We found 42009 price guide item(s) matching your search

A pair of contemporary glass panels,each with curved sides forming an arch, depicting a cat on a parapet, the other with a ship viewed through a tunnel, made with laminated iridescent glass mosaic panels, in three layers, 83cm wide147.5cm high (2)The following three lots were removed from a building in the Digbeth area of Birmingham, near the 'Custard Factory' in Gibb Street. Acquired by the present owners in 2011.Condition report: Both panels with notable hairline cracks. One panel with chip. Additional images uploaded.

A pair of contemporary glass panels,each with curved sides forming an arch, depicting a cat on a parapet, the other with a workman in a tunnel, made with laminated iridescent glass mosaic panels, in three layers,83cm wide 147.5cm high (2)Condition report: Some back laminated panels cracked - the fronts all appear fair - some minor chips to the edges and corners.

19th century mahogany eight day longcase clock with painted arch dial decorated with castles by T,Symonds, Yarmouth', with 2 weights, pendulum & key 198 cm highCondition report: This clock is by a Yarm maker not Yarmouth as described

George III 8 day longcase clock by Mathew Norman, London with gilt and silvered arched dial with strike/silent in arch, subsidiary seconds and date aperture, striking on bell, in dome top mahogany case with blind fretwork decoration , pendulum and two brass weights present, 240 cm high

Regency eight day longcase clock with floral painted arch dial, subsidiary seconds and date dials , in mahogany case with brass ball mounts , pendulum and two weights present, 226 cm high.

George III longcase by William Lindsey, London with arched silvered dial , strike / silent to arch, subsidiary seconds and date dials,in mahogany case with gilt ball spike mounts with pendulum, 219 cm highCondition report: Sound original condition. The movement does not fit the hood very well - see images.The case is good quality, it has some damage to the pediment .

Fine George III bracket clock by Paul Rimbault, London with gilt and silvered arched dial with strike/silent in arch, date aperture, rococo scroll spandrels , twin fusee movement striking on bell with repeat , scroll engraved backplate and bob pendulum in mahogany caddy top case with brass carrying handle, urn mounts on bracket feet, 2 keys and pendulum present, 50cm highCondition report: The clock appears in good restored condition , however the verge escapement cannot run as the Bob pendulum fouls the base board and therefore it cannot regulate the clock. The clock strikes and repeats . The rear of the case is bleached by the sun and the bottom of the rear door has a slice of mahogany missing.- see extra imagesOn further inspection by our clock specialist we have now moved the base board of the movement (which had slipped backward) allowing the free travel of the pendulum and the clock is now working

Good quality George III mahogany cased bracket clock by F.Nicholson, London with silvered arched dial , strike / silent to arch and subsidiary date dial, fusee movement striking on bell, engraved backplate in dome topped mahogany and brass mounted case on bracket feet , 44 cm high , key and pendulum present

Arch-top overmantel mirror in moulded gilt-effect frame, 130 x 123cm

A Victorian mahogany arch topped mirror.

17TH CENTURY-STYLE OAK COFFER, panelled moulded top above arch carved triple panelled front, moulded base and style feet, 105 x 45cms COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)

TWO REPRODUCTION OAK CABINETS comprising single drawer wardrobe and arch top dresser, both in the Jacobean-style (2) COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)

19TH CENTURY WELSH MAHOGANY 8-DAY LONGCASE CLOCK, Joshua Kern of Swansea, the 12-inch painted roman dial decorated with Italianate buildings to the arch and spandrels, subsidiary seconds dial and calendar aperture, boxwood strung case with turned columns to the trunk and hood, tall bracket feet, lever movement with count wheel strike on a bell, 226cms high COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)

19TH CENTURY YORKSHIRE MAHOGANY 8-DAY LONGCASE CLOCK, Joshua Farrer of Doncaster, flat top hood with reel turned columns, 12 inch painted roman dial with rural views in the spandrels and Moses in the arch, subsidiary seconds and calendar dials, movement with anchor escapement striking a bell, 201cms(restored case and cleaned/refurbished dial) COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)

