We found 42009 price guide item(s) matching your search

An Elizabeth I oak overmantle/headboard, West Country, circa 1590With leafy-carved cornice and dentil frieze, atop a stiff-leaf carved rail centred and flanked by leafy-carved corbels, a pair of panels below, each with a guilloche-filled arch on reeded pillars and centred by a cherub mask with leafy-mount,  split-baluster embellished reeded uprights, and leaf-carved lunette cushion-moulded base rail, height 90cm, width 142cm, depth 20.5cm

Four 16th century carved oak panels of Saints, circa 1530 Each standing beneath an arch, on a plinth, to include St. Paul, St. Peter, possibly St. Benedict and St. Lawrence or St. Barbara, 19cm wide, 47.5cm high, (4)

A late 19th century Anglo Indian Moorish octagonal and carved table, the to deeply carved with flowers, thistle and acorns, the base with arch, star and crescent motifs, 52cm high, 35cm wideLocation:RAF

Attributed to Charles George Hood Kinnear (1830-1894) Album of salt prints from calotype negatives, c.1846-8 containing 120 photographic salt prints from calotype negatives, pasted onto rectos only of thick paper leaves, photograph dimensions mainly approx. 15.5 x 11.5cm or similar (leaf dimensions 27 x 22cm), many with bevelled corners, a few arch-topped or in octagonal, oval or circular form, with pencilled captions, dates and foliation, prints towards rear within brown ink frames, the album retaining two initial blanks, one with partial list of subjects, one with ownership inscription reading in part 'Letham Grange, Arbroath, the photographs comprising: 32 portraits of sitters of various social classes, including 'a poacher', 'a smith', various other tradesmen or farmhands (e.g. a man seated with horse tack, a man holding a trowel, and a man holding a log and axe), and smartly-dressed figures, several named, including 'R. Rutherford', 'Dr Burt, 'Capt Maitland R.N.', 'J. G. Murray' (this figure holding a shotgun), Robert Murray (2 portraits), 'An A.R.S.A.' (identified in list at front as J[ohn] C[rawford] Brown [Scottish painter, 1805-1867]), a young woman in a patterned dress (2 portraits), a young boy with a riding crop, a boy seen through a gate in a garden wall, and a man in top-hat posing in stone Gibbs-surround doorway; studies including a still life of game; 2 smaller prints on one mount, respectively titled 'Lacock Abbey, Wilts, from a Talbotype;' and 'Shakespeare's house from a Talbotype'; 14 prints not from life (i.e. from prints or paintings); and numerous views of Kinloch House and its grounds and outbuildings, Collessie (village in Fife), Kames House (Berwickshire), Cunnoquhie House, Falkland Palace, Inchrye Abbey, and Edinburgh (Scott Monument, St George's Church, St John's Chapel, High School, Pitt statue, gaol, and similar); together with 4 photogenic drawings of tree-leaves or grasses (these not from negatives, and in addition to the 120 mentioned). Contemporary fine-diaper cloth album, gilt-lettered 'Calotypes' on front cover, rebacked and recornered, endpapers renewed with bookplate (containing arms of the Kinnear family) reimposed to front pastedown, a few mounts stained from adhesive, a few prints with pencilled embellishments in some cases adding architectural detail, final 11 leaves detached but remaining conjugate, lacunae in foliation indicating a few leaves excised.The album is sold with an extensive collection of related material, including:1. 4 additional photograph albums:a & b) Two albums respectively containing 60 and 25 albumen prints mainly of architecture in Scotland and Northumberland, 1890 & 1892, all approx. 15 x 20cm, mounted rectos only on stiff card, and including Drygrange House and Compstone House, both designed by Kinnear's architectural firm Peddie & Kinnear (with captions to that effect, i.e. 