We found 42009 price guide item(s) matching your search

An 18th Century thirty hour longcase clock movement with brass break arch dial, the date indicator to arch above a chapter ring framing a matt centre with subsidiary seconds and applied plaque inscribed `JN Worsfold, Dorking`, together with a thirty hour movement, the brass dial inscribed `Joseph Dell, London`.

A French Empire ormolu and brown patinated bronze fountain clock, circa 1820, the eight day movement with silk suspension striking the hours and half hours on a bell via an outside countwheel, the back plate stamped `A.C. Decauville À Paris`, the engine turned gilt dial similarly inscribed, framed by a silvered chapter ring with Roman numerals and a cast gilt flowerhead surround, the urn surmount issuing three spiralled glass `water` rods, running to three silvered scallop shells, the rectangular case with gilt columns flanking a gilt mask issuing a further glass rod, above a rectangular pierced Gothic arch base enclosing a cut glass reservoir, on gilt griffin feet, height approx 48cm, with pendulum and key.

A late 19th Century French ormolu cased mantel clock with eight day movement striking on a gong, the cast brass dial inset with white enamel hour plaques with black Arabic numerals, the case with hinged carry handle above four silvered scrolls framing a bell surmount, the front cast with dolphins, crown and foliate scrolls, the sides with bevelled glass Persian arch panels, on foliate scroll capped paw feet, height approx 37cm, with pendulum.

An Edwardian mahogany longcase clock, the eight day movement chiming on gongs, the silvered broken arch dial with Arabic numerals, beneath subsidiary chime/silent and slow/fast indicators to arch, the case with boxwood and satinwood banding, the trunk door with glazed lenticle, on bracket feet, height approx 173cm, with pendulum.

A George III oak and mahogany longcase clock with coromandel crossbanding, the eight day movement striking on a bell, the painted break arch dial with landscape to arch above Roman numerals, subsidiary seconds and date dials and inscribed `John Stone, Aylesbury`, the hood with swan neck pediment, glazed door and turned columns, the trunk with rectangular door and fluted corner columns on a plinth base, height approx 208cm, with pendulum and two weights (some faults).

An Edwardian brass mounted oak mantel timepiece in the form of a longcase clock, the cream chapter ring with Arabic numerals and inscribed `Alfred Mosley, Oxford`, the case with broken arch surmount, above applied masks, flower vases, lyres, scrolls and Cupid, the trunk with mercury thermometer, on a plinth base and bracket feet, height approx 50cm.

A Chinese desk / paperweight of arch form, father and son in a boat, turquoise grills to flanks, red character mark to base, 12cm W.

An Anglo Vizagapatam inlaid occasional table, late 19th century/early 20th century, the octagonal top with bevelled edge and undulating arch style apron, raised on a faceted and tapered stem, and standing on a square pedestal base, profusely inlaid in bone with foliate scroll work and geometric indigenous designs, reserved against the rich colour of the wood, 79cm high, 51cm diameter, with original paper label, number 4657

A good quality period style solid oak tall corner cupboard believed Titchmarch & Goodwin,the moulded cornice above a carved double domed arch and two shaped open fronted shelves, the base section fitted with a chisel carved and panelled cupboard door, raised on bracket feet, width approx 74cm CONDITION REPORT: Height 180cm Depth 50cm Width 72cm

An Edward VII hallmarked silver twin handled pedestal trophy cup, having a cast arch rim, having central inscription, made by Goldsmiths & Silversmiths Co London 1909, approx weight 9oz

A MID 18TH CENTURY FRENCH SMALL ALARM CLOCK the arch top case with applied decoration of acanthus leaf scrolls to the front and with pierced sides, the enamel dial with Arabic numerals and minute indicators together with numerals at the four quarters and also with a minute and hour hand and an alarm set hand, all on a plinth base engraved Bizor A Fontainbleau, the circular movement signed Pierre Bernier and numbered 1800 with decoratively pierced balance cock and slow/fast dial, all above a single bell 10cm high

AN EDWARDIAN MAHOGANY AND SATINWOOD INLAID STANDING CORNER CABINET with glazed upper half and break arch pediment, 69cm wide

A MID 18TH CENTURY FRENCH SMALL ALARM CLOCK the arch top case with applied decoration of acanthus leaf scrolls to the front and with pierced sides, the enamel dial with Arabic numerals and minute indicators together with numerals at the four quarters and also with a minute and hour hand and an alarm set hand, all on a plinth base engraved Bizor A Fontainbleau, the circular movement signed Pierre Bernier and numbered 1800 with decoratively pierced balance cock and slow/fast dial, all above a single bell 10cm high