20TH CENTURY GERMAN QUARTER CHIMING LONGCASE CLOCK, break arch hood with slivered roman chapter ring to the 9 1/2 in. brass dial, tempus fugit globe to the arch, 8-day movement striking 6 gongs, 200cms high COLLECTING ITEMS STRICTLY BY PRE-ARRANGED APPOINTMENT / SAFE DELIVERIES CAN BE ARRANGED (PLEASE ENQUIRE)

A Chinese red pottery panel in relief with seated Bodhisattva, within an arch, in 6th-7th century style, 36cm high

An extraordinarily rare Elizabeth I joined walnut open armchair, Herefordshire/Welsh Borders, circa 1590Of bold design and deeply carved, having a tall half-round carved cresting with tight-scrolls to the top edge, atop a panel designed with a geometric filled and flanked arch, a null-carved lower back rail, the uprights carved with stylized male and female figures, and with full-length carved-scroll 'wings', the angular and scroll-ended open arms on baluster and reel-turned front supports, boarded seat, and null-carved seat rails, on columnar-turned front legs, joined by pyramidal-boss carved stretchers, 68cm wide x 56cm deep x 115.5cm high, (26 1/2in wide x 22in deep x 45in high)Footnotes:A related chair, dated 1624, from a private collection in the Vale of Neath, West Glamorgan, sold Bonhams, New Bond Street, 'The Olive Collection', 31 January 2019, Lot 136 (£14,300). A further example, also with a scroll-edged arched cresting is in The Burrell Collection, Glasgow, (item no. 14.70) and illustrated Tobias Jellinek, Early British Chairs and Seats 1500 to 1700 (2009), p. 84, pl. 76. Michael Dann The English Smile (2005) pp. 123-127, item 21, illustrates a further chair with similar cresting and null-carved rails, dated to 1550-60 and described as English.For further information on this lot please visit Bonhams.com

An early 17th century carved oak panel, Dutch/German, PrudenceOriginally part of a door, the figure of Prudence, wearing a ruff and holding a mirror and a two-headed snake, beneath an egg and dart-carved arch supported on strap-work, boss-mounted pilasters, titled 'VORSITICHEIT' beneath her feet, 25cm wide x 3cm deep x 37cm high, (9 1/2in wide x 1in deep x 14 1/2in high)Footnotes:Provenance:Purchased Keith Hockin Antiques, Stow-on-the-Wold, Gloucestershire, May 2000.For further information on this lot please visit Bonhams.com

A mid-17th century oak boarded chest, English, circa 1650Having a single-board hinged lid, the front carved with two reserves, designed with a leaf-filled lozenge, interlaced whorls and stylized flora, the sides with pointed-arch cut-away ends, 120cm wide x 32cm deep x 59.5cm high, (47in wide x 12 1/2in deep x 23in high)Footnotes:Provenance:Purchased from William H. Stokes, Cirencester, Gloucestershire.For further information on this lot please visit Bonhams.com

A George I joined oak double-dome bureau cabinet, circa 1720Having a pair of arch-shaped fielded cupboard doors, enclosing a divided and shelved interior, the lower-section with a cleated sloping fall, opening to reveal small drawers and pigeonholes around a sliding covered well, atop two short and two long drawers, on shaped bracket feet, 95cm wide x 59cm deep x 198cm high, (37in wide x 23in deep x 77 1/2in high)For further information on this lot please visit Bonhams.com

A set of 19th century rosewood quartetto tables, one with an inlaid chessboard topEach top with a moulded raised edge, on paired slender baluster-turned end-supports, joined by a rear arch-shaped stretcher, on sledge feet, 49cm wide x 31.5cm deep x 72.5cm high, (19in wide x 12in deep x 28 1/2in high)This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

