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73 Vintage cinema stills inc The Red Shoes feat Moira Shearer, D H Lawrence's "Sons and Lovers", Heather Sears x2, Phantom of the Opera 1962 Hammer, It Always Rains on Sunday (Ealing), with stamp on reverse x2, On the Bounty, Margaret Rutherford "Aunt Clara", Odd Woman Out, Smallest Show on Earth x2, Stewart Granger in Captain Boycott, The Sea Shall Not Have Them (Regrave), Home to Danger photo by John Jay, signed by Guy Rolfe, King of the Khyber Rifles, Maxwell Road, Michael Rennie, Bernadotte in Desiree with stamp, The Day the Earth stood Still Klaatu photo used for the opening at the Odeon Marble Arch on December 15th with 20th Century Fox copyright, Battle of the V 1, 13th Letter, NFA stills, Friday the 13th, Anthony Quayle in Guns of Navarone, Witness in the Dark, Lily Palmer, Dennis Price - Privates Progress, Bad Lord Byron, plus J Arthur Rank Artiste, Warner Pathe, Saboo, Jean Simmons, NFA stills inc Alistair Sim + 2 others, Mudlark, Something Money cant buy, Now and Forever, & Susan Shaw etc. (73) {cabinet H}

A late 18th Century Oak Cased 8 Day Longcase Clock, Robert Davy - Aylsham, the case with arched hood and long plain trunk door and raised on a plinth base with shaped apron,an arched and silvered dial, signed to the arch enclosing a Roman and Arabic chapter ring with outside minute track and further engraved interior with subsidiary seconds and pierced hands, 214cmH

After Archibald Standish Hartrick (1864-1950), Poultry beneath arch, 43x27

A Nightmare on Elm Street 4 The Dream Master "The Names Krueger... Freddy Krueger" James Bond inspired advance UK double-crown film poster for the showing at the Odeon cinema in Marble Arch, London, excellent rolled condition, measuring 20 x 30 inches. (1) {basket L/M}

A Macciferri acoustic guitar, G40 Dow Styron, with arch top, whit plastic mounted head and body with wood effect fret board and case, 93cms long, cased and with certificate and guarantee.

AN OAK CASED 30-HOUR LONGCASE CLOCK the enamel dial with painted decoration to the break arch, inscribed 'REIGATE ISSUE no II JHG '52', 43cm wide 22cm deep 198cm high

Stereo Cards - Genre Scenes and Local UK Topographical, crowds of visitors at unreconstructed Stonehenge (1), 'The Fair Tormentor', girls looking out at sleeping man in deckchair (1), 'Welcome' floral arch with flags (1), three young ladies at Ackworth Villa (1), rustic roadside scene attrib. Burr (1), beggar at Christening (1), W H Mason 'The Basket Maker' (1), 1859 Baliol College crew at Henley (1), farmer with two-horse team and rake, with haystack on staddle stones behind (1), and others (27), albumen, 1860s, P-G (36)

Cartes de Visite Maritime and Topographical - Various, The Marvellous Feat of Little Western American Dory Boat….the smallest boat that has ever carried greetings from the New World to the Old…', 1880 (1), military band on parade/Samuel Clifford, Tasmania (1), brick-built bungalow with corrugated iron roof/G B D Kitch & Co, Sunny Corner, NSW, Australia (1), Roman Peace Arch, Milan, ink title verso and dated 1865 (1), and others (4), albumen, 1860s/1880s, F-VG (8)

Map of Dublin with Attractive EngravingsIrish Map: Dublin - Cooke (J.) Arch & Surveyor Cooke's Royal Map of Dublin, dedicated by Special Permission to His Most Gracious Majesty King George the Fourth on His Visit to Ireland in August 1821, hand coloured, Dublin 1822, the border decorated with various engraved vignette of landmark buildings in the city, approx. 50cms x 72cms (20" x 28"), worn. Scarce. (1)

All First EditionsTravel: Stark (Freya) The Southern Gales of Arabia, L. 1936; East is West, L. 1945; Perseus in the Wind, L. 1948; Travellers Prelude, L. 1950; Beyond Euphrates, L. 1951; The Coast of Incense, L. 1953; Ionia A Quest, L. 1954; Alexander's Path; L. 1958; and The Zodiac Arch, L. 1968, all First Edns., & orig. cloth. (9)

