We found 42009 price guide item(s) matching your search

A framed Grand Tour polychrome terracotta plaque of the Arch of Constantine Johann Maresch, Germany, 19th centuryH: 15 1/2, W: 15 1/2 in. (frame); Dia: 12 in. (plaque, sight)

Coral necklace and a bangle1st: The leather cord suspending five coral corallium rubrum discs, carved to depict classical figures, the reverses including equestrian scenes and a triumphal arch, 2nd: Of bicoloured reeded and sprung design, necklace length 40.0cm, bangle inner diameter (2)Footnotes:This lot will be subject to USA Fish and Wildlife regulations if it is to be imported into the USA.This lot is subject to the following lot symbols: YY Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

A mid 18th Century Longcase clock by Arch Laurie, the 30 hour movement with 12" brass dial, in oak case, the hood with flat carved side pilasters

F Goymer (fl. 1894). Newport Arch Lincoln, oil on canvas, signed and dated 1894, 23cm x 28cm.

A boxed silver Deo Regi Fratribus Honor Fidelitas Benevolentia Royal Arch medal. On burgundy ribbon with 3 hallmarked silver medal bars. Hallmarked Birmingham 1944 and with George Kenning & Son makers mark.

5 boxed vintage enamelled Masonic medals. To include 1950's Royal Masonic Institution for Girls Stewards medals, 1950's & 60's Royal Masonic Institution for Boys Stewards medals and Royal Arch Jewel.

A vintage Masonic Royal Arch Principals Apron and sash.

A quantity of vintage Masonic Royal Arch companions aprons and sash's.

A vintage Masonic cowhide case containing a quantity of Royal Arch Companions Regalia and books. To include Apron and sash. Case handle is broken.

A Victorian ebonised and gilt brass mounted quarter striking bracket clock, by Winterhalder & Hofmeier, the lacquered brass dial with matted centre and silvered Roman chapter ring, gilt metal urn, scroll and lattice mount to arch, the caddy top ebonised case with flame finials, gilt brass swag and caryatid mounts and carrying handles to the sides, raised on gilt brass foliate scroll feet, the eight day twin train movement striking two coils and signed 'D.R. Patent W. & H. Sch.', 17in. (43cm.) high.. * Provenance: Martel Maides Auctions, 5th Dec. 2013, Lot 812. **The clock is in working order and strikes on a single coil gong on the hours and on two gongs on the quarters.. The ebonised case is in good order with all the gilt metal mounts intact. However, there is a small break in the decorative arched spandrel mounted on the face above the dial and which shows the solder joint. A few tiny nicks and retouches to ebonised case. Finial mounting is a little loose.A few holes to silk inside rear door and part of the edge beading inside the door has popped out - an easy fix..

An early 19th century walnut and Dutch marquetry glazed hanging cabinet, the cavetto moulded top over a pair of arch glazed doors with brass clenched fist handle, enclosing two later shelves, flanked by glazed canted sides, decorated throughout with foliate, floral and scale marquetry, 40 x 8in. (101.5 x 20.25cm.), 30½in. (77.5cm.) high.

A 17th century and later oak Wainscot chair, the rectangular panelled back with a carved bas relief panel with a flowering plant in a vase, below a foliate and strapwork arch with foliate spandrels, the outer frame carved with foliage over a later solid seat and shaped downswept arms with scroll terminals on ring turned supports, the conforming front legs with block feet, the seat rail carved with fluting to the front and a scalloped apron, the front corner blocks stamped with the initials 'WI', 37in. (94cm.) high, 24½in. (62.25cm.) wide, alterations and repairs.. * Provenance: Purchased from Buildwas Park Estate (Buildwas Abbey) near Ironbridge in Shropshire, owned by the Moseley family and later the Carder family.

A George III Derbyshire oak and mahogany longcase clock, the 8 day bell strike movement fronted by a painted arched dial with sheep and waterfall spandrels, the arch painted with a cottage in a landscape, signed 'John Bell Ashborne', the boxwood and ebony strung case with swan neck hood with turned columns, over a incuse arched and cross banded door flanked by fluted quarter columns, on a panelled base, 84¼in. (214cm.) high.

An early 19th century mahogany eight day longcase by Nathan Hunter of Port Glasgow, the bell strike movement faced by a painted arched Roman dial (restored), signed to centre with subsidiary seconds and date dials, floral spandrels and painted shells to arch, the case with swan neck top with urn finials, a flame mahogany trunk door and plain base with later plinth, 86¼in. (219cm.) high.

