We found 42009 price guide item(s) matching your search

Britains Miniature Gardening. Tree see-saw, scarce floral arch. Together with boxed. New model tree, appears complete.

A collection of OO Gauge Scenic items and control equipment: comprising Hornby-Dublo Level Crossing, Signal box and tinplate 'railer', Triang-Hornby Station building, tunnels (2), 3-arch viaduct, signals and many other items, together with a H&M 'Duette' controller, a Triang standard unit, an unusual H&M 'Vari-wave' Minor controller and another by 'Blue Prince', conditions vary F-VG (qty)

An early 20th century French ormolu mounted marble round arch mantel clock, 14cm high

GEORGE, H.B. The Oberland and its Glaciers: explored and illustrated with Ice-Axe and Camera. [Map, 28 original mounted photographs.] Bennett, 1866, 4to, cloth gilt. WHYMPER, E. Swiss Pictures drawn with Pen and Pencil. RTS, [ca. 1870], 4to, cloth gilt. TURNER, D. Account of a Tour in Normandy. Engravings. Arch, 1820, 2 vols., pink calf gilt. (4)

BEWICK, Thomas. A General History of Quadrupeds. The figures engraved on wood. Hodgson, Newcastle, 1791, 2nd edn. ------. History of British Birds. Hodgson, Newcastle, 1797, 1st edn., 2 vols., the two works in uniform late 19th c. patterned calf, gilt. WHITE, G. The Natural History of Selborne. [Frontis. to each vol., one coloured.] Arch, 1822, 2 vols., later blue calf. (5)

Saruk prayer rug, north west Persia, mid-20th century, 4ft. 7in. x 2ft. 3in. 1.40m. x 0.69m. Vase of flowers at the base, hanging lamp in the mihrab arch with pairs of birds; pale blue floral spandrels. Colour run in places; leatherette strips to sides verso.

Attractive Kashan prayer rug, west Persia, circa 1920s-30s, 6ft. 10in. x 4ft. 5in. 2.08m. x 1.35m. Overall wear; slight losses to both ends. Note the floral columns to each side supporting the mihrab arch and the pale blue spandrels above the arch.

A 19th Century Mahogany Crutch Mirror, the arch top plate with spiral supports fronted by sconces, supported on a shaped platform base.

A massive country house carved oak six drawer buffet standing on carved Baluster supports with eight arch carving balustrade to base (later additions).

BRITISH 18th CENTURY TOKENS, Thomas Sharp, Halfpenny Trial Strike of the Reverse Die in White Metal, obv view of a house and inn, a figure can be seen leaning out of the upper left window, rev view of houses and an inn, the windows are not filled in and a figure can be seen leaning out of the upper left window of the middle building, no arch above the door on the building to left, edge HALFPENNY, in raised letters (D&H Warwickshire 313). Trifling blemishes, bits of red casting wax adhering, otherwise nearly as made and exceptionally rare.

BRITISH 18th CENTURY TOKENS, Thames & Severn Canal Co., Silver Halfpenny, 1795, obv barge under sail, THAMES AND SEVERN CANAL around, MDCCXCV in exergue, plain sails without dots after bars below date, rev entrance to a tunnel, brickwork of canal extends all of the way through the tunnel, a line in the brickwork level with the lower part of the arch, edge PAYABLE AT BRIMSCOMBE PORT X (Conder p.38, 10; Pye p.10, 3; Virt p.24; Atkins p.33, 40; D&H Gloucestershire 61). Trifling marks, otherwise mint state and attractively toned.

Oak and mahogany longcase clock, arch painted dial, signed N Newell, Leicester, date aperture, thirty hour movement, 210cm.

Rosewood presentation gavel, with turned wood handle and applied white metal plaque 'presented to M E Companion Major RHF Moncreiff, First Grand Principal of Scotland on the occasion of his visit' to No 237 'Strathbrock' Royal Arch Chapter Broxburn on 10th November 1944

A late 18th/early 19th century oak longcase clock having swan neck and square pillar hood containing painted arch dial and 30 hour movement by Burton, Ulverston, on crossband trunk and square base

Victorian mahogany mantel clock in basket-top case with broken arch dial, eight-day striking movement

A Moroccan octagonal coffee table with mother-of-pearl and bone inlay, on an arch panel base frame, the top 46cm by 66cm illustrated

GEORGE SNOW A comic sketch, Eagle Comics Dan Dare and his arch nemesis "The Mekon", acrylic on canvas, 100cm by 160cm