[Arch. P. Talbot] Sergeant - Vindiciae Joannis Sergeantii, Tribunalibus Romano & Parisensi, ubi ab Illmo Petro Talboto Archiepiscopo Dubliniensi de doctrina prava accuratus fuit, in Librorum suorum Defensionem Exhibitae. 12mo n.p. 1678. XXX, [176]pp in cont. sheep, rebacked v. good copy. Bookplate of 'James Talbot Junr.' Rare. (1)

A Victorian mahogany eight day longcase clock, the painted arched dial with pictorial hunting scene to arch by James Davenport of Macclesfield, 228cm high, dial width 35cm

A George III oak and mahogany cross banded longcase clock, the arched hood with broken scroll swan neck pediment enclosing a 13 inch white painted dial with rolling moon phase in the arch, Roman numerals, subsidiary seconds dial and date aperture and marked 'Harlow, Lane End', gilt painted fan corners, 8 day movement striking on a bell above a shaped top trunk door flanked by fluted quarter pilasters and on shaped bracket feet, 226cm high

LARGE GOTHIC STYLE GILT OVERMANTEL MIRROR the divided rectangular mirror plates in a frame with foliate arched lancet arch between arched frieze and base mouldings and flanked by margin plates 217cm high, 148cm wide Provenance: Yester House, Gifford, East Lothian

EARLY REGENCY MAHOGANY LONGCASE CLOCK, BY JAMES JEW, GLOUCESTER EARLY 19TH CENTURY the domed hood with a moulded cornice above an arched silvered dial engraved in the boss with an eagle and motto Tempus Fugit, above a Roman numeral dial marked at the quarter hours, signed 'J. Jew./ Gloucester' with subsidiary seconds and calendar dials, flanked by reeded column with gilt brass Corinthian capitals, above a long trunk with a moulded arch door with leaf carved corners flaNked by stop-fluted quarter columns, on a plinth base with bead moulded panel, raised on a gadrooned moulded base and ogee bracket feet; the eight day movement striking a bell, the door stamped 'T. STRATFORD' 261cm high, 57cm wide, 27cm deep

LARGE OAK REFECTORY TABLE 20TH CENTURY in the 17th century style, the long five board cleated top over an arch carved frieze and six carved square baluster legs joined by a peripheral stretcher with scroll carving 291cm long, 76cm high, 83cm deep

CAST IRON FIRE BACK AND DOG GRATE 18TH CENTURY the arched back cast with a scene with two figures in a floral border and fruit filled basket to the arch; the grate of oval form raised on outswept feet Fireback 84cm high, 56cm wide; 49cm wide, 38cm high, 34cm deep

Pair of modern wrought iron arch top gothic design conservatory armchairs with wicker seats. (2)(B.P. 24% incl. VAT)

VICTORIAN AND LATER GRAIN PAINTED TO MAHOGANY BREAKFRONT LIBRARY BOOKCASE, the moulded cornice above four cupboard doors with arch top glazed panels, enclosing twelve adjustable shelves to the interior, the advanced lower section with melamine top above a pair of glazed central cupboard doors enclosing two adjustable shelves to the interior, flanked by a pair of panelled cupboard doors with applied circular turning to the centres, raised on a shaped plinth base, 96" (243.9cm) high, 100" x 25" (254cm x 63.5cm)

LATE EIGHTEENTH CENTURY LINE INLAID MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE AND CENTRE SECONDS, SIGNED THO HADFIELD, CHAPEL, the 14" painted dial with subsidiary dial (blanked) and date aperture to the centre, painted with two windmills and enclosed by floral spandrels, with moon phase to the arch, powered by an eight day movement striking on a bell and housed in a case with swan neck pediment and brass ball and spike finial above free standing cluster columns to the fore corners, the flame cut long trunk door with shaped top and flanked by square, reeded quarter columns and raised on a chamfered base with ogee bracket feet, 95" (241.3cm) high

UNATTRIBUTED (EARLY TWENTIETH CENTURY BRITISH SCHOOL) OIL PAINTING ON PANEL Kingfisher over a lily pond Gilt framed and glazed in and Arts & Crafts manner with gilt painted arch mount 21" x 7 1/4" (53.3 x 18.4cm)

LATE EIGHTEENTH CENTURY INLAID OAK AND MAHOGANY LONGCASE CLOCK SIGNED KIRKPATRICK, LINCOLN, the 12" painted Roman dial with subsidiary seconds dial, enclosed by spandrels painted with maids in front of cottages and an Abbey ruin to the arch, powered by an eight day movement striking on a bell and housed in a case with broken swan neck pediment and free standing turned fore columns, over a panel inlaid with rearing horse and scroll work and short trunk door, flanked by quarter columns an raised on a panelled base with ogee bracket feet, 85 ¾" (217.8cm) high

