We found 42009 price guide item(s) matching your search

A Victorian beech towel rail with dual end supports and Gothic arch terminals - Length 68 cm

A good quality eight day long case clock with a painted arch dial with a calendar and second hand signed Penman, Dunfermline in a mahogany case with a nice patina - Height 220cm

A small cast iron fire back with arch and cavalier decoration, and a black painted wrought metal log basket

A late Victorian bookcase cabinet with broken arch pediment over two glazed doors enclosing adjustable shelving on a base of two drawers over two medallion decorated doors on a plinth base

30 hour painted arch-dial clock in cross banded and inlaid oak case - William Gray, Market Place Leicester

TURNER (Joseph Mallord William). Picturesque views on the southern coast of England. London : John et Arthur Arch, J. M. Richardson, Rodwell et Martin, W. B. Cooke, 1826. — 2 volumes in- folio, demi-basane marron à coins, filets dorés, dos à nerfs orné (reliure de l’époque).{CR}{CR}Brillante publication illustrée de 80 gravures dont 32 dans le texte et 48 hors texte, représentant les côtes du sud de l’Angleterre.{CR}Les régions du Dorsetshire, du Sussex, du Devonshire, du Kent, du Hampshire, du Somersetshire et du Corwall sont mises en valeur par la représentation des sites de Dover Castel, Folkestone, Plymouth, Portsmouth, Ramsgate, Rye... Les paysages dont sont tirées les gravures ont été peints pour un grand nombre par le célèbre et prestigieux peintre de paysage Joseph Mallord William TURNER mais également par S. OWEN, W. COLLINS, L. CLENELL, J. HAKEWILL, H. EDRIDGE, L. FRANCIA, P. DEWINT, W. ALEXANDER, S. PROUT. Les gravures ont été réalisées par J. HOGSBURGH, W.B. COOKE, Georges COOKE, R. WALLIS, W. RADCLYFFE, E. GOODALL, A. FREEBAIRN, W. MILLER. Un petit texte historique accompagne chaque site et monument. De nombreuses œuvres et planches de cet ouvrage, à juste titre célèbre, se trouvent à la Tate Gallery. {CR}Dos légèrement passés, usures aux coiffes et aux coins. Rousseurs et quelques mouillures.

A late 19th century brass carriage clock in arch top classical design case with fluted side pillars, white enamel dial and 8 day half hour striking movement on gong, height 6

A Victorian `plum pudding` mahogany breakfront triple wardrobe with moulded cornice, central fitted section enclosed by mirror door with twin arch panel side robes and plinth base

A 1930`s golden oak bureau bookcase with extensive vine carved decoration, the upper section with arch top and 2 glazed doors, the base having fall front, 2 drawers and turned bulbous legs, width 24

An oak bible box with carved twin arch front, 16½

A long case clock with arched brass dial, silvered chapter ring, and moonphase to the arch lettered ""High Water at Penzance Quay"", with 8 day movement by John Sampson, Penzance, in later stained wood case

A Victorian Arts and Crafts tea caddy of rectangular form with pointed arch lid, overall inlaid with specimen woods in stylized motifs, opening to reveal a two division interior, 17.5cm wide, 10cm high, 10cm deep

An early Victorian Longcase Clock, the painted arch dial inscribed "I A Tilley, Bristol" and with seconds ring, date aperture and phases of the moon arch, painted with shipping scenes, with eight day movement, in a domed mahogany case with brass eagle finials, spiral turned pilasters and inlaid with boxwood stringing.

A Georgian design mahogany Bookcase with broken arch cornice and reeded pilasters, the centre section fitted with open shelves flanked by a pair of glazed display compartments with four cupboards under on a breakfront base, 7` 5" (226cms) high x 6` 7" (201cms).

An Edwardian Neoclassical Revival white painted fire surround, the canopy overmantel above an arch moulded frieze, flanked by fluted Corinthian columns, height approx 165cm, width approx 164cm.

