We found 42009 price guide item(s) matching your search

A reproduction polished wood cased break arch topped timepiece with battery movement - sold with a small Fischer sedan style aneroid barometer

An Edwardian mahogany dome top mahogany and line inlaid mantel clock. With a circular silvered dial, striking on twin gongs, height 28cm.Key and pendulum are present, the clock appears to run when wound.There is a glued break on the moulding just above the arch, otherwise a few marks and scratches from use.

An Aesthetic movement brass telescopic oil lamp base. Circa 1880, the column with Gothic arch mounts and raised on pointed pad feet, height 150cm.

A Spanish watercolour fan design by R Mateos 1881. Bullfight in a small town, fan-shaped arch, signed and dated 1881, in an ornate gilt frame, overall 62X34.5cm.

A Thomas Moore of Ipswich three-train verge table clock. Striking on 8 bells and a single bell, with a six pillar fusée movement and verge escapement. Engraved backplate with makers name 'Thos Moore Ipswich'. Contained in an ebonised case with brass architrave, four brass pineapples on the top corners. Brass carrying handle. Glazed panels to sides and a glazed back door. Raised on a brass base with four brass bracket feet.8" arch brass dial, mask and Rococo-style spandrels. Cartouche: 'Thos Moore of Ipswich below 12 o'clock', strike silent in the arch. Dimensions: 23" (to top of handle) x 13" x 8". Condition report : A good clock restored by seller and working at time of cataloguing. Good condition with winding key and one door key. Movement not fully tested.Note Thomas Moore is listed as working in Ipswich in the early 1700s and his work is of very good quality.

A 1930s chinoiserie mahogany cased mantle clock, engraved silvered arch dial enclosed by a glazed door, the case decorated with figures and pagodas, height 21cm.

A 20th Century brass arch shaped wall mirror mounted with two classical figures near a brazier, 51cm x 30cm, and a Japanese root wood figure of a sage, height 33cm. (2)

A fine quality Regency period ebonised and mahogany Bureau Abbatant, the moulded top over a drop down door opening to reveal a fitted interior assimilating an arch, the sides flanked by square tapering columns surmounted by brass sphinx heads, and terminating on square tapering legs, approx. 160cms (63'') high, 102cms (40'') wide. (1)

Attributed to Robert Lowe Stopford (1813-1898) 'Extensive Landscape with Animals and Figure Chatting outside John Murphy's Pub, Co. Cork, with 5 arch viaduct beyond with carriage crossing,' watercolour. (1)

A George III style mahogany arch top swing frame Mirror, of shaped fret cut lyre frame, 19'' (49cms). (1)

A quality pair of mahogany Gothic Revival Hall Chairs, in the manner of Pugin, the shaped backs with central arch, flanked by smaller pointed arches, also a carved shield on back over a shaped seat, with carved front apron on bulbous turned front legs. (2)

A Georgian style steel framed Club Fender, with green leather deep buttoned upholstered top and concave arch centre, 69cms d x 219cms w x 56cms h (27" x 86" x 22"). (1)

A mahogany and walnut Grandmother Clock, in the George III style, the divided and moulded pediment above an arch brass dial with Roman and Arabic numerals, the trunk with a hinged door on a moulded box base on bracket feet, 180cms x 36cms (71'' x 14''). (1)

FOUR MICROMOSAIC BROOCHES, THIRD QUARTER OF 19TH CENTURY1st: Oval, inlaid with polychrome tesserae to depict the Pantheon within a black paste ground, mounted in silver, 2nd: Oval, inlaid with polychrome tesserae depicting Tivoli, Rome, including the temples of Sibyl and Vesta, and the cascades of the Aniene River, the reverse inlaid with polychrome tesserae to depict a hound in a garden watching a butterfly, mounted in silver, 3rd: Rectangular, inlaid with polychrome tesserae to depict a pillared arch, within a gold frame with engraved scrolling decoration, 4th: Rectangular, inlaid with polychrome tesserae, depicting a mountainous scene with a waterfall in the foreground, mounted within a gilt metal frame with engraved foliate decoration, lengths: 3.8-6.4cm (4)For further information on this lot please visit Bonhams.com

A Large Collection of Silver, Pre-Decimal and Commemorative Coinage, including: pre-1920 silver including Victoria 'Young Head' halfcrown (Poor), gross weight 26.1g; and pre-1947 silver florins, shillings and sixpences, many in collectable grades, gross weight 437.5g; together with a large quantity of pre-decimal and early decimal currency, including brass threepences (featuring a 1946), pennies, halfpennies, farthings, loose and in Whitman folders, uncirculated coin rolls; 20 x cupro-nickel crowns; Britain's First Complete Set of Decimal Coins 1968, 50p to ½p; commemorative 50ps; Coronation of George V AE medal, obv. conjoined busts of King and Queen left, rev. Britannia standing within arch holding crown in raised hand and sceptre etc.

