We found 42009 price guide item(s) matching your search

Thomas Sturton - 17th Century bronze hearth skillet raised on three feet. Bears the makers mark of Thomas Sturton II and the scrathced four arch “flower” mark of his South Petherton (Somerset, England) foundry between 1658 and 1681. Made from leaded bronze it now stands at a slight angle due to the two feet opposite the handle having been worn down by centuries of being dragged in and out of the hearth. Another interesting feature is the small “mound” to the left of the “T” maker’s mark. This is thought to be the indentation made by the finger of the maker as he scratched his mark into the wet mold. L 41cm, Diameter 18.5cm.

Five (5) 1636-1644 rose-type copper Farthings, King Charles I, all single arch crown, S 3206, all metal detecting finds.

consisting of ember tongs, shovel and poker, all with gadrooned and arch cast handles above steel lower sections, the shovel with pierced blade, 78cm long (3).

A late 19th century French brass, gilt metal and champleve clock garniture, the clock with pineapple finial to the dome surrounded by four further finials, champleve to the arch, dial, columns and around the base, circular dial with Arabic numerals, visible escapement, gong strike, on four flattened bun feet, height 32cm, the pair of garnitures as twin handled baluster vases, height 24cm, all with gilt wood stands (6)

Part of the Feathered Beauties theme group. Four faceted clear crystal figures perched on a frosted three-pronged arch branch. Fire Opal crystal beaks and jet crystal eyes that look around inquisitively. Swarovski backstamp. 199123. This item has its original box. 4.75"H x 6" dia. Artist: Adi StockerIssued: 1996 - 2011Dimensions: 3.75"L x 2"W x 2.25"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.

An 18th Century carved oak two section cabinet cupboard the top section with an open arch above a fall front above a cupboard. Hight 173cm x 94cm x 45cm

Henry Jones Thaddeus RHA (1859-1924)Woman by an Arch, Co. GalwayWatercolour, 31.5 x 16cmSigned, inscribed and dated 1889Mounted, unframed

Late 17th / early 18th Century oak longcase clock, the square hood with flanking pilasters above a moulded arch panel door and conforming plinth, the brass dial signed Thomas Reynolds, Oxford, the single train thirty hour movement with single hand

Large Spode blue and white earthenware 'Caramanian' Series meat plate and large oval platter, transferred with 'A Triumphal Arch at Tripoli' to the centres, the borders with Rhinoceros, figures on elephant back and other exotic animals, each 54cm wide.Condition report:Both platters have fine surface scratches to the top and scratches and rubbing to the bases. They also have some rubbing where the metal hooks fit over the rims. The Spode platter has crazing and staining. Please see additional uploaded images.

A Dinky Toys 514 Guy 'Spratts' Van, 1st type red cab, chassis and grooved hubs, cream/red van body, in original box, E, just a chip to one rear door hinge and one wheel arch, box G

Joseph Seyton, Portsmouth a walnut longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch break-arch brass dial having wheatear border engraving, a raised chapter ring engraved with black Roman numerals, a matted centre with subsidiary seconds dial and date aperture with the arch having a boss engraved with the makers name Jos. Seyton, Portsmouth, the flat-top walnut case with quarter-cut veneers to the trunk door and base and quartered pillars to the hood, height 215cm.Notes: Joseph Seyton (sometimes Seton) is recorded as working in Portsmouth, Hampshire in circa 1752.Reference: Directory of Hampshire Clockmakers, Martin Norgate, Pub. Hampshire County Council 1993.

William Pike, Newton Abbot a mahogany longcase clock the eight-day duration movement striking the hours on a bell with the twelve-inch silvered break-arch dial having black Roman numerals, Regency c-scroll spandrels to the corners, a subsidiary seconds dial and date aperture, an eagle within the arch above the wording Tempus Fugit and signed Willm. Pike, Newton Abbot, the arched-topped mahogany case with fluted pillars to the hood, canted corners to the trunk, boxwood stringing to the door and a round moulding to the base, height 210cm.