A narrow painted pine side cupboard enclosed by a pair of twin panelled doors beneath an architectural pointed arch pediment

A Victorian oak open armchair in the Carolean style with drop in upholstered seat and arch padded back beneath a carved C scroll and arched cresting rail on turned column supports, scrolled arms, etc

A GEORGIAN MAHOGANY TABLE CLOCK signed Addis Cornhill, London, the twin fusee movement with verge escapment and rack striking on a bell, elaborately engraved back plate with basket of flowers, name and foliate scrolls, 7"" arched brass dial, silvered chapter ring with Roman and Arabic numerals, matt centre with calendar aperture, strike/silent in the arch, the case with inverted bell top, turned brass finials and carrying handle, arched pierced brass sound frets, moulded base and gilt brass feet, 11"" x 20 1/2"" (Illustrated)

A SCOTTISH OAK LONGCASE by John Peatt, Crieff, the eight day movement with anchor escapement and rack striking on a bell, 12"" arched silver dial with Roman and Arabic numerals, secondary dials, chased flowers and foliage, signature to the arch, the oak case with scrolled pediment and brass finial on turned columns, arched door, panel base and bracket feet, 88"" to top of finial

A MAHOGANY LONGCASE CLOCK signed J Murry, Aberdeen, the eight day movement with anchor escapement striking on a bell, 12"" arched dial with Roman and Arabic numerals, painted with flowers and with a ship in the arch, the case with scrolled pediment on fluted Corinthian columns, arched banded door flanked by wrythen quarter columns, banded base and bracket feet, 86"" high (Illustrated)

A MAHOGANY LONGCASE CLOCK signed Thomas Crawshaw, Retford, the eight day movement with anchor escapement striking on a bell, 13"" arched dial with Arabic numerals, painted signature banner and spandrels, the arch with automaton depicting Adam and Eve in the Garden of Eden, the mahogany case with boxwood stringing, scrolled pediment with brass finials on fluted Corinthian columns, arched door with oval flame panel, similar canted base and bracket feet, 95 1/4"" high (Illustrated)

A MAHOGANY LONGCASE CLOCK, signed John Miller, Preston, 18th century, the eight day movement with anchor escapement rack striking on a bell, 13"" arched brass dial with Roman and Arabic numerals to silvered chapter ring, seconds dial and calendar aperture, the arch with silvered roundel engraved with an eagle and inscribed ""Tempus Fugit"", the case with arched moulded cornice and verre eglomise frieze on plain turned columns, quarter veneered arched door, flanked by quarter columns, canted base and bracket feet, 87 3/4"" high (Illustrated)

AN OAK LONGCASE, signed Anthony Hutchinson, Leeds, the eight day movement with anchor escapement, striking on a bell, 11 1/2"" arched brass dial with Roman and Arabic numerals, the centre chased with urns, birds and foliate scrolls, secondary dial, the arch with signature and a river scene, the mahogany banded case with scrolled pediment having inlaid patera on fluted Corinthian columns, arched door with fan paterae flanked by fluted quarter columns, on panel base, 74 1/2"" high (Illustrated)

GEORGE III MAHOGANY REPEATING BRACKET CLOCK, SMART & DENNETT, LONDON, 3RD QUARTER, 18TH CENTURY the two fusee movement with verge escapement, engraved back plate numbered 2143, fronted by brass dial with date aperture silvered chapter ring, makers label and strike/silent ring in the arch in bell top case surmounted by gilt bronze pineapple finials and bale handle, height 19./5"" — 49.5 cm.

GEORGE III MAHOGANY REPEATING BRACKET CLOCK, C.1780 the 7 inch round silvered dial fronting two fusee movement with verge escapement in break arch case surmounted by bale handle, height 15.5"" — 39.4 cm.

CANADIAN OAK TALL CASE CLOCK, HENRY BIRKS AND CO., MONTREAL, C.1870 the 13 inch brass signed brass dial with subsidiary seconds and calendar dials and moon phase in the arch fronting a heavy two train 8 day movement with shaped plates and passing strike on the half hour in case with carved break arch hood, glazed trunk and panelled base, height 95"" — 241.3 cm.