A George II black Japanned longcase clock, circa 1740Thomas Moore, Ipswich (d.1762)The flat-topped hood with an arched door and tapering columns, arched trunk door with moulded edge, the 12-inch brass dial beneath a signed roundel within an arch flanked by 'dolphin' spandrels, urn and foliage corner spandrels, Roman and Arabic chapter ring, and fleur-de-lys half-hour marks, matted centre with subsidiary seconds dial and date aperture framed by dog-tooth engraving, the five pillar movement with anchor escapement and rack striking on a bell, 51cm wide x 25.5cm deep x 211cm high, (20in wide x 10in deep x 83in high)For further information on this lot please visit Bonhams.com

A carved beech overdoor, possibly SpanishCarved with Saint Peter and a female saint with book, each standing beneath an arch, within a scroll-carved surround, 98cm wideFor further information on this lot please visit Bonhams.com

A 17th century carved oak panel, FlemishCarved as a woman seated in a garden, her left hand holding the bough of a tree, framed by a stiff leaf-carved arch on strapwork pedestals, and with cherub mask spandrels to the top corners, 30.5cm wide x 2.5cm deep x 36.5cm high, (12in wide x 0 1/2in deep x 14in high)For further information on this lot please visit Bonhams.com

A 19th century carved walnut panel, FrenchCentred by an allegorical female figure, with shield and spear, and other weapons, at her feet a pair of kneeling figures, all beneath a strapwork grotesque arch, centred by a crouching winged satyr flanked by birds, 51cm wide x 2cm deep x 74.5cm high, (20in wide x 0 1/2in deep x 29in high)For further information on this lot please visit Bonhams.com

A late 16th/early 17th century marquetry scene, AugsburgOf various fruitwoods and stained woods, and showing a figure with a spear, possibly Goliath, his foot upon a helmet, beneath an arch formed from strapwork, pears and leaves, flanked to either side by arches with niche statues on hermae, in a frame of ebony ripple mouldings, 25.5cm wide x 2cm deep x 24cm high, (10in wide x 0 1/2in deep x 9in high)Footnotes:Provenance: Various 20th century inked labels to reverse, one suggesting that this is a fragment of Flemish marquetry and recording that it was once in the collection of O.F.D. Firth, Esq., of Newcastle-upon-Tyne.For further information on this lot please visit Bonhams.com

A late 16th/early 17th century carved oak panel, Flemish, The NativityThe central scene, including cows in their byre, carved beneath a dentilled arch and winged cherub mask spandrels, a scroll-edged cartouche below titled 'DE GEBORT CRISTI', 29cm wide x 3cm deep x 46cm high, (11in wide x 1in deep x 18in high)For further information on this lot please visit Bonhams.com

A pair of late 17th century walnut high-back chairs, Anglo-DutchIn the manner of Daniel Marot (1661-1752)Each with an elaborately leafy-scroll and swag-carved upright back panel, beneath an arch-shaped and leafy-cartouche carved cresting, stuff-over seat upholstered in sky-blue cotton-velvet, on inverted-baluster front legs, joined by a cresting inspired fore-rail and baluster-turned H-form stretcher, 53cm wide x 47cm deep x 133cm high, (20 1/2in wide x 18 1/2in deep x 52in high) (2)For further information on this lot please visit Bonhams.com

A joined oak side chair, English, circa 1700Having an ogee-arched back panel, a flattened-arch cresting, and channel-moulded uprights, panelled seat, on block and baluster-turned front legs, joined by baluster-turned fore and rear rails and an H-form stretcher, 45cm wide x 50cm deep x 109cm high, (17 1/2in wide x 19 1/2in deep x 42 1/2in high)For further information on this lot please visit Bonhams.com

