We found 42009 price guide item(s) matching your search

Hoyer arch top jazz guitar, blonde finish with some marks and wear, hard case, condition: good for age

Gibson L-5 arch top guitar, made in USA, circa 1948, ser. no. A-1906, sunburst finish with some wear including repaired crack on the table near the base of the treble f-hole, with custom gold plated De Armond Rhythm Chief 1000 pickup, original hard case, condition: good

The Loar LH-309-VS electric arch top guitar, made in China, ser. no. A1211219-1, vintage sunburst finish in clean condition, electrics appear to be in working order, condition: good

Hofner Committee arch top guitar in need of restoration, circa 1958, no. 2848

Hofner Senator acoustic arch top guitar, circa 1960, no. 9556, vintage sunburst finish in clean condition with a few minor blemishes, condition: good

Nomura (Japan) Police Patrol Jeep: large scale tinplate model, battery operated, with two Policemen figures, radio, jerry can, and spare wheel. Length 35cm. G condition, some corrosion to rear interior wheel arch.

A SILVER CALLING CARD CASE, Birmingham 1922, with an arch and semi nude.

An early 19th century mahogany arch top circular dial long case clock, the hood and base with reeded canted corners, the trunk with quarter turned rope twist columns and three quarter length triple arch door, on turned feet, with replacement eagle and ball finials, the 18th engraved brass dial with silvered chapter ring, subsidiary seconds dial and date aperture, with eight day weight driven movement striking on bell, by Bingham, Dublin, height 81" (movement and case matched)

A free standing arch top mahogany triple dressing table mirror.

A George III figured mahogany longcase clock by James Whitworh, Lussley, Nr Mossley, Ashton-under-Lyne, the hood with 3 brass ball finials,, brass patarae, swan neck pediment and brass mounted reeded Corinthian side column, the trunk with Greek key frieze, brass mounted quarter turned and reeded side columns and compressed arch full length door, on canted base and ogee bracket feet, square painted dial with inset moonphase "J Whitworth, Lussley", having 8 day weight driven movement striking on bell, height 87"

A late Victorian ash compactum wardrobe with later painted finish, with broken arch architectural style pediment over hanging section enclosed by a mirror panelled door, linen cupboard enclosed by a quarter panelled door with two tray slides to interior over three long drawers and two further drawers to base set on a moulded plinth

A contemporary hardwood continental style display cabinet with painted finish moulded arch and scrolled acanthus pediment over a full length glazed panelled door revealing three sliding shelves to interior raised on squat scrolled cabriole supports

A 19th century gilt overmantle mirror of classical form, the central arch mirror surrounded by a further frieze of ten mirrors, the framework with decorative moulded finish

A Quantity of Masonic Regalia, comprising:- a Grand Lodge of Scotland Master Mason apron no.4; a United Grand Lodge of England and Wales Craft Master apron and silver gilt breast jewel; a Royal Arch Masons of England Companion apron and sash with gilt jewel and a copy of Grand Chapter of England Royal Arch Regulations 1961; a Grand Lodge of Mark Master Masons Member apron and white metal breast jewel; and a Royal Masonic Hospital breast jewel to W.Bro. E.G. French No.5410, in case of issue

ACWORTH (W M) THE RAILWAYS OF ENGLAND illustrated, cloth, joints weak, 1889 § J G H Warren, A Century of Locomotive Building by Robert Stephenson & Co 1923-1923, 1970 § Ted Ruddock, Arch Bridges and Their Builders 1735 to 1835, 1979 § Sir Arthur Percival Heywood, Minimum Gauge Railways, Their Application, Construction and Working, 3rd edition, printed for private circulation, modern cloth, original wrappers bound in, Derby 1898 § Ottley`s Bibliography of British Railway History, two editions and Supplement, York 1983-98 § and about thirty six others on related subjects and sale catalogues (39 approx)

A VICTORIAN OAK COLLECTOR`S CABINET fitted two short and three long drawers with pierced brass drop handles,enclosed by arch panelled doors, 37cm h, 31cm w ++A good quality genuine example with slight warping of the doors resulting in a small gap between them when closed

A GERMAN TOY THEATRE of lithographed paper covered wood or card, the proscenium arch inscribed THALIA with painted cotton curtain, candle footlights and scenery, props and actors, 76cm h, 64cm w, c1900 ++Wear consistent with use and age

A GEORGE III MAHOGANY BRACKET CLOCK the breakarched and painted dial signed Perigal Coventry Street, with pierced hands and STRIKE/SILENT to the arch, the verge movement with bob pendulum and shouldered plates, in break arched case with brass mouldings and scale side frets, on ogee feet, 34.5cm h excluding handle ++Of very dry and dusty appearance, old scar on the mahogany arched top, much accretion of dirt and grime on the metal parts. Paint on the dial yellowed and scratched. Small old restorations

