We found 42009 price guide item(s) matching your search

A George II red walnut china cabinet, the moulded broken arch cornice above a pair of astragal glazed doors enclosing four adjustable shelves, the base with a pair of panelled deep drawers on ogee bracket feet, possibly Irish, 221.3cm high, 115.5cm wide, 50.5cm deep.

λ A George III mahogany stick barometer by Cary, the silvered arch dial inscribed 'Cary London', with a brass vernier scale, the moulded case with an ivory adjuster, the base with an ebonised urn cistern cover, 95cm high.

A pair of Southern Chinese embroidered panels within gilt lacquered wood double frames, mid-19th Century, one panel worked in gold thread with a kylin beneath an inscribed scroll, the other with a Buddhistic lion and flowers, each within a reticulated double frame with pierced foliate arch, height approx 51cm (some faults).

18th Century Welsh oak coffer with four ogee pointed arch panels.

Early 20th Century oak, arch topped, glazed, bureau bookcase.

A mahogany cased bracket clock by Camerer, Kuss & Co, London, with arch pad top and painted tin dial, on a plinth base and brass feet, enclosing a chain driven twin fusee movement chiming on a gong, 39cm high (pendulum and two case keys). Illustrated

An early Victorian mahogany chiffonier, with architectural ledge back over single drawer and a pair of arch panel cupboards, flanked by split turned columns, 92cm wide.

A Victorian gilt framed arch top overmantel mirror, the frame relief carved with oak leaves within a diamond lattice, 145cm wide x 180cm high.

A mahogany and inlaid eight day longcase clock, the dial plate with painted landscape scene and subsidiary dial detailed 'Thomas Fayrer Lancaster', with eagle surmount and broken arch pediment, over an inlaid hood and waisted trunk, 227cm high (two lead weights and a pendulum).

A Staffordshire circus group, of siamese twins, depicted seated under a floral arch, in the lot a 1980s Daily Telegraph Annual with reference to siamese twins Chang and Eng Bunker (2)

Henry Yeomans, Nottingham, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-inch painted break-arch dial having black Roman hour numerals, five-minute Arabic outer numerals, a subsidiary seconds dial, date aperture, with a depiction of the four-seasons painted to each corner, a rural scene painted within the arch depicting a shepherd resting with his sheep and signed to the centre with the maker's name H. Yeomans, Nottingham, with decorative brass hands, the mahogany case with inlaid stringing and cross-banding to the base and trunk, canted corners and a shaped top to the trunk door, the hood with further inlaid stringing, turned columns with brass capitals and a swan-neck pediment with brass paterae and a ball-and-spire finial to the centre, standing on bracket feet, height 227cm, including finial. * Biography Henry Yeomans is recorded as a clock and watch maker, silversmith and jeweller working at various addresses in Clumber Street, Nottingham; number 19 in 1825, number 27 in 1853 and number 15 from 1864.

John Lee, London, a lacquered longcase clock: the eight-day duration, five-pillar movement (fifth pillar missing) striking the hours on a bell, the twelve-inch break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the matted centre with a subsidiary seconds dial, date aperture and silvered plaque engraved with the maker's name John Lee, London, with cast-brass female and c-scroll spandrels to the four corners, and a strike/silent dial within the arch with cast-brass dolphin spandrels either side, with blued steel hands, the green lacquered case with raised chinoiserie decoration, the hood having a pagoda top with ball-and-spire finials to either side, a brass eagle-and-ball finial to the centre and three-quarter columns with cast brass capitals, the trunk with typical Oriental scenes to the break-arch door, the base with further decoration and standing on replaced bracket feet, height 243cm (not inc. finial) * Biography There were various makers named John Lee working in London at this time, with the most likely maker of this clock being either a John Lee who was apprenticed in 1719, becoming free of the Clockmakers Company in 1737 or another apprenticed in 1734 becoming free of the Clockmakers Company in 1745. * Provenance: Kingsnympton Park, Devon.

A Victorian carved oak chiming bracket clock: the eight-day duration, triple-fusee movement striking the hours on a gong and the quarters on a further eight gongs, the arched brass dial having a raised silvered chapter ring engraved with black Roman numerals, fleur-de-lys half-hour markings, and Arabic outer five-minute numerals, with three silvered subsidiary dials to the arch for regulation, chime/silent and Chime on Eight Gongs/Chime on Four Gongs, with decorative blued steel hands and applied cast-brass spandrels, the oak case having scroll and foliate carved decoration with mask-heads to the edge, foliate decoration to the caddy top with a central mask, repeated to the carved side frets to each side, height 58cm.

