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Click here to subscribeA Regency mahogany longcase clock with reeded and canted column corners, the case with flame veneers, the hood with further reeded column and set beneath a broken swan necked pediment, enclosing a 32cm broken arch painted dial, the spandrels representing four continents, set beneath a rolling lunar dial, with eight day striking movement with subsidiary dials by James Powell of Worcester
AN EARLY 19TH CENTURY OAK EIGHT-DAY LONGCASE CLOCK, the 13-inch square painted dial, signed M. Evans Llangernyw, with subsidiary seconds and date crescent, painted to each corner with a sprig of foliage, the hood with swan-neck pediment and turned pilasters, the case of good colour and with string-inlay to the canted corners, the moulded door with arch-top, complete with pendulum, two weights, winder and case key. 220cm
AN OAK THIRTY HOUR LONGCASE CLOCK, the 10-inch square brass dial, signed Rd Stephen/Bridgnorth, with silvered chapter and single pointer, the hood with integral bead turned columns and glazed panels to the sides, the long case door with arch-top and line inlay, the moulded base with bracket feet, with weight and pendulum. 206cm
AN OAK THIRTY HOUR LONGCASE CLOCK, the 12 1/2-inch brass break-arch dial, signed Helm/Ormskirk, the chapter ring with Roman numerals and outer Arabic numerals, the dial centre with subsidiary seconds, date aperture and dummy winding holes, in the arch a globe within a roundel, the hood with broken pediment and freestanding columns, the case with moulded door with shaped top, the base plinth with shaped apron, with weight and pendulum. 221cm
AN OAK THIRTY HOUR LONGCASE CLOCK, the 12-inch square brass dial, signed Taylor/ WT.HAVEN, with silvered chapter with Roman numerals and outer Arabic numerals, the dial centre with date crescent and engraved with acanthus leaves, the hood with moulded cornice above integral columns, the banded case door with arch top, with weight and pendulum. 197.5cm
A LARGE VICTORIAN CARVED OAK SIDEBOARD, CIRCA 1870, with carved broken-arch pedimented back, the moulded rectangular top above a frieze boldly carved with gadrooning and an acanthus leaf to each fore corner, above a recess of two short over one long drawer, flanked by a pair of cupboards with fielded foliate carved panels, all fitted with substantial brass handles, raised on flattened bun feet. 124cm by 211cm by 63cm
A 17TH CENTURY STYLE OAK WAINSCOT CHAIR, 19TH CENTURY, the pointed arch crest carved with a heron and four stylised flowerheads issuing from scrolling stems, between square section uprights flanking a panel carved with the head of a dog amongst foliage, the boarded seat above a carved fore rail and raised on block and bobbin legs joined by stretchers.
A Victorian ebony and brass inlaid table clock, the silvered dial signed Chas. Desprez Bristol, having strike-silent dial to the arch, twin winding holes for a brass eight day chain driven fusee movement, having anchor escapement, striking the hours and the half-hours on a gong, with pull repeat, the case having pierced brass grilles to the side panels, cut brass inlays, and on lacquered brass ball feet, h.69.5cm. Dial width 8”.With pendulum and modern poor quality winding key.In working order.Pull repeat, hour and half-hour strike fully working.Dial fits case well.Backplate with two unexplained holes (possibly for fixing bracket).Case with several splits to ebony veneer.One brass grille loose.Dial possibly cleaned back.Brass inlay complete.Case has polished / restored appearance.
*Robinson & Tate of Winterton - an early 19th century mahogany longcase clock, the 13" painted arch dial having subsidiary seconds dial, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case with crossbanding and marquetry inlay to panel door, h.224cm. Fine vertical split to boxbase.One foot loose.Approx. 6” veneer split to left of door.Some minor veneer chips to right side of boxbase.Dial with some fading, including town name.Top of pendulum feather missing.With weights.Seatboard and cheeks appear later.Movement and dial all original and belong to case.Colour excellent.
