We found 42009 price guide item(s) matching your search

A mahogany and oak swan neck carved 8 day moonroller longcase clock with 12" painted arch dial having second dial and calendar with reeded columns and shaped trunk door 7' 7" tall to finial.

A late 19th century/early 20th century mahogany and line inlaid bow front display cabinet, the broken arch moulded cornice above a frieze decorated with floral swags and a central astragal glazed door flanked either side by bowed glass panels all raised on square tapering legs and spade feet.

William Walcot (1874-1943) 'Marble Arch', drypoint etching, signed in pencil, bears label 'Commissioned by Francis H Crittall JP, Christmas 1930' on reverse, 5.5" x 8.5" and a companion 'Marsham Street, Westminster' (2)

An 18th century and later adapted oak dresser, the open plate rack with geometric arch drop apron upon two tiers, above three drawer, conforming apron and baluster turned supports joined by an undertier (210x168cm).

A 19th Century mahogany architectural linen press, the sunken centre section with shaped pediment, the arch panelled doors over four graduated drawers, flanked by tall cupboard with cavetto cornice and arch panelled door, the whole upon a plinth base (190x245cm).

A pair of 18th century carved oak Flemish influenced doors, the medieval moulded arch over geometric panelling with a dot and dash surround, covered by stylised flowerheads (140x74cm each).

A French oak caquetoire chair, 17th century and later, the panelled back with feather carved corners, with spindle gallery and arch top, over open arms and solid seats, raised on turned supports.

An Aesthetic movement ebonised wall mirror, the divided plate with opposing demi lune and spindle galleried tiers, each arch end with painted circular plaque, depicting duck in flight (110x38cm).

An Edwardian mahogany and satinwood banded bedroom suite, the single wardrobe with central arch top mirrored door, flanked by inlaid panels over a single drawer and plinth base, together with a matching marble top washstand and mirrored back dressing table. (3).

A Victorian giltwood framed overmantel mirror, the plain plate with triple arch top interlaced rococo scrolling surround and brackets (138x130cm).

A Victorian style giltwood overmantel mirror, the arch top with cartouche and shell crest, over a plain plate with moulded surround with foliate scrolling brackets (142x140cm).

A mantel clock, the arched silvered dial with strike/silent in the arch, 8 day German striking movement, the mahogany case with satinwood, boxwood and ebony banding, and a marquetry shell, on bun feet, 38cm high (15")

A George III mahogany cased bracket clock, with bell top, brass handle and finials, and feet, the arched silvered dial with strike/silent in the arch, and signed John May, Southampton, eight day striking double fusee movement, 56cm high including handle (22")

A Grandmother clock, the brass and silvered dial inscribed Tempus Fugit in the arch, 8 day striking movement, the black and gilt japanned case with figures in Chinese landscapes, 152 cm high (59 3/4").

Robinson, Peter Frederick, Vitruvius Britannicus. History of Woburn Abbey, London, for the author, by J. and A. Arch, Cornhill; Longman and Co (and others), 1833, large folio (580 x 400mm.), vignette, 6 plates, and 2 plans, illustration, [bound with]: Robinson, Peter Frederick, Vitruvius Britannicus. History of Hatfield House, London, for the author, by J. A. Arch, Cornhill; Longman and Co (and others), 1833, engraved dedication leaf, vignette, 7 plates, and 2 plans, illustrations, [bound with]: Robinson, Peter Frederick, Vitruvius Britannicus. History of Hardwicke Hall, London, for the author, by J. and A. Arch, Cornhill, Longman and Co (and others), 1835, engraved dedication leaf, vignette, 6 plates, 1 of which is hand-coloured, and a single plan, contemporary half calf, slip-case, g.e., bookplate of Frances Mary Richardson. Large Paper Copy

Skelton, John, Pietas Oxoniensis, or Records of Oxford Founders, Oxford, for J. Skelton, by J. Parker, J. & A. Arch. Cornhill, and Longman & Co, 1828, folio (415 x 315mm.), additional hand-coloured lithographed frontispiece of the Arms of the Colleges and Halls of Oxford pasted down, engraved title, and 25 plates, contemporary half green morocco gilt, t.e.g., bookplate of F. W. Pigott, cf. Anderson pp. 242. Large Paper Copy with India Proof Engravings