AN EDWARDIAN MAHOGANY AND SATINWOOD INLAID STANDING CORNER CABINET with glazed upper half and break arch pediment, 69cm wide

London Transport enamel coach stop E-PLATE for Green Line route 719 destinated Watford, Garston, Hemel Hempstead. This plate would probably have been located between Marble Arch and Stanmore. In very good ex-use condition. [1]

London Underground ENAMEL ROUNDEL SIGN from Marble Arch Station. This is one of the highly collectable, smaller-size signs measuring 24" (60cm) across by 20" (50cm) high, estimated to date from the 1980s/90s, and comes complete with brass frame. In very good condition. [1]

London Transport enamel coach stop E-PLATE for Green Line route 706 destinated Edgware, Watford, Aylesbury. This plate would have been located on the northern section of the route, perhaps between Marble Arch and Cricklewood. In good, ex-use condition. [1]

London Transport enamel coach stop E-PLATE for Green Line route 708 destinated Edgeware (sic!), Watford, Hemel Hempstead. This plate would have been located on the northern section of the route, perhaps between Marble Arch and Cricklewood. In good, ex-use condition. [1]

Pine framed arch top wall mirror

An 18th century English oak linen press, moulded cornice over shaped arch panelled doors, opening to reveal later shelves, the sides also panelled and base with two long drawers raised upon stile feet, 174 cm high x 141 cm wide x 57 cm deep.

18th Century long cased clock, arched cornice, brass and silvered dial Roman numerals, seconds dial and date aperture, rocking ship to arch, eight day movement striking on a bell, mahogany case with cross banding. 227cm high Provenance: This clock was made for the East India Company and once owned by William Braddon of Skisdon Lodge, St. Kew, Cornwall. Mr. Braddon was a Judge in the Honourable East India Company during the 1830’s. He acquired the clock on his retirement and brought it back to Britain, it has been in the family ever since.

Arched enamelled dial for a long cased clock, circular white dial with roman numerals, the corners painted with military drums and canons, the arch with a fine illustration of Wellington overlooking a battlefield, 55cm x 38cm

Scottish Victorian long cased clock, painted face with Rosslyn Castle to the arch, white circular dial with Roman numerals by Robertson, Forfar, standing 221cm high

18th Century long cased clock, arched cornice, brass and silvered dial Roman numerals, seconds dial and date aperture, rocking ship to arch, eight day movement striking on a bell, mahogany case with cross banding. 227cm high Provenance: This clock was made for the East India Company and once owned by William Braddon of Skisdon Lodge, St. Kew, Cornwall. Mr. Braddon was a Judge in the Honourable East India Company during the 1830’s. He acquired the clock on his retirement and brought it back to Britain, it has been in the family ever since.

Scottish Victorian long cased clock, painted face with Rosslyn Castle to the arch, white circular dial with Roman numerals by Robertson, Forfar, standing 221cm high

An eight day Essex longcase clock with pillared arched hood and decorated with brass finials, the painted arched dial bearing Roman Numerals, painted pheasants at each spandrel and with reclining child above, inscribed WATKINS - MANNINGTREE, the mahogany trunk of rich colour, with quarter Corinthian columns, Gothic-arch door and cantered base, 85ins high (216cms)

An unusual mantel clock with arched brass dial signed T Agius Melitae (Malta) fixed to a posted iron frame with brassed sheet side and rear covers, sitting on a wooden base with arcaded carving to the sides. The dial has a five sided arch and it is engraved all over with foliage, animals and birds and baskets of fruit and has an applied engraved chapter ring engraved with the above name. The case now contains a 19c British double fusee bracket clock movement rack striking on a bell, 13"" tall overall.

An early 19c eight day longcase movement with associated late 18c 12"" arched brass dial signed Frewin, Hereford with engraved dial centre, female head spandrels and a Tempus Fugit boss in the arch. The movement is of standard four pillar rack striking pattern with anchor escapement. It is contained in an early 19c oak and mahogany case with swan neck pediments to the hood and fluted columns flanking the dial. The trunk has fluted quarter columns and a short trunk door with fixed panel below. The door has a central shell inlay and it and the fixed panel have mahogany edge crossbanding. The base has an applied rectangular panel and bracket feet, 86"" tall overall.

A mid 18c eight day longcase clock, the 12"" arched brass dial signed David Rivers, London and having a matted dial centre, scroll spandrels, date and seconds rings and a strike/silent in the arch (disconnected). The five pillar movement has rack strike and anchor escapement and the original bell strike has been converted to a gong in the back of the case. It is contained in a black lacquered case with chinoiserie decoration, the arched hood is surmounted by a pagoda top and has attached columns flanking the dial. The long arched trunk door has chinoiserie decoration of pagodas and trees and at the base a horseman. The base panel shows two lions and the base has a double plinth, 91"" tall overall.

