We found 42009 price guide item(s) matching your search

W.C.Spikins from Dent, Guildford.A late Victorian/Edwardian mahogany directors clock of arched outline with four foliate carved finials, canted and fluted angles, on a moulded plinth base with brass ball feet, the 19cm. arched brass dial with silvered chapter ring signed 'W.C.Spikin. for Dent. 128 High Street, Guildford', with regulation, strike/silent and bells/gongs dials to the arch, the substantial triple fusee movement with anchor escapement striking to eight bells and five gongs, 46cm. high.

Falmouth.A late 18th century mahogany and crossbanded longcase clock, the hood with swan-neck pediment and turned columns, the trunk with double arched waist panel door enclosed by reeded quarter columns, on a box base with reduced bracket feet, the 34.5cm. painted arched dial with subsidiary seconds dial and date aperture, having 'High Water At Falmouth' to the arch, the twin train movement with anchor escapement striking to a bell, 238cm. high..

John Deffoun (?) , Birmingham.A late 18th century oak and crossbanded longcase clock, the square hood with inlaid flowerhead motifs and turned columns, having a triple arch waist panel door on a cross banded and inlaid box base, the 32.5cm. arched silvered dial signed 'J. Deffoun, Birmingham', with date aperture and subsidiary seconds dial and painted rocking galleon to the arch, the triple train movement with anchor escapement striking to nine bells, 210cm. high.

Oak relief carved panel, circa 16th century French or possibly Spanish, depicting a man wearing a hat , lace top and breeches standing beneath an arch, 22" x 8.5" PROVENANCE: Thetis Blacker.

Antique marble weight, with arch shaped handle flanked by two domes, PROVENANCE: Thetis Blacker. w: 7 in.

William Russell Flint limited edition print , scantily clad girl standing in an arch way no 325/ 850 h: 18 x w: 25 in.

An early 19th Century oak longcase clock banded in mahogany, the hood with turned pillars to the sides, fitted an arch top painted dial with thirty-hour movement by R Rocke, Knighton

An early 18th Century longcase clock, the hood with bell top painted scrolls etc in gilt, and with columns to the sides, the chinoiserie case enclosed by arch top door with buildings and figurines in gold lacquer, fitted an arch top painted dial with circular roundel to the arch, decorated spandrels, seconds and date aperture having an eight-day striking movement by Joseph White London

A Vienna style wall clock with enamel dial, set in a walnut and ebonised case with arch glazed door, 75cm (29.5") high

A mid-18th Century eight-day longcase clock, the arched brass dial with circular boss to the arch inscribed 'Henton Brown, London' in a mahogany case, 197cm (77.5") high

An eight-day longcase clock, Joseph Prestwood, London, striking, later carved oak case, the arch brass dial fitted with a days of the week mechanism

A 17th Century oak coffer, the plank top over triple arch panel front with floral decoration, on block feet, 162cm (63.75") wide

A Regency mahogany secretaire bookcase, the associated bookcase over with tricorn top, fitted adjustable shelves enclosed by a pair of shaped arch top glazed bar doors, the base with reeded pillars to the sides and false two drawer fall, with interior of pigeon holes and drawers with two long drawers under, on splay feet, 125cm (49") high (see illustration)

BRIGADIER GENERAL SIR CHARLES GROVE ELLICOMBE (1783-1871) Bishops Thorpe, 1811, viewed from a portico, watercolour, 11 1/2" x 9", a 20th century watercolour of a town centre with stone arch, framed, 10" x 13" (2).

A George III Scottish mahogany and brass-mounted striking table clock, circa 1790 By Alexander Dickie, Edinburgh the bell-top case with brass handle and four urn finials above glazed side panels and chamfered and fluted angles, on squat ogee feet, the brass-framed front door with winged cherub mounts, the brass dial with rococo spandrels and a silvered Roman and Arabic chapter ring with dot minute track, the silvered centre engraved with flowerheads and swags around the winding holes, with mock pendulum and date apertures, blued steel hands, with subsidiary rings for strike/silent and regulation to the arch, surmounted by a plaque signed Alexander Dickie/EDIN.R, the eight day twin wire fusee movement with five pillars and verge escapement striking on bell, the back plate engraved with leaf scrolls and flowerheads to the fusee arbors 29cm wide, 50cm high, 18.5cm deep

A George III oak and mahogany veneered longcase clock By Ernest Mearns, Banff the twin train movement striking the hours on a coiled gong, the silvered roman and arabic dial with subsidiary seconds dial and calendar aperture within strapwork cast spandrels and maker's cartouche to the arch, the inlaid swan neck pediment above a jardiniere inlaid trunk door and apron, on cut plinth base 212cm high

