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A VICTORIAN OAK AND INLAID MAHOGANY LONGCASE CLOCK, THE PAINTED ARCH DIAL INSCRIBED T CLARKE EPWORTH, 219 X 46CM

A carved oak longcase clock, the eight-day bell striking movement with 12inch brass arched dial with a moon phase to the arch, a silvered Roman numeral chapter ring with Arabic five minutes to the outer track and marked for John Clark, with subsidiary five minute dial and date aperture, now in an associated carved oak case in late 17th century style, 219cm high

ϒA Dutch ‘mulberry’ veneered eight-day longcase clock with moonphase, Daniel Soos, Amsterdam, mid 18th century The five pillar rack and bell striking movement repeating the hour on a second smaller bell at half past and with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with date-of-the month and day-of-the week apertures, ringed winding holes and subsidiary seconds dial to the scroll decorated matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed Daniel Soos, Amsterdam to lower margin, with scroll pierced steel hands and spandrels cast as figures emblematic of the four seasons to angles within a herringbone border, the silvered arch with rolling moonphase incorporating cloud engraved lunettes, age of the moon to the visible circumference and high-water times to a sector within the conforming cloud decorated upper margin, the lampblack-stained burr field maple veneered case with giltwood flambeau finials and domed ogee caddy over fretwork frieze and ebonised cavetto moulded break-arch cornice with conforming fret to lintel, with ebonised three-quarter columns to hood door and the sides with scroll pierced break-arch sound frets and conforming quarter columns set against bargeboards at the rear, the trunk with triple-line bordered break-arch door centred with a circular brass lentical, the sides with twin ebony line bordered panels, on conforming panel-outlined plinth base with swept skirt and bracket feet, 254cm (100ins) high excluding top finial. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information. 

A 20th century composed mirror-back side cabinet, the mahogany superstructure formed from a salon side cabinet with a broken arch pediment above a lunette carved apron, an arrangement of shelves, mirrors and a pair of turned and reeded pillars, the base, an oak sideboard, with a moulded rectangular top above an arrangement of drawers and cupboard doors, spirally turned supports, boarded undertier, 225cm high overall

An early 20th century oak sideboard, broken-arch pediment above a shelf and a rectangular bevelled glass mirror flanked by turned pillars, the base with two short drawers above a pair of carved panel doors, square legs, stepped feet, 152.5cm wide

An early 20th century mahogany arch top architectural mantel clock, eight day movement, Arabic numerals on silvered dial, 36.5cm high

N Gauge Building Kits and Accessories, boxed collection comprising Minitrix 6509 level crossing and Kibri 7630 girder bridge, together with various Faller examples 2588 stone arch bridge (2 factory sealed), 2141 Diesel Engine House (2), 2285 Administration Building (factory sealed), 2287 Operations Building (factory sealed), 2540 straight raised track sections x 4 (11) seven factory sealed, 2542 curved raised track sections x 4 (12) ten factory sealed, 2543 curved raised rack sections x 6 (3) one factory sealed, 2583 Girder bridge (2 factory sealed), 2579 tunnel portals and 2119 platforms (factory sealed), all unchecked, G-E, boxes P-G, (39)

Hornby 0 Gauge Pre-war Reading Station and Other Scenic Items, comprising two late 1930s stations with 'speckled' buff bases and green tiled roofs, one with cut-through entrance and 'Reading' named ramps (one nameboard is a replacement) and original lamp fittings, the other station with printed curved arch, plain ramps and repro lamp brackets, both G, slightly faded, together with a green/yellow signal box and buff/ green footbridge with two detachable signals, G-VG (10)

Masonic books including Freemasons Guide and Compendium, and Freemasons Books of The Royal Arch by Bernard E. Jones, five volumes of Ars Quator Coronatorium 1978, 1980-1983, and others, also regalia including London Rank dress apron

AWRy Caprese mauve ladies bicycle with front basket and rear arch

A George II ebonised bracket clock with 6 inch gilt metal break arch dial, marked John Everell, London, single fusee movement and back plate engraved with a bird amongst foliage, in panel glazed case with cushion top and brass knapped handle, on stepped moulded base, 43cm high