An Edwardian German walnut mantel clock, with Hamburg Amerikanische Uhrenfabrik Day Strike movement, maker's label inside case, the arched top case with turned columns, enclosing a gilt brass dial with silvered Roman chapter ring and cast silvered spandrels and arch, 17¾in. (45cm.) high, mounted atop a mahogany open bookcase. (2)

A late 18th century Jersey mahogany longcase clock by James Thoreau, the eight day, bell strike four pillar movement fronted by an arched brass dial with foliate scroll spandrels and 'High Water at Jersey' with painted moonphase to the arch, signed 'James Thoreau, Jersey' to the centre, with engraved decoration of a ship and buildings at the mouth of an estuary, with subsidiary seconds dial and silvered arched date aperture and Roman chapter ring, the case with arched hood on fluted columns, over a narrow trunk with arched door, on plain base with plinth, 82¼in. (209cm.) high.

An early 19th century Jersey mahogany longcase clock by Louis Poignand, the eight day movement striking the hours on a bell, fronted by an arched brass dial with silvered Roman chapter ring and centre with engraved foliage and subsidiary seconds dial and date aperture, signed 'Louis Poignand Jersey', silvered strike/silent dial to arch and gilt foliate scroll spandrels, the case with swan neck top with turned finials over a boxwood strung and reeded roundel decorated frieze, on turned pillars, the trunk with lancet arched door flanked by reel turned pilasters, the plain base with short bracket feet and shaped apron, 88½in. (224.75cm.) high.

AN ERCOL ELM SEATED ARCH BACK CHILDS ROCKING CHAIR

THOMAS SPARROW, ST NEOTS, A CARVED OAK LONG CASED CLOCK, THE BRASS DIAL WITH SUNBURST IN THE ARCH, THE HOOD TOP INLAID WITH A SHELL. H 215cms.

A MAHOGANY LONG CASED CLOCK WITH A THREE TRAIN MOVEMENT BY WILLIAM GILL OF MAIDSTONE CHIMING ON EIGHT BELLS, THE BRASS DIAL WITH DOLPHINS APPLIED IN THE ARCH AND ANGELS HEADS IN THE SPANDRELS, THE HOOD OF THE CASE WITH BRASS TOPPED FLUTED COLUMNS AND BLIND FRET FOLIAGE. H 265cms.

A LATE 18th C. MAHOGANY LONG CASED CLOCK BY THOMAS FARRER, SAXMUNDHAM, THE DIAL PAINTED WITH FLOWERS IN THE ARCH, SECONDS AND DATE DIALS SUBSIDIARY TO THE ROMAN HOUR NUMERALS. H 199cms.

A PUGINESQUE OAK TABLE, THE RECTANGULAR TOP UNPOLISHED, THE POISHED ARCH SUPPORT JOINED TO TWIN PILASTER TRESTLE ENDS. W 242 x D 106 x H 76cms.

A GOOD 19TH.C. MAHOGANY COMPACTUM IN THE ARCHITECTURAL NEO-CLASSICAL TASTE. CARVED ARCH PEDIMENT OVER CENTRAL MIRROR DOOR ENCLOSING SLIDES AND DRAWER, FLANKED BY CARVED PANEL AND FAUX DRAWER DOORS FITTED WITH SHELVES STANDING ON STOUT BLOCK FEET. W. 291cm x D. 63cm x H. 252cm.

A CHARLIE CHAPLIN TOLE TRAY, A PAIR OF BAKELITE HANDLES, A PAIR OF CHROME PLATED GOTHIC ARCH BOOKENDS. H 17cms. TOGETHER WITH AN ART DECO GREEN AND OCHRE TWO HANDLED DISH. W 32.5cms.

AN 18th.C. STYLE RECTANGULAR MIRROR, THE GILT FRAME WITH FOLIAGE CENTRED BROKEN ARCH PEDIMENT, SWAGGED SIDES AND SHELL CENTRED BASE. 116.5 x 61cms.

A MAHOGANY TRIPTYCH DRESSING TABLE MIRROR, THE RECTANGULAR FRAMES WITH WAVY ARCH TOPS AND ON KNOB FEET. H 60 x W 83cms.

A JAMBIYA WITH WOODEN HANDLE AND NICKEL SCABBARD. 46cms. TOGETHER WITH A LEATHER HANDLED DAGGER WITH ROUND ARCH BLADE POMMEL, THE LEATHER SCABBARD MOUNTED IN WHITE METAL. 25cms.