Thomas Haley, London a mahogany long case clock: the eight-day day duration, five-pillar movement striking the hours on a bell, the brass twelve-inch break-arch having a raised silvered chapter ring engraved with black Roman hour numerals, outer Arabic five-minute markings and signed Thomas Haley, London, with cast-brass c-scroll spandrels to the four corners and a matted centre with date aperture, the arch having further cast-brass spandrels and 'strike/silent' dial, the mahogany case with satinwood stringing to the door, base, trunk and hood, with satinwood crossbanding to the trunk door and panelled base, the pagoda topped hood having fluted pillars with cast-brass capitals, with brass bound weights, height 234cm. * Biography Thomas Haley is quite possibly the maker who started his working life in North Walsham (Norfolk) leaving in 1742 to work in Norwich and then on to London after 1746 where he was known at Cold Field Baths in circa 1753 before moving to Oxford Street in circa 1781.

An early twentieth century small pad-top bracket clock: with an eight-day duration, single fusee timepiece movement, the brass break-arch dial having a raised silvered chapter ring engraved with black Roman numerals and signed either side of VI o'clock with the name Chas. Fox, Bournemouth, with cast-brass cherub-head corner spandrels, the arch with a silvered boss engraved Tempus Fugit, the small mahogany case having three mahogany pads to the curved top, fret-work to the sides, with a brass carrying handle to the top, and standing on bracket feet, the rear having an applied presentation plaque engraved 'An Affectionate Token, Rev. Canon H. Barton R.D. and Mrs Barton on Their Silver Jubilee from the Congregation of St Luke's Church Parkstone, March 1920-1945', height 30cm.

Keith Stevens - A Library of Notes relating to Gods, Goddesses, and a quantity of photographic records and other ephemera, contained in three metal filing cabinets, and a large quantity of lever arch folders, and a suitcase of photographic negatives Note : This lot can be viewed in our carriers secure storage in Ashford, Kent, by prior arrangement with the auctioneer

MODERN NINETEENTH CENTURY STYLE MAHOGANY AND GILT OBLONG BEVEL EDGE WALL MIRROR WITH BROKEN ARCH PEDIMENT AND APPLIED GILT FOLIATE SCROLL DECORATION, 43" HIGH

TOM CULLEN (1934 - 2001)MERCHANTS ARCH, DUBLIN OLD DUBLIN SERIES 197760 X 40 CM OIL ON CANVAS

INLAID MAHOGANY ARCH TOP MANTLE CLOCK

A pair of Victorian mahogany hall chairs of gothic design having arch backs with solid seats and turned legs

An early 19th century mahogany longcase clock having swan neck hood comprising, painted arch dial of huntsman scene with 8 day movement possibly James Scott, Kendal on a pillar trunk and square base

A Victorian mahogany wardrobe having arch breakfront door with drawer under, flanked by further doors, with fitted interior including boot cupboard and trays. Bought in 1932 from the house sale of Col North North, who had the wardrobe made in the 1880's to house his military uniforms

A silver photograph frame of rectangular form having arch to top, extensive repousse floral and scroll decoration and leather reverse, Birmingham 1915, Synyer & Beddoes

A Victorian eight day mahogany longcase clock by W. Illingworth Holbeck with painted arch top dial and subsidiary seconds.

A C19th arch top mantel clock with Arabic numeral dial enclosing twin train movement.

A carved oak astrigal glazed corner cupboard with linen fold patterned doors and arch top display.

A French Walnut glazed Display Breakfront Cabinet having moulded cornice over central Aztec style carved frieze, over the central wide shaped bevel plate pane door with lower single moulded panel door carved with bows, swags and foliage flanked by narrow opposing doors with upper single arch top pane over lower single moulded panel door, brass escutcheons, standing on turned tapering reeded short legs. 61" wide x 78 1/4" high x 16 1/2" deep

A 1920's style Oak 'Tempus Fugit' Grandmother Clock, having arch top hood with brass and alloy Roman numeral face and eight day movement, moulded case on plinth base, 64 1/4'' high x 12 1/2'' wide x 8'' deep

A Victorian Mahogany Tall Chest flanked by single door Wardrobes, architectural in design having shallow triangular pediment to the tall chest of two over five graduated Mahogany lined, cock beaded drawers with wooden knobs, the wardrobes with moulded cornice over recessed single moulded arch top panel doors with turned tapering Corinthian style column detail revealing full length hanging space to one side and hanging space over deep lower drawer to the other, on plinth base with brass castors, 92'' wide x 73'' high x 23 1/4'' deep.