GEORGE III MAHOGANY TALL CASE CLOCK, THOMAS DICKER, READING, LATE 18TH CENTURY the 12 inch signed, silvered dial with animated ho-ho bird aperture in the arch, subsidiary seconds dial and sweep date hand in case with break arch hood, height 88"" — 223.5 cm.

GEORGE III BLACK JAPANNED TALL CASE CLOCK, HEWES CARTER, CAMBRIDGE, C.1790 the 12 inch brass dial with silvered chapter ring, makers label, subsidiary seconds dial and date ring in the arch fronting an eight day inside countwheel movement striking bell in break arch topped case with gilt Chinoiserie lacquered design all over including figures and pagodas in landscape setting

GEORGE III BLACK JAPANNED TALL CASE CLOCK WITH EQUATION OF TIME, JOHN BURGES, GOSPORT, C.1780 the 12 inch brass dial with silvered chapter ring and subsidiary seconds dial, sweep date hand and equation calendar ring in the arch, the break arch case with gilt Chinoiserie lacquered design all over including figures and pagodas in landscape setting, height 87"" — 221 cm.

GEORGE III MAHOGANY TALL CASE CLOCK, JOHN ELLICOTT, LONDON, C.1750 the 10 inch brass dial with silvered chapter ring, subsidiary seconds dial, date aperture and strike/silent ring in the arch in a pagoda top case, height 94"" — 238.8 cm. Note: John Ellicott was clockmaker to George III.

A George III mahogany toilet mirror, satinwood crossbanded, having an arch-top mirror, the base fitted with three small drawers, raised on turned bone feet. H: 74cm W: 64cm

A Queen Anne style figured walnut standing corner cupboard and a broken arch cornice above a bar glazed door enclosing two shelves with cupboard door below. H. 67cm W. 72cm

CHILDREN`S SCARCE EDITIONS: CARROLL, LEWIS. Alice`s Adventures In Wonderland. Illustrated by Alice B. Woodward. (1914: London: G. Bell & Sons) SCARCE EDITION. 8vo. PROF. H. LEFLER U. ARCH. J. URBAN MIT GEDICHTEN V. LUDWIG FULDA. GRIMMS MARCHEN (ND, though c. 1905. Verlag M. Munk, Wien). 12 colour plates, by Heinrich Lefler and Joseph Urban, some tinted in gold. Crease mark to final plate. Bound in brown wrappers. Wrappers creased with tearing to head and tail of spine. (VERY SCARCE). 4to. (2)

A Victorian mahogany arch top dressing mirror, turned stretcher, scroll legs with bull`s eye decoration, on ceramic castors (161cm high).

A solid oak dropleaf table, clover `Pugin` pierced roundels and arch carving, circa 1930 (120 x 85.5cm).

A set of eight Gothic oak dining chairs of Pugin influence, circa 1920 and later, with finials above carved arches, between pierced back with clover piercing, arch top to cut-out splat, later upholstered seat, carved apron, on turned legs. (8)

A pair of Gothic padded armchairs of Pugin influence, pomegranate finials, triple arch back, later upholstery with turned supports and legs, circa 1920.

G. VAN UTENS (Sixteenth Century) 15 ARCH SHAPED COLOUR PRINT REPRODUCTIONS ON CREAM PAPER `Firenze Com`era Ville Medicee` Pub. by Migneco and Smith , printed in Italy 16" x 24", unframed and large RELATED PRINT (16)

E. FEENY (twentieth century) WATERCOLOUR DRAWING "Place de Jeanne d`Arc, Lourdes" Signed and titled 9 ½" X 13 ½" (24cm x 34.3cm) AND UNATTRIBUTED OIL ON BOARD The Wellington Arch, London Unsigned 16" x 12" (40.5cm x 30.5cm) (2) EST 50-80

A late 18th century oak longcase clock, the distressed arched brass dial (w.12")signed Botley of Bletchingly to the arch and having silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, all within cast brass spandrels and having matted centre, twin winding holes for an day four pillar weight driven movement striking on a bell (requires complete overhaul), the case having arched panel door to the trunk, on a reduced boxbase, h.192cm

A set of eight Carolean style stained beech and cane back dining chairs the arch scroll backs over turned uprights on turned block legs and stretchers (8)

A 19th Century 8-day oak long case clock with mahogany cross banding to the case, with twin scroll pediment above the painted broken arch dial with subsidiary seconds and date dials, S/D, height 207cm, together with another 19th Century painted clock dial and movement, A/F.