A late Victorian library cabinet, the upper section under a dentil carved and moulded cornice with broken arch pediment, having a shelved book cabinet enclosed by two glazed doors with adjoining cupboard fitted shelves and enclosed by a glazed door, on a base with four central drawers flanked by side cupboards enclosed by panelled doors and supported on a moulded plinth, 72""w, 100""h.

BEN FIELDHOUSE, Leominster, circa 1740. An 18th Century black chinoiserie longcase clock with raised moulding, silvered dial and subsidiary seconds, date and hands and moving eyes to the automata to the arch painted with a face

BEN FIELDHOUSE, Leominster, circa 1740. An 18th Century black chinoiserie longcase clock with raised moulding, silvered dial and subsidiary seconds, date and hands and moving eyes to the automata to the arch painted with a face

A Tudric Libertys hand beaten pewter arch topped mantle clock in working order

A late George III mahogany and satinwood inlaid longcase clock, the hood with broken swan neck pediment above arch dial with rolling moon phase and set with Roman numerals, housing an eight day movement above arch door, raised on a plinth base, approx height 240cm.

Pair of 4 division arch bar toast racks each on bracket feet 3? long Sheff 1908/1910 by JD & S 150g

A LATE 19th CENTURY INLAID BURR WALNUT AND MAHOGANY LONGCASE CLOCK, MAPLE & Co. in 18th century style, the eight-day five pillar movement with 11" silvered chapter ring, Roman numerals and subsidiary seconds dial, signed Maple & Co. Ltd, London, the arch with `chime/silent` and `Westminster/chime on six gongs` levers and with scroll cast gilt-brass spandrels, the hood with moulded arch and brass mounted columns, the sides with pierced fret panels, the trunk with a panelled door centred by a chequered string inlaid triple lozenge, on a moulded cross-banded plinth base, raised on bracket feet. 2.29m by 0.57m by 0.36

An early 20th century battery operated mantle clock by Eureka Clock Co Ltd., the arch top mahogany case with glass door enclosing circular enamel dial with Roman numerals, visible mechanism with balance wheel regulator, No 7353, patent number 14614, dated 1906, supported on shallow bun feet, 40cm high

An early 19th century English double fusée bracket clock, ebonised case, white dial with Roman numerals and secondary calendar dial, signed Matthius Harris Bath, the verge movement with pull repeat striking the hour on a bell, the pad top case with brass carry handle, moulded arch cornice, brass fish scale fretwork panels to front and sides with red silk backing, glazed rear door, convex glass to front dial cover, set on four brass bracket feet, 38cm high (handle down)

A fine pair of George III silver salts of oval form with pierced arch and column sides, beaded edge, set on for claw and ball feet, star cut blue glass liners and a pair of associated shell bowl spoons, Robert Hennell I, London 1775, 8.2cm dia

An early 20th century battery operated mantle clock by Eureka Clock Co Ltd., the arch top mahogany case with glass door enclosing circular enamel dial with Roman numerals, visible mechanism with balance wheel regulator, No 7353, patent number 14614, dated 1906, supported on shallow bun feet, 40cm high

An early 19th century English double fusée bracket clock, ebonised case, white dial with Roman numerals and secondary calendar dial, signed Matthius Harris Bath, the verge movement with pull repeat striking the hour on a bell, the pad top case with brass carry handle, moulded arch cornice, brass fish scale fretwork panels to front and sides with red silk backing, glazed rear door, convex glass to front dial cover, set on four brass bracket feet, 38cm high (handle down)

A fine pair of George III silver salts of oval form with pierced arch and column sides, beaded edge, set on for claw and ball feet, star cut blue glass liners and a pair of associated shell bowl spoons, Robert Hennell I, London 1775, 8.2cm dia

Cinema - a pair of hand beaten metal radiator grills from The Regal cinema Marble Arch (2) 40½ x 51½in. (102 x 130cm)

Cinema - a pair of decorative plaster Capitals from The Regal Marble Arch

Cinema - Two original covered cinema seats with cast iron ends from The Regal cinema Marble Arch, c.1928

Cinema - Two original covered cinema seats & cast iron end from The Regal cinema Marble Arch, c.1928

A 20th century oak wall clock, Arabic numerals, lunar phases to arch, inscribed Thomas Tompian, German movement