A GEORGE III EBONISED BRACKET CLOCK the brass breakarched dial signed on a silvered reserve to the matted centre John Champion LONDON, with date aperture, pieced hands, rococo spandrels and Strike/Silent ring to the arch, the five pillar, verge movement with bob pendulum and engraved backplate, in brass mounted inverted bell topped case, 52cm h overall, c1770 ++Minor old repairs only but in basically good original state, lacking some glass from the case, in some places replaced with old pierced zinc gauze. The movement complete and original but very dusty, one of the two right angle brackets attached to the backplate with old clumsy solder repair to the angle. Case with small veneer loss but retaining all the original finely chiselled and gilded rococo mounts

A GEORGE III MAHOGANY LONGCASE CLOCK the brass breakarched dial with twin subsidiary dials signed John Brown London, with silvered chapter ring STRIKE/SILENT ring to the arch, having eight day movement, the case with breakarched hood and door, stop fluted pilasters and panelled base, 213cm h ++The seat board old and possibly original the cheeks not packed and therefore the movement probably original to the case, the movement cleaned some years ago but complete, the case of pleasing colour, the backboards original. Small veneer loss to the edge of the base, the base panel slightly warped with minor horizontal crack, veneer loss to front right foot, with pendulum and brass sleeved weights

A GEORGE III MAHOGANY AND LINE INLAID SECRETAIRE BOOKCASE the cabinet with dentil cornice and fitted with adjustable shelves, enclosed by a pair of triple lancet arch glazed doors, the fully fitted secretaire above panelled doors, on bracket feet, 219cm h; 50 x 106cm ++Upper and lower parts associated. Pleasing apparently original glazing to the cabinet, slight damage to one the glazing bars, ring mark on top and generally rather faded, brass handles replaced. The interior of the secretaire in good condition

A VICTORIAN FIDDLE BACK MAHOGANY LINEN PRESS the moulded cornice above a pair of low arch panelled doors, 209cm h; 53 x 127cm ++Originally fitted with trays now lacking and substituted by a brass clothes rail. The exterior with minor veneer chips but free from cracks, the drawer knobs and brass locks original, slightly faded overall

James Scholefield, London. A late 18th century oak long case clock, having a 12" broken arch brass dial with Roman and Arabic silver chapter ring, second subsidiary dial and date aperture, set two train 8 day movement with anchor escapement striking bell, the case with broken swan neck pediment above a pair of reeded column supports and a shaped trunk door, flanked by reeded chamfered corners, raised on a shaped plinth base. H.216cm W.49cm. Associated workings to case.

Edwardian inlaid mahogany pointed arch top mantel clock with key

Two lever arch files containing a collection of early 20th century and onwards Australian and New Zealand stamps, an album containing a quantity of British stamps including Penny Red examples, a tin containing a large quantity of loose mixed stamps, etc

Thirty hour longcase clock by Simpson, Cockermouth, with 14in painted dial, with lunar work in the arch, in oak and mahogany crossbanded case with scroll pediment.

Eight day longcase clock by Alex R Wightman, Moffat, the 13in dial painted with thistles and a scene in the arch, in an oak case with reeded columns and scroll cresting.

Eight day longcase clock by McGibbon, Dumfries, with brass 13¼in arch dial with engraved centre, in oak and mahogany case with shaped door and fluted columns.

Victorian mahogany breakfront wardrobe with a pair of arch-top panel doors flanking a central mirror door, plain cornice and plinth base, 222cm wide.

A reproduction Oak Court Cupboard, honey gold colour, moulded crown on reeded baluster supports over a central single arch panel door applied moulding flanked by two canted panels in stop chamfered frames, the base having three frieze drawers, the narrow central drawer fitted with three baize lined cutlery compartments, over a pair of opposing four panel doors, all fitted with iron ring handles throughout. 54 1/4'' wide x 54'' high x 19 1/8'' deep.

A George III Sottish clock movement and long case, a/f case damaged, for restoration, the white painted dial signed W Robertson, Dunbar, with subsidiary seconds dial and date dial, the break arch painted with scrolling design, the spandrels with gilt fan motifs, with an eight-day movement, striking on a bell, no pendulum , weights or winders.

A George II Japanned lacquer longcase clock, the brass dial with Hermes to the break arch, silvered chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial, date aperture, movement by Jane Cooper, London, eight day, six pillar movement, hour striking on a bell, the painted black lacquer case with a chinoiserie door and base front, 50 by 24 by 230cm high.