LATE EIGHTEENTH CENTURY LINE INLAID OAK AND MAHOGANY CROSSBANDED OAK LONGCASE CLOCK WITH ROLLING MOON PHASE, SIGNED WALKER, COVENTRY, the 14" painted dial with subsidiary seconds and date dials to the centre, enclosed by spandrels painted with figures in rural pursuits, set beneath a rolling moon phase to the arch and housed in a case with broken swan neck pediment above free standing, fluted columns to the fore corners, over a long trunk door with shaped top, flanked by fluted quarter columns and raised on a panelled base (a/f) with ogee bracket feet, 87" (221cm) high

WINTERHALDER & HOFMEIER NINETEENTH CENTURY GILT METAL MOUNTED DARK MAHOGANY STAINED TABLE CLOCK, the 8 ¾" brass dial with silvered chapter ring, matted centre and SLOW/FAST and CHIME/SILENT subsidiary dials to the arch, powered by a twin train movement striking on two gongs and housed in an impressive case with urn pattern finials to the bell shaped top, pierced side frets and faun mask capped floral pendants to the chamfered fore corners, raised on a conforming plinth base with pierced scroll capped paw feet, 28" (71.1cm) high

EARLY NINETEENTH CENTURY INLAID OAK AND MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE, SIGNED BARRACLOUGH, HAWORTH, the 14" painted dial with subsidiary d seconds and date dials to the centre painted with exotic birds, enclosed within floral spandrels and set beneath the moon phase to the arch, powered by a thirty hour movement striking on a bell and housed in an arch top case with swan neck pediment and free standing brass capped and fluted fore columns, over a long trunk door with shaped top and oval shell inlay, flanked by square, reeded, quarter columns, and raised on a conforming base with chamfered fore corners and later plinth base, 95" (241.3cm) high

GOOD MODERN REPRODUCTION FLAME CUT MAHOGANY LARGE TOILET MIRROR IN THE QUEEN ANNE STYLE, the shaped, bevel edged plate in a moulded frame with arch top, flanked by square, tapering supports and raised on a serpentine fronted base with three oak lined and dovetail cut drawers, fitted with brass knob handles, and raised on turned feet, 32 ¾" (83.2cm) high, 20" x 8 ½" (50.8cm x 21.6cm), together with a MODERN REPRODUCTION BURR WALNUT AND LINE INLAID WALL MIRROR IN THE GEORGE II STYLE, with oblong, bevel edge plate and fret cut crestings, 29" x 16 ¾" (73.7cm x 42.6cm), (2)

A COLLECTION OF POSTCARDS, approximately 230, almost all of French ships, mostly of packet boats and their sumptuous interiors, many of the French Navy (including a submarine) and one showing the interior of an aeroplane and 15 of sailing boats, also including two booklets containing 33 cards (Isle de France 20 cards, Athos II 13 cards) contained in a lever arch file, leatherette, 4to, (A lot)

A 7«IN. RADIUS VERNIER OCTANT BY FRODSHAM & KEEN, LIVERPOOL, CIRCA 1860, the oxidised brass T-frame with arch signed as per title, the scale divided to 120§, vernier with magnifier, seven shades, two mirrors, ebony handle, contained within fitted keystone box with two sighting tubes and mirror pin -- 11in. (28cm.) wide

A 7¬IN. RADIUS VERNIER SEXTANT BY SEWILL, LIVERPOOL, GLASGOW AND LONDON, CIRCA 1890, the oxidised ladder frame with polished brass arch signed as per title and numbered K/718 and inscribed Maker to the Royal Navy, inset silvered scale divided to 150§, vernier with magnifier, seven shades, two mirrors and ebony handle, contained within box of issue with sighting tubes and accessories, box -- 10óin. (27cm.) wide

A Georgian long case clock set in a later carved case, the broken arch brass dial with silvered chapter ring and eight day striking movement with calendar aperture and silent/strike selector by Percival Van Inventor of Eight Day Watches, London

Conrad Loddiges & Sons, The Botanical Cabinet, plates by George Cooke, Jolm & Arthur Arch 1818, in three volumes and bound in half leather and marbled boards