William Center of Banchory - an early 19th century mahogany longcase clock, having swan-neck pediment and twin reeded pilasters flanking painted arch 12" dial, with subsidiary seconds dial and date dial, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case having arched panelled door flanked by quarter turned reeded pilasters and with boxwood stringing, h.214cm. Colour excellent.Fine 12” horizontal veneer split to boxbase.Stands well.Dial good.With weights and pendulum.Movement appears to be original.One left hand cheek is built up.Otherwise appears original and very good.
William Lauder Pather - an early 19th century mahogany longcase clock, the arched brass 12" dial signed to arch disc, with dolphinium spandrels, silvered chapter ring with Roman and Arabic numerals, engraved centre with subsidiary seconds dial, date aperture, twin winding holes for a brass eight day four pillar weight driven movement striking on a bell, the case having bowed door over a boxbase, h.222cm
A Small Mahogany Chiming Longcase Clock, circa 1910, Chippendale style case with applied floral and scroll mounts, swan neck pediment, gilt metal sun burst side frets, bamboo form columns and pilasters, 8-1/2-inch arch brass dial and a silvered Roman chapter ring, arch with two dials for chime/silent and chime on eight bells/Westminster chimes, triple fusee movement with an anchor escapement, chiming with eight hammers on a nest of eight bells and striking the hours on a steel gong, 201cm high see illustration 20.12.18, Case with scratches and small dents in parts, applied mounts with some minor chips in parts, top side of the trunk with one small crack, dial is slightly discoloured, movement is complete, with pendulum.
A Mahogany Eight Day Longcase Clock, signed Joseph Smith, Chester, circa 1780, swan neck pediment with carved flower head capitals, gilt painted scroll decorated eglomise glass panels, Corinthian capped fluted columns, well figured trunk door flanked by inset fluted pilasters, pierced and blind fret borders, 13-1/4-inch arch brass dial, dial centre engraved with a flower basket and scroll decorated, seconds dial, date aperture, arch with a moon disc and signed above on an arched plaque, four pillar movement with an anchor escapement and rack striking on a bell, 247cm high see illustration 20.12.18, The hood with some pieces of wood missing in parts and chips to the edges, front glass panels with blue paint to the reverse side is missing in parts, case with dents and scratches in parts, trunk door is bowed to the topside and slightly stained in parts, later skirting and later feet, skirting with chips, metal mounts are discoloured, case side cheeks have been cut down, later seatboard, later hands, dial and movement are dirty.
A Regency Style Mahogany Eight Day Longcase Clock, signed Maple & Co Ltd, London, circa 1900, arch pediment, fish scale front and side pierced frets, stop brass fluted canted hood corners and pilasters, well figured moulded trunk door, 11-1/4-inch silvered circular dial with Roman numerals, seconds dial, double weight driven movement with an anchor escapement and rack striking on a gong, 223cm high see illustration 20.12.18, Case colour is very slightly faded in parts, plinth with minor scuff marks, trunk door very slightly bowed to the bottom edge, dial and movement are clean, with two weights and a pendulum.
A Brass Lantern Form Hook and Spike Striking Wall Clock, signed Thos Chilton, London, circa 1730, lantern form case with pierced side frets, side doors, 7-inch arch brass dial with a Roman numeral chapter ring, central dummy alarm disc, single hand, arch with circular disc signed, two train movement with a verge escapement and countwheel striking on a top mounted bell, bob pendulum, hoop suspension, (alarm work and spikes are missing), 35cm high, with a later wall bracket see illustration 21.12.18, Brass surfaces are discoloured, possibly later side doors, dial is dirty, single hand is stained and has been painted, dummy alarm disc is not connected to any gearing, movement is dirty, steel parts with staining, general ware to clock frame, alarm work is missing, back feet with the spikes missing, with one later weight.