Robinson, Peter Frederick, History of Hardwicke Hall: Illustrated by Plans, Elevations, and Internal Views of the Apartments, London, for the Author by J. & A. Arch, Cornhall, Longman and Co. (and others), 1835, folio (605 x 430mm.), vignette, engraved dedication leaf, and 9 plates by Henry Shaw, one coloured [bound with]: History of Hatfield House, London, same publishers, 1833, vignette, engraved dedication leaf, and 10 plates [bound with]: History of Woburn Abbey, London, same publishers, 1833, vignette, engraved dedication leaf, and 6 plates, some spotting and browning, a few of the plates stamped in the margin with Worcester Public Library, contemporary cloth

A 19th century oak cased Comptoise, the hood with plain cornice, glazed door and pair of side doors, above a long door with glazed panel, the enamel dial with roman numerals and sunburst decorated hands, the brass arch with embossed basket, fruit and torch decoration, eight day movement striking on a bell, 7ft 6in (230cm) high.

An early 18th century later ebonized longcase clock, the 8 day movement striking on a bell to a brass arch dial with subsidiary seconds dial and date aperture, to a silvered chapter ring, the boss inscribed James Hagger, London, the case with traces of gilt chinosierie decorated (the movement restored, the case reduced and altered) 7ft 4in (223.5cm) high.

A mid 19th century mahogany veneered and oak longcase clock, the 8 day movement striking on a bell to a painted arch dial with subsidiary seconds dial and date aperture inscribed Bothamley Boston, painted a basket of fruit and roses, the swan neck pediment to reeded columns, the shaped top banded waist door, to inlaid stringing corners, the base with a moulded plinth, 6ft 8in (203cm) high.

A Vienna type burr maple wall timepiece, c.1870, the single train movement with gridiron pendulum and signed 'R. Maurer' to the mounting plate, with two-piece Roman numeral enamelled dial, in shaped arch-top case over glazed front with scroll profile, moulded angles over ogee shaped inverted base with turned finial beneath, 74cm.

A GLOUCESTERSHIRE OAK 8-DAY LONGCASE CLOCK WITH MOONPHASE, c.1820, the 4-pillar rack and bell striking movement with 12 white painted Arabic numeral break-arch dial with arch calendar aperture, subsidiary seconds dial and signed 'Sheppard & Potter, Wotton' to centre, with Four Continents figural spandrels and rolling moon to arch, in swan neck pedimented case with reeded hood pilasters, rectangular tall square-top trunk door and on plain plinth base with bracket feet, 214cm.

A French gilt metal and alabaster figural mantel clock, the 8-day bell-striking movement with white enamel Roman numeral dial set into drum beside a classical maiden with lyre over break-arch foliate scroll mounted plinth base with conforming cast feet and giltwood stand, ht of clock 39cm.

A BRISTOL 8-DAY LONGCASE CLOCK WITH 'HIGH WATER AT BRISTOL KEY', the 4-pillar rack-striking movement now with passing half hour strike on a bell and gong for the hour, with 12 brass break-arch dial applied with silvered Roman numeral chapter ring with fleur de lys half hour markers and signed 'Jn. Williams, Bristol', with two birds and urn pattern spandrels, subsidiary seconds dial and calendar aperture to the matted centre and silvered moonphase to arch, in later carved oak caddy-top case with grotesque relief decoration to trunk door and plinth, movement c.1750, case c.1900, 230cm.

A WEST COUNTRY INLAID MAHOGANY 8-DAY LONGCASE CLOCK, c.1830, the rack-striking movement with 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture, rose painted spandrels and landscape to arch, in 'whales tail' fretwork arch pedimented case with wavy edge door and turned pilasters to hood, over short panel inlaid trunk door flanked by canted corners, on conforming plinth base with tall bracket feet, 220cm, (hood door AF).