A Regency mahogany and line inlaid bowfront sideboard, early 19th century; with an arrangement of four drawers around a shallow arch, one drawer modelled as two drawer fronts; on straight, tapered legs; 80cm high, 111cm wide, 60cm deep

A limed oak and pine double bedstead in Gothic taste, modern; the crenellated arch backrest with pierced quatrefoil; flanked by square section finials; with plain sides and panelled footboard with conforming finials; with modern fabric covered box-spring; 157cm high, 222cm long 174cm wide; and a conforming limed oak bedside stand; 70cm high, 53cm wide

John Lawley, Rudgley a mahogany moon-phase longcase clock the eight-day duration movement striking the hours on a bell with the thirteen-inch brass break-arch dial having a raised chapter ring with black Roman numerals, blued-steel hands, the four corners painted with cast-brass female-head spandrels, the matted dial centre having a subsidiary seconds dial and brass date hand showing to the inner aspect, the arch painted with a moonphase and engraved to the arch with the makers name John Lawley, Rudgley, the mahogany case with fluted quartered columns to the trunk, canted corners to the base, fluted pillars to the hood and a swan-neck pediment, height 240cm.Notes: John Lawley is recorded as from a known family of clockmakers working in Rudgley (Rugeley), Staffordshire from pre-1776.

A mahogany moonphase longcase clock the eight-day duration movement striking the hours on a bell with the fourteen-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals, a matted centre with date and seconds dials, with cast-brass c-scroll spandrels to the four corners, the arch with a painted moonphase disc, the flame mahogany case with cast-brass capitals to the trunk and hood columns, a shaped Gothic top to the door, inset oval panel to the trunk and inset round panel to the base, the hood with a swan-neck pediment, standing on bracket feet, height 256cm.

A pine cabinet bookcase in 'Gothic' taste, modern; the panelled gable and cusped arch with crocketed finials above open shelves; the base section with twin gothic arch panel doors; 232cm high, 86cm wide, 46cm deep

Russian Icon, Eurofsinia in front of the cloister of Polosk with Jesus in the sky, cyrilic inscriptions, painted on gold ground on wood, Russia around 1800, on the reverse expertise by the arch priest of the Russian Orthodox Church in Vienna Chrysostomus Pijnenwurg, 19 x 15 cm

HOWLIN' WOLF/LIGHTNIN' HOPKINS - LP COLLECTION. Electric pack of 11x LPs featuring these two legendary Bluesmen. Howlin' Wolf titles are Poor Boy (UK original, Chess CRL 4508 - lovely glossy Ex condition record/VG+ minor staining to the reverse), Moanin' In The Moonlight (UK original, Chess CRL 4006 - VG+ record a few light surface marks/VG some circular pen markings to the reverse, also Marble Arch RE), Big City Blues (EMB 3370, scarce white label test pressing - Ex+/Ex). Sam Lightin' Hopkins titles: The Texas Blues Man (Arhoolie US stereo, F 1034 - VG+/Ex+ superlative sleeve in shrink), Sings The Blues (UM 713), That's My Story (545019), Blues In My Bottle (XTRA 5036) and The Blues. Condition elsewhere is generally neat VG+ to Ex+.

The ship's bell from the Avenue Shipping Company cargo ship, MV 'Enton', arch suspension, black filled text to body, with later wooden clangor, 19cm high.

Victorian mahogany cupboard bookcase with twin bevel edged glass doors, fielded panel lower doors and broken arch pediment. Adjustable sliding shelves top and bottom. 102cm wide x 36cm deep x 230cm tall. Splits in 2 sections.

COMITTI YEW BREAK ARCH REGULATOR WALL CLOCK / RRP: £2,240 / NEW, OPENED BOX / H37

AN INDONESIAN TEAK BOOKCASE Late 19th/Early 20th Century reclaimed timber, rectangular bookcase with four shelves, carved rosette borders and arch upper, iron binding near base 230 x 113 x 43cm Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.