A George III Mahogany Striking Table Clock, signed Henry Nichols, London, circa 1780, inverted bell top with carrying handle and acorn finials, side viewing glazed panels, bracket feet, 7-inch arched brass dial with a silvered dial plate with Roman numerals and signed, strike/silent selection in the arch, twin fusee movement with an anchor escapement and rack striking on a bell, movement backplate with a central engraved urn and bordered with engraved floral and scroll decoration, 53cm high over handle see illustrations 20.02.19, Case with small scratches and small cracks to the veneers and minor chips in parts, top finials are later, back door with scuff marks, bottom left hand corner of the back door with one chip and a later piece of veneer has been added, later back door lock, around key hole with surface dented, case metal mounts are discoloured, silvered dials with small scratches, silvered surfaces are discoloured, movement with escapement converted from a verge to an anchor escapement.
Mid 19th Century mahogany-veneered eight day painted dial longcase clock, Alfred Eaves, Birmingham, the 14-inch break arch dial with rolling moon phase over painted churches to the hemispheres, the spandrels with female figures representing the seasons framing Roman dial with subsidiary seconds and calendar crescent, the hood with swan neck pediment over carved column and crossbanded triple-arched short trunk door on plain base, 243cm high Condition:
Raymond IV Prince of Orange Franc A Pied 1365.Obverse:- Raymond IV Standing Forward Holding a Sword and Long Sceptre Beneath a Gothic Arch with seven Lis either side and 'RAMVDYS-DEI-GIZA-DPN-AVRA around. Reverse:- Cross Fleury with Crown and Lis in Angles all within a Quadrilobe with Curved Star. Rayants in Spandrels and + XPC-VIHCIT-XPC-REGHAT-XPC-IMPERHT. Around 30mm Diameter, 3.70g weight (Note - = in reverse legend indicates a Voided Mullet)
A VICTORIAN GILT BRASS MOUNTED AND INLAID ROSEWOOD BRACKET CLOCK, C1890 the triple chain fusee movement with substantial plates and pillars, eight bells and five coiled wire gongs, in breakarched case, five pineapple finials and Corinthian columns, the dial with matted centre and silvered chapter ring, three subsidiary dials to the arch, one inscribed WESTMINSTER CHIMES*CHIME ON EIGHT BELLScast cherub side frets, on turned feet, 78cm h++Complete and in good original condition, dusty and requires cleaning but in working order, case not repolished.. An impressive example, larger than many examples of the type
A FINE EDWARD VII OAK EIGHT DAY LONGCASE CLOCK, C1900-10 three train movement, breakarched, engraved brass dial with silvered chapter ring, subsidiary seconds ring, pierced blued steel hands and CHIME/SILENT ring to the arch, flanked by dolphin spandrels, in carved case, the tubular bells and three plated weights visible through the bevelled light of the door, the base and sides panelled, 242cm h ++A particularly good example of the type in fine original condition
AN ENGLISH OAK THIRTY HOUR LONGCASE CLOCK, JOHN WYLD, NOTTINGHAM, MID 18TH C with typical chain driven movement and signed brass dial, the oak case with flat topped hood, 193cm h John Wyld was born in 1709 and worked first for his uncle the locally renowned clockmaker James Woolley of Codnor, Derbyshire (c1700-c1780). Wyld worked independently from 1732, first at Codnor before moving to Chapel Bar, Nottingham in 1745. The case of the present clock is similar to a number of other known examples and it would appear that both Wyld and Woolley obtained their cases from the same maker. Wyld's son, John Wyld II, continued the business until c1770. The present clock is characteristic of a number of other locally made longcase movements of the period with features such as the arch cut-out backplate.++In good fully restored condition and has been working for a full thirty hour duration in the saleroom. An attractive example
An Edwardian mahogany grandmother clock, with swans neck pediment with fretwork panels beneath, the silvered dial with Roman numerals and moon phase to the arch, with two-train eight day movement striking on a gong, marked "Johnston & Co.", Glasgow, with long trunk door flanked by quarter column corners, the base raised on bracket feet. Height 201.5 cm (see illustration).