A Bristol area inlaid mahogany 8-day longcase clock, c.1820, the 4-pillar rack and bell striking movement now with 12 brass break-arch dial applied with silvered Roman numeral chapter ring, subsidiary seconds dial, cherub head spandrels and 'Tempus Fugit' silvered boss to arch, in shaped crest pedimented arch-top case with wavy edge door and spiral turned pilasters to hood, over short line inlaid trunk door flanked by further pilasters, on conforming plinth base with tall bracket feet, 214cm.

An oak cased 8-day bracket clock by Winterhalter & Hoffmeyer, the two-train quarter striking movement with 6 brass break-arch dial applied with silvered Roman numeral chapter ring, foliate cast spandrels and subsidiary rise/fall regulation to arch, in break-arch pedimented case with gilt brass female caryatid mounted angles and foliate cast side frets, on brass scroll feet, 41cm.

A GEORGE III MAHOGANY BRACKET CLOCK, c.1795, the 5-pillar twin fusee bell-striking movement now with anchor escapement and finely engraved foliate backplate, with 7 white break-arch Roman numeral dial with strike/silent subsidiary dial to arch and perpetual calendar to centre, in break-arch case with gilt brass carrying handle, rectangular side windows and on moulded base, ht excl handle 39.5cm.

A George III oak 8-day longcase clock, c.1790, the 4-pillar rack and bell striking movement with 'phase 1' type 12 white Roman numeral painted break-arch dial with subsidiary seconds dial, arch calendar aperture and delicate gilt foliate scroll decoration to centre, plain gilt edged spandrels and urn amongst foliage to arch, in well proportioned pagoda pedimented case with integral reeded hood pilasters, break-arch trunk door and on plinth base with two-tier apron, 216cm.

A REGENCY BRASS INLAID FIGURED MAHOGANY BRACKET CLOCK, the 5-pillar twin fusee rack and bell striking movement with anchor escapement, foliate border engraved shouldered backplate and 8 white painted Roman numeral dial signed for 'John Grant, Fleet Street, London' to centre, in break-arch pedimented case with brass carrying handle, fishscale arched side frets and brass inlaid panel beneath dial, on reeded border base with brass ball feet, ht excl handle 39.5cm.

A Welsh oak 30-hour longcase clock, c.1820, the bell-striking movement with 12 white Arabic numeral break-arch dial with rose painted spandrels, arch calendar aperture and signed 'Jn. Lloyd, Brecon' to centre, with classical maiden resting in a garden to arch, in swan neck pedimented case with turned hood pilasters, rectangular trunk door and on plinth base, 205cm.

A LINCOLNSHIRE OAK 8-DAY LONGCASE CLOCK, c.1810, the 4-pillar rack and bell striking movement with 12.5 white Roman numeral break-arch dial, with subsidiary seconds dial and signed 'Lamb, Horncastle' to centre, with gilt scallop shell spandrels and painted scene of lion attacking a deer after Stubbs to arch, in good quality swan neck pedimented case with reeded hood pilasters, break-arch trunk door flanked by reeded canted corners, on plinth base with bracket feet, 224cm.

A GEORGE III MAHOGANY 8-DAY LONGCASE CLOCK, c.1760, the 4-pillar rack and bell striking movement with 12 brass break-arch dial applied with Roman numeral chapter ring, subsidiary seconds dial, two bird and urn pattern spandrels and plaque signed 'James Jones, London' to the matted centre, the arch with rocking figure of Chronos within bezel engraved 'Tempus Fugit' flanked by dolphin spandrels, in break-arch pedimented case with cavetto cornice and fluted pilasters to hood, break-arch long door to trunk and on plain plinth base, 210cm, (AF).

A SUFFOLK OAK 30-HOUR LONGCASE CLOCK, c.1725, the posted countwheel bell-striking movement with 10 brass dial applied with silvered Roman numeral chapter ring signed 'Sam'll Hart, Stonham' to lower edge, twin cherub and crown pattern spandrels and with matted centre, in a flat-top case with dentil cornice and turned pilasters to hood, mitred trunk with break-arch long door and on plinth base with bracket feet, 212cm.