GODIN ARCH TOP '5TH AVENUE' P90 PICKUP AND SOFT CASE AND STRAP.

Ca. AD 100 - 300 A Roman cast-bronze foot created using the lost wax (cire perdue) technique. This left foot exhibits a wide shape with long toes, a prominent arch in the middle, and a thick heel below a tapering ankle and lower shin. The leg is wrapped in fabric strips and adorned with a diadem on a band. The entire foot is covered in lustrous layers of brown and dark green patina, presenting an elegant appearance reminiscent of ancient Rome. For similar see: The Metropolitan Museum of Art, Accession Number 23.160.22. Size: 340mm x 270mm; Weight: 3.57kg Provenance: Property of a European collector, acquired on the English Art market; formerly in a private French collection, sold in the UK in 1989 and 2001. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

Ca. AD 100 - 300 An Etruscan bronze left foot from a figurine with a pronounced arch and carefully delineated digits and nail beds. Many bronze sculptures were created during antiquity, far fewer survived than their marble counterparts. This is because bronze sculptures were often melted down for reuse. For similar see: Museo Archeologico del Casentino Piero Albertoni, n. 64. Size: 70mm x 95mm; Weight: 450g Provenance: Private UK collection, acquired on the Dutch art market.

Ca. AD 1 - 100 A Stunning Roman Sidonian pyxis with an octagonal body and a slightly convex cylindrical neck. The pyxis has octagonal sides with pronounced mouldings. There is an undercurve to the base and slightly concave bottom. The decoration is made up of eight panels around the sides which have four repeated designs. The first is a spoked circle below a triangular pediment. The second is a palmette below a rounded arch. The third is a circle with a central dot within a lozenge. The fourth is a lotus flower on a stem below a rounded arch. These panels are separated by vertical raised lines, decorated on the mouldings above and below with raised knobs, perhaps representing thyrsi. On the undercurve of the base there is a circular frieze of overlapping leaves. On the bottom, there are four concentric raised circles with a dot at the centre. For similar see: The Metropolitan Museum of Art, Accession Number: 17.194.238a, b. Size: 65mm x 62mm; Weight: 90g Provenance: Prince collection, 1990s-2014 acquired from D. Giles. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.

A Staffordshire Enamel Patch Box, late 18th century, the hinged cover inscribed A Present from Ripon4.5cm wideA Similar Patch Box, inscribed A Trifle from Bradford on a pale blue ground4.5cm wideAnother Patch Box, decorated with a sheep in landscape within a beaded border4.5cm wideA Halcyon Days Box, decorated with sheep4.5cm diameter (4)Ripon - cover with a sereis of arching hair cracks to the top right and a sloiver of lost enamel, another fine crack to the left and pitting. Main body with two rim chips and other minor fine cracks. Mirror with heavy loss to the silvering.Bradford - some minor fine cracks, main body with small filled rim chips on the inside, mirror in good order. Beaded box - arch shaped hair crack to the bottom middle of the cover. Polished metal mirror heavily pitted. Chip losses to the rear of the base and some other hair cracks. Halcyon - minor scratches to the underside.

A Green Chinoiserie Eight Day Longcase Clock, signed Isaac Jiercelin, circa 1730, caddy pediment, case elaborately gilt decorated with pagodas, Oriental figures, figure on horse back and floral work, unusual and rare feature with the raised lacquer woprk panel to the base, 12-inch arch brass dial with a Roman and Arabic chapter ring signed, dial centre with seconds dial and date aperture, arch with circular plaque signed William Aucott, London, five pillar movement with an anchor escapement and rack striking on a bell255cm highThis is an unusual clock, with the clockmaker, Isaac Jiercelin, signing the clock dial. William Aucott is also signed on the dial, who probably would have been the purchaser. This is mentioned by Tom Robinson in "The Longcase Clock", pg.290.Case with painted surfaces lacking in parts, gilt decoration scenes are still clear and in good condition, case with general signs of wear due to age, trunk door with lock plate missing, dial is discoloured, seconds chapter ring with a portion missing at the 30 seconds position, movement is complete, movement needs cleaning. With Pendulum and two weights.