3 x UK Silver Proof Piedfort £1 4-Coin Sets, comprising: 1984-7 'Welsh Leek', English Oak', 'Scottish Thistle' and 'Northern Ireland Flax'; 1999-2002 'Welsh Dragon', 'English Three Lions', 'Scottish Lion' and 'Northern Ireland Celtic Cross'; and 2004-7 'Forth Rail Bridge', 'Menai Bridge', 'Egyptian Arch Railway Bridge' and 'Gateshead Bridge'; each encapsulated in Royal Mint case with certificates of authenticity

A MONUMENTAL DEEPLY CARVED WOODEN PANEL, depicting various Hindu gods seated on a lotus wearing jewellery and crown, the temple with arch and pillars with floral motifs, 101cm x 197cm.

An 18thC oak dresser with moulded corners raised above Delft rack flanked by open shelves with cupboard and draw flanked by six further drawers beneath, each with swan neck handles on bracket feet, the arch central cupboard with a part ebonised star inlay, 108cm high, 170cm wide, 56cm deep.

H. Fletcher, Rotherham. A 19thC oak and mahogany longcase clock, the 31cm wide arch dial with painted spandrels, thirty hour movement, in a swan neck pedimented case with shell inlay and orb finial, above a shaped trunk door with further shell patera, 216cm high.

1st century Roman Germania arch fibula, L: 50 mm in excellent condition. P&P Group 0 (£5+VAT for the first lot and £1+VAT for subsequent lots)

A 19th century two-fold decoupage on canvas dressing screen, ogival arch top, lacking hinges, 158cm high

Boxes and Objects - a London Clock arch top mantel clock, quartz movement; others; an alabaster table lamp; a mahogany jewellery box; a table top cigar cutter; Portmeirion Botanic Garden cake slices; a set of fourteen Viners cake knives and forks; a set of four Vale of Aylesbury Steeplechase prints; other prints, etc

A 19th century gilt gesso rectangular looking glass, 56cm x 46cm; an 18th century carved oak panel, repurposed as a mirror, 96cm x 41cm; an arch topped mirror (3)

Juan Manuel Blanes - A Gaucho on Horseback in a Uruguayan Prairie Landscape, 19th century oil on canvas, signed with initials recto, label verso, 112cm x 128cm, within a Watts style gilt composition frame. Provenance: Baldomero Hyacinth de Bertodano, 7th Marquis del Moral (1844-1921), Solicitor of the Supreme Court of Judicature and resident of Cowbridge House, Wiltshire; The sale of the Contents of Cowbridge House, Messrs Matthews, Matthews & Goodman in conjunction with Messrs Dore, Fielder & Co, October 1922, lot no.137 described thus, 'A fine Oil Painting, The Gaucho on the Pampas in Argentine about 52 by 46 ins'; where purchased by Charles Edmund de Bertodano M.Inst.C.E. (1853-1926); thence by family descent. Note: Juan Manuel Blanes was one of the most important artists in the history of Uruguay, helping to shape the visual identity of the country, which was, at the time, locked in an independence battle with Spain. He was also instrumental in establishing wider Latin and South American aesthetic archetypes. The gaucho was a recurring theme in his work. Intrigued by the powerful proud landless cattle ranchers that roamed the plains of Uruguay, Argentina and Brazil, Blanes stamped for posterity his vision of these characters who lived lives of seemingly utter freedom. Blanes himself said of the gaucho, 'A man among the thousands of hapless men who live in our ravaged countryside; a decent, vigorous, and intelligent man reduced by the contempt in which he is held; a man garbed in a chiripá, a rough shirt, a flimsy pair of short trousers, a vincha (headband), a bandanna handy at the neck, carrying the adornments of his trade, the bolas and belt…' Blanes' 'equestrian gauchos' were painted during 1875 to 1878. Light played a crucial element in these works; in this painting the luminous glow from the sky beyond shares the stage with the gaucho, whose pointing gesture amplifies the rising or setting sun. With thanks to Arch. Gabriel Peluffo Linari for his help with the cataloguing of this lot.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A Bracket or Table Clock by Barraud, c.1800, signed 'Barraud Cornhill London' on dial and back plate (Paul Philip Barraud 1752-1820), five pillar eight day twin fusee movement with rack striking on a single bell on the hour, white painted arch dial with Roman numerals and spade hands, strike/silent dial above, in mahogany case on ball feet, 44cm high