An 18th Century inlaid oak and mahogany crossbanded longcase clock by William Parkes Wolverhampton, engraved arch silvered dial with moonphase and date aperture enclosed by a blind fret panel carved hood and broken swan neck pediment over a long cockbeaded trunk door flanked by brass reeded capitals on a later converted plinth base, 221cm high

Pair Royal Copenhagen relief white porcelain plaques with classical allegorical figures, circular, 13.5cm, framed and glazed and a Victorian embossed plaster souvenir plaque "Roma" Constantine arch, 32cm diameter

An interesting late 19th/early 20th Century painted and bronzed Swiss style Wall Clock, the broken arch pediment with pierced armorial crest above a 17cm painted dial with Roman numerals and central cottage style vignette and above a decorative bronzed piercing headed with a cherub mask, the movement striking on a bell and probably with alarm mechanism, the chains with varying sized weights (condition commensurate with age, some scratching, some decorative panels away etc.,) approx. 72cm total height

An 18th century oak cased longcase clock with painted arch dial and subsidiary dials, eight day movement, the hood with dentilled cornice, raised on a plinth base

A two train double fusee bracket clock movement and dial with no case. The break arch plate marked 'Handley and Moore'. The whole being typical of George III style in that the gilt and silver dial is mounted on a false plate, (The makers were apprenticed to Jno Thwaites in c1738 before setting up on their own), together with two smaller movements.

A PAIR OF VICTORIAN BRASS PIVOTED GAS BRACKETS with spiral limbs and round wall plate, 69cm l, a brass swan necked gas bracket, converted to electricity and a French painted metal electric pendant wall light with leafy scrolling arch, two with glass shade (4) ++All in satisfactory condition the lacquer pitted and discoloured with localised staining/corrosion, the paint on the last old but not original and chipped

A GEORGE III INLAID OAK LONGCASE CLOCK signed on the breakarched and painted dial Thos Gaskell KNUTSFORD, having twin subsidiary dials, brass ringed winding holes, pierced hands lunar work to the arch and eight day movement, the crossbanded and line inlaid case with oval vase and fan paterae, brass mounts, swan neck pediment and fluted pillars and pilasters, 227cm h ++Privately consigned from a local house and in good condition with some old minor repairs of a high order including the repainting of the dial

A GEORGE III MAHOGANY LONGCASE CLOCK the breakarched and painted dial signed W Giscard Downham with date sector, subsidiary seconds dial, gilt rose spandrels and Greek key to the arch, having eight day movement, in figured case with fretted pediment and brass mounted fluted pillars and figured door to the trunk, panelled base, 211cm h ++Case of pleasing colour and patina, small old veneer cracks and losses. Dial and movement original and thought to be original to the case. Seatboard not packed, cleaned and the dial possibly retouched some years ago

A GEORGE III LONGCASE CLOCK MOVEMENT AND DIAL the silvered, breakarched dial signed JEFFERYS & SON CHATHAM with twin subsidiary dials, Strike/Silent ring to the arch, engraved floral spandrels and eight day movement, 30cm w, the modern mahogany case of the correct style, 218cm h ++Dial and movement overhauled and apparently complete, the case also in good condition with pendulum and weights

AN ENGLISH OAK, MAHOGANY AND MAPLE LONGCASE CLOCK signed on the breakarched and painted dial CLARK EPWORTH, having subsidiary seconds dial, a gleaner to the arch, eight day movement, the case with swan neck pediment and faceted pillars, the door to the trunk with rosewood inlaid lozenge, on bracket feet, 224cm h, c1830 ++The dial with some old repair/repainting but satisfactory. The movement original but dusty, the seatboard and cheeks probably original. The case in reasonably good condition apart from the odd small tiny edge loss to the veneers, the feet with some damage. Sold with weights and a pendulum