'Drygrange House - C.G.H.K. fecit'; 'Compstone House, Kirkcudbright, C.G.H.K. fecit'), and a few family portraits and non-architectural views, pencilled captions to mounts (in a similar hand to those in the calotype album);c) Album of 52 albumen prints, 1887, including Oxford colleges, Scottish houses including Drygrange (see above), jubilee celebrations at Kinloch, a portrait Wellwood Herries Maxwell of Munches House (Liberal politician, 1817-1900; Kinnear's wife was Jessie Jane Maxwell), outdoor scenes including three figures on a wooded path (one figure identified in a later hand as 'C. M. K.', i.e. Kinnear's son Charles Maxwell), and similar, all approx. 15 x 20cm or slightly smaller, pencilled captions throughout (in a similar hand to the preceding items);d) Album of approx. 60 silver gelatin prints, c.1902, mainly Scottish views and family scenes, including the Maxwell family at Munches House, puffins on Handa Island, etc.2) Album of architectural sketches, signed and dated C. G. H. Kinnear, Genoa, 1854, approx. 30 leaves + blanks, annotated pencil sketches on rectos and versos, including studies of architectural detail (tracery, mouldings, doorways, elevations, etc.) in both Genoa and Pisa;3) Charles George Hood Kinnear's diploma of election as associate of the Royal Scottish Academy, 1893, lithographic document on vellum, signed by Queen Victoria ('Victoria R');4) A large volume of Kinnear family documents and letters, 18th-20th century, approx. 200 in total, including letters from Charles's brother John Boyd Kinnear (1828-1920), Liberal politician, letter to John Boyd Kinnear from John Bright, various deeds (including sasines, on vellum), bonds, contracts, inventories, album of 15 watercolour views in France and Ireland, 1920s, scrap albums belonging to Elizabeth Anne Kinnear including a menu inscribed by ornithologist Peter Scott (1909-1989), and similarNote: Note:A highly important and newly discovered album by a pioneer of photography, dating from within a few years of Fox Talbot's invention of the calotype method and its introduction to Scotland in 1841 by Sir David Brewster.Charles George Hood Kinnear was born in 1830 at Kinloch House, near Collessie, Fife, into a wealthy banking family. In 1849 he was articled to Edinburgh architects William Burn and David Bryce. It is suggested in the Dictionary of Scottish Architects that he may have learnt photography from Bryce, though the dates in this album indicate that his photographic experiments pre-date their known professional association.Kinnear became a founding member of the Photographic Society of Scotland in 1856, and in the same year entered into partnership with Edinburgh architect John Dick Peddie. In 1857 he went on an architectural and photographic tour of northern France using a new form of camera with a conical bellows which 'set the pattern for nearly all subsequent cameras' (Schaaf & Taylor). His final public exhibition of photographs was in 1864, after which his architectural work absorbed most of his efforts; the firm of Peddie & Kinnear had become hugely successful, securing major commissions for private houses, public buildings and churches throughout Scotland which remain major landmarks to this day, including Edinburgh's Cockburn Street, and the hydropathics at Dunblane, Craiglockhart and Callander. He was elected associate of the Royal Scottish Academy in 1893, and died suddenly at his offices in Edinburgh in 1894.A full list of the contents of the main album in this lot is available on request. Lot 57 in the sale, the Kinnear family autograph album, contains letters to C. G. H. Kinnear from various figures including Fox Talbot.Further reading: Schaaf & Taylor, Impressed by Light: British Photographs from Paper Negatives, 1840-1860 (2007), p. 338.Provenance: Inherited by the vendor from Elizabeth Hay (née Kinnear, 1924-2017), descendant of C. G. H. Kinnear.