An Unusual Blue Chinoiserie Eight Day Longcase Clock, signed Thos Smith, London, circa 1770, the blue lacquer chinoiserie case elaborately decorated with pagodas, Oriental figures, sailing boat and floral work, 12-inch arch brass dial with a Roman and Arabic silvered chapter ring, dial centre with seconds, date aperture and signed on a silvered plaque, arch with strike/silent selection dial, five pillar movement with an anchor escapement and rack striking on a bell 242cm highCase looks nicely aged and has a good patina, general signs of age with cracking marks in places, chinoiserie decoration looks clean and good condition, trunk door top arch moulding is slightly loose, dial is discoloured, seconds hand is missing, movement looks all complete, movement needs cleaning, with pendulum and two brass cased weights. Pendulum need replacing and is the wrong pendulum for this clock.

A Mahogany Eight Day Longcase Clock, signed George Binch, Manchester, circa 1780, swan neck pediment, front scroll pierced sound frets, trunk with brass capped fluted pilasters, 13-1/4-inch arch brass dial with a Roman and Arabic silvered chapter ring, scroll engraved dial centre with date aperture, arch with moonphase aperture and signed on the above arch, four pillar movement with an anchor escapement and inside countwheel striking on a bell237cm highPediment with later added pierced frets, right hand side column is slightly loose to the hood, trunk door is slightly bowed, trunk door moulding in later, later door lock, base with cracks in parts, later feet, dial silvered chapter ring is slightly discoloured, movement needs cleaning, with pendulum and two weights.

A 19th century mahogany linen press (slides removed and replaced with two brass rails), with arch panelled doors over three drawers, 120 x 56 x 210 cm high

20th century - 8-day Mahogany longcase clock, with a swans necked pediment and break arch hood door beneath, glazed door with visible brass cased weights and pendulum, on a rectangular plinth with a raised panel and bracket feet, brass dial with a silvered dial centre and chapter ring, chain driven three train movement chiming the quarters and hours on gong rods. With weights and pendulum. Dimensions: Height: 220cm  Length/Width: 43cm  Depth/Diameter: 27cm

Charles Woodward of Newburn - late 18th century 8-day oak longcase, hood with a flat top and break arch hood door flanked by reeded pilaster with Corinthian capitals, long trunk door with a break arch top on a square plinth with narrow moulding to the base, brass dial with a silvered boss to the arch and cast spandrels, engraved dial centre with calendar aperture and matching steel hands, dial pinned to a rack striking movement, striking the hours on a bell. With pendulum and weights.Dimensions: Height: 206cm  Length/Width: 56cm  Depth/Diameter: 24cm

19th century Gothic Revival oak hall chair, pierced and carved back of Gothic tracery design with moulded uprights, seat upholstered in camel patterned fabric, raised on turned tapering and moulded supports with tracery arch designsDimensions: Height: 89cm  Length/Width: 48cm 

Victorian mahogany turret press wardrobe, tall flanking arch panelled doors enclosing hanging rail and coat hooks, central double cupboard concealing five sliding trays, over three long graduating cock-beaded drawers, on plinth base Dimensions: Height: 213cm  Length/Width: 225cm  Depth/Diameter: 65cm

Early 20th century figured walnut, stepped arch top, enclosed by two doors, the interior fitted with shelves and drawerDimensions: Height: 147cm  Length/Width: 80cm  Depth/Diameter: 46cm

George III mahogany low-boy, rectangular moulded top over three drawers, each with boxwood stringing and pressed brass handle, shaped stepped arch apron, on square supports with peg feetDimensions: Height: 76cm  Length/Width: 79cm  Depth/Diameter: 48cm