Oil painting on canvas, View of Temple Bar, London, Oil painting on canvas, View of Temple Bar, London, copy of the original by John Collett (c.1725-80) painted in circa 1770. The view is of the eastern-most extent of the Strand, looking towards Fleet Street through the arch of Temple Bar. The scene is busy with ladies shopping at a greengrocer's, a wig maker and a pair of tinkers and various other trades. The banking premises of Child & Co were at No. 1 Fleet Street - immediately behind and to the right of Temple Bar as we look at it. For many years, the original painting was displayed in the bank's dining room and was removed in 1935 and taken to Osterley. A copy was made to hang in its place at the bank. The branch closed earlier this year (2022), its possible that this is the copy however it seems much earlier than 1935.

FIVE PIECES OF 19TH AND 20TH CENTURY PARIAN PORCELAIN, comprising a Minton font, impressed marks, height 10.5cm, a Cauldon replica of The Queen's Dolls House, the base faintly impressed, height 11.5cm, a Podmore China 'Model of War Memorial Leek. Presented By Sir Arthur & Lady Nicholson', height 16.5cm, an unmarked model of Marble Arch, height 7.8cm and a spill vase in the form of a ruined turret, on an oval base, height 9cm (5) (Condition Report: some firing cracks and the spill vase has black firing spots but no serious damage noted)

An early 19th century iron lark spit, the break-arch frame upon a tripod stand extending to spade feet, 85cm high

A 19th century oak and mahogany crossbanded eight day longcase clock by Joyce Jnr, Ruthin, the swan neck pediment over freestanding pilasters flanking the 36cm break arch painted dial, with subsidiary second dial and date aperture, signed with the makers name and enclosing the two train, four pillar movement, the case with a dentil frieze over conforming quarter pilasters flanking the rectangular door, upon a plinth base, 222cm high, two weights and pendulumCondition reportSome light crazing, fading and rubbing to the dial, case looks to be in good condition with only light general wear, joint split and further minor splits to the bottom board.Back board possibly later with a later brace applied to the inside, seat board is later, movement appears to operate when prompted however no guarantee of working condition. 

A George III 8 day longcase clock, signed indistinctly 'Scott Newcastle', the arched hood with a fretwork pediment above fluted pilasters flanking the 34cm painted break arch dial, with landscape view, centred with subsidiary second and date dials, indistinctly signed with the makers name and enclosing the two-train movement, striking on a saucer bell, the case with canted corners and cross banded door, above a conforming lower panel and plinth base, two weights and pendulum, 224cm high, glass measurement 43cm H x 30cm W

An Edwardian Sheraton style mahogany long case clock with extensive classical and floral marquetry inlay with arch top hood, full length door and bracket feet, having arched brass dial and spring driven chiming movement height 212cm

English School, 19th century - The Arch of Constantine and the Colosseum, Rome, watercolour, 47 x 70cm

A Victorian eight day oak mahogany, rosewood and inlaid longcase clock, the breakarched painted dial with ringed winding squares, sheep spandrels and a shepherdess to the arch, the case with swan neck pediment and turned pillars, on panelled base and ogee feet, 233cm h, pendulum and weights Vertical shrinkage cracks to panel on base but otherwise good original condition

A Scottish mahogany eight day longcase clock, Robert Currer, Falkirk, 19th century, the breakarched and painted dial with twin subsidiary dial and painted with figures emblematic of the four quarters of the globe, the arch with the scene of the death of stag after Landseer, the case with swan neck pediment and brass mounts, turned pillars, the trunk with cushion moulded cornice and bow centred richly figured door flanked by pilasters, on panelled base, pendulum and weight, 222cm high

Two Gouda art pottery inkwells and covers, miniature vase and a jar, first half 20th c, vase 10cm h, incised numbers, painted marks, a pair of Gouda art pottery ewers, c1900, painted with sweetpeas, 95mm h, impressed 337, painted marks, two Rosenburg art pottery Iznik style vases, c1910, 80 and 110mm h, printed mark, painted artist's monogram of S Schellink and a set of three Gouda art pottery eggcups and a salt cellar, second quarter 20th c, eggcup 70mm h, painted marks First vases - Arch handle of cover of one inkwell chipped. Sweetpea vases - Filled chip on rim of one. Rosenburg vases - Larger vase - two small chips on foot. Smaller vase - undamaged, no restoration. Gouda in good condition.