EIGHTEENTH CENTURY OAK DOWER CHEST, the moulded plank top enclosing a candle box, a/f, with two drawers below, to the interior, and set above a front with three arch topped fielded panels and two base drawers, fitted with swan neck handles with fret cut back plates, and raised on extended stile feet, 31 ½” (80cm) high, 55” x 21” (139.7cm x 53.3cm)

EARLY TWENTIETH CENTURY FRENCH GILT METAL MOUNTED AMBOYNA AND KINGWOOD  CROSSBANDED MAHOGANY DOUBLE BEDSTEAD, the headboard with moulded, arch top rail centred with shell and scrolled cresting, 60” (152.4cm) high, together with the matching footboard with ribbon tied oval inlaid centre, 31 ½” (80cm) high, and the side rails, 62” (157.5cm) wide

EDWARDIAN INLAID MAHOGANY MANTLE CLOCK, the 4 ½” enamelled Arabic dial powered by an eight day movement striking on a gong, and housed in an arch topped case with brass mounted free standing fore columns and inlaid two handled urn beneath the dial, raised on a stepped plinth base with turned feet, 12 ¾” (32.3cm) high

SAM COLLIER, ECCLES, GEORGE III INLAID FIGURED MAHOGANY LONGCASE CLOCK WITH ROLLING MOON PHASE, the 14” painted dial with subsidiary seconds and date dials, enclosed by figural spandrels, allegorical of the seasons, and set beneath the arch, inscribed: I LABOUR HERE WITH ALL MY MIGHT TO TELL THE HOUR BOTH DAY AND NIGHT, THEREFORE EXAMPLE TAKE BY ME AND SERVE THY GOD AS I SERVE THEE’, signed: SAM COLLIER, ECCLES and also faintly signed GEO KENT, powered by an eight day movement striking on a bell, and housed in a case with dentil moulding and spike and ball brass finials to the swan neck pediment, above a green and gilt painted frieze, inscribed: J. BIRCH, ECCLES, over free standing fluted columns to the fore corners, long trunk door with shaped top, flanked by cluster columns to the fore corners, and raised on a conforming, panelled base with chamfered fore corners and ogee bracket feet, the front with oval paterae and shell inlays, 94 ½” (240cm) high, lacks central finial

WILLIAM LASSELL, TOXTETH PARK, LIVERPOOL, GEORGE III LATE 18th CENTURY FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, square 12" brass and silvered roman dial with subsidiary seconds dial, applied rococo scroll spandrels, third hand indicating the day of the month on an inner Arabic chapter ring, the broken arch hood with black glass frieze, free stand Ionic side columns, the waist with shaped top door and fluted quadrant side columns, on low feet, 7'3" high, circa 1780

MEX NIMMO, LINLITHGOW, No 208, GEORGE III FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, with arched brass and silvered roman dial, named and numbered on a disc in the arch, subsidiary seconds dial and date aperture, applied rococo spandrels and with dolphins in the arch, the hood flat topped with delicate carved fluted narrow top over a cavé relievo foliate scroll frieze, slender fluted and spirally fluted side columns with brass capitals and bases, the columns repainted as quarter columns to the rear of the sides which are also quatrefoil pierced and with silk lining, repeat carved frieze above the shaped top door, fluted quadrant side pilasters, raised on bracket feet, 6'9" high

JOHN KENT, MANCHESTER, GEORGE III FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, arched painted dial with subsidiary seconds dial and date aperture, phases of the moon in the numbered arch which shows two semi-circular terrestrial maps, the dial and spandrels painted with a bird and flowers, the hood with swan neck pediment filled in with a centre plinth, four pillar cluster side columns to the hood and waist, the waist door with triple pointed arch top with carved acorn surmount, on ogee bracket feet, 7'11" high(N.B. G. H. Baillie in 'Watch Makers and Clock Makers of the World' lists John Kent of Platt Hall, Manchester)

LEIGH OF NEWTON, GEORGE III EARLY 19TH CENTURY INLAID AND FIGURED MAHOGANY LONGCASE CLOCK WITH 8 DAYS STRIKING MOVEMENT, arched painted roman dial with two subsidiary dials for seconds and day of the month, revolving moonphase in the numbered arch with terrestrial half-globes, the spandrels painted with female figures allegorical of the seasons, the hood with swan neck pediment, the centre filled in with a plinth, fluted side pilasters with gilt metal corinthian capitals, the waist with fluted quadrant side pilasters, marquetry banding decorating the frieze and having shell lozenge above the shaped top door, on ogee bracket feet, 7'11" high, circa 1820