Scott (Walter). The Border Antiquities of England and Scotland; comprising Specimens of Architecture and Sculpture, and other Vestiges of Former Ages, Accompanied by Descriptions..., 2 volumes, London: Longman, Hurst, Rees, Orme, et al., 1814-17, half-title to volume 2, additional engraved titles and 93 engraved plates on India paper, armorial bookplate of Sir William Augustus Fraser, Ledeclune & Morar, Baronet, to upper pastedowns, all edges gilt, together with: ibid., Provincial Antiquities and Picturesque Scenery of Scotland, with descriptive illustrations, 2 volumes, London: John & Arthur Arch, Edinburgh: William Blackwood, 1826, engraved titles to each and 49 engraved plates, some offsetting to text, occasional spotting, all edges gilt, uniform late 19th century mottled calf by Riviere & Son, gilt rollwork border decoration to boards, each volume neatly rebacked with matching elaborate gilt decoration, contrasting morocco spine labels preserved, folioQty: (4)

* Haghe (Louis). Galton Bridge. Erected over the new line of the Birmingham Canal at Smethwick in the County of Stafford, in the Year 1826. From a design by Thomas Telford Esqre. F.R.S.L. & E., 1826, lithograph after R. Bridgens, few repaired short closed tears to margins, diagonal crease to upper left corner, 427 x 570 mm, mounted, together with Clerk & Co (lithographers), Defford Bridge, Designed to carry the Birmingham and Gloucester Railway over the River Avon Worcestershire 1839, Span of each Arch 58 Feet, Height above Water Line 28 Feet. Captn W.S. Moorsom Engr., London: Clerk & Co., 1839, tinted lithograph after E.T. Dolby, some toning and spotting, image size 230 x 410 mm, sheet size 354 x 467 mm, mounted, with Hullmandel (Charles), Ironbridge, circa 1856, tinted lithograph after I.C. Bayliss depicting a landscape view of the village and Ironbridge over the Severn, image 208 x 292 mm, sheet size 370 x 442 mm, mountedQty: (3)NOTESThe first lithograph shows a landscaped elevation view of the road bridge over the canal, with pedestrian and carriage traffic passing across. On the canal, there are three horsedrawn barges, one a Pickford No 3, and one steered by a woman. In the distance, there is a second road bridge. When built, Galton Bridge was the longest single-span bridge over the largest man-made cutting in the world. This bridge was still in use at the start of the 21st century.

A GILT FRAMED ARCH SHAPED MIRROR, APPROX. 86 X 49 CM TOGETHER WITH TWO VINTAGE PRINTS OF SEASCAPES ALONG WITH TWO REPRODUCTION PRINTS (5)

A GEORGE III SILVER SCISSOR SNUFFER'S STAND, maker possibly Robert Hennell, London 1788, of eliptical form with arch pierced and bright cut engraved gallery, centred by an engraved armorial, 9" x 3 3/4", 3ozs 7dwts (Est. plus 21% premium inc. VAT) (Illustrated)

A 19th century bedside clock in circular brass case, with white enamel dial and French drum movement, diameter 13 cm; a small mantel clock in brass arch top case

An Edwardian mantel clock in Sheraton inlaid arch top case, with white enamel dial and French drum movement striking on gong, height 31 cmGood condition overall. 8 day movement by Vincenti & Cie, with pendulum and key. Rear door is brass framed clouded glass panel 

A 19th century French mantel clock in arch top boulle case with ornate ormolu finial, feet and mounts, gilt dial with raised enamel numerals and French drum movement striking on bell, height 39 cm - Brass work and case all seems Ok but a little tarnished and dull, sunburst pendulum present, no key

An Edwardian dwarf bracket clock in inlaid mahogany arch top case, with silvered dial and French drum movement striking on gong, height 22 cm; a reproduction lantern clock in brass case with replacement battery movement The bracket clock is in nice condition, lantern clock is modern

A late Georgian figured mahogany press cupboard, the upper section with arch top and 4 sliding trays enclosed by 2 oval panel doors, 2 long and 2 short drawers under with brass ring handles, on splay bracket feet

