We found 42009 price guide item(s) matching your search

An early 19th Century mahogany and cross-banded bow fronted hanging corner cupboard with broken arch pediment

A large green painted metal garden arch in period style

A MAPPIN & WEBB BRACKET CLOCK, late 19th Century, Baroque arched ebonised case with gilt metal mounts, gilt dial with slow/fast dial in the arch, silvered chapter Roman numeral main dial, sound grilles, double gong striking mechanism, presentation plaque dated ‘1896’, height 40cm, (pendulum and door key)

A stained and leaded glass panel of trefoil arch shape, depicting Christ with attendants, approx 68cm x 100cm.

A Moroccan tooled leather jewellery box, early 20th century, of rectangular form, the hinged cover opening to reveal fitted interior, overall decorated with diamond pattern framed within stylised arch and foliate borders, 12cm high x 32cm wide x 26cm deep.

A Victorian style mahogany sideboard, the scrolled gallery, above two frieze drawers and arch moulded cupboard doors, 118 cm high x 125 cm wide x 52 cm deep, together with a 20th century chest of drawers. (2)

Surasit, Thai, mid-late 20th century- Village scene; oil on board, signed and dated 1973, 43x59.5cm: Vina Thaprasert, Thai, mid-late 20th century- Mother and child; aquatint printed in colours with gold, signed, inscribed, numbered 26/50 and dated 1975 in pencil, 24x18cm: John Brown, late 20th century- Field worker on a Dutch farm; oil on canvas, signed, inscribed extensively and dated 1969 on the reverse, 40.5x50.5cm: Brenner, mid-late 20th century- Arch de Triomphe, Paris; oil on canvas, signed, 59.5x30cm: Late 20h Century- Flowers in a blue vase; oil on board, 57.5x31.5cm: Late 20th Century- Figure by the shores of a lake with woodland; oil on board, signed, 24x30cm., (6) (part unframed) (may be subject to Droit de Suite)

J Bowes, Bradford, a mahogany and boxwood crossbanded north country longcase clock of imposing proportions, scrolled pediment, painted arch, Roman dial and an eight day movement, 64 by 30 by 260cm high.

A Persian prayer rug, finely woven, with architectural prayer arch on a red ground and vase of flowers, a/f worn and frayed edges, 132 by 78cm.

A cream and gold painted pedestal hall table together with matching arch topped mirror and a gilt metal pendant lamp.

Ebonised repeating bracket clock, C Edmonds, London, circa 1775, the bell-topped case with carrying handle and pineapple finials, the door with pierced brass quadrants and moulded edges, on moulded set out skirt and brass bracket feet, fitted with a break-arch dial with silvered strike/silent, Roman chapter ring, matte field, silvered name plate engraved C Edmonds, London , pendulum and date apertures, dial width 8", the five-pillar movement with twin fusees, verge escapement, six-bell quarter repeat carillon, hour strike bell, date advance and backplate engraved symmetrically with leaf scrolls and a basket of fruit, minimum height 47cm (ticks, winds, strikes the hour, repeats the quarters and hour; winding key). *See clocks and watches proviso.

German mahogany striking bracket clock by Winterhalter & Hofmeier , late 19th century, the break arch case with brass carrying handle, silvered Roman dial, and box stringing on ball feet, the twin barrel movement chiming the quarter on four rods and striking the hour on a coil, height 41cm (ticks, chimes, strikes, winds; with pendulum and winding key).*See clocks and watches proviso.

Ebony veneered striking and quarter repeat bracket clock , the gilt brass pierced and repousse basket top decorated with neo-classical portrait medallions of Britannia, William and Mary, applied gilt panels to the doors and sides, the break arch brass dial with a silvered Roman dial and strike/silent ring, Nicholas Lambert, London, matt field, ringed winding holes, date aperture and mock pendulum, five pillar, twin fusee movement, anchor escapement, repeating the quarter by a pull chord on four bells and the hour on a top bell, the backplate engraved with an urn of scrolling foliage, minimum height 53cm (ticks, winds, strikes, repeats; pendulum, winding key).*See clocks and watches proviso.