NINETEENTH CENTURY LINE INLAID MAHOGANY TOILET MIRROR, the shield shaped plate housed in a crossbanded frame, and flanked by scroll supports, the serpentine fronted, flame cut base with three drawers and ogee bracket feet, the whole outlined in boxwood and barber’s pole inlays, 24 ½” (62.2cm) high, 18 ¾” x 10 ¼” (47.7cm x 26cm, together with a MODERN GEORGIAN STYLE WALL MIRROR, with oblong plate and floral painted panel to the arch top, 36” x 14” (91.4cm x 35.5cm), (2)

Billings (R.W.) Arch. The Baronial and Classical Antiquities of Scotland, 4 vols. folio L. n.d. c. 1870. Hundreds of illus. plts. etc. Orig. morocco backed gilt cloth boards. (4)

A 19th Century inlaid mahogany framed Grandfather Clock, the swan neck arch pediment with brass finials over circular enamel dial by W. Beavington of Stourbridge, the trunk with reeded pillars terminating on a plinth base, approx. 231cms (91")h. (1)

A silver tea strainer and base, a silver five arch toastrack, a match box cover and a quantity of other silver and silver plate, 24oz weighable

PDK 00 Gauge kitbuilt Drummond D15 4-4-0 Locomotive and Tender, finished in BR black No 30467, built and painted to a very good standard, in original box, VG, wheel arch, cab sides and tender lining appeared to have deteriorated/poorly applied?

A 19th Century mahogany satinwood banded, inlaid and marquetry secretaire bookcase:, bordered with boxwood and ebony lines and decorated with husks to the spandrels, the upper part with a tulipwood banded cornice and arcaded pendant husk frieze, fitted with adjustable shelves enclosed by a pair of ogee pointed arch astragal glazed panel doors, the lower part having a fall with central oval satinwood panel decorated with cherubs at play, flanked by laurel garlands and foliate stems, enclosing a fitted interior with small drawers, pigeon holes and tooled leather inset writing surface, the cupboard below fitted with sliding trays enclosed by a pair of doors with circular satinwood panels depicting male and female seated figures writing and reading, the shaped apron base on splayed beaded feet, 111cm (3ft 7 1/2in) wide, 222cm (7ft 3 1/4in) high.*Notes Stamped W. Bertram, 100 Dean St, Soho W.

An early 18th Century Italian walnut and marquetry bureau bookcase:, the upper part with a cushion moulded cornice decorated with scrolling acanthus, having a plush lined interior enclosed by a pair of ebonised moulded domed arch glazed panel doors, flanked by figures of birds heightened in ivory and various woods, the lower part having a banded sloping hinged fall decorated with husk garlands, scrolling acanthus and standing figures of monkey musicians enclosing a graduated fitted interior with small drawers and plush covered well containing five short drawers below on spirally turned legs, terminating in block and bun feet, 112cm (3ft 8in) wide, 196cm (6ft 5in) high.

A Victorian silver plated table centrepiece by L&WS: the etched and cut class dish supported on an arch of grape vines and grapes with a seated cherub below, on a cartouche-shaped base raised on swept foliate feet, stamped L&WS 240, 46cm. high

Two pairs of large white painted arch top doors, in frames, 155cm x 243cm overall

An Edwardian mahogany eight-day longcase clock, the brass arch dial with a musical gong strike movement, the swan neck hood and trunk both with blind fret friezes on ogee feet, 240cm high dial 30cm

Gustav Becker, a mahogany mantel clock: the eight-day duration movement striking the hours on a gong and chiming the quarters on a further four gongs, the backplate stamped for the maker Gustav Becker along with the serial number 2405077, giving a date of manufacture of circa 1927, the silvered arched dial having a raised silvered chapter ring with black Roman hour numerals and blued steel hands with two further subsidiary dials to the arch for regulation and chime/silent, the break-arch mahogany case having fluted columns to the corners and a stepped base with brass bracket feet, height 40cms.* Biography Gustav Becker, born 1819, was a prolific maker of 'Vienna' style wall regulators and mantel clocks. He had workshops at Silesia, Germany which continued well after his death in 1885. He was awarded the Medaille d'Or at the Schlesien Industrial Exhibition of 1852 for his work on regulator movements.