A "Rock-ola" juke box, manufactured by "Antique Apparatus - Stereo Juke Boxes of Torrance, California" (see labels verso), having arch top and sapele mahogany sides, chrome effect grilles, serial no.184901, model no.CD-8, 83cm wide, 1.55m high illu strated

A wrought and cast iron tunnel arch, each side incorporating a seat with slatted back and seat, scrolling arms, beneath an arch, pierced with scrolls and foliage and wave spear finials, 2.7m high, 1.83m long and 2.13m wide (Ex: Sotheby's Summer Pla ce)

A 17th century North Country oak and ash side chair or back stool, the panelled open back with moulded arch crest rail, twin plank seat with moulded edge, baluster and ring moulded turned and block legs with similar front stretcher, plain side and re ar stretchers, 46cm wide

A 19th century iron fire grate, to the front a standing 19th century iron guard with pair of floral trellis doors, Gothic tracery crest rail on spire terminal, trestle ends with barley twist stems and an arch top cast iron fire back dated 1588 and in itialled "I.F.C." over fleur-de-lys with anchor motifs and stylized vines, front grille frame 1.17m wide, 98.5cm high, fire back 1.02m wide illustrated

A 19th century walnut Vienna twin weight Regulator wall clock, the arched pediment with carved scallop front, twin finials below the later eagle finial, arch top panel glazed door with ring moulded pilasters, integral bracket base, 16cms ivory enamel dial with subsidiary seconds, brass sheathed weights, block and brass pendulum, eight day movement striking a gong, circa 1875, 128cms high overall illustrated

WILLIAM ROBB, MONTROSE A mid 19th century mahogany 8-day longcase clock, the 12" arch painted dial signed Wm Robb, Montrose, with centred subsidiary seconds dial and date aperture within a ring of Arabic numerals, and roses painted to the arch, the hood with swan-neck pediment and turned front corner hood pilasters over an ogee arch trunk door on a box base with cut out skirting plinth, 206cm high illustrated

A. PATTISON, COLDSTREAM A 19th century mahogany longcase clock, the hood with swan neck pediment, brass roundels and central brass finial, the hood column mounted with arched painted dial with the crowning of Bruce to the arch, spandrels with figura tive depictions of the seasons, the dial with Roman numerals, subsidiary seconds and calendar dials, dial signed "A. Pattison, Coldstream", fitted an eight day striking movement, the trunk door with acorn device, box base on bracket feet

A pair of Paul Eliot stained leaded glass arch topped panels, depicting fish with ships on a blue ground, above waves, signed "Paul Eliot 2012", 51cm wide, 29.5cm high

A mid 17th century Welsh oak elbow chair, the arched crest rail carved with opposing leaf scrolls over a scallop arch, flower head roundel ends, panelled back with floral lozenge centred arch, with acanthus carved frame and floral spandrels, floral r osette and leaf scroll brackets flanking the swept arms, on ring and baluster turned supports, trapezoid seat on moulded rails, baluster and ring moulded turned and square block legs, plain stretchers, 65cm wide, 117cm high, 44cm deep

A late 15th/early 16th century Northern French oak Gothic throne chair, the high rectangular back with carved foliate finials, pierced carved floral tracery rail, the panel with two scallop shells with two mask head and one shell spandrels, pair of i nterlaced floral tracery carved roundels under, above a row of eight perpendicular tracery arches, flower head frame, rectangular lift up seat with pierced strap hinges and shield escutcheon plate, pair of floral trellis and arch tracery panels under , straight moulded arms, linen fold side panels, on stile feet, 183.5cm high, 64.5cm wide, 49cm deep illustrated

An Edwardian "Ripingilles" cast metal paraffin heater, having arch top with pierced floral decoration, fitted side handles, 53cm high

ART DECO STYLE WALL MIRROR WITH WOOD VENEERED SURROUND TOGETHER WITH AN ARCH SHAPED MIRROR IN A GILT PAINTED FOLIATE STYLE FRAME (78 cm x 55 cm)

BEECH CIRCULAR COFFEE TABLE WITH INCISED ARCH AND FOLIATE DESIGN TO TOP, ON FOUR ORNATE TURNED BALUSTER LEGS WITH STRETCHERS (H: 47 cm, DIA: 76.5 cm) TOGETHER WITH AN OBLONG BEECH OCCASIONAL TABLE ON ELONGATED TURNED LEGS WITH STRETCHERS (H: 59.5 cm, L: 59.5 cm) AND A REGENCY STYLE MAHOGANY WINE TABLE ON TRIPOD FEET (H: 52 cm, DIA: 30 cm [3]

A Fine Edwardian Satinwood Display Cabinet inlaid with ebony stringing and having kingwood cross-banded borders. The glazed upper section with sweeping glazing bars enriched with carving, flanked by serpentine front side panels enclosing glass display shelves within. The base section with an arch-topped panel of fine ripple grained timber on a striated quarter veneered ground flanked by side doors. The piece raised on square tapering legs with spade feet, 81½ ins (207 cms) high, 54½ ins (138 cms) wide.