A ROMAN BRONZE BELT MOUNT, THE RING END ATTACHED TO ROUND ARCH SHOULDERS WITH BEADED ENDS AND ENCLOSING A FURTHER RING. W 8.5cms.

Postcards / ephemera, a mixed collection of approx. 60 items inc. A R Quinton (9), military, glamour, aviation photos, butterfly transfer pictures (booklet) printed and RP street scenes inc. High St Leigh on Sea, certificate for Stilton cheese, carte de visite of Lord Beaconsfield and signed fishing permit, RP Middleton Hall Rd Kings Norton and Steel Trader Arch ,New St, Birmingham, Harry Lauder comic, Henry Hall RP, 'Have you any cigarette cards?' and a few carte de visite. Sold with a selection of Tuck oilettes UK topographical (49) mainly Wimbush illustrated (mixed condition, fair/gd)

Postcards, Herts, a good mixed collection of approx. 70 cards and a few photos of Bushey Heath, Watford & Oxhey Herts. RP's of Bushey Heath inc. Toll Gate, Fire Brigade, Coronation Arch (1953), Clay Hill and Police Station, Alpine and Coronation Rd, Great Fire at Ellams Bushey Hall Road, Swimming Baths, Ashfield Avenue, King George's Avenue, Littley Bushey Lane, Clay Hill, High St etc. Also Caledonian Schools (several) Oxhey Fete 1814, Oxhey Scouts (First Aid, Signals, Rifles), Oxhey School Concert, Empire Day, Five Arches Watford etc (mixed condition, fair/gd)

DAVID ROBERTS, RA (SCOTTISH, 1796 -1864) AN ASSORTED COLLECTION OF COLOURED LITHOGRAPHS BY LOUIS HAGUE, comprising: 1. Remains of Triumphal Arch of Petra, Jordan, 34 x 51 cm 2. Ancient Watch Tower of the approach to Petra, Jordan, 34 x 51 cm 3. Jacob's Well at Shechem, 34 x 51 cm

JACOB ROOS, called ROSA DA NAPOLI (1682-1730) A Shepherdess with her Flock Beside a Ruined Arch; A Goatherd with his Flock Beside a Spring A pair, oil on canvas, 73.5 x 99.3cm and 72.2 x 99.5cm One signed and dated 1706 on the majolica pitcher Provenance: Purchased by Sir Benjamin Lee Guinness (1798-1868) for St. Annes, Clontarf, Dublin. Thence by descent to the present owner. Jacob Roos, called 'Rosa di Napoli' was born in Rome in March 1682, son of Philipp Peter Roos who was known as 'Rosa da Tivoli'. He was born in Frankfurt, Germany and enjoyed a successful career as painter of animals and landscapes. Jacob in turn adopted the style of his father. Unsurprisingly he lived and worked in Naples and Benezit observes that it is difficult to distinguish the son's work from his father's. Seven large Italian landscapes are attributed to him and are to be found at the Résidence de Wurzburg. These two paintings were purchased by Benjamin Lee Guinness, grandson of the founder of the eponymous brewery for his home at St. Anne's in Clontarf, Dublin. The attribution has been made by Dr Hermann Jedding author of the monograph on the Roos family.

A LATE GEORGE III MAHOGANY LONGCASE CLOCK, the hood with broken swan neck pediment and central urn above an arch top door enclosing a brass and painted phases of the moon dial by Knox of Belfast, the case decorated with blind fretwork, corner pilasters and raised on platform base and ogee bracket feet. 225cm high

A collection of stamps and First Day Covers, including an 1876 envelope in a frame, a folder of FDCs and four mint stamp sets, an arch lever with handwritten notes for British and world stamps, and two further albums

Follower of Augustus Jules Bouvier [19th Century]-Boudoir interior; young lady before a mirror in a blue silk dress and jewellery, a pet dog and musician in attendance, view through a Gothic arch window to a cathedral beyond,:- oil on canvas, 73 x 61cm, in a gilded and carved wood frame.