A Bantam BSA Motorcycle wheel arch, various engines, automobile parts, etc. (3 boxes)

Victorian ebonised repeating musical bracket clock, the domed top with cast brass finials, twin carrying handles, 20cm arched brass dial with matted centre, silvered chapter ring, strike options to the arch, three train movement striking on a gong with eight bells or Westminster chimes, foliate engraved back plate (with pendulum), sound grilles to the sides, the dial flanked with brass Corinthian columns on a stepped plinth base with bracket feet, height 47cm, width 42cm, depth 25cmPlease note our special conditions of sale regarding clocks and watches

Atkinson, Ormskirk, oak and mahogany inlaid eight day longcase clock, the hood with swan neck pediment centred with a scalloped shell, over turned columns flanking a 13'' brass arched dial with rolling moon to the arch, signed silvered chapter ring, matted and engraved centre with subsidiary seconds and date aperture, the movement striking on a bell, over a trunk with quarter pilasters flanking a long, shaped door with blind fretwork details, over a chamfered box base with bracket feet, 227cmPlease note our special conditions of sale regarding clocks and watches

Barwise, Cockermouth, mahogany and inlaid eight day longcase clock, arched hood over a 12'' arched dial with silvered chapter ring, signed to the arch, the movement striking on a bell, the trunk inlaid with a central shell, within reeded columns, over a reduced box base with later bracket feet, height 210cmPlease note our special conditions of sale regarding clocks and watches

Chinoiserie green lacquered pier glass, 1920s, shaped rectangular form reverse painted to the arch with an elder seated with birds, the border lacquered with birds and foliage, height 108cm, width 45cm

Victorian school, a pair of overpainted photographs of a bewhiskered gentleman and a lady, in glazed heavy gilt frames and arch mounts. 43 x 36cm approx. (2) (B.P. 21% + VAT)

Small silver pointed arch four division toastrack with loop handle, Sheffield hallmark. 1.5 troy ozs approx.(B.P. 21% + VAT)

Tin miners arch shaped lunch box mounted with various brass miners talleys, some Welsh. 17.5cnm high. (B.P. 21% + VAT)

18th century oak coffer, the hinged lid revealing fitted candle box above three arch moulded and fielded panels on projecting base and bracket feet. Length 140cm approx. (B.P. 21% + VAT)

OIL PAINTING OF AN ARABIAN BACK STREET WITH DECORATIVE ARCH & FIGURES. INDISTINCTLY SIGNED

QUALITY GARDEN ARCH APPROX 260CM HIGH

Arch shaped bathroom mirror, 60 x 96 cm. Not available for in-house P&P

An arch top silver cased Carriage Clock, London 1927, with French movement, the swing handle above a circular enamel dial with Roman numerals, 8cms (3 3/4"). (1)

19th Century Irish School "View of Spanish Arch and the Claddagh, Galway" watercolour, Signed  with monogram lower left, approx. 32cms x 43cms (12 1/2" x 17"); together with a colour Print of an Oriental Lady called the 'Blue Face', printed on cloth, approx. 61cms x 50cms (24" x 20"). (2)

George III Irish stick barometer of unusual design, the silvered dial signed Joseph Donegan in inlaid mahogany case with broken arch pediment 108cm high

19th century 8 day long case clock with painted dial with Adam & Eve in garden of Eden automaton to arch, in inlaid mahogany case, pendulum and two weights present (hood door lacking) APHA Ref: FT463VL5

Victorian eight day longcase clock by Sam Buxton, Colchester with arched painted dial, windmill painted in arch, striking on bell, in oak case, weights and pendulum present 220cm high

An early 19th century longcase clock, the 12” brass dial signed “Hatfield, Kibworth” in a circular boss to the arch, the engraved centre with date aperture, 8-day striking movement, in oak & mahogany case with swan-neck pediment, 6’11” high.

Mahogany longcase clock, pagoda top, the hood with three brass finials, fluted supports, long arched door flanked by quarter columns, plinth base, twelve inch arched brass dial with cast spandrels, the arch with a selector Sicilian Mariners Hymn and Home Sweet Home, silvered chapter ring with Roman numerals, subsidiary seconds dial, signed William Dick, Warminster, eight-day triple weight movement, striking on ten bells and a gong, height 240cm.Condition report:The total height including the finial on the hood is 245.5cm.