A Large Late 18th Century Mahogany Cased Bracket Clock by Taylor of London. The moulded bell topped pediment surmounted by a fircone finials to the corners. The canted sides adorned with gilt bronze caryatids heading pendant garlands of flowers. The sides fitted with carrying handles, standing on brass ogee bracket feet. The 8 inch (20 cm) silvered dial with a strike/silent in the arch above a chapter ring enclosing calendar aperture and maker's name; Taylor London. 23½ ins (60 cms) in height.

A Fine George III Mahogany Stick Barometer by Watkins of London. The mahogany case having an architectural broken arch pediment with gilt brass finial above a silvered DRY/WET dial and engraved scale plate, with a hemispherical wooden cistern cover to the base, 44 ins (112 cms) in length.

An 18th Century Lacquered Longcase Clock with chinoiserie decoration. The eight day movement having a 11¾ in (30 cm) brass dial with ornate scrolling spandrels to the corners and a pair of dolphin mounts flanking a silvered convex roundel in the arch signed Step Clarke London. The silvered chapter ring engraved with Roman numerals counting the hours and an outer ring of Arabics counting the minutes. The matted centre with subsidiary seconds ring and a calendar aperture. The case with pagoda pediment above a fretted panel and integral columns flanking the dial. The trunk with gilded chinoiserie ornamentation on a dark green lacquered ground, 94 ins (239 cms) in height.

A Fine Quality 19th Century Rosewood Veneered Collector's Cabinet. The twin doors having lancet arch topped panels of reflected timber figuring bordered in bands of satinwood and flanked by foliate crested pilasters. The interior housing two banks of fifteen shallow drawers with turned mushroom knop handles. The door hinges stamped HORNE PATENT (Thomas Horne of Aston, Near Birmingham in the County of Warwick patented 1835 for six month). The piece standing on a plinth base 52¾ ins (134 cms) high, 49 ins (125 cms) wide, 20½ ins (52 cms) deep.

A Fabulous 19th Century Boulle-work Bookcase elaborately inlaid with engraved brass and red tortoiseshell on an ebonised ground and adorned with fine gilt bronze mounts. The upper section having two doors with arch-topped bevelled glass panels displaying shelves within, surmounted by a domed pediment centred by a gilded anthemion motif issuing scrolling husk flowers, flanked by finials either side. The base section with panelled doors on a plinth base; the canted side adorned with gilded female busts, 104 ins (264 cms) high, 52 ins (132 cms) wide.

CINEMA: Two small 4to cards with original colour illustrations and text in the hand of an autograph collector, prepared for a [Royal Command] performance, and another at the Odeon, Marble Arch, each multiple signed by various actors, actresses and film stars including Robert Donat, Dennis Price, Alan Ladd, Jean Simmons, Valerie Hobson, Margaret Lockwood, Anna Neagle, Peggy Cummins, Patricia Roc, Joan Greenwood, Honor Blackman, Richard Attenborough, Alec Guinness etc. Some light, minor staining to the top edges of the cards, only very slightly affecting the text and a few of the signatures. G, 2

A Victorian mahogany arch topped wall mirror (converted from a wardrobe door)

A George III mahogany long case clock by Edward Hunston junior of Chelmsford, the 8-day movement having a brass face with silvered chapter, subsidiary seconds dial and date aperture, cast foliate spandrels and maker's circular plaque to the arch, the pagoda top hood having three flamiform brass finials and reeded columns with brass capitols, on a slender string inlaid and crossbanded trunk with highly figured book-matched veneered door, above a conforming plinth base with moulded skirt, 253 cm high

A late 19th Century mahogany cased bracket type clock, with three train movement by Gustav Becker, the arched face having a silvered chapter, chime-silent dial to the arch, and cast Rococo gilt metal spandrels, in 18th Century style mahogany case, 34 x 20 x 43 cm high

A wood framed arch topped over mantel mirror

Junghans three train George III Style grandmother clock, the 7' brass arch dial inscribed Tempus Fugit, the movement striking on five gongs, within mahogany arched case, height 57'.