James Davies of Leominster - 8-day mahogany longcase c1820, with a swan necked pediment and break arch hood door flanked by turned pilasters with brass capitals, reeded quarter pillars to the trunk and a wavy topped door, plinth with canted corners and a shaped raised panel, painted dial with a moon disc to the arch and gilded chinoiserie figures to the spandrels, dial with matching steel hands, upright Arabic hours and fifteen minute numerals, conforming seconds dial and calendar aperture, movement pinned to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 226cm  Length/Width: 56cm  Depth/Diameter: 25cm

A large 18th Century American bureau bookcase, the top section with swept broken arch pediment over two panelled doors the base section with full front opening to a fitted interior and four serpentine drawers raised on ball and claw feet, 240cm high, 102cm wide, 58cm deep

Stamps; Over 120 Great Britain First Day Covers, ranging from late pre decimal to early decimal, neatly arranged in two lever arch files, also includes a loose leaf album of Great Britain stamps (Mainly QEII), plus an A4 notebook of foreign stamps (some loose inside).

Dimmer & Son - 20th century green onyx cased mantle clock with a timepiece movement by Elliot of London, with as break arch top and scalloped base, brass dial, silvered chapter ring and cast spandrels, with a spring driven lever balance movement, wound and set from the rear.Dimensions: Height: 16cm  Length/Width: 14cm  Depth/Diameter: 7cm

Four boxed Lilliput Lane models comprising 'Junk and Disorderly', 'Forget-Me-Not', Britains Heritage 'Marble Arch' and 'Eros', all boxed with deeds (4)

A GEORGE III OAK LONGCASE CLOCK the eight day two train movement striking on a bell, the painted dial with a subsidiary seconds dial, a date aperture and a moon phase to the arch, the spandrels painted with representations of the four continents, 224cm high x 58cm wide x 26cm deepProvenance: The Old Vicarage, Chideock.

A regimental arch top photo frame, 6 inches high, Birmingham 1915

Collection of plated ware - tray presented to Mr & Mrs Wheatley by Friend in Cumberland on their leaving Hayton February 1913 and a four arch candelabra, glass condiment set, lidded butter dishes etc

An 18th Century triple panel coffer, the front carved with twin arch panels below a double scroll frieze, on stiles, height 80cm x depth 55cm x width 124cm. PLEASE VIEW CONDITION REPORT

A 19th Century oak and mahogany crossbanded longcase clock by Jas Coates, eight day striking movement, painted arch dial incorporating subsidiary dials, painted with a shepherdess, her suitor and flock, enclosed by a glazed pillared hood and broken arch swan pediment over a shaped trunk door on canted plinth base, height 212cm. PLEASE VIEW CONDITION REPORT

A late 19th Century walnut cased regulator wall clock, the spring driven movement enclosed by a glazed door below a mask and broken arch pediment, height 119cm. PLEASE VIEW CONDITION REPORT

Golden-colored celluloid mirror with orange topaz rhinestones. Carleton Arch Amerith engraved marking on the front. Issued: 1930sDimensions: 13.5"L x 5.5"W x 0.25"DManufacturer: Carleton Arch AmerithCountry of Origin: United StatesCondition: Age related wear. As is. Missing rhinestones.

Kenneth Steel, RBA, SGA (1906-1970) "Merchants Arch, Dublin," pencil, Street Scene with Figures, approx. 38cms x 23cms (15" x 9"),ÿsignedÿ lower left, mounted and framed. (1) * Victor Waddington Label on reverse.