After David Roberts RA'Isle of Graie';'Greek Church of the Holy Sepulchre, Jerusalem';'Remains of Triumphal Arch at Petra';'El Deir, Petra';'Convent of St Catherine, Mount Sinai';'Saida, Ancient Sidon'six lithographs from 'the Holy Land, Syria, Idumea, Arabia, Egypt and Nubia', some tinted and with hand-colouring, dated '1839' within the plate, published 1842-1849image 34 x 49cm and similar (6)Condition Reportoverall: 53 x 68cm.The hand colouring has been well appliced and generally they are in good order, unexamined out of frames.

A reproduction double door arch topped display cabinet fitted a drawer on claw and ball feet

An arts and crafts oak wall mounted book shelf on two tiers with central arch, 60cm wide

William Jones of London. A George III ebonised chiming and repeating bracket clock, with plain architectural case and arched Roman dial, inscribed Song / Minuet / Jig to the arch selector, the twin fusee movement with verge escapement and later clarion chiming on six bells, with bob pendulum. 29cm wide 17cm deep 52cm high**CONDITION REPORT**Overall a little tatty and in need of some cosmetic attention, ormolu mounts all have a dull bronzed finish, front right one is repaired, they also look like they may be later applied replacements, front door has old cracks and splits around the top and no key for the lock, dial has had the scroll work, swags and selector hand for the clarion added later along with signs of old marking and repairs particularly near 11 o'clock, back case with old cracks to the left side of the door which has original lock and working key which also works the front door, movement looks associated to the case and has had the clarion added later, no doubt with other alterations, comes with associated winding key.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

A distressed oak cocktail cabinet with raised panelled sides and lower doors, arch panel carved fall front with mirror interior. 137cm tall x 76cm wide x 47cm deep.

A George III mahogany bracket clock, 17cm arched brass dial with silver chapter ring, inscribed James Park, Liverpool, rolling moonphase to arch, date aperture, twin winding holes, eight-day fusee movement with anchor escapement striking on a bell, the pagoda case with brass carrying handle, glazed sides with pierced sound-frets, bracket feet, 47cm high, c.1770

A George III Scottish mahogany bracket clock, 20cm arched enamel dial inscribed Chas Campbell, Bo'ness, Roman numerals, strike/silent to arch, subsidiary seconds dial, twin-winding holes, fusee movement with anchor escapement, signed to the backplate, the arched case with brass pine cone finials, carrying handles, sound frets and bracket feet, 42cm high, c.1800 Charles Campbell was born in 1732 and died in 18121732 - 1812

A George III Scottish mahogany longcase clock, 30.5cm arched brass dial inscribed John Lane, Aberdeen, Roman and subsidiary Arabic numerals, Strike/Silent to arch, subsidiary seconds dial, date aperture, twin winding holes, eight day movement striking on a bell, the case with swan neck pediment, brass orb and eagle finials, 227cm high, c.1780

A George III style mahogany dwarf longcase clock, 20cm arched brass dial with silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, twin winding holes, eight day movement striking on a bell, the arch with automaton depicting a highland dancer, 180.5cm high, first-half 20th century

A George III style oak dwarf longcase clock, 20cm arched brass dial with Roman and subsidiary Arabic numerals, the arch with roundel engraved with a windmill, twin winding holes, eight day movement striking on a bell, the case with broken-arch pediment and brass finial, 165.5cm high, first-half 20th century

A 19th century gilt metal mounted bracket clock, 15cm arched brass dial, silvered chapter ring engraved with Roman and subsidiary Arabic numerals, Slow/Fast setting dial to arch, twin-winding holes, eight-day movement striking on a gong, the case with arched pediment flanked by finials, lion paw feet, 43cm high, c.1880

A 19th century gilt metal mounted ebonised musical repeater bracket clock, 16cm arched brass dial, silvered chapter ring inscribed with Roman and subsidiary Arabic numerals, slow/fast and strike/silent setting dials to arch, triple winding holes, three-train repeating movement striking on gongs, the arched case crested by the figure of Mercury, acanthus scroll feet, 59cm high, c.1880