* Zdzislaw Ruszkowski [1907-1990]-View through a Window,:-watercolour and mixed media, 73 x 54cmtogether with two others View from a Window and View through an Arch. [3]*Notes There are additional images of this lot at www.bhandl.co.uk

Nathan & Co, Birmingham, a substantial chiming bracket clock: the eight-day duration, triple-fusee movement chiming the quarters on eight bells and the hours on a further gong, the arched brass dial having a raised silvered chapter ring engraved with black Roman hour numerals and decorative half-hour markings with the matted centre having an applied silvered plaque engraved Nathan & Co. Birmingham and blued steel hands, the arch with two silvered subsidiary dials for Strike/Silent and Chime on Eight Bells/Westminster Chime, all with cast-brass corner spandrels, the ebonised break-arch case having brass inlaid decoration, brass fluted columns, a break-front moulding to the base, brass finials to the top and standing on brass feet, height 80cm.* Biography Nathan, Benjamin & Co are recorded as working in 3, Union Street, Birmingham from before 1858 until 1859 and then Union Passage from 1860 until 1886 before moving to 31, Corporation Street in 1887.Reference Joseph McKenna Clockmakers & Watchmakers of Central England Pub. Mayfield Books 2002.

A Regency mahogany bracket clock: the eight-day duration timepiece fusee movement having an eight-inch round silvered dial with a raised silvered chapter ring engraved with black Roman numerals, the centre with a date aperture, mock-pendulum aperture and oval maker's plaque now blank, with decorative blued steel hands and cast-brass Georgian bezel, the break-arch mahogany case with brass fish-scale frets to the front and sides with a brass carrying handle to the top and standing on brass bracket feet, height 40cm inc. handle, 43cms without handle.* Note There are signs of the dial and movement being a marriage.

Joseph Wood, Scarborough a faux-tortoiseshell moon-phase lacquer longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, the dial centre having a subsidiary seconds dial, date aperture and engraved with floral decoration and the maker's name Joseph Wood, Scarborough, the arch having a moonphase disc painted with a seascape and landscape, the break-arch faux-tortoiseshell lacquered case having raised Oriental chinoiserie decoration to the base, trunk and hood, with three-quarter columns to the hood, height 212cm.* Biography Joseph Wood is recorded as working in Scarborough from circa 1760 until at least 1790 and is noted for the quality of his longcase clocks which are of the 'London style'.Reference Brian Loomes Clockmakers of Northern England Pub. Mayfield Books 1997.

A twentieth century moonphase grandmother clock: the eight-day duration, weight-driven movement striking the hours on a bell, the seven-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals, with engraved decoration to the centre and cast floral spandrels to the four corners, the arch having a painted moonphase disc, the mahogany case having various applied mouldings with the trunk having a shaped door, blind fretwork and quarter fluted columns, the hood having fluted columns and a swan-neck pediment with carved finials, the base with blind fretwork to the canted corners and a shaped raised panel, all standing on bracket feet, height 156cm.

Thomas Oldmeadow, Lynn, a mahogany longcase: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch silvered dial engraved with black Roman hour numerals, Arabic five-minute outer numerals, a subsidiary seconds dial to the centre and engraved with the maker's name Thos. Oldmeadow, Lynn, with classical floral engraved decoration to the corners and arch and blued steel hands, with an engraved dial within the arch for strike/silent, the mahogany case having fluted quarter columns with brass stops and cast-brass capitals, with a shaped moulding to the door, the hood having fluted pillars with brass stops and cast-brass capitals and surmounted by a pagoda top with a wood sound fret to the front and three brass ball-and-spire finials, the base with a raised shaped panel, a double plinth and standing on bracket feet, height 234cm including finial. *Biography Thomas Oldmeadow is recorded as working in Lynn (Kings Lynn), Norfolk from circa 1784 until after 1798 holding three policies with the Royal Exchange Insurance. A number of longcase clocks are recorded, all with silvered dials as in this example. Both the case and dial show similarities with longcase clocks made by another Kings Lynn clockmaker James Saddleton. *Notes Reference Clifford & Yvonne Bird Norfolk & Norwich Clocks & Clockmakers Pub. Phillimore & Co Ltd 1996.

Thomas Leadbeater, Sandbach a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell, the thirteen-and-a-half-inch break-arch painted dial having black Roman hour numerals with the centre having subsidiary seconds and date dials and signed Thos. Leadbeater, Sandbach, with decorative painted corner spandrels and a moonphase disc to the arch showing the phases of the moon and date, with decorative brass hands, the mahogany case with various inlaid decoration and stringing, the trunk having a shaped door, fluted and inlaid corners and a panel set below, the hood having fluted and inlaid square columns and surmounted by a swan-neck pediment, the base with canted corners, a circular panel, inlaid decoration to each corner and standing on bracket feet, height 226cms. * Biography Thomas P. Leadbeater is recorded as working in Bridge Street, Sandbach, Cheshire prior to 1822 until at least 1855. Reference Keith Appleby Clockmakers of Cheshire Pub. Farmhouse Antiques 1999.