A Victorian Mahogany twin door Wardrobe having moulded cornice over the opposing pair of single moulded arch top panel doors opening to reveal full length hanging space, 48'' wide x 77'' high x 22'' deep.

A mid 19th Century oak and mahogany crossbanded longcase clock, the painted arch dial with eight day movement currently detached, A/F.

John Rowlands of Berwick early 19th century oak longcase clock, having swan neck pediment and two 3/4 turned pilasters flanking silvered arched dial, w.12", signed to the arch, the main dial with Roman and Arabic numerals, inner date dial and subsidiary seconds dial, twin winding holes for an eight day brass four pillar weight driven movement striking on a bell, the case with arched panelled door to boxbase, h.227cm

Robert Johnson of Ballymoney early 19th century mahogany longcase clock, the painted arch dial (w.12.5") signed to the centre and having rolling moondial, subsidiary seconds dial over rolling date dial, twin winding holes for a brass eight day four pillar weight driven movement, the case with panelled door within quarter turned diagonal reeded pilasters to a boxbase with canted corners, h.237cm

Stamps; eight lever arch files of World stamps, covering virtually every non-Commonwealth country

Stamps; three well-filled lever-arch files housing used selections from most Commonwealth territories, Omnibus albums for 1953 Coronation (mint), 1946 Victory (mint and used) and The Royal Family (mint), and country albums for Australia, Malta and New Zealand, and an album of First Day Covers, mainly modern Commonwealth

A Dutch Delft blue and white plate for the coronation of Charles VI, ca. 1722 - Dia.: 22,5 cm Celebrating the coronation of Emperor Charles VI as King of Hungary an Bohemia and Arch Duke of Austria on the 22nd of May, 1712 in Posonium, the Latin name of Pressburg, now Bratislava. Marked APK for Pieter Kockx, ""De Grieksche A"" workshop, Delft, 1701-1722. - Condition reports and high resolution pictures are available on our website at www.rm-auctions.com. Further questions are always welcome at info@rm-auctions.com. Sign up for our newsletter on our website and stay informed about all our auctions!"

A SET OF TEN BRONZED GOTHIC DESIGN ARCH FORM WINDOW FRAMES 121cm high x 45cm wide

AN "ENFIELD" 1930'S GRANDMOTHER CLOCK, have an oak case with arch top hood, brass dial with silvered chapter ring and Roman numerals, 8-day chiming movement, with pendulum and key, 167cm high, together with Kenneth Ullyetts BOOK "British Clocks and C lockmaking"

AN EARLY 19TH CENTURY MAHOGANY SIDEBOARD having panel back, arch breakfront with drawers, cellaret drawer to left, door to right with oval brass stamped ball handles raised on ring turned supports, 208cm wide

19th Century tall arched mirror, the white painted moulded frame with half fluted and stiff leaf collar pillars, the arch with stiff leaf and beaded moulding, height 75' x width 38'

Rare George III silver gilt Royal Arch Masonic breast jewel, dated 1818, lodge no 5819, makers mark WW, London 1819, weight 1oz approx.

19th Century mahogany eight day long case clock, the painted enamel 13' dial signed J Blagburn Gateshead, the arch painted with two hunters and shooting dogs, the hood flanked by turned pillars over the arch door flanked by turned pillars, height 94'

Stripped pine Cornish dresser, the arch glazed top enclosing three shelves over a cupboard base, width 41.5'

Octavian AR Denarius. Rome, 29-27 BC. Bare head of Octavian right / IMP CAESAR, on architrave of arch surmounted by facing quadriga bearing Octavian. RIC 267; RIC 267; BMC 624; Sear Imperators 422; RSC 123 (Augustus). 3.83g, 20mm, 2h. Good Very Fine.