SWAROVSKI CRYSTAL NATIVITY SCENE, comprising boxed Arch (153974) 1991, height 9cm, boxed Holy Family (160795) set of three, 1991, boxed Wise Men/Three Kings (166165) set of three 1992, boxed Shepherd (153963) 1992, boxed Angel (153971) 1992 and boxed display stand (6) (Condition report: all in good condition, boxes worn, labels torn)

A WMF ART NOUVEAU EASEL BACK DRESSING TABLE MIRROR, with arched top above fluted columns, cast with a classical lady with flowers in one hand, the other reaching towards flaming torches, bevelled glass plate, stamped 'WMF EP I/O OX' to the lower right hand side frame edge and cast 11508 to the back of the frame, height approximately 38cm, together with three pieces of Arts and Crafts copper, comprising a rectangular tray embossed with fish and seaweed, 38.5cm x 25.5cm, a photograph frame with Ruskin style ceramic plaque inset to the arch, height 19cm and a larger size matchbox holder, the front arch set with a ceramic plaque, height 8cm, internal slot width 8.2cm (4) (Condition report: the mirror frame has several areas where it has been bent out of shape or dented, the four catches holding the back and mirror in place need tightening up, the easel strut doesn't lie flat, the tray is slightly misshapen and has holes in the eyes of two fish, the easel strut is missing from the photo frame and no glass in the slot, the matchbox holder has two upturned corners on the base)

A 20TH CENTURY OAK EIGHT DAY LONGCASE CLOCK, within a heavily carved case with a peacock to surmount, foliage, masks, and fruits, the hood enclosing an arched brass 9 inch dial, strike silent dial to arch, with Roman and Arabic numerals, and foliate spandrels, height 231cm with two weights, pendulum, and winding key (condition:-trunk in good condition, movement untested)

L S Lowry, Five Prints including Waiting for the shop to open x 2, Under the Arch, Industrial Landscape and A Fight, largest image 40cm x 29cm, all framed and glazed

1986 Jeep CJ7 Transmission: manualMileage:51339The Willys Jeep (later Kaiser Jeep or AMC Jeep) is the civilian version of the Willys military Jeep of World War II.  The first Willys CJ prototype (the CJ-2) was introduced in 1944 and the same basic vehicle remained in production through seven variants and three corporate parents through 1986 when production of the Jeep model was officially ended. The Jeep CJ-7 and Jeep CJ-8 were replaced in 1986 by the similar-looking Jeep Wrangler. The Jeep CJ-7 featured a wheelbase 10 longer than that of the CJ-5 and lacked its trademark rear curve of the door cut-outs. To help improve vehicle handling and stability, the rear section of the chassis stepped out to allow the springs and shock absorbers to be mounted closer to the outside of the body.Presented in blue with grey trim,  this late UK supplied 1986 CJ-7 was one of the last built. According to the previous owner,  this is a Renegade specification example which was initially restored prior to the present owner purchasing it in 1998. Sitting on two inch wider than stock arch extensions and Sahara deep dish wheels with new BFG mud terrain tyres and raised Rancho shocks. In 2008 our vendor purchased an AC 5.0 litre V8 engine to replace the 4.2 litre and spent circa £9,000 with AC Automotive having it rebuilt and installed it with all new pistons, a Holly injection system costing £2,400 and a further £2,000 spent on a custom stainless steel exhaust system  and a new radiator. The vendor then decided to have the car taken back to bare metal and repainted in an original Jeep colour - a further £3,500! Recently new seats and half doors have been supplied and fitted from the US and an occasional soft top is supplied, the hard top is available but is unrestored without glass. Currently showing 51,339 however,  the new engine was fitted at 36,000 miles (just 15,000 miles since engine rebuild).   A comprehensive history file accompanies the car and MoT test certificates dating  back to 1998 with a declaration from the purchase in 1998 from the previous owner. A good example of the CJ-7 which is becoming ever more popular and a perfect summer toy to enjoy.