George III mahogany bracket clock, signed T. Hunter, London , the break arch case with a top handle, fish scale grilles hinged door, circular brass bezel, gilt bottom quadrants on brass bracket feet, the painted circular dial with Roman hours, arabic minutes, and subsidiary date dial, five-pillar twin-fusee verge movement striking the hour on a top bell, the back plate engraved with foliage, minimum height 35cm (ticks readily, winds, strikes; winding key).*See clocks and watches proviso.

George III mahogany quarter repeat bedroom bracket clock by Thos. Green, Liverpool, the bell top case with a brass handle, hinged door with gilt top quadrants, glazed sides on brass bracket feet, the painted break arch face signed in the arch, with Roman hours, arabic minutes, date aperture, one true and one dummy winding holes, five-pillar single-fusee and verge movement repeating the hour on a bell and the quarters on ting tang bells by a pull string, bob pendulum, chinoiserie decoration and signature engraved on the back plate, minimum height 48cm (ticks readily, winds, repeats; winding and door keys). *See clocks and watches proviso.

Weight driven eight day clock movement, the break arch dial named Thos Sharpe Leighton, width 6.5", silvered Roman chapter ring, hour strike on a top bell, on a scratch made wall bracket, with pendulum and two weights. *See clocks and watches proviso.

A pair of 20th Century carved oak beds, with arch panelled headboards, irons, and bases, 116cm.

JONES, Henry, Bp. A sermon at the funeral of James Margetson, D.D. Late Arch-Bishop of Armagh .... Preached at Christ Church Dublin, August 30. 1678 - London: 1679. 4to. pp. 48. A very good copy in modern quarter morocco. Wing J 947. The text was 1 Corinthians chapter XV, verses 24-28. A Latin funeral oration that had been delivered "in the name of the University of Dublin, at the herse of him their vice-chancellor" was included in this pamphlet. Sweeney 2618. Provenance: The estate of Tony Sweeney

An 18th century oak dresser, the three tier rack with canopy top and iron hooks to the frieze, wide plank backed over five drawers arranged around a central arch and with plank potboard, 180 cm wide x 40 cm x 187 cm high

_ Januska - A pair, Alpine landscapes with Schlösser, oil on card/board, 12.5 x 17.5 cm, parcel gilt and burrwood frames. Provenance: Marble Arch Art Gallery W1 (2)

Chinese-style wooden figure of man on cow standing on a rustic base, the body of the cow inlaid with brass wire scrolls (height 12cm); together with a carved wooden figure of Buddhistic goddess stood before arch (height 13cm)

Three rectangular panels of leaded stained glass with stylized roses and irises (103cm x 25cm) and a similarly decorated Gothic arch-shaped panel (114cm x 31cm), probably late 19th century

Mid 19th century mahogany linen press on an enclosed base with deep cornice, the two arch-moulded doors enclosing 5 tray-drawers and two drawers beneath (height 218cm, width 146cm)

18th Century oak longcase clock having eight day movement, the brass arched top dial having silvered chapter ring with moon phase inscribed Robert Fletcher, Chester, the hood having broken arch pediment with later carved flush panel door, flanked by reeded quarter pilasters on conforming base

Good quality 19th Century mahogany line inlaid longcase clock having broken arch pediment with shell inlay, the brass dial with silvered chapter ring, subsidiary seconds and two train movement striking on a bell (with alterations), flanked by cluster pilasters over a flush panel triple arch door, and conforming plinth base with ogee bracket feet, the dial with applied plaque, T.H.O.S. Coote, Dublin, 98ins high

1930`s Oak grandmother clock with broken arch hood above a panelled door and plinth base, the oak dial with gilt chapter ring, Roman numerals, chime silent selector and three train movement

Regency mahogany bracket clock with brass Gothic arch dial and a single train fusee movement