John Ellicott, London (attributed), a walnut bracket clock: the eight-day duration, six-pillar movement having a verge escapement with bob pendulum and striking the hours on a bell, the backplate profusely engraved in the Ellicott manner, the eight-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer markings, the matted centre with date and 'false-pendulum' apertures, with cast-brass female-head spandrels to the four corners, the arch having a 'strike/silent' dial with cast-brass spandrels to the sides, the Ellicott-style walnut case having fluted canted corners, concave mouldings to the plinth, glazed panels to the sides, and having a bell-top surmounted by a brass carrying handle, all standing on brass feet, height 52cms not including handle. *Note Although unsigned this clock shows every sign of having come from the workshops of John Ellicott, see Chorley's Auctioneers, Cheltenham, 24th July 2018, lot 1030 for a near-identical signed example. * Biography John Ellicott was an eminent clock and watchmaker born in 1706 with his father being a Cornish watchmaker who was admitted to the Clockmakers Company in 1696. John Ellicott had his first address in Austin Friars Street, London before moving to Swithin's Alley, Royal Exchange where amongst his numerous achievements he invented a form of compensated pendulum and designed the London Hospital Clock. He was elected a Fellow of the Royal Society in 1738 where he served on the board and wrote a number of papers being a keen observer of scientific matters having an observatory in his Hackney home and was appointed as Clockmaker to King George III. In 1760 his son Edward joined the business with their clocks signed Ellicott, London. John Ellicott died suddenly in 1772. Clocks by Ellicott are in many of the world's top collections and museums.

J. Jullion, Brentford, a Georgian quarter-chiming bracket clock: the eight-day duration three-train triple-fusee movement striking the hours on a bell and the quarters on a further nest of eight bells, with 'up-and-down' regulation set to the top, the backplate with decorative border engraving and engraved with the maker's name J. Jullion, Brentford, the silvered brass break-arch dial engraved with black Roman hour numerals, Arabic five-minute outer markings and a repeat of the makers name J. Jullion, Brentford, with two subsidiary dials engraved within the arch for Strike/Silent and timekeeping regulation, with blued steel hands, the mahogany break-arch case having a pagoda top surmounted by a brass finial and with decorative brass fretwork set to the front and side panels, with four finials to the top corners of the case, brass fishscale frets to the sides and all standing on brass bracket feet, height 58cms (including finial).* Biography John Jullion is recorded as working in New Brentford, Essex from at least 1762 until after 1778, later becoming 'and Son'.

Charles Frodsham, London, a quarter-chiming longcase clock: the substantial eight-day duration movement striking the hours on a gong and the quarters on a further four gongs with brass-bound weights and a mercury-filled jar to the pendulum bob, the twelve-inch break-arch brass dial having a raised silvered chapter ring with black Roman numerals and black Arabic five-minute markings with engraved decoration between and signed Chas. Frodsham, London, 2368, the gilded-brass dial plate profusely engraved with floral and c-scroll decoration, with a subsidiary seconds dial and decorative blued-steel fleur-de-lys hands, the arch having a subsidiary strike/silent dial, the mahogany case having a glazed trunk door, fluted quarter-columns to the hood and trunk, an inset panel to the base, a swan-neck pediment to the hood and all standing on bracket feet, height 232cms.* Biography Charles Frodsham was born into the famous Frodsham family of clockmakers on the 15th of April 1810 and apprenticed to his father William Frodsham, a founder of the chronometer making firm Parkinson & Frodsham. Charles entered eleven chronometers in the Premium trials at Greenwich until the cessation of these trials in 1836, receiving a 2nd prize in 1830. After marrying he set up on his own account at 7, Finsbury Pavement and in 1843 acquired the chronometer making business of the eminent Arnold family moving to 84, The Strand and trading as Arnold & Frodsham until 1858. On the death of Benjamin Lewis Vulliamy in 1854 Frodsham purchased the goodwill of the Vulliamy business, and on the recommendation of Airy succeeded Vulliamy as Superintendent and Keeper of Her Majesty's Clocks at Buckingham Palace. Charles Frodsham was a highly regarded author of papers and books on horology and in 1871 published The History of the Marine Chronometer, the first English language book on this subject. Frodsham died of liver disease in 1871 being succeeded by his son Harrison Frodsham and from 1884 the firm traded as Charles Frodsham & Co., becoming incorporated in 1893 and moving to 115 New Bond Street in 1895.