A late George III crossbanded mahogany longcase clock,inscribed Edmund Martin, London, the swanneck pediment and reeded columns enclosing a brass arched dial, with silvered chapter ring, subsidiary seconds dial and date aperture, painted moon phase to the arch, the eight day quarter repeating movement striking on two bells 235cm high
A 19th century mahogany longcase clock by ....... Kilmarnock, with painted spandrels emblematic of England, Scotland, Wales and Ireland and with Sir James The Rose to the arch, with eight day striking movement, the case with bowed trunk door. CONDITION REPORT: The clock case is in structurally good condition. The pediment is in good order. The glazed door is not warped and closes as it should. The turned pillars are in good condition. The trunk door is not warped. The base has some veneer loss to the bottom left hand corner. All feet and backboards are original. We have both weights, pendulum and key. The movement is extremely dirty and we have not had the clock running. There is no cat gut. The movement appears to be complete but as stated is extremely dirty. We do not have the seconds or date hand both barrels do wind.
A GEORGE III MAHOGANY CASED EIGHT DAY LONGCASE CLOCK, the broken swan neck pediment with central brass spherical mount on gilt capped Corinthian columns, the arched hood door enclosing a painted dial, the arch with date and lunar phase mechanism, spandrels painted with figures emblematic of the four continents, subsidiary seconds and date dials, the 31.5cm dial named 'JN: CRAIG NEWCASTLE', shaped trunk door flanked by quarter Corinthian columns, the base of traditional form with bracket feet, height approximately 225cm with pendulum, two weights, winding key and case key (condition: restored condition)
A GEORGE III WALNUT AND SATINWOOD BANDED EIGHT DAY LONGCASE CLOCK, the hood with swan neck pediment and central eagle pendant flanked with barley twist front columns, the painted dial marked M Bartley, Bristol, dial diameter 28.5cm, seconds dial with automaton ship at sea action in arch, subsidiary date aperture, Roman numerals, the case with shell inlay to door, quarter Corinthian columns, approximate height 205cm, case key, winding key, two weights and pendulum (condition: restored condition and loose eagle pendant)
JOSEPH HERRING, LONDON, a Georgian bell top ebonised bracket clock, mid 18th century, the eight day movement with verge escapement repeat striking on a single and a nest of six graduated bells, back plate engraved with foliate scrolls, 7" arch brass dial, the matted centre with signature and silvered plaque and chased pendulum aperture, chapter ring with Roman and Arabic numerals, calendar aperture and strike/silent dial in the arch, the inverted bell top case with brass carrying handle, glazed side panels, on moulded base, 19 1/2" to tip of handle (Est. plus 21% premium inc. VAT) (Illustrated)
AN OAK LONGCASE CLOCK by Dodson, Holbeck, the eight day movement with anchor escapement striking on a bell, 13" arched dial painted with floral spandrels and with bird on branch in the arch, Roman and Arabic numerals, seconds dial and calendar aperture, the mahogany banded case with scrolled pediment and brass finial on fluted columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 92 1/2" high (Est. plus 21% premium inc. VAT)
A MINIATURE WALL CLOCK by William Farry, Newport, mid 18th century and later, of posted frame lantern type, the thirty hour movement with verge escapement striking on a bell, 4 1/4" arched brass dial with matted centre, silvered chapter ring with Roman numerals, signature roundel to arch, iron wall fixing hoop (Est. plus 21% premium inc. VAT) (Illustrated)
An 18th century oak longcase clock by Nathaniel Hedge of Colchester, twin train movement, striking bell, pagoda top with twin pilasters, the arched brass dial with Roman and Arabic numerals, subsidiary seconds dial at 12, date aperture at 6, signed to plaque in arch, raised on plinth base with shaped apron and bracket feet, H.214cm
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