back supports. (requires slight repair to point of arch either side of mid arch, natural split to knee of one cabriole support.

20TH CENTURY REPRODUCTION REGENCY STYLE MAHOGANY ARCH TOPPED MANTLE CLOCK 31CM HIGH

20TH CENTURY REPRODUCTION REGENCY STYLE MAHOGANY ARCH TOPPED MANTLE CLOCK 31CM HIGH (A/F: SPLIT/BUBBLE TO CASE)

A Victorian burr walnut low bookcase with glazed arch panel doors (distressed). W224cm D50cm H104cm

A Queen Anne style walnut press cupboard of diminutive size, having a pair of arch panelled doors, enclosing a fitted interior above three graduated long drawers, raised on shell carved squat cabriole legs, pad feet. H.150cm W.71cm

A George II walnut and parcel gilded chimney glass, of cartouche form, surmounted by foliate scrolls and a scallop shell above a broken arch bevelled plate. H.124cm W.61cm

19th Century oak longcase clock, the broken arch pediment above a brass dial having Roman numerals and inscribed Benjamin Bullock Ayford, with date aperture and two train weight driven movement striking on a bell CONDITION REPORT At present the movement is not fixed in its position but it is a good match for the hood, it may just be a replacement ?

19th Century mahogany longcase clock, the hood having broken arch pediment with painted moon phase dial with floral painted spandrels and subsidiary seconds and date dial, inscribed J.R. Saunders of Honiton above an inlaid flush panel door flanked by spiral turned pilasters and panelled base on bracket feet, 89ins high

19th Century Victorian mahogany grandmother regulator clock with broken arch pediment and brass finials, the square brass dial with silvered chapter ring having Arabic and Roman numerals and brass mask head spandrels with a single train movement above a panelled door flanked by plain brass capped pilasters and conforming plinth base

Late 18th / early 19th Century chinoiserie decorated longcase clock case having arched hood flanked by plain pilasters above an arch top panelled door decorated with figures and buildings on conforming plinth base (cut down - a/f), 2.2m high, 49cms wide, movement aperture 12ins square and 16ins to top of arch CONDITION REPORT This is a clock case only.

Edwardian mahogany bracket clock with broken arch case, the silvered dial with Arabic numerals, fast / slow and strike silent selectors to the arch with a three train movement

19th Century mahogany longcase clock, the broken arched hood above a Gothic arch door flanked by gilt metal mounted spiral twist columns and conforming base with splayed supports, the gilded dial with silvered chapter ring, subsidiary seconds and painted moon phase arch with a two train movement striking on a bell

Oak longcase clock having broken arch pediment, the repainted dial inscribed Casmo Prada, High Wickham, with Roman numerals and subsidiary seconds and date dial with two train weight driven movement striking on a bell above a flush panelled crossbanded door, flanked by reeded quarter pilasters with brass capitals and a conforming plinth base

CANDLESTICKS, a pair, horns, by Arch, silver plate mounts, 23cm H. (2)

CANDLESTICKS, a pair, horns, by Arch, silver plate mounts, 23cm H. (2)

CANDLESTICKS, a pair, horns, by Arch, silver plate mounts, 23cm H. (2)

CANDLESTICKS, a pair, horns, by Arch, silver plate mounts, 23cm H. (2)

CORNUCOPIA, a pair, horns on stands by Arch, with silver plate mounts. (2)

CORNUCOPIA, a pair, horns on stands by Arch, with silver plate mounts. (2)

CORNUCOPIA, a pair, horns on stands by Arch, with silver plate mounts. (2)

CORNUCOPIA, a pair, horns on stands by Arch, with silver plate mounts. (2)

CORNUCOPIA, a pair, horns on stands by Arch, with silver plate mounts. (2)

A metal garden arch (100cm w x 240cm h)

A large 19th century mahogany double door glazed bookcase on stand, having a Gothic arch frieze and applied floral carvings

A large modern silvered and bevelled arch top over mantel mirror

A Junghams three train eight day Westminster bracket clock - brass arch shaped dial having wind hole and cover top left mirrored by a faux wind hole cover upper right - Height 17 1/2" x Width 13 1/2" Condition report: Working

A Welsh mahogany eight day striking longcase clock with a brass 12" moon roller - dial having secondary dial and calendar - signed John Charles CHEPSTOW - engraved to arch HIGH WATER AT CHEPSTOW BRIDGE - standing 86" tall Condition report: No pendulum, with two weights, case and works in need of restoration

A Victorian Mahogany Duchess Dressing Table, having arch top mirror in ornate fret cut, carved and pierced floral supports, standing on twin flight of three drawers, supported by ogee top, central wide drawer, the moulded edge breakfront top with single frieze drawer, standing on carved scroll end front legs on shaped platform base. 48' 'wide x 62'' high x 21'' deep

A low Victorian upholstered Nursing Chair, having arch top button upholstered back and arms with serpentine fronted seat and short turned Mahogany legs.