Eight day long case clock, the 12' arched painted dial with moonface aperture painted with a river landscape with bridge and pagoda and a ship in waters, the dial with Roman numerals, signed Rich D Waycott, Cheltenham, the oak cross banded case with broken arch pediment, height 81'.

George III mahogany bookcase, the broken arch pediment over astragal glazed doors and two fielded cupboard doors on bracket feet, 81” x 55”.

An arch-topped cast iron fire-back with raised decoration of a crown above two horizontal, scrolled leaves with the date 1798 below, two ovals at the centre, one with a raised hand, the other with masonic symbols between two large, stylised S-scroll leaves and foliage, 25 x 29½in. high (63.5 x 75cm. high).

A small, stepped arch-topped cast iron fire-back centrally decorated with raised script initials LE within a raised beaded border, 17½ x 21¼in. (44.5 x 54cm.); together with a small cast iron plaque with raised decoration of ‘Rebecca at the Well’, approx. 10¼in. (26cm.) square. (2)

Morocco, P 21s, Banque d'État du Maroc, 50 Francs, (1936-49), SPECIMEN. Arch at center on front. Arch at left and right on back. Diagonal red overprint SPECIMEN on front and back., # O.00 00000000, Two paper clip marks at upper left, otherwise UNC- Start Price: €380

Morocco, P 44s, Banque d'État du Maroc, 50 Francs, 00-00-00 (1949), SPECIMEN. Arch at center on front. Arch at left and right on back. Perforated SPECIMEN. , # O.00 000000000, UNC Start Price: €200

A bracket clock, the 17.5 cm arch square brass dial signed Rich'd Day, London, having a matt centre, silvered chapter ring with Roman numerals, gilt brass spandrels and Strike/Silent subsidiary dial to the arch, fitted an eight day movement, the back plate and pendulum engraved foliage, in a mahogany case with gilt metal mounts (lacks bells), with a key and pendulum, 53 cm high See illustration Condition report Report by GH This lot hasn't been offered for auction before. Case is generally in good condition with some small cracks to veneer and the occasional light scratch commensurate with age. The right hand side of the moulding below the top canopy appears to have a chip where the two pieces of moulding connect. The pierced wood on both sides of the clock has damage. The left hand side as you face the clock has more damage with almost all of the pierced latticework broken off and missing. On the right hand side there are three or four parts of the lattice missing on the bottom left hand side. There is further damage to the wood as you open the door to reveal the face where three parts of the surrounding wood to the face are cracked with one cracked and displaying some loss. The face itself is in good condition with slight age related discolouring to the metal and a possibility that either the hour or minute hand is not original as they don't match. Looking at the movement through the back of the clock, the movement has almost certainly been taken out at some point and there are at least two screws missing from the brackets which hold the movement on to the case and as mentioned in the description the bells are missing from the back of the movement. Also visible from the back of the clock the piece of moulding on the right hand side of the door is loose at the top and the moulding that surrounds the top of the clock has also been chipped on the right hand side and there is a gap where the mouldings meet. But overall presents well. Charterhouse does not guarantee the working condition of any watches or clocks.

A longcase clock, the 28 cm arch square brass dial signed Dunston, Falmouth, with Roman numerals, subsidiary seconds dial and calendar aperture, engraved scrolling foliage and ships, the arch decorated a naval engagement and Britannia, dated 12 April 1782, fitted an eight day movement, in a mahogany case, with a pendulum, two keys and weights, 218 cm high See illustration Condition report Report by RB The profile of the brass arch tracks the profile of the hood arch pretty well, probably originally silvered, the movement is dirty, dusty and covered in cobwebs and has clearly not run for sometime, the hood is generally in good condition, with a couple of teeth missing from the dentil cornice, the case is in generally good condition again, the hinges appear to be original, and the trunk door not warped. The base is good again, although the plinth section is probably later. Overall a very much in a market fresh condition, from a local deceased estate, now requiring some repair/restoration.