A Victorian silver seven-bar toast rack, by Roberts & Slater, Sheffield 1858, Gothic arch form, central carrying handle, on a rounded rectangular base on four bun feet, length 17.8cm, approx. weight 15.5oz.

SIX BOXED LILLIPUT LANE SCULPTURES FROM BRITIANS HERITAGE SERIES, 'Hampton Court Palace' L2248, 'Marble Arch' L2289, 'The Royal Albert Hall' L2311, 'Shakespeare's Birthplace' L2214, 'The Royal Pavillion, Brighton' L2313 and 'Tower Bridge' L2213 (6)

An antique wooden arch frame, possibly from a church, H.178 W.85 W.25cm

A REPRODUCTION MAHOGANY ARCH TOPPED DISPLAY STAND ON CUPBOARD BASE

A GOOD QUALITY 'HULSTA' DARK OAK LOUNGE UNIT, THE UPPER SECTION HAVING CENTRAL ARCH GLAZED DOORS, FLANKED BY TWO SOLID DOORS, THE LOWER SECTION HAVING FOUR SMALL CENTRAL DRAWERS FLANKED BY TWO LARGE DRAWERS

A vintage mahogany effect arch window effect mirror

A WWII 'LONDON 1951 BOMBED BURNED BUT UNBEATABLE' Ashtray. Extract from BBC History of the World: On 10/11th May 1941, German bombers destroyed the House of Commons Chamber. My father, crippled in an accident and so unfit for military service, was in charge of demolishing the ruin. Sir Winston Churchill asked my father to carefully dismantle the archway from the Members' Lobby to the Chamber, badly scarred by bomb fragments, so it could be rebuilt later just as it was, as a reminder of the event. My father personally did this & the archway was later put back in its place, known from then on as the Churchill arch. The rubble, burnt wood & lead from the roof (which had melted & formed random lumps on the floor) was trucked off to a site somewhere in Essex. BUT, some of the stone & lead was made into ashtrays, which were widely advertised for sale, in particular in America, the proceeds going to a charity for victims of the war & some, I believe, towards the rebuilding of the Chamber. It was reopened in 1950. Sir Winston gave one of the ashtrays to my father & I inherited it from him. It reminds me of the horror & waste of war but also of my father, who was in charge of the demolition of dozens of war damaged churches & other historic buildings all over the UK, especially London.

Edwardian mahogany display cabinet, stepped arch top with fluted frieze carved with flower heads, astragal glazed and panelled door with mounted ribbon tie wreath, turned lobed and fluted supports, W106cm, H190cm, D39cm Condition Report Click here for further images, condition, auction times & delivery costs

Collection of thirteen oval engraved panels of Eminent Gentleman to include Bishop Beveridge, Lord Chief Justice Hail and Arch Bishop Grindal etc., all contained within a single oak glazed frame, 155cm long

A GALVANISED METAL TWO SEATER GARDEN SEAT/ARCH with scroll motif, width 124cm x depth 62 x height 213cm together with a circualar aluminium garden table (2)

A WROUGHT IRON GARDEN ARCH with scrolled decoration and seating, width 181 x height 258cm

William Lauder Pather - an early 19th century mahogany longcase clock, the arched brass 12" dial signed to arch disc, with dolphinium spandrels, silvered chapter ring with Roman and Arabic numerals, engraved centre with subsidiary seconds dial, date aperture, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case having bowed door over a boxbase, h.222cm. Restored and re-polished.With fixed metal back/wall plate.Scuffs throughout; upper arch, centre left body spindle, feet etc.With key, pendulum and weights, but no winder.

A mid-Victorian mahogany bookcase cupboard, the twin arch glazed upper doors over base fitted with cushion frieze drawer to further conforming twin panel cupboard lower doors, width 105.5cm

A 18th century and later parquetry inlaid cassone, possibly North Italian, the front carved with two arched panelled with an architectural view through each arch, the side panels also wit parquetry detailing, 62cm H x 157cm W x 64cm D (At fault) (The lid is currently locked and there is no key) CONDITION REPORT: The cassone is made of 18th century and later timbers, some of the inlaid detailing may be later repairs or replacements. The base boards are wormed and are not original. There is old worm damage also to all side panels. Dry with fading and general age wear patina throughout, wear around the bottom. The candle box to the inside is 20th century. Attention will be needed. (at fault)PLEASE NOTE, the lid is currently locked and there is no key. Please see additional images.