A Victorian Mahogany three door Sideboard, having moulded edge top, three curved front frieze drawers, over recessed single arch top panelled door flanked by pair of opposing similar doors. In need of some restoration. 66'' wide x 36'' high x 21 1/4'' deep

An early 19th c. Oak cased country Long case Clock, having moulded cornice over single pane glazed door flanked by turned supports, the painted face signed Jn. Ingram, Abergavenny with 30 hour movement, long arch topped door case, on lower moulding over box base. 17 1/2'' wide x 74 1/2'' high x 10 1/2'' deep

20th century AD. A hand-decorated repoussé bowl with chamfered rim, bands of floral detail, palmettes and arcade of fruit, each arch with a different bird or animal; the underside with stamped arch detail and Thai script epigraphic text in two lines. 396 grams, 23cm (9"). Acquired on the London art market before 2000. [No Reserve] Fine condition.

A late 19th Century walnut ting-tang quarter striking on two gongs mantel clock by Lenzkirch (numbered 3035). The canted corners of the case have caryatids applied to them and the full width opening front door has an inner silvered bezel surrounding the brass arched dial which has a single large spandrel in the arch and further spandrels in the bottom corners. The silvered chapter ring has Roman numerals and half hour marks.

African mask with scarified face and wide toothed mouth, full woven fibre head cover and fibre hair with bent cane tensioned arch above, 40cm

Pair of early carved oak panels depicting religious scenes within an elaborately carved arch CONDITION REPORT: Panel one and two have a ridge on three sides which is thinner, probably a panel which has been inserted into somthing (perhaps a piece of furniture) 1) figure with sword, evidence of old worming to bottom section slightly on right hand side, rubbing to nose of figure and front of foot worn, also foot of kneeling figure, front of figure has worm track to stomach area 2) Christ Ascending Evidence of worm (old) to lower edge and slight loss to right hand side and central panel, nose of christ worn, slight worn/rubbed damage to left arm holding staff and panel behind

18th century carved oak coffer the moulded hinged top above four panels, all carved with stylised flowerheads roundels with an arch and further trailing motifs to the frieze, 167cm

An E.P.N.S. Trophy, as an Arch; a silver plated tray; theatre memorabilia (3)

Large collection of original golf press photographs and others from 1930s including some ex-Henry Cotton collection with hand written annotation and signatures otherwise players include Henry Cotton^ Max Faulkner^ Ben Hogan^ Jack Nicklaus^ Bob Charles^ Palmer^ Fred Daly^ Bobby Locke^ Peter Thomson^ Dick Chapman^ Frank Stranahan various Open Championships^ Ryder Cup etc. All Contained in a Lever Arch File - in all approx. 150 - worth inspecting!

A George III mahogany longcase clock, the arched and silvered dial signed Panchaud, Oxford Street, London, with strike/silent and second dials and date aperture with Roman and Arabic numerals in a dome topped case, 222cm high/see illustration Condition Report: This clock is from the W H Smith archive. There are a few minor scratches to the dial and the hands are on the stiff side, clock at present working. The hood door showing signs of re-gluing to the side pillars together with some staining, case sides good but some veneer splitting to door frame at arch, veneer splitting at base.

A George II carved gilt gesso wall mirror with broken arch pediment and leaf carved frieze with oak leaf swag and shell carved base, fitted a rectangular bevelled plate, 118cm high/see illustration

A 19th Century mahogany table-top billiard board, the base baize-lined and with numbered boxwood recess complete with cues, arch and balls, 212cm x 56cm

Arch Bishops and Bishops Autographs - Part two of a collection of many leaflets, envelopes etc. Includes: The Arch Bishops of Canterbury and York (1823 and 1837) Archbishop of York 1839, Bishop of London, Durham, Winchester, Bangor, Bath and Wells, Bristol, Carlisle, Chester, Chichester, Ely, Exeter, Gloucester, Hereford, Lichfield, Luton, Norwich, Oxford, Peterborough, Ripon, Rochester, St Asaphens, St David's, Salisbury, Worchester. Irish Arch Bishops, Cashel, Clogne (Royal Arcade/Penny Post) another SL Cork in red/ Cork, Elphin, Kildare, Killaloe, Killalla, Kilmore, Limerick (cork/penny post in blue), Ofsory (SL Kilkenny/58 in red) Waterford. Several fronts with rare 'Penny Posts' 'Free' and milagemarks. 124 items - a scarce assembly in a large leather album.