Mark Hawkins, Bury St Edmunds, a lacquer longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, the matted dial centre having a subsidiary seconds dial, date aperture and an applied plaque engraved with the maker's name Mark Hawkins, St Edmunds, Bury, with cast-brass vase spandrels to the four corners, the arch having a round boss engraved with a ho-ho bird with dolphin spandrels either side, the pagoda-topped black lacquered case having raised Oriental chinoiserie decoration to the arched trunk door, base and hood, with the hood having quarter pillars, height 212cm. * Biography Mark Hawkins is recorded as both a watch and clockmaker in Bury St. Edmunds working in the early-to-mid 18th century with his father, also Mark, working from before 1670 until at least 1710.

D. Angelo & Cadenazzi, Winchester, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch break-arch painted dial having black Roman hour numerals and floral corner spandrels, the dial centre having subsidiary second, date dials and signed D. Angelo & Cadenazzi, Winchester, with floral decoration painted within the arch and blued steel spade hands, the mahogany case having ebonised crossbanding to the arched trunk door and base, the hood with inlaid stringing and fluted pillars with cast-brass capitals and surmounted with whales-tooth cresting, all standing on bracket feet, height 217cms.

Samuel Northcote, Plymouth a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch silvered break-arch dial engraved with black Roman hour numerals and Arabic five-minute markings to the outer aspect, the dial centre engraved with subsidiary seconds and date dials along with the maker's name Saml. Northcote, Plymouth, the arch engraved with a Strike/Silent dial, the arch-topped mahogany case having boxwood crossbanding to the to the trunk and hood doors, with the quarter pillars to the trunk and hood having brass stops and capitals, the pediment surmounted by three brass ball-and-spire finials and with a raised panel to the base, height 212cm inc. finial.* Biography Samuel Northcote is recorded as working in Plymouth as a clockmaker and optician. He died in his eighty-third year on the 13th November 1791. His son, also Samuel, continued as a watch and clockmaker and died aged 71 in 1813. Samuel jnr's son James Northcote RA was apprenticed to Samuel but settled as an accomplished portrait painter becoming a Royal Academician.Reference Clive N. Ponsford Devon Clocks & Clockmakers Pub: David & Charles 1985.

A small and slim mahogany grandmother longcase clock: the eight-day, weight-driven movement striking the hours on a bell and having a brass cylindrical pendulum bob, the 6½-inch brass break-arch dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the dial centre engraved with floral decoration, with cast-brass c-scroll spandrels to the corners, the arch with an applied boss signed with the makers name J. Hughs, London and further c-scroll spandrels, the arched mahogany case having a shaped moulding to the trunk door, barley-twist columns to the hood and all standing on bracket feet, height 176cm.

George Strigel, London a mahogany longcase regulator: the eight-day duration timepiece movement having a dead-beat escapement, maintaining power, a brass bob to the steel-rod pendulum and a brass bound weight, the ten-inch shallow-arched silvered dial having a conventional longcase layout with Roman hour numerals, Arabic five-minute markings, a recessed subsidiary seconds dial, blue steel spade hands and engraved to the arch in script George Philp. Strigel, Facing Her Majesty's Palace, London, the mahogany case having fluted quarter-columns with cast-brass capitals to the trunk with a shaped moulding to the door, the hood with fluted canted corners and a tall shaped pediment top, the base having a shaped raised panel and standing on a double-plinth with bracket feet, height 216cm.* Biography George Philip Strigel, born 1718, is recorded as working in Pimlico, Stafford Row, near Buckingham Gate, London as Clockmaker to Queen Charlotte, wife of George III who once walked in on Strigel as he was attending to one of the Palace clocks. He was made an honorary Freeman of the Clockmakers' Company in April 1781 which is bestowed on those makers who it was believed could advance the interests of the company. Two porcelain clocks signed for Strigel were in Clarence House, the residence of the Queen Mother. A fine complicated watch with seconds and quarter seconds was a part of the famed Courtenay Ilbert collection acquired for the nation and now in the British Museum.Reference. The Philosophical Society of London The European Magazine and London Review Vol.34 Obituary for Mr George Philp Strigel, Watchmaker, in his 80th Year.