A Regency mahogany cased mantel clock, fitted a twin fusee movement in an arched case, 50cm high/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks CONDITION REPORT: The clock is very distressed and dial is stained and flaking. Front door split at arch. Back door loose. Grilles with loose silk backing. Pieces of veneer missing at pillar capitals and sides. Reeded moulding missing at side of clock. Clock not in working order. Movement in need of a good clean.

An Edwardian inlaid arch cased mantel clock, 23cm high CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

A set of oak and mahogany hanging shelves with central arch recess, 112cm wide CONDITION REPORT: Scratches, stains and other noticeable damage to all shelves. Arch top recess fairly flimsy.

A Queen Anne walnut and oak press, circa 1710, the press upon and screw thread within an arch topped frame, upon a chest of four small drawers with central cupboard and three further drawers on bracket feet, 196cm x 84cm/see illustration CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection

An Ottoman mother-of-pearl inlaid chest with ivory banding, the hinged cover with glazed compartment under, 54cm wide/Provenance: The Estate of the late Diana & Gospatric Home, Lily Farm, Bucks/Ivory registration reference: Q679N4ND CONDITION REPORT: There are several mother-of-pearl squares and triangles missing and the arch top sides have several condition issues including rotting wood and missing segments. The ivory banding to both ends is mostly lacking and pieces missing to front also. All feet with rotting woodwork and missing segments. Some inlay lifting. Plush lined interior stained and lifting in places. The arrangement of fruit and flowers to the cover very tired. Signs of old worm to base wood, particularly around the legs and base.

Campbell Mackie (1886-1952) pastel - figures through an arch, signed, 42cm x 15cm, in glazed gilt frame

18th century 8-day longcase clock by Thomas Thorp, Colchester with arched gilt and silvered dial with strike silent to arch, subsidiary seconds and date aperture in oak case with three spike ball mounts 220 cm highGood original condition. The movement does not fit the hood aperture well. The movement is running - not tested for time keeping. See extra images

Fine Early-18th century bracket clock by William Westbrook, London, with arched silvered and gilt dial with month indicator dial to arch, dummy pendulum bob, date aperture, ringed winding holes, cherub head spandrels, finely engraved backplate, five pillar movement with verge esapement with pendulum bob repeating on five bells and striking on bell, in embonised case with gilt metal mounts, 53cm highSound original condition. Not running and movement in need of attention . The case is in good order with age related splits and wear. See extra images

Regency bracket clock by James Marston, Tower, with arched silvered dial, strike silent to arch, subsidiary seconds, fusee movement striking on bell with repeat in dome top ebonised case on gilt ball feet, key and pendulum present 53cm high

18th century 8-day longcase clock by John Roning, Newmarket with brass arched dial with engraved bird to arch, subsidiary seconds and date aperture in mahogany case with arched top, 224cm high

Early 19th century 8-day long case clock with arched painted dial signed G. Burton Uttoxeter, With ship and lunar arch, oak case two weights and pendulum, 230cm high

Two small arch top mantel clocks in mahogany veneered cases

A GEORGIAN FLAME MAHOGANY EIGHT DAY LONGCASE CLOCK, the hood with a swan neck pediment, barley turned pillars, flanking a glazed door enclosing a painted 13 inch dial, moonphase movement to the arch, roman numerals, subsidiary date aperture and seconds dial, signed W Jones of Birmingham, bell striking movement, on a wide trunk, and bracket feet, height 238cm, with two weights and pendulum (condition:-some minor veneer loss)

A GEORGIAN FLAME MAHOGANY AND CROSSBANDED 30 HOUR LONGCASE CLOCK, the hood with a swan neck pediment, three finials, turned pillars flanking a glazed door, enclosing a painted 13 inch dial, with a seascape scene to the arch, Roman numerals, seconds and date dials, signed D Bates of Huddersfield, on a shaped trunk, and a geometric panel trunk, on bracket feet, height 244cm, with one weight, pendulum and trunk key (condition:-missing back bracket feet, some veneer repairs around glazed door, replacement pillars, some beading/veneer missing around the base)

John Sculcoates Branson of Hull - Oak cased 8-day longcase clock c1790, with an inlaid perogda pediment and three ball and spire finials, breakarch hood door beneath flanked by reeded pilasters and brass capitals, long trunk with conforming door on a rectangular plinth raised on a base with bracket feet, early painted dial with raised gesso spandrels, swag cartouche and makers name to the arch, with pierced steel hands, Roman numerals,five minute arabics, seconds dial and calendar aperture, dial pinned via a false plate to a rack striking movement with a recoil anchor escapement. With weights, pendulum and key.Dimensions: Height: 240cm  Length/Width: 44cm  Depth/Diameter: 24cm