Titus, as Caesar, Æ Dupondius. Rome, 1 July AD 72-30 June AD 73. T CAESAR VESPASIAN IMP IIII PON TR POT III COS II, radiate head right / FELICITAS PVBLICA, Felicitas standing left, holding caduceus and cornucopiae; S-C across fields. RIC 504, citing two known specimens (in Paris and Vienna); BMC -; C. -. 13.63g, 28mm, 6h. Good Extremely Fine. An imperial bronze of truly exceptional quality. Ex Numismatik Lanz 150, 13 December 2010, lot 150. Having been hailed emperor by the legions under his command while in the field, Titus’ father Vespasian departed Judaea to return to Rome and claim the throne from the usurper Vitellius, who had meanwhile already deposed Otho, second of the four emperors to rule Rome in the year AD 69. Vespasian had led a successful campaign to restore order in the province after the disastrous attempts by the legate of Syria, Cestius Gallus, who had suffered a defeat considered to be the worst the Roman military had been subjected to by a rebel province throughout its history. Titus was thus charged with concluding the war, having been left in a strong position by his father, with the remaining rebel factions largely cut off within the city of Jerusalem. Against his father’s designs, Titus resolved to besiege the city and over seven months in AD 70 he completely circumvallated it with a permanent army camp. Eventually breaching the walls, the city was ransacked, burnt and the treasures from the Temple were carried off. Depicted on the Arch of Titus on the Via Sacra in Rome, built by Domitian after his brother’s death, these same treasures were carried into Rome as part of the Triumph that Titus celebrated on his successful return in AD 71. Struck shortly after the suppression of the uprising in Judaea and his triumphant return to Rome to take his place as Caesar beside his father, the depiction of the goddess Felicitas on the reverse of this magnificent coin is highly appropriate for Titus at this time. Reinforced by the wonderfully detailed attributes she carries, with peace symbolised by the caduceus and plenty brought by the cornucopiae, Felicitas personified the luck, blessedness and happiness of the successful general, while the use of the epithet Publica more specifically highlighted the prosperity of the Roman people that he had helped to enhance. Looking very much his father’s son, the obverse portrait gives us a vigorous impression of Titus and shows him to be strong, robust and in the prime of life, qualities very important to highlight as held by the men of the fledgling Flavian Dynasty.

Octavian AR Denarius. Rome, 29-27 BC. Bare head of Octavian right / IMP CAESAR, on architrave of arch surmounted by facing quadriga bearing Octavian. RIC 267; RIC 267; BMC 624; Sear Imperators 422; RSC 123 (Augustus). 3.81g, 20mm, 6h. Good Very Fine. A coin struck to commemorate Octavian's victory at the Battle of Actium over the forces of Marc Antony and Cleopatra, the reverse probably depicts the triumphal arch erected in the Forum in Rome to honour Octavian, circa 29 BC.

Nero Æ Contorniate. Rome, late 4th century AD. IMP NERO CAESAR AVG P M X, laureate bust right / View of the Circus Maximus, with central spina and both metae; to the left of the central obelisk is a statue of Cybele on a lion and a two-columned structure for indicating the number of laps run, to the right is a statue of a leaping lion and an arch topped with three dolphins (there were actually seven); in the arena are four racing chariots, and a dog chasing a hare. Alföldi 230.1; Mittag Nero XVIII/145. 37.30g, 42mm, 12h. Near Very Fine. Suspension hole in flan plugged. Very Rare.

Nero Claudius Drusus Major, father of Claudius, AR Denarius. Struck under Claudius, Rome, AD 41-54. NERO CLAVDIVS DRVSVS GERMANICVS IMP, laureate head left / DE GERMANIS on architrave of triumphal arch surmounted by equestrian statue to left between two trophies. RIC 72; RSC 4; BMCRE 102. 3.88g, 19mm, 3h. Good Very Fine. Pleasant old tone.

Antoninus Pius Æ Dupondius. Rome, AD 157-158. ANTONINVS AVG PIVS P P TR P XXI, radiate head right / COS IIII, togate statue of Antoninus standing on cippus, holding branch and eagle-tipped sceptre, within tetrastyle shrine with ornate arch; SC in exergue. RIC 989; C. -; BMCRE 2046. 11.89g, 26mm, 5h. Extremely Fine. Ex H.D. Rauch 82, 23 April 2008, lot 346.

Claudius Æ Sestertius. Rome, AD 41-45. TI CLAVDIVS CAESAR AVG P M TR P IMP, laureate head of Claudius to right / NERO CLAVDIVS DRVSVS GERMAN IMP, the triumphal arch of Nero Claudius Drusus, surmounted by equestrian statue of Drusus to right, spearing downwards; trophies to left and right. RIC 98; BMC 122; C. 48. 27.47g, 36mm, 6h. Extremely Fine. A superb portrait of fine style, with a well-detailed reverse displaying a beautiful red-brown patina. A triumphal arch was commissioned in honour of Drusus’ glorious campaigns in Germania, and was erected by the senate some time after his death in 9 BC (Suet. Claud. 1). It was built of marble and adorned with trophies, and it stood on the via Appia, probably a little north of its junction with the via Latina. It seems to have given its name to the Vicus Drusianus, which may be under the modern Via della Ferratella. It has been suggested that it is the Arcus Recordationis of the Einsiedeln Itinerary (a 9th century guide to the city of Rome), situated near the Baths of Caracalla, however the exact origins of that arch are unclear and modern scholarship takes the view that this arch is not that of Drusus.