An Arts & Crafts mahogany bookcase enclosed by 4 arch panel doors, with fretted and beaded decoration, width 130 cmBookcase top is loose and veneer raised., otherwise generally good condition, Interior depth 25cm, exterior height 108cm, depth 34cm 

An overmantel mirror in architectural arch top frame, flanked by double columns, 112 x 71 cm

An 18th century Delft blue and white plate, the centre painted with a stylised lion before an arch. 33.5cm diam.Condition report: 2 hairline cracks, 4cm long, loss of glazed syrface to edges

Giovanni Battista Piranesi (1720-1778), ''Rovine d´una Galleria di Statue nella Villa Adriana a Tivoli'' (Der Zentralraum der großen Therme der Hadriansvilla). Radierung auf Kupferdruckpapier, mit der Nummer 820 am linken Gewölbebogen, fleckig, Lichtrand, 45,5 x 59 cm, hinter Pp. ger. (ohne Glas) 66 x 80 cmGiovanni Battista Piranesi (1720-1778), ''Rovine d'una Galleria di Statue nella Villa Adriana a Tivoli'' (The Central Room of the Great Thermae of Hadrian's Villa). Etching on copperplate paper, with the number 820 on the left arch, stained, light margin, 45.5 x 59 cm, framed behind mount (without glass) 66 x 80 cm.

A group of assorted 19th century and later watercolours and prints, depicting scenes in and around Lewes, including 'Fatal Railway Accident at The Newmarket Arch, June 1851', 24 x 31.5cm

A 19th century stripped pine tall dresser, the top with arch barred glazed doors enclosing 3 shelves over 3 short drawers flanked by further cupboards within 1/2 turned pilasters, on a plinth. 200 x 160cm

A Georgian 'Welsh' style oak dresser base, a 'T' arrangement of doors, flanked by a pair of arch panel doors, 89cm high x 61cm wide x 48cm deep

A white painted arch mirror. 123.5 cm high.

A 19th century gilded arch topped mantel mirror with leaf design to top. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or authorised couriers ONLY. Restrictions apply to ensure social distancing.

An early 19th century oak-cased and mahogany cross-banded eight-day longcase clock; the broken swan-neck pediment surmounted by an eagle and flanked by fluted Classical-style columns flanking a 12-inch gilt highlighted and painted broken-arch dial with Arabic numerals, subsidiary second hand, date aperture and signed 'Sleaford', shaped trunk door with marquetry conch shell, raised on plinth base (approx. 223cm high)

An ebonised cased grandmother clock of slim proportions; the 17cm broken-arch dial signed 'Tempus Fugit' and with silvered chapter ring having Roman numerals, raised on shaped bracket feet (149cm high)

JadeChina, Min Guo Period (1911-1949)Dimensions: Height 12,5 cm, Bore 4,5 cmWeight: 476 gramsA Jade carved bottle with ornamental decoration on the body and open-work handles with attached chains. Standing on a wooden circular base attached to a square base with open-work footing and arch surrounding it.

BronzeIndia , 18th centuryDimensions: Height 36 cmWeight: 3735 gramsA large ritual vessel from India with a round foot, expanding in the top. In the center is a domed, bell-shaped throne with a seated Ganesha in royal ease pose. The son of Shiva and Parvati here has four arms, two raised at the back holding attributes like a noose, broken tusk or battle axe and a bowl of sweets. Remains of a beaded aureole can be seen on his sides. The big belly is portruding underneath his trunk reaching for the sweets. The sacred thread is spanning over the big belly which contains the entire cosmos. His face is additionally highlighted with ornamental shapes along the trunk, eyes and forehead. A conical crown is on his head. A grande open-work arch reaches from one end of the vessel's lip to the other, creating a large aureole around the remover of obstacles. The open-work is beautifully crafted with beaded or droplet lines and floral shapes. Two small peacocks flank the horrid face of a makara in the center top, who are guardians of gateways or temples.