A reproduction oak longcase clock, the brass dial with moon phase arch, 201cm high, with three weights and pendulum. 

A Late XIX Century Over Mantel Mirror, moulded frame with flattened arch, a brass framed bevelled glass hall mirror with associated brushes (loose) (4)

MAHOGANY LONGCASE CLOCK, the brass dial with a 11 1/2" matted silver chapter ring and subsidiary seconds dial and vacant date aperture, beneath a strike silent dial and an arch inscribed Fladgate and Willder, London, on a brass, eight day striking movement, the case with pagoda hood and arched trunk door, with pendulum, weights and key, height 240cm

WELSH OAK LONGCASE CLOCK, the brass dial with 12" silvered chapter ring enclosing a seconds dial, beneath a moonphase and arch inscribed Waktin Owen, Llanrwst, on a brass, eight day, four pillar movement striking to a bell, the case with an arched hood and the trunk door flanked by quarter columns, with key, weights and pendulum, height including finial 230cm

A Victorian sectional mirrored glass frieze, with mahogany framed arch glass panels with stylised foliate decoration, 85cm x 40cm and 72.5cm x 33cm (3)

A Victorian arch form glass panel with etched decoration depicting a flower filled classical urn within foliate scroll border, 113cm x 83cm

A coral and diamond dress ring, the high domed cabochon crescent of salmon pink coral set between two bands each containing two pavé set round brilliant cut diamonds, to plain shoulders and slightly tapering shank, size L, unhallmarked but stamped inside '585' Gross weight 5.60g. The coral is an arch, which measures 17mm span across the base (outside of the springing points), 6mm height from under the arch to the top (9mm from the springing point to the top), and is approximately 6.5mm thick. The coral is natural and shows no sign of dye or other treatment; it has minor scuffs but still a pleasing gleam of polish.The setting has wear and tear commensurate with age; the diamonds add class, but are unexciting.

Mid 19th century bracket clock, brass arched dial signed W.J. Kenvin, Southampton, chaptering with Roman numerals, arch with secondary strike silent dial, twin fusee, 8-day verge escapement striking on single bell, back plate with floral bright cut decoration, bob pendulum, case with caddy top, single brass handle, sides with brass fretwork, fish-scale design panels, glazed door to back and front all standing on brass ogee bracket feet, height 46cm (18"). For condition reports please go to www.peterwilson.co.uk

19th century G and T Gibson of Alnwick longcase grandfather clock with painted dial, the arch top with recumbent lady in a forest and stag, the spandrels with conch shells, within a mahogany case, 217cm tall

Tiger comics featuring Roy of the Rovers January - December 1965 (in 2 lever arch files), Tiger and Jag comics January - December 1972 (in 2 red bound volumes). (1 box of 4) Fair-Good.

Three Royal Mint United Kingdom Silver Proof One Pound Coins, comprising of 2004 silver piedfort, 1987 silver piedfort, 2006 Egyptian Arch Railway Bridge, literature, cased.

Collection of Crested Ware Pieces 11 in Total. Large sizes, some rare and interesting ones, including Jovial Monk from Kirkham. Also includes 1. Black cat seated at fireplace 'We kept the home fires burning', 2. Blackpool - Progress 'Ferris Wheel' Arcadian, 3. Blackpool - Progress Pig - Florentine China. 4. 'Jovial Monk' Kirkham - Clifton. 5. Fleetwood Fisherman. 6. Blackpool Large Swan. 7. Blackpool Tower - Shelley. 8. Marble Arch, Hyde Park, City of London, Arcadian. 9. Model of 'Flanborough Lighthouse' Willow Art. 10. Model of the Old Lantern - Shelley China. 11. City of Leicester - Grandfather Clock. All pieces in mint condition. Please see accompanying images.

* Cuccioni (Tommaso, 1790-1864). The Arch of Constantine [and] Arch of Septimius Severus, circa 1860, a pair of mammoth albumen prints, 54 x 68cm, original mounts with photographer's studio oval blindstamp to lower margins, 'Fotografia Cuccioni, Via Condotti 19, Roma', mounts somewhat browned and with some edge wear, the first photograph on a contemporary wooden stretcher (Qty: 2)