A GOOD BRISTOL INLAID MAHOGANY 8-DAY LONGCASE CLOCK WITH MOONPHASE, c.1810, the 4-pillar rack and bell striking movement with 'Osborne's' falseplate and 12 white Roman numeral break-arch dial with subsidiary seconds dial, arch calendar aperture and signed 'James Clarke, Bristol' to centre, with rose painted spandrels and moonphase to arch, in fine swan neck pedimented case with fluted Corinthian pilasters to hood over shaped-top crossbanded trunk door flanked by fluted corner columns and on panel inlaid plinth base with tall bracket feet, 228cm.

A WILLIAM & MARY 8-DAY LONGCASE CLOCK MOVEMENT AND DIAL, c.1695, the 5-finned pillar inside countwheel striking movement with 11 square brass dial applied with silvered Roman numeral chapter ring signed 'Fab' Robin, Londini Fecit' along lower edge, with cherub head spandrels, subsidiary seconds dial, calendar aperture with unusual crown engraved surround, ringed winding holes and tulip engraved centre to the mated ground, with original blued steel hands and now in later North Country oak case with ogee caddy to the pedimented hood with break-arch topped trunk door and on plain plinth base, 207cm.

An early Victorian figured mahogany bracket clock, the 5-pillar twin fusee bell-striking movement with anchor escapement and shouldered plates with 8 circular white Roman numeral painted dial, in shallow arch-top case with gadroon moulded plinth upstand and acorn finial over acanthus carved front and ogee moulded base with turned feet, 56cm.

A Victorian walnut set of four dining chairs, each with rosette carved arch toprail and single bar back over padded seat and slender reeded turned tapered front supports, 90.5cm; and a Victorian single side chair, (5).

A substantial late Victorian carved and burr walnut seven-piece bedroom suite, of compactum wardrobe with foliate carved crest over central arrangement of small cupboards and drawers, flanked by break-arch mirror fronted doors, width 190cm; twin pedestal triptych mirror dressing table; mirror and ceramic tiled back twin pedestal washstand; bedside locker and three chairs.

A WILLIAM IV ROSEWOOD BREAKFRONT SIDE CABINET, with plain frieze over twin arch panel doors flanked by lotus carved pilasters flanked by conforming doors and pilasters, on six bun feet, width 196cm.

A REGENCY INLAID FIGURED MAHOGANY BOWFRONT SIDEBOARD, with central satinwood and ebony line edged frieze drawer above arch recess flanked by conforming door and drawer with brass ring handles, with ebonised line inlaid uprights between, on six square tapered supports, width 152.5cm.

A late Victorian mahogany open bookcase, with moulded edge top and reeded frieze over arrangement of four shelves with asymmetric arch bracketed divisions flanked by full-height reeded uprights and on plinth base, width 101.5cm.

A VICTORIAN SALTGLAZED SPIRIT FLASK, decorated with a raised profile of Queen Victoria and Prince Albert, each within a Gothic arch, 7.5ins high, a 19th Century two tone glazed SPIRIT BOTTLE, of square form with a side handle, impressed registration mark, 7.5ins high and a pottery SPIRIT BOTTLE, faux osier-work sides, inscribed Willie Brewed a Peck O'Maut, 7.25ins high. (3).

TWO EARLY CARVED OAK FRAGMENTARY PANELS, each carved with a figure in an arch, 9.5ins x 4.75ins, faults.

V. MANGACAVATTINI & CO. LEICESTER, AN EARLY 19TH CENTURY MAHOGANY EBONY AND BOXWOOD STRUNG BANJO BAROMETER, the broken arch pediment above a long thermometer with silvered eight inch dial, 37.75ins high. (tube a.f.)

A LATE 19TH CENTURY CARVED OAK MIRROR, the break arch mirror plate within a pierced foliate surround with female-head scrolled crest, 91ins x 36ins.

A VICTORIAN MAHOGANY ARCH TOP WARDROBE, twin doors enclosing a slide and two drawers, raised on a plinth base, 51ins wide.