StoneIndia , Pala Style revival, 18th centuryDimensions: Height 30 cmWeight: 13.399 gramsA seated Buddha in lotus position on a double reverse lotus throne with beaded rim, positioned in an alcove supported by two lion-like creatures and a beaded arch with ornamental decoration on the outside. The Buddha has a fiery halo. He is dressed in a simple robe covering both shoulders and chest, fanning out underneath his ankles. He is gesturing the dharmachakra mudra, the turning of the Dharma wheel or teaching the Dharma. The face is calm and solemn with a faint smile, tiny curls cover the head and ushnisha.

Victorian mahogany arch topped toilet mirror on barley-twist uprights

FOOTBALL AUTOGRAPHS 1950'S & 1960'S A large lever arch folder with pockets containing signed pictures from magazines and newspapers from 38 different clubs with over 1000 autographs including some legends of English football. Clubs include Aston Villa X 31 signatures, Arsenal X 55, Liverpool X 35, Manchester United X 48, Burnley X 30, Chelsea X 33, Everton X 35, Leeds Utd. X 30, Leicester X 26, Manchester City X 33, Newcastle United X 30, QPR X 17, Sheff. Utd. X 21, Sheff. Weds. X 38, Southampton X 22, Sunderland X 17, Tottenham X 32, WBA X 31, West Ham X 20 and Wolves X 22. Generally good

A Royal Mint United Kingdom Silver Proof Pattern Collection, comprising of One Pound coins (Pattern), The Forth Bridge, The Telford Bridge, The Egyptian Arch, The Millennium Bridge, accompanied by literature, cased.

A late Victorian mahogany Partners desk, with a gilt-tooled edge leather skiver over an arrangement of three frieze drawers, replacement brass ring medallion handles, over two cupboards enclosed by two arch panel doors on plinths.height 74cm (29.25in), width 92cm (37in), length 165cm (65.5in)

Thomas Holliwell, Liverpool longcase clock, 8-day movement striking on single bell, arched dial containing boss signed Thomas Holliwell, Liverpool, silver chapter ring with Roman and Arabic numerals, also signed Holliwell, Liverpool, interior of chapter ring containing date aperture and secondary dial, spandrels with cherub heads, all mahogany figured case, swan neck pediment, reeded columns, long door with matched veneers, box base, bracket feet.width 50cm (20in), depth 24cm (9.5in), height 230cm (90in) excluding finialsCondition report: Re-furbished movement, brass dial made in two sections suggesting the movement does not match case, which is also unusual for a clock to be signed in both the arch and on the chapter ring, case overall condition good, modern weights.

Local Interest - Photography, Derbyshire: a Victorian photograph album, comprising 21 b/w and sepia images of the Chapmans of Repton at leisure (Mr Chapman was a clergyman) and including Bretby Lodge, Sidcup House , Twyford Hall, Mr Goodall's House at Ridgeway, and further scenes at Repton: the church, arch, priory, Old House (Tudor), the Cross, the crypt and the Chucky Field; 23 further views of Knole in Kent, Herstmonceux Castle in East Sussex, further antiquarian and monastic ruins, the seaside, etc., partially-filled cloth album titled: Scraps, 4to, [1]

An unusual 2' two fold boxwood rule by BENNETT London with logarithmic scales on 1 1/4" wide legs and brass arch joint, minor stains o/w G+

AN OAK LONGCASE CLOCK, C1930, THE BREAKARCHED BRASS DIAL WITH SILVERED RING TO THE ARCH INSCRIBED ST MICHAEL WESTMINSTER WHITTINGTON, THE MOVEMENT CHIMING ON TWELVE ROD GONGS, IN BREAKARCHED CASE WITH GLAZED DOOR, 188CM H, PENDULUM AND THREE LACQUERED BRASS SLEEVED WEIGHTS Good clean condition, complete with three weights, pendulum and keys