A Longcase Clock, the brass arched dial inscribed 'Jos Jackeman on London Bridge' the arch with a see-saw automaton, seconds ring and date aperture, the three train movement striking on a rack of eight bells with a further large bell, in an oak case with carved decoration, swans neck pediment and bracket feet. 7' 4" (224cms) high, diameter of dial 12" (31cms), lacks pendulum, only one weight present.

Mahogany arch top towel rail.

An early 20th Century mantel clock in dark stained arch-shaped case, with decorative spiral twist columns and a silver plaque dated 1927.

A walnut framed arch topped rectangular wall mirror H.77cm W.49cm

A Victorian oak lectern with gothic arch trefoil decoration, 30'' x 36'' x 12''

Japy Freres, Paris, a gilt brass and champleve enamel three-piece clock garniture:, the eight-day duration movement striking the hours and half hours on a bell, the backplate stamped with the trademark for Japy Freres of Paris, the silvered dial with black Roman numerals and enamel decoration to the centre and blued steel spade hands, the gilt-metal case with shaped pillars to the corners draped with winged putti with a further winged putto to the top of the arch, with a break-front base and surmounted by a lidded drum, all decorated with champleve enamel and engraved decoration, height 39cm, complete with a pair of two-light candelabra.

Thos. Langford, London, an 18th century mahogany bracket clock: the eight-day duration, five-pillar double-fusee movement, now with an anchor escapement, having c-scroll and floral engraving to the backplate and striking the hours on a bell, the eight-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and outer five-minute outer Arabic markings, the centre with a subsidiary date dial and engraved with the maker's name Thos. Langford, London, the arch with a silvered strike/silent dial and all with gilt-metal cast c-scroll and floral spandrels, with blued steel hands, the bell-top mahogany case with inset brass fretwork to the top corners, brass acorn finials to the top, a brass carrying handle, glazed side panels and standing on brass bracket feet, height 51cm, not including handle. * Biography Thomas Langford is recorded as becoming free of the Clockmakers Company in 1781 and took on a number of apprentices in the following years including William Whitaker and John Clark.

Edward Smith, Dublin: a small mahogany bracket clock having a three day duration timepiece movement with an anchor escapement with fixed pendulum and alarm the break-arch dial engraved with black Roman numerals and the maker's name Edwd. Smith, Dublin, Invt.et fecit, with blued steel spade hands and subsidiary alarm setting disc to the centre, the arched mahogany case with barley twist moulding to the arch and base and a brass carrying handle to the top, height, 22cm. (not including handle).

William Avenell, Alresford, an oak moonphase longcase clock: the eight-day duration five-pillar movement striking the hours on a bell, the eleven and a half inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals and outer five-minute numerals, with unusually the subsidiary strike/silent dial to the dial centre below XII o'clock with a date aperture above VI o'clock and shaped cartouche engraved with the maker's name Will. Avenall, Alresford, with a moonphase aperture to the arch and sweep seconds hand, the oak flat-topped case with fretwork to the hood and three-quarter columns with brass capitals, with a break-arch trunk door and plain base, height 202cm. * Biography William Avenall was a well-known maker recorded working in Old Alresford in circa 1760 with another of the same name known to be in Portsmouth in the early part of the 19th century.

Ralph Banks, Devonport, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the brass break-arch dial having a raised chapter ring engraved with black Roman numerals, the centre with a subsidiary seconds dial and date aperture and engraved Ralph Banks, Devonport, with an engraved boss to the arch, the mahogany case with wavy edge moulding to the hood door, fluted pillars and standing on bracket feet, 213cm. high. * Biography Ralph Banks is recorded working at Plymouth Dock (Devonport) often using clocks 'bought-in' from top London suppliers including John Thwaites. It is known that he married Rebecca Palmer Collings at Stoke Damerel parish church in December 1782 under whose name the business was listed in 1812.

George Holford, Doncaster, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the break-arch painted dial with black Roman numerals and signed by the maker Geo. Holford, Doncaster, the mahogany case with a break-arch top and standing on bracket feet, 221cm. high.

An Edwardian mahogany mantle clock having arch shaped dial with silvered chapter ring

A mahogany eight day longcase clock, the early 18th Century five pillar two train movement, with anchor escapement adapted with later striking mechanism, the 12" brass arched dial with applied silver chapter ring with Roman and Arabic numerals, subsidiary seconds dial, date aperture and foliate spandrels, signed Joseph Dudds London to arch, the Victorian case with ormolu mounts, glazed trunk door and marquetry box base. 256cm h.