A late 18th century mahogany longcase clock, the arched brass dial with silvered chapter ring, with alarm set engraved in reverse to the inner edge, with matted centre and subsidiaries for seconds and for date. The latter with aperture signed Robert Sampson, petty France, Westminster and with subsidiary in the arch for strike/silent. The twin train movement with anchor escapement and with alarm work to the side striking on a bell, the swan neck hood with original flambeau and leaf finials and fretwork sides the trunk showing 'Liverpool' brickwork carved features. 236cm high.

A mahogany 8 day longcase clock with a painted 12" arch dial having seconds hand and calendar aperture height 83.

Late Victorian oak and inlaid chiming mantel clock, with caddy top, silvered arched dial with Roman numerals, strike silent dial to the arch over a plinth base, 35cm

S J Bibby, Carnarvon (sic), a Victorian mahogany eight day longcase clock, swan neck pediment over double turned baluster columns flanking painted arched 41cm dial, signed and dated 1876, with Roman numerals, subsidiary seconds, the spandrels painted with wild beasts and a roving eye lion to the arch (mechanism deficient), the movement striking on a bell, the wide bodied trunk with turned baluster columns flanking an arch panel door, all raised on an arched raised panel base with bracket plinth feet, height 239cm

A 19th century Middle Eastern redware teapot, cover and milk jug incised with chevron leaf bands, two pipe bowls of similar material and a third entwined by a snake together with a Yixing teapot, the round arch shape moulded with shou characters (W) (8)

Bridges, Okehampton. A walnut longcase clock, the arched brass dial with Tempus Fugit to the arch, gilt spandrels and shipping scene engraved to centre, and eight day four pillar bell-striking movement, the well-made 20th century case with barley-twist pilasters to the hood and bulls eye glass to the trunk, 219cm high

A William IV mahogany chiffonier, the arched panelled back incorporating a shelf supported on scrolling uprights above a rectangular top and long frieze drawer above a pair of arch panelled cupboard doors enclosing shelves flanked with scrolling brackets, standing on pointed bun feet, 100cm wide

A Walnut display cabinet, the rectangular top above a marquetry inlaid frieze and arch glazed door enclosing shelves flanked with figural ormolu mounts and marquetry inlaid uprights, standing on a plinth base, 92cm wide

A George III oak hanging corner cupboard, the moulded cornice above an arch panelled door enclosing shelves, bearing brass plaque inscribed Purchased from Latchetts Farm, Danehill, Sussex, Jany 1902 by A C Benson of Tremans and Eton Colleges, 71cm wide

A George III painted pine corner cupboard with dentil band below the cornice, the two panelled doors enclosing three shaped fronted shelves between fluted pilasters and below round arch spandrels pierced with quatrefoils, 116cm wide

A LATE 18TH CENTURY WELSH OAK CLOTHES PRESS, the upper part with dentil cornice above a pair of shaped fielded arch panelled doors, now enclosing hanging space, flanked by fluted quadrant pilasters, the lower part with three short and two long graduated drawers with pierced brass swan neck handles, raised on bracket feet. Height 70". Width 47".

A VICTORIAN WELSH OAK DOUBLE CORNER CUPBOARD, the upper part with moulded cornice above a pair of arch glazed doors enclosing shaped shelves, the lower part with a pair of arch panelled doors, the whole with canted angles, and raised on turned feet. Width 43". Height 82".

A MID 18TH CENTURY BLACK & GOLD LACQUERED LONGCASE CLOCK, with two train movement, the broken arch brass dial with a central gilt metal statuette of Perseus in a concave niche within the arch, flanked by quadrant panels and inscribed "George Neale Gloucester", the other with Strike/Silent with mask and foliate scroll spandrels, the chapter ring with roman hour and arabic minute numerals, the centre with second dial and calendar aperture, the rectangular domed hood with blind fret decoration and angle pillars, the sides with glass panels, the trunk with long arched door decorated with chinoiserie scene, the base similarly decorated, on ogee bracket feet, the sides painted to simulate lacquering. Dial Width 12". Width 13.5". Height 96".