An automata longcase clock, the 33.5 cm arched square painted dial signed Thos House, Marlborough, with Roman numerals, subsidiary seconds dial and calendar aperture, the arch with Adam & Eve, lions, tigers and other animals, fitted an eight day movement, striking on a bell, in an inlaid mahogany case, with two weights, two keys and a pendulum, 227 cm high (over finials) See illustration Condition report Report by GH Case is in good condition with some splitting to veneer, chips, scratches and marks commensurate with age. The glass has a crack to the top right, just underneath the dome which is barely visible. There is some uneven sun fading focused on the right hand side of the case and particularly evident at the bottom. The case presents very well. There does not appear to be any damage or obvious restoration. The painted clock face is crazed all over with some chips around the edges and in the date aperture. The Adam and Eve automata are in good condition. The clock face does not appear to have been repainted. Movement appears complete and in good condition with no obvious damage or pieces missing. Bell is present, as are two weights and pendulum. There is a solder repair to the hour hand. Overall in good condition and presents very well. Charterhouse does not guarantee the working condition of any watches or clocks.

A longcase clock, the 32 cm arched square painted dial signed Willm Bower, Chesterfield, with Roman numerals, subsidiary seconds dial and calendar aperture, the arch with a phase of the moon, fitted an eight day movement, in a mahogany case, with two keys, two weights and a pendulum, 226 cm high See illustration Condition report Report by GH Case generally in good condition with occasional chips, scratches and dents commensurate with age, split to the veneer on the frieze below the clock face, and another split horizontally below this. The clock face itself in good condition with some possible repainting and refreshing. Cheeks have been chopped and resized. In our opinion this movement and face are probably not originally from this case.

A dwarf longcase clock, the 19 cm arched square brass dial with Roman numerals and Tempus Fugit to the arch, with two keys, 167 cm high

An automata longcase clock, the 30 cm arched square brass dial signed Abraham Bernard, Bristol, the matt centre with a subsidiary seconds dial and calendar aperture, the silvered chapter ring with Roman numerals, and the arch with TEMPUS FUGIT and rocking father of time figure, fitted an eight day movement, in a mahogany case, with pendulum and two weights, 241 cm high See illustration

A Victorian Gothic oak centre table in the style of A.W.N. Pugin, the canted rectangular top frieze with flower head carving, arch shaped ends and a central flying buttress support, l. 161 cm, d. 91 cm CONDITION REPORT: Surface wear and stain to top surface base bleached in places structurally a sound table

Three large late 19th century Staffordshire figure groups, one depicting a man seated upon a horse (af), one depicting lovers seated under an arch, the other depicting a couple (3). CONDITION REPORT: Man on horse: horse missing a leg, several areas of cracks and hairlines, chip to his plume and areas of losses to the paint. Lovers: major crack spreading from the chip to base and going through the grape arch and reaching his neck, a smaller crack to the opposing side, chips to the glazing and losses to the paint. Couple: losses to the paint, firing imperfections.

Boat yard beneath an arch, watercolour, signed indistinctly, 22cm x 30cm, another, barges in an estuary, watercolour, no signature, 19cm x 25cm,

BRITISH COINS, Scotland, Mary Queen of Scots, Silver Testoon of Five Shillings, 1558, type IIIb, crowned Scottish arms, crown with low arch, M to left, R to right, legend and date surrounding, MARIA. DEI. G. SCOTOR. REGINA. 1558, rev large cross potent, cross in each angle, legend and date surrounding, initial mark crown, .IN. VIRTUTE. TVA. LIBERA. ME. 1558., 6.02g (SCBI 58:347; S 5406). Weak in parts of legend, about very fine / very fine, toned.

BRITISH COINS, Scotland, Mary Queen of Scots, Silver Testoon of Five Shillings, 1558, type IIIb, crowned Scottish arms with many more lis present than usual, crown with low arch, M to left, R to right, legend and date surrounding, MARIA. DEI. G. SCOTOR. REGINA. 1558., rev large cross potent, cross in each angle, legend and date surrounding, initial mark crown, .IN. VIRTUTE. TVA. LIBERA. ME. 1558, 5.93g (SCBI 58:348/352; S 5406). Dark tone, good very fine and rare.

BRITISH COINS, Scotland, Mary Queen of Scots, Silver Testoon of Two Shillings and Six Pence, 1558, type IIIb, crowned Scottish arms, crown with low arch, M to left, R to right, legend surrounding, MARIA. DEI. G. SCOTOR. REGINA, rev large cross potent, cross in each angle, legend and date surrounding, initial mark crown, .IN. VIRTUTE. TVA. LIBERA. ME. 1558., 2.16g (SCBI 58:388; S 5414). Darkly toned, likely caused by once being in soil, weak in parts of legend and a little undulating, about very fine and very rare. ex Patrick Finn Memorial List 19, 2001, item 354