Philip Avenell, Farnham, a lacquer longcase clock: the eight-day duration movement striking the hours on a bell with decorative steelwork to the bell stand and having a twelve-inch break-arch brass dial with a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals to the outer aspect, the dial centre having a subsidiary seconds dial, date aperture and engraved with floral decoration and the maker's name within a cartouche Philp. Avenell, Farnham, with cast-brass c-scroll spandrels to the four corners and decorative blued steel hands, the arch having a Strike/Silent dial with matching spandrels, the black lacquered flat-top case having raised Oriental chinoiserie decoration to the arched trunk door, base and hood, with the hood having quarter pillars, height 204cm.* Biography Philip Avenell is recorded as working in Farnham, Surrey circa 1765 before moving to London in circa 1775 where he died in 1809.

Ainsworth Thwaites, London a slim oak longcase clock: the thirty-hour duration movement having a verge escapement and striking the hours on a bell with an outside countwheel with the six-inch break-arch brass dial having a raised chapter ring engraved with black Roman numerals and Arabic five-minute markings to the outer aspect, with c-scroll and rococo engraved decoration to the centre, corners and arch and blued steel hands, the arch having a round boss engraved with the maker's name Aynsworth Thwaites, London, the slim oak case having a shallow arch to the trunk door, a flat-top hood with wood pillars and a plain base standing on bracket feet, height 185cm.* Biography Aynsworth (sometimes Ainsworth) Thwaites is recorded as being apprenticed in 1735 and a member of the Clockmakers' Company from 1751 until 1880 working in Rosoman Row, Clerkenwell. His son John, apprenticed 1772, went into partnership with George Jeremiah Reed to form the well-known clockmaking firm Thwaites & Reed.

George Ellis, Oaken Gates, an oak and mahogany longcase clock: the thirty-hour duration movement striking the hours on a bell and having a painted twelve-inch break-arch dial with black Roman numerals, date aperture, decorative gilded brass hands and decorated with rural buildings to the four corners and arch, the oak case with mahogany crossbanding and panels, the fluted quarter columns to the trunk having cast-brass capitals, the hood with a swan-neck pediment and fluted pillars, the panelled base standing on bracket feet, height 214cm.*NOTE The height of the clock is 214cm and not 124cm as described.* Biography George Ellis is recorded as working in Oaken Gates, Shropshire from circa 1842 until at least 1850.* Notes Reference. Douglas J. Elliott Shropshire Clock & Watchmakers Pub. Phillimore & Co Ltd 1979.

An early 18th Century walnut, banded and floral marquetry rectangular chest:, the moulded top decorated with an oval panel of insects and with floral stems radiating from foliage, having floral foliate spandrels, containing two short and three long drawers and with domed arch panel sides, on later bracket feet, 96cm (3ft 1¾in) wide.

A copper and wire maple leaf wall art / arch hanging, together with an oak oval bevelled mirror (2)

A WROUGHT IRON BLACK PAINTED ROSE ARCH 89cm wide x 28cm deep x 220cm high

An antique Oriental verdigris small bronze devotional statue of a seated Buddha, 11cm. Missing arch to the back, one of the supporting pegs lacking.

A Rockingham potpourri basket with rustic arch shaped handle. Blue ground, gilded and with applied white glazed Dresden flowers. Printed puce griffin mark c.1830-42, 11cm. Pierced cover missing. No repair. Base in good condition.

A George III figured mahogany 8 day longcase clock by John Hamilton, Glasgow. With brass arch top dial bearing a silvered name plate and chapter ring, ornamented with dolphins and scroll work spandrels. With swan neck pediment, twist supports and raised on slender splay bracket supports, 210cm. Exceptionally good clean condition. Running, tested overnight. With weights, pendulum and keys.

A pair of secessionist movement stained and leaded arch top room dividers in mahogany frames, 140cm wide, 104cm high. Glass 92cm x 127cm, both same dimensions. Frames incomplete. Glass mainly in very good condition, some minor cracks.

pair of flatbacks, boy and girl under arch, 6.5"

A late 18th century oak wall mounting corner cupboard, the arch fielded panel door enclosing shaped shelves.101 x 79 cms.

An Edwardian mahogany and inlay arch top mantle clock with carved edge, roman numeral dial, chiming movement, the case raised on brass bun feet 35cm tall