SCOTTISH VICTORIAN MAHOGANY LONGCASE CLOCKThe eight day two train movement striking on a bell, the signed 12 inch painted dial with Roman numerals, subsidiary seconds and calendar dials at twelve and six respectively, ornate gilt hands, the arch painted to depict the Union, enclosed within an arched hood with swan neck pediment, flanked by columns, above a short trunk door, on plinth base with bracket feet, 210cm

Jason Shoolbred & Co Late Victorian/Edwardian Rosewood Veneered And Boxwood Inlaid Dropside Occasional/Writing Table, inlaid scrolling foliage decoration. The raised back with broken arch pediment, line inlaid moulded edge top with two drop flaps, leather topped, apertures for two square base ink wells and pens, central drawer beneath above an open bookshelf over a pair of drawers. Four taper turned supports with vase shape capitals, set on four block and turned feet with ceramic castors. Number 4114. Stamped to drawer Jas Schoolbred And Co. height 28 Inches. 27 x 17 Inches deep.

A GEORGE V SILVER ARCH TOPPED PHOTOGRAPH FRAME, 22CM H, MARKS RUBBED

A mahogany longcase clock, second quarter 19th century, the hood with broken scroll pediment above an arched glazed door, flanked by double half rope twist pilasters enclosing a 14 inch arched white enamel dial with Roman numerals, subsidiary seconds dial and date aperture, rolling moon phase in the arch, floral painted corners, marked Thos Bott and Co., Liverpool, eight day movement striking on a bell above a triple fronted arch top three quarter length crossbanded trunk door, flanked by rope twist pilasters above a crossbanded panel and base board on shaped apron and bracket feet, 222cm high.

A George III oak longcase clock, later carved, the ogive moulded cornice, lunette carved above an arched glazed door flanked by barley twist pilasters enclosing an 11.5 inch engraved brass dial with silvered chapter ring and Roman numerals, subsidiary seconds dial and date aperture in the centre, the dial inscribed William Barnish, pierced cherub mask spandrels, and cherub and fruit basket crown in the arch, eight day movement striking on a bell above a foliate carved shaped top trunk door lunette carved moulding and lozenge carved base board and raised on shaped bracket feet, 211cm high.

An Edwardian ebony cased bracket clock, in Georgian revival style, the arched case enclosing an arched dial with silvered chapter ring and Roman numerals, subsidiary chime silent and chime on eight bells/Westminster chimes dials in the arch foliate pierced spandrels, the chapter ring inscribed F Williams, London', three winding holes, triple fusee movement striking on eight graduated bells and gong, fish scale side grills and swing handles, fluted Corinthian column pilasters to either side of the case and finials and raised on bracket feet, 40cm wide, 21cm deep, 46cm high

A George III mahogany longcase clock, late 18th century, the arched hood with broken scroll swan neck pediment centred by a reeded flame and urn finial above blind foliate carve frieze and arched glazed door enclosing a 13 inch brass dial with silvered chapter ring, Roman numerals, subsidiary seconds dial, foliate engraved centre, cherub spandrels with disc in the arch marked Tempus Fugit, eight day movement striking on a gong the hood with fluted pilasters above a foliate moulding and full length trunk door with shaped door flanked by fluted quarter pilasters over a base board and canted fluted corners on shaped bracket feet, 205cm high.

An oak coaching settle, first half 18th century, the back with four fielded arch top panels, above a later strung seat frame and squab cushion between down curved arms and raised upon baluster and block legs, joined by front and side stretchers, 183 cm wide

An inlaid mahogany-cased arch-shaped striking mantel clock, the movement stamped 'Astral, Coventry', the dial marked 'Page, Keen & Page, Plymouth', 28cm high.

John Britton, A Topographical and Historical Description of the County of Northampton, London 1809, with folding map, half calf, 8to; Architectural Notices of the Churches of Arch Deaconary of Northampton (Deaneries of Higham Ferrers and Haddon), London and Oxford 1849, half tooled morocco; and Rev Robert Isham, The Journal of Thomas Isham of Lamport in the County of Northampton, Norwich 1875, half calf, (3).