18th CENTURY MAHOGANY BUREAU BOOKCASE OF SMALL PROPORTIONS WITH A MOULDED CORNICE, MIRRORED DOOR ABOVE ENCLOSING THREE ADJUSTABLE SHELVES, FALL FRONT DISCLOSING A FITTED INTERIOR AND FOUR GRADUATED LONG DRAWERS BELOW, ON BRACKET FEET (203.5cm x 69cm x 53cm)Condition Report:BASE - JOINS SPLITS VISIBLE TO BOTH SIDES. BACK RIGHT FOOT BASE, LOOSE. BLOCK UNDERBACK LEFT FOOT. FRONT RIGHT PIECE OF MOULDING TO TOP LOOSE.  INSIDE - LEFT FRET ARCH LOOSE, TWO ARCHES TO RIGHT ON LEFT SIDE PIECES LOOSE.  DOOR HINGES REPLACED.  BOTTOM RIGHT DRAWER, TWO WELLS MISSING.TOP SECTION - BOTTOM RIGHT CORNER STUCK BACK.TOP OF BACK PANEL - PART MISSING.BACK PANEL - SMALL SPLIT IN SECOND PANEL DOWN.HINGES - PROBABLY REPLACED.MIRROR - PROBABLY REPLACED.BRASS PLATES - MIGHT BE ORIGINAL. 

GEORGE III LONGCASE TIMEPIECE WITH A BRASS DIAL INSCRIBED "WM BUARDSELL, LONDON", (CC 1771 - 5) FOLIATE AND SCROLL ENGRAVED IN THE ARCH ABOVE, ENCLOSING AN EIGHT DAY MOVEMENT, IN AN OAK CASE (H: 228cm)

GEORGIAN MAHOGANY STICK BAROMETER WITH A BROKEN ARCH PEDIMENT ABOVE A GLAZED DOOR, THE SILVERED REGISTER PLATE ENGRAVED WITH A SCALE FROM 27" TO 31" AND FITTED WITH A MANUAL VERNIER AND SPIRIT FILLED THERMOMETER, ENGRAVED MAKER'S NAME 'VECCHIO, NOTTINGHAM' (H: 99cm)

A Sevres mantle clock, late 19th century, having gilt heightened pink Roman numeral chapter ring decorated with putti to centre and porcelain panel of seated lovers below, arch form brass case with four fluted columns to sides with acorn finials, putti surmount, all raised upon stepped acanthus leaf base with further curved porcelain panel, bell strike, movement plate stamped "R & C Paris & London, Best Warranted", with key and in working order, height 34 cm x width 23 cm x depth 11 cm.

Pair oriental green jade type rock bookends, each arch shaped end carved with a bird perched in a flowering tree, 12cm long 14.5cm high

Ladies 18 carat white gold gem set brooch, a marquise shaped opal to the centre with an arch of brilliant and baguette cut diamonds and two rows of square cut sapphires, five brilliant cut diamonds and a single aquamarine

A Mahogany Inlaid Wheel Barometer, signed Josh Ortaly, circa 1810, broken arch pediment, thermometer tube, 8-inch silvered dial signed, 100cm high 04.04.18, Case with minor cracks to the sides, dial with small scratches, mercury tube is complete and with a good mercury level.

An Oak Eight Day Longcase Clock, elaborately later carved case with a swan neck pediment, 11-1/4-inch arched brass dial, matted centre with date aperture, arch with silvered plaque bearing a later inscription Thos Binks Barningham, four pillar movement with anchor escapement and rack striking on a bell, later movement, later case, 231cm high22.03.18, Later carved case, trunk door lock is missing, front of the plinth with a central crack, later wooden dial surround, both cheeks with extra wooden blocks under the later seatboard, later movement, later case, with two weights and a pendulum.

An 18th Century Arched Brass Dial Lantern Clock, signed Frans Wells, London, circa 1760, 9-3/4-inch arched brass dial, arch with silvered plaque signed, side pierced frets and opening doors, hoop and spikes, anchor escapement, striking on a top mounted bell, 37cm high 08.12.17, Dial and movement look clean, side doors and back panel are later, alarm work missing, with pendulum and weight.

A Mahogany Chiming Longcase Clock, arched pediment, pierced side sound frets, well figured trunk door flanked by stop brass fluted pilasters, 13-inch arched brass dial, chapter ring later inscribed Edwardus Ellicott Londini Fecit, seconds dial, arch with chime/not chime selections, triple weight driven movement, anchor escapement, quarter chiming on a nest of eight bells and striking a further bell for the hours, dial and movement late 19th century, case late 18th century, 208cm high see illustration 22.03.18, Trunk and plinth with cracks to the sides, hood side frets with the back silks damaged, brass mounts are discoloured, trunk door is bowed and the moulding is cracked in parts and some moulding missing to the lower edge, dial is discoloured, movement needs cleaning, with three weights and a pendulum, dial and movement late 19th century, case late 18th century.