AN EDWARDIAN INLAID MAHOGANY SMALL FUSEE MANTEL/BRACKET TIMEPIECE JAYS, LONDON, FIRST QUARTER 20TH CENTURY The four columnar pillar single chain fusee movement with arched plates and anchor escapement regulated by lenticular bob pendulum with holdfast to backplate, the 4.25 inch slightly convex white painted circular Roman numeral dial signed JAYS, 142-144 Oxford St., LONDON to centre and with steel spade hands within canted silvered surround set behind a heavy hinged cast brass bezel with bevelled convex glass, the break-arch case with cushion moulded cavetto cornice over chevron-banded lozenge decorated line-bordered panel beneath the dial flanked by boxwood lined angles, the sides plain and the rear flush with arched brass grille inset door set within the frame of the case, on stepped ogee moulded skirt base applied with brass presentation plate engraved J.R. WESTMACOTT. M.B.E., FROM, D.I.P. AND STAFF, 1910-1921 to front over block feet. 28.5cm (11.25ins) high, 19cm (7.5ins) wide, 12.5cm (5ins) deep. The London-based silversmith, jeweller and retailer of Luxury goods, James Jay, first operated from premises at 366 Essex Road from 1867 before acquiring the business of Richard Attenborough and Company at 142-144 Oxford Street in 1887. The business became James Jay Limited in 1897, then Jay, Ricard Attenborough and Company in 1904 and continued trading until circa 1950. Condition Report: Movement is of notably good quality, appears all original (except for the pendulum retaining screw knob) and is in relatively clean working condition. The dial has some slight wear around the winding hole and to the edges where it butts against the silvered mask otherwise is in fine original condition albeit with some patches of staining/grime. The silvered canted bezel has some tarnishing/spotting to the finish. The case is in fine original condition with faults vey much limited to a few minor bumps, scuffs and other minimal age-related blemishes.Timepiece is complete with pendulum, winding key and a case key. Condition Report Disclaimer

An early 19th century oak and mahogany banded long case clock with arch top dial and eight-day striking movement by C Hoyles Sleaford, 84" high

An oak wainscot chair of 17th century design with arch top panel back, on turned and stretchered supports

An 18th century oak side cupboard enclosed arch top door over one drawer, on bracket feet, 31" wide x 11" deep x 38 1/2" high

A 19th century oak long case clock with arch top, painted moon phase dial and eight-day striking movement by Foster, Wakefield, with key, two weights and pendulum, 81" high

A white painted arch top overmantel mirror, plate 43" x 48"

Collection of printed material from 1950s to early 1990s to include invitations to The Queen’s party celebrations of The Presentation of Standards, Buckingham Palace invitations, Inspection of The Queen’s Bodyguard, dinner invitations, investitures, passes etc, certificates for Royal Tournament & Royal Arch Mason, programmes for the Trooping of the Colour, Presentation of Standards, Roll for The Yeoman of the Guard, Inspection by Her Majesty of The Queen’s Body Guard, Most Noble Order of The Garter services and processions, Ladies Festival, Carol Services at the Royal Military Chapel, Victoria Cross Centenary, Opening of Parliament Ceremony and Addresses and remembrance services together with commemorative coin set etc  [Provenance: Yeoman William (Bill) Brammer: Squadron Corporal Major The Life Guards, his duties were televised in a BBC2 series on people who serve The Queen in 1977, he was on duty for thirteen Troopings of The Colour]

A Victorian oak ecclesiastical wall-mounted church collection box, lancet arch top, inscribed 'Free Will Offerings', drop down door, 38.5cm high, c.1880

A LARGE COLLECTION OF POSTCARDS, APPROXIMATELY 850, to include Kenwood, Kew Gardens, Kings College, King Edward Hall, King George VI Memorial, Kings Road, Kingston Bridge, Kingsway, King William Street, Lambeth Palace, Langham Hotel, the Law Courts, Le COQ d'OR, Leicester Square, Liverpool Street Station, London Airport, London (misc), London Bridge, London Eye, London Park, London Transport, London Zoo, Lords Cricket Ground, Ludgate Circus, Madame Tussauds, Manchester Road, Mansion House, Marble Arch, Marlborough House, Middle Temple, Millennium 2000, Monument, Museum of London, and the National Gallery, these are spanning early 20th century to mid-late, a great selection of topographical included with interesting buildings, Londonn sites , many with postage marks or unposted, viewing is advised