George III oak and mahogany crossbanded longcase clock, the broken arch hood with flanking pilasters above a panel door and conforming plinth base, the painted dial with Arabic and Roman numerals, subsidiary seconds and date aperture, signed Smith, Chester, the two train movement with anchor escapement striking on a bell

Four large 19th Century carved oak altar panels with mouldings having square windows with arch tops and angel heads with wing carvings

Sidney Harold Meteyard RBSA - A portrait miniature on ivory of a young girl in profile with hair pleated and wrapped around her crown, dressed in white robes before fruiting bushes and a classical arch all to a landscape setting, circa 1922, 6.5cm x 5.25cm. ILLUSTRATED Provenance - The sitter is Norah Elaine Eadie, sister of Kate M. Eadie, wife of Meteyard. The reverse is annotated in pen `Me in 1922` together with `To Colin from Norah Elaine Eadie`. This miniature was gifted to the vendor direct from Eadie in the mid 1970`s.

A late 18c English bracket clock by Baker of London, the double fusee movement having anchor escapement and striking and hour repeating on a bell. The backplate has edge engraving and is signed and the arched brass dial has a strike/silent in the arch and a date ring below the dial centre. The dial has scroll spandrels and matched steel hands and the dial centre and strike/silent rings are silvered. It is contained in a round topped mahogany case with brass carrying handles, fish scale side frets and bracket feet, it stands 16.5" tall overall.

A mid 19c French mantle clock in the Religieuse style of the 17th century. The ebonised case is inlaid boullework of tortoiseshell and pewter and has a round topped arch on the case with three flambeau finials. The typical dial has a silver chapter ring on velvet background and engraved brass hands. The movement is of a mid 19c rectangular shape with barrelled springs and deadbeat escapement, rack striking on a gong, 21" tall overall.

A late 18c eight day longcase clock, the 12" arched brass dial signed James Rule, Portsmouth in the arch. The dial has a strike/silent lever in the arch, seconds and date indications, a silvered engraved dial centre, scroll spandrels and unmatched steel hands. The four pillar movement has been converted to strike on a gong in the back of the case. The mahogany case has a pagoda top with sound fret on the front and a dentil moulding around the top hood moulding. Fluted columns flank the dial and the trunk is plain with an arched door, the base has a rectangular applied panel and bracket feet, 84" tall overall.

A late 18c eight day longcase clock, the 12" arched brass dial signed John Grace, Tring and having a strike/silent lever in the arch (not connected), scrolls, spandrels and date and seconds indicators. It is contained in a plain oak case with full arch hood with vase finials and fluted columns flanking the dial. The long trunk door has an arched top and raised edge moulding and the plain base has a double plinth, 81" tall overall (John Grace is not listed as a maker in Tring and this clock bears resemblances to ones made by John Clement of Tring at this time. A John Grace was born in Tring in 1766 and it is possible that this may have been made for him by Clements in 1780/90`s).

An early 18c eight day longcase clock, the 12" arched brass dial signed Peter Collomby, London and having female head spandrels, date, seconds and strike/silent in the arch. The five pillar movement is rack striking on a bell and has anchor escapement. It is contained in a walnut case, the hood having full arch surmounted by a caddy which has a broken arch pediment with three finials over. The long trunk door is of well figured walnut with stringing and crossbanding around its edges and a raised edge moulding. The cut down base now has a plain plinth, the case is in need of extensive restoration with the trunk door detached and the hood needing replacement mouldings, 89" tall overall.

An early 19c eight day longcase clock, the 12" arched dial indistinctly signed and having floral corners and a vase of flowers in the arch. The dial has seconds and date indications and matched brass hands. The oak mahogany case has swan neck pediments to the hood with three pineapple finials and plain columns flanking the dial. The trunk has canted corners with boxwood line inlays and the door has mahogany crossbanded edges and a central applied oval. The base has mahogany crossbanding and no plinth, 77" tall overall.