A George III mahogany longcase clock By John Goodfellow, Inverness the twin train movement striking the hours on a bell, the broken arch pediment above a silvered Roman and Arabic dial with subsidiary seconds dial and calendar aperture within rococo cast spandrels and an elaborately engraved maker's cartouche to the arch, the arched trunk door above a panelled apron, on cut plinth base 212cm high

A FINE AND RARE .700 CALIBRE TURKISH MIQUELET-LOCK RIFLE OF EXCEPTIONAL SIZE, FIRST HALF OF THE 18TH CENTURY with very heavy slightly swamped octagonal barrel rifled with seven grooves and retained by a single slender brass band, the muzzle fitted with blade fore-sight and decorated with a broad panel of gold-encrusted foliage and flowerheads within a ropework frame, the breech with a further panel of gold-encrusted foliage and differing flowerheads including a stylised vase in the centre, large arch-shaped back-sight pierced with eleven apertures and encrusted with gold over its entire surface en suite with the breech, the tang overlaid with a brass panel engraved with foliage, steel lock of characteristic form encrusted with gold foliage and beadwork on the lock-plate, cock, bridle and steel, steel button trigger, figured walnut full stock applied with brass plaques pierced with foliage beneath the muzzle, breech and opposite the lock, faceted butt applied with further plaquettes divided by a solid band of fluted brass in the centre and at the base (small losses, the butt-cap missing), bone fore-end cap, and remaining in fine condition throughout (later ramrod) 104.2cm; 41in barrel Provenance Jacques Arlaud, St Ouen, 1958 Exhibited Splendeurs de l'Art Turc, no. 75

LATE VICTORIAN SMALL SILVER FOUR DIVISION TOAST RACK, by John and William Deakin, with arch pattern division, central handle and ball feet, 3 1/2" high, 2 3/4" long, Sheffield 1896, 1.5oz

A Georgian mahogany supper table, fitted two drop flaps, over frieze end drawer and two cupboard doors to undertier, pierced arch open sides, on squared supports, 60cm (23 1/2in) wide

An early/mid 18th century broken arch topped architectural cupboard, 41cm (16in) wide, 147cm (58in) high

A Pair of Carved Oak Gothic Panels depicting ecclesiastical scenes; one depicting a monk holding a key & bible standing beneath a Gothic tracery arch. 16 ins x 13 ins (41 cms x 33 cms).

A 17th Century Flemish Carved Arcaded Oak Panel depicting a pair of dogs sat raised on a platform; the pedestal with wrythen beaded column flanked by punch-worked S-scrolls, beneath a domed arch adorned with foliated scrolling heads, 22 ins x 12 ins (56 cms x 12 cms)

A Pair of 17th Century Cast Iron Fire Dogs. The tall square columns emanating from shields that meet and arch-form double footed base. 25½ ins (64 cms) in height.

An Early Russian Polychrome Triptych. The centre panel carved in deep relief with the crucifixion in a recessed arch and the gilt ground painted with saints; 15 ins (38 cms) x 9 ins (23 cms). The smaller side panels carved with figures retaining much of the residual paint-work and measuring 15 ins x 4½ ins (38 cms x 10.5 cms).

A Fine 17th Century Boarded Oak Coffer. The plank lid having chipped engrailing to the ends with run moulding to the front and back. The front with conforming chip carved ends standing on high lancet arch cut end boards; one carved with the initials RB, 37½ ins (95 cms) wide, 13¾ ins (35 cms) deep, and 23½ ins (60 cms) high.

A Rare Early 18th Century Ash & Elm Lambing Chair. The cresting rail having three small humps above an arch-topped centre panel flanked by plain uprights with hooked terminals. The silhouette cut down-swept arms with scroll ends on turned posts leading to a plank seat with edge moulded base drawer above a triple humped seat rail. Standing on low baluster turned legs with square feet united by peripheral stretchers.

An 18th Century Joined Oak Welsh Dresser. The rack having a moulded canopy top with turned pendant finials to the front corners overhanging two planked back shelves with through tenon joints piercing the shaped side boards. The base cupboard having two ogee-arch topped fielded panel doors standing on low stile feet with applied moulding to the edge, 48 ins (122 cms) wide, 21 ins (53 cms) deep and 73 ins (186 cms) high.

An Impressive 16th Century Coffer. The plank top with moulded edge having a punch-work crown and the inscription I.N.R.I. at the lower right hand corner. The panelled front carved with Gothic tracery arches & ball flowers and having an iron hasp & lock-plate above a small chip carved arch and scalloped base rail, Standing on stile supports. 34 ins (86 cms) high, 57 ins (145 cms) wide, 25 ins (64 cms) deep.