A late 18th/early 19th century longcase clock, eight-day movement, brass arch dial, by John Smith, York

An 18th century mahogany longcase clock by William Bramble, London (1784-1804), the hood with pagoda top, the broken arch gilt dial with silvered chapter ring and strike/silent dial, subsidiary seconds dial and calendar aperture, having eight-day striking movement, 235cm high

A FRENCH CHARLES X ORMOLU MOUNTED PORTICO MANTEL CLOCK, of Gothic Revival design, the gilt dial having black painted Roman numerals, engine turned rosette to centre, the eight-day movement striking on a bell, with an elaborate cast gothic tracery arch and rosette pendulum; the case of architectural design cast with gothic tracery, the four columns with finely cast foliate capitals and bases, the plinth base on foliate bracket feet, 52cm high x 25cm wide. See illustration

A LATE GEORGE III MAHOGANY LONGCASE CLOCK BY DAWSON, HADDINGTON, the eight day, four pillar movement striking on a bell, the circular painted dial with Roman and Arabic numerals, secondary seconds and calendar dials, the glazed arch topped hood with circular door, decorated with three turned vase finials, the trunk with oblong panel door flanked by corner pilasters, the moulded box base raised on bracket feet, 205cm high. See illustration

A GEORGE III OAK LONGCASE CLOCK, the eight day, four pillar movement striking on a bell, the square brass dial with Roman numerals to the chapter ring, the four spandrels decorated with moulded mask and scroll corner pieces, the flat topped case with dentil cornice and plain turned pillars, the trunk with arch topped panel door and moulded brass key escutcheon, the plain box base raised on four bracket feet, 200cm high. See illustration

A late 18th/early 19th Century oak, marquetry and mahogany crossbanded Longcase Clock, the broken swan neck pediment above an 11.5" painted broken arch dial with Roman numerals subsidiary seconds hand, date aperture and signed G Taylor, Shepton Mallet, the hood with two marquetry thistles flanking central vignette of a young girl, the crossbanded trunk door with typical central conch shell style marquetry, raised on replaced bracket feet, the movement striking on a bell, approx. 230cm high

A 19th Century oak cased eight day Longcase Clock, the 12" broken arch dial with central oval countryside vignette above, with Roman numerals subsidiary seconds hand and date aperture, signed R Fuller, Watton, shaped apron and bracket style feet, 215cm high

A set of four oak frame Dining Chairs with Gothic arch upholstered backs and upholstered seats, on panel sided supports.

An early 20th Century mahogany cased mantel clock with eight day movement chiming on gongs, the silvered arch dial with slow/fast and chime/silent indicators above a silvered chapter ring with Roman numerals, the case with arched pediment and brass carry handle, on a plinth base, height approx 37cm, with pendulum and key.

An Edwardian oak cased mantel clock with Ansonia Clock Co. eight day movement striking on a gong, the two piece dial with Roman numerals and visible escapement, the case with moulded arch pediment above inlaid foliate scrolls and chequer banding, flanked by a pair of brass turned columns, on a plinth base and brass ball feet, height approx 32cm, with pendulum and keys.

A 19th Century mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds, date aperture and indistinctly signed, beneath a scene of Daniel in the lion`s den to arch, the hood with swan neck pediment above glazed door flanked by carved and turned columns, the crossbanded trunk with rectangular door and similarly decorated columns, on a geometric band inlaid base and ogee bracket feet, height approx 236cm, with pendulum, two weights and winder (lacking bell).

A Victorian brass skeleton timepiece with single fusee movement, the pierced silvered chapter ring with Roman numerals, the single spire Gothic arch frame on a later wood base, height approx 36.5cm, with a pendulum.

A George III mahogany longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring framing a matt centre with subsidiary seconds and date dial, inscribed `Clidsdale, London`, beneath a strike/silent indicator to the arch, all with cast and pierced gilt spandrels, the pagoda hood with brass ball finials and glazed door flanked by fluted columns, the trunk with arched door and fluted corner columns, on a panelled base and plinth, height approx 224cm (some faults), with pendulum, two brass cased weights and winding key.

A 20th Century walnut diminutive longcase clock with eight day three train movement striking Westminster chime on gongs, the break arch dial with silvered chapter ring beneath rolling moon to arch, the hood with moulded arch pediment above fluted pillars and glazed door, the trunk with arched door on a crossbanded base and ogee bracket feet, height approx 167cm, with pendulum and three weights.

An early 19th Century oak and mahogany crossbanded longcase clock with thirty hour movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary date dial and indistinctly signed, beneath a scene of a hunter and his dog to the arch, the hood with swan neck pediment above a glazed door and pair of turned columns, the trunk door with shaped top on a panelled base and bracket feet, height approx 215cm, with pendulum and weight.