An Oak and Mahogany Thirty Hour Longcase Clock, Fawcett, Richmond, circa 1830, swan neck pediment, 12-inch painted arched dial, corners decorated with flowers and the arch depicting a lake/building scene, four pillar movement with anchor escapement and outside countwheel striking on a bell, 214cm high 22.03.18, Swan neck pediment is half missing, front of the pediment with cracks, front of the trunk with small wood worm holes (non active) positioned just above the trunk door, plinth right hand side is discoloured, feet are missing, dial is discoloured and with crazing cracks, movement needs cleaning, with one weight and a pendulum.

A Carved Oak Chiming Bracket Clock, circa 1880, broken arch pediment, blind fret borders, side sound frets, 9-inch dial with Roman numerals, triple chain fusee movement, anchor escapement, quarter chiming on a nest of eight bells and striking a gong for the hours, 60cm high, with a carved oak wall bracket, 34cm high09.04.18, Pediment with minor chips to the edges, side frets with cracks and the back silks are discoloured and damaged, back door is tight when opening, case back with small signs of white paint marks, dial is discoloured and with staining marks, movement looks clean, pediment suspension spring is broken, wall bracket with small chips to the edges.

An Oak and Mahogany Eight Day Longcase Clock, swan neck pediment, mahogany crossbanded trunk door, 13-inch painted arched dial, dial centre with seconds and date dials and signed Geoe Carruthers Langholm, corners with scroll and shell decoration, arch with two galleons at sea, four pillar movement with attached falseplate, anchor escapement and rack striking on a bell, later case, 219cm high 22.03.18, Hood with signs of repair and wood replaced to the top side, case has been cleaned, later backboard, later feet, both side cheeks have been replaced below seatboard, dial has been repainted, dial with small signs of paint touching up in parts, movement is complete, later case, with two weights and a pendulum.

An Oak and Mahogany Thirty Hour Longcase Clock, signed Thos Russell, Lancaster, circa 1830, swan neck pediment, double acorn topped mahogany crossbanded trunk door, fluted pilasters, mahogany crossbanded plinth, 14-inch painted arched dial, date aperture, dummy winding holes, fan and floral decorated arch, four pillar movement with anchor escapement and outside countwheel striking on a bell, 226cm high A similar clock with these case features is recorded in Susan Stuart Gillows book on plates 489 and 498, pages 402 and 406, volume 1. This maker is recorded in both Loomes (Brian) Lancaster Clocks and Clockmakers and Baillie (GH) Watchmakers and Clockmakers of the World10.04.18, Case has been cleaned to a high standard, later feet, dial has been re-painted to a high standard, movement crutch is missing, with a pendulum and one weight. 

A Good Oak and Burr Elm Eight Day Longcase Clock, signed Dollif Rollisson, Halton, circa 1740, arched pediment, oak and nicely figured elm veneers, 12-inch arched brass dial, silvered chapter ring signed, floral engraved dial centre with seconds dial and date aperture, arch with moonphase aperture, four pillar movement with anchor escapement and rack striking on a bell, 243cm high 12.02.18, Case right hand side with small cracks, both sides of the plinth with small cracks, dial and movement are clean, with pendulum and two weights.

A Mahogany Eight Day Longcase Clock, broken arch pediment, well figured trunk door flanked by inset pilasters, 13-1/4-inch brass dial, painted circular centre dial inscribed Smyth, Dublin, four pillar movement, rack striking on a bell, later case, 241cm high 22.03.18, Trunk door is slightly bowed and with small scratches and small cut marks to the lower right hand side, front of the plinth with cracks, feet are scuffed, painted dial centre with crazing cracks throughout, one brass collet around one of the winding holes is missing, old signs of one of the chapter ring feet repaired at 11 o'clock position, later seatboard, movement is dirty and needs cleaning, later case.

A Mahogany Eight Day Longcase Clock, signed Byrne, Birmingham, circa 1800, broken arch pediment, trunk with stop fluted pilasters, 12-inch arch painted dial, four pillar movement with attached falseplate, anchor escapement with rack striking on a bell, 232cm high 27.03.18, Hood door with some cracks, Front of the pediment with small cracks, case front very slightly faded, hood columns with small chips, feet with scuff marks, dial has been re-painted, dial with crazing marks, movement is complete, with two weights and a pendulum.