A Fine & Unusual Section of 16th Century Oak Room Panelling; circa 1540. The top section centred by a rare carved head & shoulder portrait of a Court Jester, projecting boldly from the surface of the panel beneath an arch window & foliate columns; depicted wearing a headdress with pointed ears and a face of character. The flanking four panels depicting head & shoulder profile portraits of stylized representations of anonymous men & women applied in partial relief within roundel's and beneath arches; all having flower head spandrels. The lower section having five well-carved linen-fold panels and measuring 36 ins (91 cms) x 61 ins (155 cms). Comparative examples in V. Chinnery; Oak Furniture, The British Tradition; 1979 [Provenance: Ex Vernon Family].

A Burr Elm Longcase Clock with Eight Day Movement. The 12 inch (30 cm) square silvered dial signed Robert Mathison Edinburgh with engraved foliate sprays to the corners. The caddy top hood surmounted by three brass spired globe finials above a fretted frieze band and integral Doric columns flanking the dial. The unusual burr figured case with cross-banded borders and ebonised lip moulding to the break-arch trunk door and moulded base with bracket feet, 98 ins (250 cms) overall in height.

An 18th Century Oak 'Rocking Ship' Longcase Clock with eight day movement. The 12 inch (30 cm) painted dial incorporating a calendar aperture and subsidiary seconds dial to the centre with sprays of flowers adorning the corners. The arch painted with a castle seascape housing the painted rocking ship aperture. The hood with swan neck split pediment centred by a brass urn finial above the arched door flanked by reeded columns. The case having a shaped trunk door; inlaid with a marquetry star burst and flanked by fluted quadrant columns. 88 ins (224 cms) high, 18 ins (46 cms) wide, 10½ ins (27 cms) deep. The movement overhauled and in working order.

An 18th Century Oak Wall Cupboard having a moulded top above a break arch topped door with lip moulded edge and an inlaid oval to the centre, opening to reveal internal shelves, 29¼ ins (74 cms) high, 21 ins (55 cms) wide.

A 17th Century Two Door Oak Buffet. The plank top above a lunette carved frieze. The front panel centred by a diamond; carved with leaves beneath a foliated arch with fluted columns. The two cupboard doors on butterfly hinges carved with horizontal diamonds ornamented with punch-work stars. The nulled and gadrooned frieze above rising baluster turned legs to the front and palmate stiles to the rear leading down to an open base shelf carved with s-scrolls along the sides. 43¼ ins (110 cms) high, 51½ ins (131 cms) wide, 23¼ ins (59 cms) in depth.

A 17th Century Oak Wainscot Armchair. The top rail carved with lunettes above the ornate back panel carved with an arch formed from foliated panels and centred by a rosette. The rum moulded uprights adjoining the down swept arms raised on column supports. The seat above run-moulded rails and the column turned legs joined by block stretchers.

A 19th century longcase clock movement in later natural pine case, the 12 inch arch painted dial signed Hotten Probus with Roman numerals and date and seconds indicators and river landscape in arch, the eight day movement striking on a bell, 212cm high

A walnut framed cheval mirror with arch top on stand with splayed legs

A walnut framed arch top hanging mirror

A French ebonised and gilt framed arch top hanging mirror

AN EARLY 19TH CENTURY MAHOGANY EIGHT DAY LONG CASE CLOCK, the arched hood with ring turned pillars with Corinthian capitals, above a boxwood string trunk and base, the painted Roman dial with subsidiary seconds and date aperture, signed Matt Hinderwill Stocksley, with floral painted arch and strawberry and floral spandrels, 83 1/2" high

An early 20th Century German quarter-chiming bracket clock, the arched mahogany case supported on brass base ogee bracket feet, the movement with Westminster chimes on the quarter on four gongs via a pinned cylinder, a fifth gong striking on the hour, the silvered Arabic dial having chime/silent and slow/fast subsidiary dials to the arch. Height 37.5 cms.

An early 20th Century German bracket clock, the Junghans movement striking on two gongs and having brass arch dial with silvered Roman chapter ring within a carved mahogany architectural case. Height 43 cms.

A small Vienna wall clock the mahogany case having a broken arch pediment and square fluted pilasters, the spring-driven movement striking on a gong with white enamel Roman dial. Height 74 cms.

A Synchronome wall master clock, the oak case having a dentil cornice, the glazed door having a foliate carved panel above the arch and flanked by fluted pilasters, the movement having 18cm silvered Roman dial. Height 156cms

Graham Rust - Moonlit Landscape with a Botanical Study before a River and Woodland, framed by a Gothic Arch, late 20th Century watercolour, signed, approx 30cm x 32cm, within a cream frame of moulded section.

Early 19th Century Continental School - 'The Arch of Drusus, via Appia' (Tondo Miniature View of the Ruin), watercolour and gouache, titled verso, diameter approx 5cm, within an ebonized frame, together with a similar watercolour and gouache, View of a Pyramid.

A pair of Edwardian silver six division toast racks of Gothic arch form, London 1904 and 1906 by Thomas Bradbury and Sons, length approx 13.7cm.