AN IMPOSING EDWARD VII MAHOGANY LONGCASE CLOCK THE BRASS BREAKARCHED DIAL WITH SILVERED CHAPTER RING, SUBSIDIARY SECONDS DIAL AND CHIME/SILENT RING TO THE ARCH, ENGRAVED CENTRE AND MASKED SPANDRELS, SUBSTANTIAL THREE TRAIN MOVEMENT CHIMING ON NINE TUBULAR BELLS, THE CASE WITH SWAN NECK PEDIMENT, TURNED FINIAL, BRASS MOUNTED FLUTED PILLARS AND FLORAL SIDE FRETS, THE CONFORMING TRUNK WITH GLAZED DOOR AND PANELLED BASE, 274CM HIGH, C1900

AN IMPOSING EDWARD VII MAHOGANY LONGCASE CLOCK THE BRASS BREAKARCHED DIAL WITH SILVERED CHAPTER RING, SUBSIDIARY SECONDS DIAL AND CHIME/SILENT RING TO THE ARCH, ENGRAVED CENTRE AND MASKED SPANDRELS, SUBSTANTIAL THREE TRAIN MOVEMENT CHIMING ON NINE TUBULAR BELLS, THE CASE WITH SWAN NECK PEDIMENT, TURNED FINIAL, BRASS MOUNTED FLUTED PILLARS AND FLORAL SIDE FRETS, THE CONFORMING TRUNK WITH GLAZED DOOR AND PANELLED BASE, 274CM HIGH, C1900

A French Louis XVI style walnut double bedstead with broken arch pediment, over a panelled headboard flanked by turned pilasters with urn finials with conforming footboard, 145cm wide

Good mahogany cased Dutch barometer inscribed J.M. Pagani, Groningen on the silvered scale plate, within a moulded glazed case fitted with reverse painted glass panels depicting mermen and dolphins and with a pastoral tablet to the triangular broken arch pediment surmounted by an urn finial, 54" high overall

Double fusee verge bracket clock movement striking on a bell, the 7" brass arched dial signed John Cowell, Royal Exchange, London, on a recessed aperture to the matted centre, with subsidiary strike/silent dial to the arch

Thirty hour hooded wall clock movement striking on a bell, the 6" brass arched dial signed Benjamin Reeves, Lambert Hurst, on a silvered plate to the arch

Good English double fusee verge bracket clock, the movement with pull repeat, engraved back plate and striking on a bell, the 8" engraved silvered arched dial signed William Lindsey, London, with centre seconds and calendar hands, with subsidiary strike/silent dial to the arch, within a stepped case with moulded arched pediment and brass carrying handle, 18.75" high

Small walnut two train ting-tang mantel clock, the movement striking on two gongs, the 4" rounded arched silvered dial with subsidiary fast/slow dial to the arch, within a stepped case, 8.5" high (pendulum and key)

Good Viennese giltwood triple fusee verge bracket clock, the movement with pull repeat, striking on two bells and with engraved back plate, the 7" brass arched dial signed G E Gstatter in Wienn to the silvered chapter ring enclosing a matted centre with ringed winding holes, date and pendulum apertures and with three subsidiary dials to the arch within a stepped carved case surmounted by a caddy top, 19" high

English eight day verge clock movement, the 7" brass arched dial signed John Busham, London on a convex boss to the arch over a brass chapter ring enclosing a matted centre with central alarm dial

Impressive large English mahogany quadruple fusee bracket clock, the substantial movement striking on a large bell and playing on two nests of ten and eight bells, the 9" wavy arched engraved dial signed T. Orr & Sons, Madras to the centre, the arch with silent/play selection lever and subsidiary strike/silent and tune selection dial to include God Save The Queen, The Clocks, Those Evening Bells and The Last Rose of Summer, within an associated heavily carved arched stepped case with applied grotesque masks, 26" high (a.f) (pendulum) *This clock is referenced in Rose (1978) - English Dial Clocks, pages 183 & 191 and bears the Thwaites & Reed no. 8439

Good French boulle and red tortoiseshell ormolu mounted balloon shaped two train mantel clock, the Vincenti movement striking on a bell in the arch, the 6" foliate engraved dial plate with raised Roman cartouche enamel numerals signed F. Lesage a Paris, within a balloon shaped case mounted with female ormolu busts and scrolling foliage, surmounted by a Classical semi-robed figure, 24" high (pendulum and key)

Good rosewood single fusee small mantel timepiece, the 4" silvered arched dial signed John Todd, Glasgow, with visible balance wheel escapement to the arch, within a stepped case inlaid with ebony lines and surmounted by a caddy top, 9.25" high