A German Carved Oak Striking Longcase Clock, circa 1880, broken arch form pediment with three turned finials, trunk with fluted Corinthian columns, plinth with carved Corinthian pilasters and a central blind fret moulded panel, 10-inch Arabic numeral dial with winged cherubs and scroll decoration, twin weight driven movement striking the half hour and hours on a gong rod, movement backplate stamped with a circle and winged makers monogram, D.R.Patent 125605 and numbered 2375, 240cm high 10.04.18, Case front is very slightly faded in parts, small chips to the edges and finials in parts, one split to the wooden dial surround, dial is discoloured, movement needs cleaning, with two weights and a pendulum.

NINE CARAT GOLD ROYAL ARCH CHAPTER MASONIC MEDALpresented to M.E. Comp. Peter Duff as a token of esteem from the Companions of Heart of Midlothian, R.A.C. No 365 M.E.Z. 1922-23, with Birmingham assay office mark, suspended from a bar, unmarked, in a fitted case, retailed by J. Bethune Edinburgh, approximately 11.3g gross

AN EARLY 19TH CENTURY OAK AND MAHOGANY LONGCASE CLOCK CABINET, hood with swan neck pediment, column mounted with an arched, painted dial "W. Palmer, Worcester", painted with shepherdess to arch, weights and pendulum, but no movement, 230cm high

A GEORGE III OAK LONGCASE CLOCK, the arched painted dial with white face, Roman numerals, secondary dial and date aperture, to the spandrel areas are painted ruins, to the arch, a lady reading in a parkland setting, inscribed "Thomas Watson, Haverfor dwest", fitted 8-day striking movement, the hood with swan neck crest, column mounted, the case mahogany crossbanded and marquetry inlaid, 217cm high

AN IRANIAN 20TH CENTURY QUM SILK RUG, the central field with triple Mirab arch, pink ground cut with tree of life design, featuring birds and animals, multi-bordered with panels of birds, flowers and animals, 174cm x 105cm

A large arch-top hall mirror together with a box of various frames

MODERN ARCH WOODEN BOX

A 19th Century mahogany long case clock case with replacement battery movement and printed dial in the 19th Century style by Big Ben Clocks of London, and a mahogany single bedstead, chest of three drawers and nine various cane seated bedroom chairs, together with a Victorian upholstered ottoman daybed in the Howard style (for restoration) CONDITION REPORTS The case with some scratches, marks and pock type marks. Verneers lifting/cracked and bubbling in some areas mainly visibly to the arch of the hood. Some reeding missing in the column area around the hood in some locales. Some chips and missing moulding in various locales. All over various general signs of wear and tear throughout. The top of the clock shows signs of the wood splitting. The spherical finial in the centre is missing the top of the spike. The inlay in the centre at the top of the clock is cracked and there are losses. The moulding to the right hand side of the top of the clock has a small section missing at the bottom. Numerous cracks and ecretions and dents to the top of the clock. The column on the left hand side shows areas of loss. The col;umn on the right hand side is loose and shows some losses. There are numerous scratches and scuffs to the top of the clock, on the side and at the back. The main body of the clock has ecretions, some loss of varnish. There are some losses to the moulding on the right hand side of the door on the main body of the clock. Inside there are signs of mold or mildew, both on the back of the door and inside the clock itself. On the base of the clock there are numerous ecrtetions, some loss of varnish, numerous dents and scuffs. On the top left hand side of the moulding on the base there is a section missing. Areas of varnish missing, numerous dents and scratches to the base - see iamges for details. The back of the clock has numeraous areas of mold or mildew, there are dents and scuffs all the way down - see images for details. All the spherical finials at the top seem to have been repaired at some point.

A 19th Century mahogany cased long case clock, the 8 day movement with painted arch dial inscribed "H Harris Monythisloyn"

INDIAN ALABASTER TABLE SCREENwith fretwork-type panel with a arch flanked by architectural pillars, 35.5cm high

Gillows of Lancaster Gothic revival walnut side table, on gothic arch supports, with tenon joint cross stretcher, stamped Gillows and numbered L 275, size 75 x 122 x 65 cm . Generally good condition. Structurally sound, a series of shallow scratches at either end of the table. Top has thickly applied wax of a dark colour which gives it a patchy appearance but this is surface only, can be removed with a finger nail. Base good condition, no sign of replacement parts, no rot or worm Extra images to be uploaded

Gothic Revival oak armchair carved with arch, quatrefoil and trefoil motifs, upholstered leather seat.