A pair of 19th Century embossed and painted lancet-arch leather panels, both with a design of Tudor roses and leaf tendrils and dated 1661 on a ribbon band, later mounted on a support board, approx 102cm x 48cm.

AN OAK 8-DAY LONGCASE CLOCK By Kitchen & Lloyd, Nantwich with a broken swan neck pediment, the brass dial with pierced spandrels and moon phase aperture in the arch. With a subsidiary seconds dial and date aperture. In a narrow oak case with fluted columns signed on the arch 'Kitchen & Lloyd, Nantwich'. 84 in (214 cms) high

AN OAK EIGHT DAY LONGCASE CLOCK With an arched hood, the brass and silvered dial with a subsidiary seconds dial, date aperture and pierced spandrels. With a 'Sun' motif in the arch of the dial and in a heavily carved oak case. With the words 'Time Fly' and date '1652'. 88 in (224 cms) high

A George III mahogany longcase clock with eight day movement striking on a bell, the brass break-arch dial with rocking Old Father Time automaton within a silvered circle, inscribed 'John Glennie London', above strike/silent indicator, silvered chapter ring, subsidiary seconds and date aperture, the pagoda top hood with glazed door flanked by fluted columns, the trunk with arched panel door and panelled base, on bracket feet, height approx 232cm.

A mid Victorian mahogany cased bracket clock, the 7.25ins arched silvered dial with Roman numerals and initialled W.R.W.U. and dated 1862, the arch with chime/silent dial flanked by day of the week and calendar dials to the eight day three train chain and fusee movement with heavy brass plates, striking on a gong and chiming on eight bells, contained in mahogany case with figured veneered front and carved leaf scroll and floral ornament to the front, with gadroon carved edge and on scroll pediment, 24ins high, complete with conforming bracket with C-scroll and leaf ornament, and shaped and pierced bracket, 21ins wide x 14ins high

An 18th Century walnut longcase clock by Edwd. Blower of Beccles, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch showing phases of the moon within engraved borders to the eight day two train movement striking on a bell, contained in figured walnut case with swept top and moulded arched cornice, plain turned pillars to hood, arched trunk door veneered in figured matched veneer panels and crossbanded, on conforming base with double moulded plinth, 99ins high (including later finials)

A late 18th Century walnut longcase clock by Thomas Hall of Wells, the 14ins arched brass dial with wide silvered ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and strike/silent dial to the arch to the eight day two train movement striking on a bell, contained in plain walnut case with moulded cornice and plain turned pillars to hood with gilt brass Corinthian capitols, shaped trunk door crossbanded on two sides, and on bracket feet, 85ins high

A late 18th Century oak longcase clock by William Payne of Lenham, the 12ins arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, strike/silent dial to arch and gilt decorated spandrels to the eight day two train movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, arched trunk door and astragal panelled plinth, on bracket feet, 84ins high

An 18th Century oak longcase clock by Baddely of Tong, the 13ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in dark oak case with moulded scroll pediment and turned and fluted pillars to hood, the whole later carved with gadroon, leaf and scroll ornament, the shaped trunk door carved with an urn and mythical beasts and fluted quarter columns, carved raised panel to plinth, on shaped bracket feet, 94ins high (case split to plinth and in need of some repair - phases of the moon surface rubbed to arch)

A 19th Century oak longcase clock by Dunn of Elham, the 12ins painted metal arched dial with Roman numerals and subsidiary seconds and date dials, the arch and spandrels decorated with fruit and floral ornament to the eight day two train movement striking on a bell, contained in plain oak case, probably by Goulden of Canterbury, with shaped cresting and turned and fluted pillars to hood, arched trunk door, on bracket feet, 87ins high

A 19th Century mahogany longcase clock by Thomas Heywood of Bangor, the 14ins arched painted dial with Arabic numerals and subsidiary seconds dial and date aperture, the arch showing phases of the moon, and the dial and spandrels decorated with floral sprays to the eight day two train movement striking on a bell, contained in figured mahogany case crossbanded in rosewood, the hood with moulded scroll pediment and turned and spiral reeded columns to hood, the shaped trunk door with conforming turned columns, on plinth base with cant corners and ogee bracket feet, 97ins high

A late 18th Century mahogany longcase clock by John Vidion of Faversham, the 12ins arched silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and strike/silent dial to the arch to the eight day two train movement striking on a bell, contained in good quality mahogany "London" style case with swept top and twin brass finials, turned, reeded and brass stopped pillars to hood, the arched trunk door with figured veneered panel flanked by quarter fluted and brass stopped columns, the base with raised astragal moulding, on double moulded plinth, 94ins high

A late Georgian crystal bowl and cover of circular section with domed cover and spire finial together with the conforming dish stand decorated with a flat cut repeat diamond and arch pattern, base 20cm across