A WELSH OAK CUPBOARD, CWPWRDD TRIDARN, CAERNARFONSHIRE the canopied superstructure with slatted sides and baluster uprights above conforming channelled frieze and three ogee arch panelled doors, the central door carved 1753 AN DO, with bulbous pendants and spiral pilasters, the lower part with drawers and doors, 196cm h; 57 x 141cm, 1753 A very similar example, with the same distinctive carving to the centre door, dated 1756, with a Llanrug provenance, is illustrated Bebb (R), Welsh Furnitutre 1250-1950, Kidwelly 2007, vol 2, plt 829. ++Of pleasing colour and thought to be `right`, the beading around the top later, the handles old replacements

Alexander Picken, Glasgow. A late George III mahogany longcase clock, the case with broken swan neck pediment above a pair of fluted columns, the shaped trunk door flanked by fluted quarter pilasters with box base below, set 13 inch broken arch silvered Arabic and Roman dial with centre date pointer, having an 8-day movement with anchor escapement, striking bell, H. 225 cm, W. 53 cm.

A late 18th Century mahogany bracket clock by Thomas Oliver of London, the whole of small proportions, the plain arched silvered dial with Roman numerals and strike/silent dial to arch to the eight day two train fusee movement striking and repeating on a bell with engraved back plate, contained in mahogany and gilt brass mounted case of arched form with large rectangular pad to top, brass folding handle, arched glazed side panels, on ogee bracket feet, 12.25ins high Note : Thomas Oliver recorded working in New Bond Street, London 1780-1795 and in partnership with Joseph West until 1785

A late 18th Century ""North Country"" mahogany longcase clock by Robert Greaves of Macclesfield, the 14ins arched brass dial with wide silvered chapter ring and dial centre with Roman and Arabic numerals and showing phases of the moon and calendar to arch to the eight day two train movement striking on a bell, contained in figured mahogany case with scrolled cresting, blind fret frieze inlaid with oval paterae, turned and fluted columns to hood and with shaped trunk door flanked by fluted quarter columns, on bracket feet, 91ins high Note: Robert Greaves recorded working Macclesfield 1786

A late 18th Century mahogany longcase clock by David Bowen of Swansea, with 12ins arched brass dial (formerly silvered), the arch engraved ""High Water at Swansea Key"" and showing phases of the moon, with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in mahogany case with moulded and dentil cornice, turned and fluted columns to hood with Corinthian capitols, shaped trunk door and with fluted and reeded cant corners, on bracket feet, 83ins high (pendulum damaged) Note : David Bowen recorded working in Swansea as a Clockmaker, died 1791

An oak longcase clock containing an early 18th century movement by George Etherington of London, the 10ins arched brass dial with arch engraved with sunburst and strike/silent lever above chapter ring with Roman and Arabic numerals to the eight day two train movement striking on a bell, the later oak case made by Colonel H.J.W. Barrow, the arched and moulded cresting with three squirrel finials, pierced brass frieze, pierced side panels, split turned columns to hood, the arched trunk door with shaped lentical glass, 79ins high Note : George Etherington recorded as admitted to the Clockmakers company 1684, Master 1709, Died 1729. Engraved brass plaque to inside of case provides full provenance - maker of case and an ancestor of vendor

George II style blacked oak settle, four arch fielded panels to the back, open arms, solid seat on cabriole legs, length 201cm.

6 Britains style Round Gazebos (small bandstands). All with ornamental Victorian wire design, coded 2701, various colours – 3 in white, 1 black, 1 dark green and 1 white/gold. Together with a ‘Proscenium Arch & Stage’ and an ‘Orchestra Pit’, both by John Eden Studios. Both well detailed and painted and cast in plaster. Plus a quantity of card stage backdrops. Mint as new.