An early 19c eight day longcase clock, the 12" arched brass dial signed John Isaacs, London and having vase spandrels and engraved floral dial centre and tempus fusee in the arch. It has seconds and date indicators and unmatched steel hands. The substantial three train movement quarter chimes on eight barrels and strikes on a ninth. It is contained in a mahogany case which has been extensively recarved, the hood has swan neck pediments with a central finial and plain columns flank the dial. The trunk has canted fluted corners and the pointed door has extensive floral carving. The base has large lunette carving with a central sheaf of corn and a deep bracket footed plinth also recarved, it stands 89" tall overall.

A VICTORIAN MAHOGANY TOILET MIRROR having arch top, swing period plate with moulded surround, held within twin carved fretted scrolled horns, on a D shaped moulded plinth, mounted on four bell shaped feet, 70cm x 62cm wide

A modern mahogany veneered bookcase cabinet in the George III taste, the broken arch pediment above two astragal glazed doors on a base with two panelled doors to plinth support

An Antique Mahogany Encased Long Case Clock, The Hood Enclosing An Arch Painted Dial With Eight Day Movement

A Sheraton Revival demi-lune mahogany sideboard of small proportions, the top cross banded and string inlaid, over a central frieze drawer with arch kneehole, flanked either side by two drawers and moulded panels, raised on four square taper legs terminating in spade feet, fitted with oval brass laurel wreath handles and back plates, 110cm (w) by 55cm (d) by 81cm (h).

A George III oak and Coromandel longcase clock, circa 1785, the shaped scroll hood with arched square dial, silvered chapter ring, Roman numerals, subsidiary seconds dial, brass spandrels, circular silvered moon phase arch, arched door, eight day movement, the dial approx 30cm w, approx 215cm h.

Oak dresser with arch top over two drawers and a cupboard, arched top shelved freestanding wall unit with television stand (3)

Harrods reserve arch tawny port; Chateau les fougerees 2002; Bordeaux; two bottles of La Chasse du pape, cotes du Rhone, reserve barrique chateau solidars, haut medoc 1992 (4)

A Giverny Garden Arch and two folding garden chairs

A large collection of first day covers in lever arch files together with bound British Philatelic Bulletin magazines etc

A lever arch file of British stamps together with assorted albums, stock books and loose world stamps

A Biedermeier satin birch chest of three long drawers with arch decoration, 93cm wide .

A late 19th century arch top strut back mirror, with faceted triangular glass and blue glass frame, 47cm wide x 62cm high.

An arch top wrought iron panel with wriggle work quatrefoil decoration, 138cm wide.

Case of Masonic aprons & sashes including Provincial Craft, Provincial Royal Arch & Rose Choir.

A Hereke silk prayer rug, Turkish, the ivory Mehrab with flower filed vases, sage arch, a pink cartouche, leaf and spray border, 160 x 103cm.

A silk Ghiordes prayer rug, Turkish, the sage mehrab filled with a vase of abundantly floral sprays, arch above, an ivory palmette and leaf border, 214 x 147cm.

Three lever arch files containing a large selection of World Mix Stamps, plus a large tin of loose Stamps.

A Longcase Clock, the white dial inscribed "Merrilies, Edinburgh" with seconds and date rings, the arch painted with a bird and with eight day movement in oak case, with swans neck pediment, fluted side pilasters. 7` (213cms) high.

A Victorian upright swing Toilet Mirror, the arch plate in a mahogany frame with spiral turned pilasters on a serpentine fronted base..

A Staffordshire Figure Group of couple flanking dog with brightly painted details, 8 1/2in, and another with couple above arch with swan, bocage encrusted, 7 1/2in.

A George III and later oak coffer bach with double arch panel front over a pair of drawers on cabriole supports, 68cm wide.

An early 18th century and later walnut chest on stand with two short and three long graduated drawers, the base with three drawers about the arch frieze on lion paw feet, 104cm wide. Illustrated

An Edwardian mahogany mantel clock of arch design having inlay decoration with Withington & Westminster striking movement and glass arch display.