Thomas Huxley of Northiam - 8-day oak cased longcase clock c1790, with a wavy topped carved pediment above a break arch hood door with attached pillars, long trunk and conforming door with a break arch top on a square plinth with applied skirting, early painted dial with makers name in a swag cartouche to the break arch, floral spandrels, matching steel hands, Roman numerals and five minute Arabic's, with a seconds dial and calendar semi-circular aperture with date ring behind, rack striking movement with a recoil anchor escapement, striking the hours on a gong. With weights and pendulum.Thomas Huxley is recorded as working in Boreham Street, Northiam (Sussex) late 18th century.Dimensions: Height: 210cm  Length/Width: 46cm  Depth/Diameter: 25cm

English - mid-19th century 8-day mahogany longcase clock, with a swans neck pediment and wooden urn finial, break arch hood door flanked by ring turned pilasters, trunk with a round topped door and reeded columns on a conforming plinth with a raised panel, unsigned fully painted dial with Roman numerals and minute markers, subsidiary seconds and date dials with matching brass hands, eight day rack striking movement striking the hours on a bell. With weights and pendulum.Dimensions: Height: 230cm  Length/Width: 57cm  Depth/Diameter: 24cm

Leyburn of Driffield - late 18th century 8-day oak and mahogany longcase clock, with an inlaid pagoda pediment, reeded pilasters and break-arch hood door, trunk with canted corners conforming long break arch door, on a plain plinth with bracket feet, painted dial with a lunar disc to the arch, Roman numerals and five minute Arabic's, subsidiary seconds hand and semi-circular calendar aperture with date disc behind, matching stamped brass hands and floral spandrels, recoil anchor escapement with a rack striking movement, striking the hours on a bell. With pendulum & weights.Dimensions: Height: 220cm  Length/Width: 44cm  Depth/Diameter: 22cmCondition Report:Movement may require and benefit from servicing and attention.

Etherington of Driffield - Rare three-train late 18th century 30-hour longcase clock in an oak case, flat topped hood with dentil moulding and blind fret, break arch hood door with attached pillars, trunk with a conforming door on a deep stepped plinth with shaped base, dial with a fully painted arch and scroll spandrels in raised gesso, an unusual and rare dial having separate dials for the hours and minutes, dial inscribed "Etherington, Dryfield", with a recoil anchor escapement, striking the hours and quarters on three bells. No weights or pendulum.John Etherington is recorded as working in Driffield (Yorkshire) 1775-d.1790.Dimensions: Height: 220cm  Length/Width: 48cm  Depth/Diameter: 20cm

19th century oak ecclesiastical reading stand, panelled support with pierced arch design and chamfered uprights, on sledge feetDimensions: Height: 81cm  Length/Width: 62cm  Depth/Diameter: 31cm

Two Victorian Gothic giltwood framed painted panels. Each with Gothic arched frame with barley twist columns, each panel painted with a trumpeting angel in the Renaissance style, on gilt ground, 46.5cm high x 19cm wide Condition Report: Both panels are very decorative. The example with the red angel with some noticeable wear and surface scratching to paint and gilding, small glued repair and chipping to one lower giltwood bracket, some losses to around the gitwood arch. Both panels are slightly loose in frame and are taped in at reverse. Both frames appear to be lacking finials to either side of top of frame. The other panel also has some surface wear and scratching and similar losses to the lower brackets and small repairs and losses to the arch, the frame is lacking upper finial.

An early 20th century French platinum-flashed gold, diamond and blonde tortoiseshell hairpiece. In the form of a platinum-flashed gold open floral arch, grain set with thirteen small graduated round rose diamonds, French eagle head poincons and an indistinct makers mark 'V(?)' devices 'Fs', the hinged mount to two blonde tortoiseshell 'prongs', approx. 29mm wide overall, 100mm long overall, 6.8g gross Condition Report: Overall in good order The hinges are functioning. The tortoiseshell prongs with some light typical wear.

A Victorian cast iron door stop in the form of a knight under an arch, marked Coalbrookdale to the reverse

A pair of modern glazed oak bookcases, fitted with glazed shelves, each with a broken arch cornice and cupboards below101w x 35d x 224h cmThese are in solid usable condition. They have been used, but the general condition is dirty but otherwise ok with only light signs of use. The pediment is fixed on, but measures 208cm high without it. They have a key.

An antique iron arched window frame, together with two smaller frames (3)Arch 1106w x 136h cm overall