A mid-18th Century japanned longcase clock with eight day movement striking on a bell, the brass break arch dial with silvered chapter ring, Roman hour numerals and Arabic minutes, framing a matt centre with subsidiary seconds and date aperture, beneath a silvered boss inscribed `Thos Page, Bishop Stortford`, all surrounded by cast and pierced gilt spandrels, the gilt detailed hood with moulded arch pediment above glazed door and turned columns, the arched trunk door decorated in gilt with a chinoiserie scene of figures, birds, trees and buildings, on a similarly decorated base, the sides with panels of gilt foliage, on a plinth base, height approx 216.5cm, with pendulum, two weights and keys.

A George V oak longcase clock with eight day movement striking Westminster chime on gongs, the brass break arch dial with silvered chapter ring and strike/silent indicator to arch, cornered with pierced and cast gilt spandrels, the case with arched hood and glazed door above a panelled trunk door and base, on bracket feet, height approx 184cm, with pendulum.

An early 20th Century German mahogany cased mantel clock with eight day movement striking and chiming on gongs, the silvered dial with strike/silent indicator to arch above Roman numerals, within engraved foliate scroll borders, the back plate with `Gustav Becker` maker`s mark, the arched case with inlaid foliate scrolls on a moulded rectangular base and brass ball feet, height approx 39cm, with pendulum.

An early 19th Century and later oak longcase clock with eight day musical movement striking on a gong and chiming on six bells, the brass break arch dial with silvered chapter ring, Roman numerals, subsidiary seconds and strike/silent indicator to the arch, the case profusely carved with masks, scrolls and foliage, the hood with carved sunburst surmount above swan neck pediment, glazed door and reeded columns, the trunk with rectangular door flanked by Corinthian corner columns, the base with caryatid columns on bracket feet, height approx 235cm, with pendulum and three weights (alterations and faults).

A 19th Century oak and mahogany longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds, date aperture and inscribed `Thompson, Chesterfield`, cornered and below painted scenes of castles, the hood with swan neck pediment above a glazed door and carved columns, the carved trunk door with shaped top on a carved foliate cornered base and bracket feet, height approx 226cm, with pendulum, two weights and winding key.

An early 20th Century mahogany wheel barometer and mercury thermometer with silvered dials, the case with broken arch pediment above brass line and mother-of-pearl inlaid floral decoration, height approx 84cm.

A Kashmir silk rug, late 20th Century, the pale green field with a shaped medallion and scrolling spandrels, within a foliate and repeating arch border, approx 93cm x 64cm, together with another rug, approx 72cm x 59cm.

Four arch topped bakelite electric mantel clocks, one having a mitre topped case

A 17th century boarded oak coffer the hinged two panel lid over a thumb moulded frieze and two panel front later carved with sunflower within an arch between lozenge carved boarded ends, 98cm wide, 69cm high, 38cm deep

A TRIUMPHANT ARCH ERECTED AND CONSECRATED TO THE GLORY OF THE FEMININE SEXE, William Hope 1656, repairs to title page WITH Richard Allestree The Ladies Calling, Oxford, 1675 AND Female Constancy, Miss Arabella Waldegrave, 1769, T Davies (3) (Sold WAF not subject to return)

A 19th century and later oak eight day longcase clock the eleven inch arched brass dial signed 'W Rippin, Holbeach' to the arch over a centred subsidiary seconds dial within an inner ring of Roman numerals and outer ring of Arabic numerals with pierced corner spandrels, the eight day movement now striking on a coiled gong the hood with swan neck pediment over turned and tapering front corner hood pilasters above a pointed arched short trunk door with central conch shell inlay on a crossbanded box base with cut-out plinth, 205cm high

An early 19th century oak crossbanded mahogany thirty hour longcase clock the 12 inch painted arched dial signed 'Geo Bicker*on, Kidderminster', with centred date aperture with inner ring of Roman numerals and florally painted spandrels painted with a boy and garland decorated sheep to the arch the hood with swan neck pediment over reeded front corner hood pilasters above a short crossbanded trunk door with central conch inlay between quarter fluted front corner trunk pilasters on a disc crossbanded box base and short bracket feet (at fault), 214cm high

A mid 19th century mahogany and oak eight day longcase clock, the 13 inch arched painted dial signed 'Tho Owen, Hendra' with centred subsidiary seconds dial and date aperture within florally painted spandrels and ring of Arabic numerals under a rolling moon to the arch, the hood with swan neck pediment over flat wrythen moulded front corner hood pilasters over a short trunk door on a single panel box base and skirting plinth, 221cm high