A vintage gilded arch pendant. 132cm x 55cm.

GRAVELL & TOLKIEN, LONDON No.3423 A GEORGE III FLAME VENEERED MAHOGANY EIGHT DAY LONGCASE CLOCK The twelve-inch arched silvered brass dial with Roman numerals and Arabic minute markings enclosing date markings and a recessed seconds dial beneath a strike/silent hand to the arch fronting a substantial eight-day repeating movement fitted five knopped pillars and rack strike on a bell. The arch-top hood with centre ball finial, fish-tail side frets and brass stop reeded canted angles enclosing a narrow moulded hood door, the full-length arch-top trunk door with matching canted sides on a panelled plinth base - massive brass bob pendulum with regulating nut and brass cased weights. 221cm high to top of finial

SCOTTISH GEORGE III MAHOGANY LONGCASE CLOCK, THOMAS WALKER, STRATHAVENLATE 18TH CENTURYthe hood with a swan neck pediment with enamel roundels to the terminals and centred by a brass eagle with brass finials to the corners, above a scale fretwork frieze and arched brass dial with engraved silvered chapter ring and centre, with subsidiary seconds dial, date aperture, twin winding holes, and a signed makers name to the arch boss flanked by Corinthian columns; the trunk with a shaped door with central marquetry roundel flanked by quarter columns, on a plinth base with further marquetry panel and conforming blind fret angles, raised on bracket feet; the twin train, eight-day movement striking a bell[238cm high, 53cm wide, 28cm deep]

A circular glass table on iron base with a set of six iron frame arch chairs

An early 20th Century Art Deco silver plated ice bucket of tapering cylindrical form having engine turned decoration with reeded arch swing handle atop. E.P.N.S marks to the base. Measures approx; 13cm x 14cm diameter.   COLLECTION; Anyone wishing to collect this item in-person, please note this lot is located offsite and collection will be required from a 'BA' (Bath) postcode, by appointment only. Exact location given after payment received. For anyone else, our usual courier service is available as usual, please find details on the shipping tab .

An Oak Dresser and Rack, 18th century, the inverted breakfront base with a central arch panel door flanked by two sets of three drawers, 185cm by 56cm by 217cm

LATE 19TH CENTURY STAINED AND PAINTED GLASS PANEL,with a central arch motif flanked by husk festoons within a green border, in an Art Nouveau style, in painted wood window frame, the glass panel 68cm x 72cm, overall 85cm x 84cm

CUMBERLAND & WESTMORLAND ANT. & ARCH. SOC.  Transactions, Third Series. Vols. 1 to 21. Illus. Quarto. Blue cloth. 2001-2021.

CUMBERLAND & WESTMORLAND ANT. & ARCH. SOC.  Transactions, New Series. A full run from vol. 1 to vol. 100. Illus. Various bdgs. & cond. 1901-2000.

CUMBERLAND & WESTMORLAND ANT. & ARCH. SOC. Transactions, Old Series. A full run of vols. 1 to 16 in fifteen with a duplicate of vol. 15. Illus. Calf, varying cond. 1874-1900.

CUMBERLAND & WESTMORLAND ANT. & ARCH. SOC.  Tract Series. 9 various vols.; also a carton of others re. Cumbria & the Lake District.

A 19th century oak eight day longcase clock, the brass break arch dial with Roman chapter ring, Arabic five minutes and matted centre with subsidiary seconds ring and date aperture, the arch with convex disc signed Cooper & Hedge, Colchester flanked by dolphin mounts, 211cm high, pendulum and 2 x weights

A Georgian carved giltwood rectangular wall mirror with a scrolling break arch pediment and bevelled glass, 71cm wide x 110cm highSome small chips and marks to the gesso, a later back panel

An 18th century eight day walnut longcase clock, the 12" break arch brass dial with silvered Roman chapter ring and Arabic five minutes, matted centre, subsidiary seconds ring, date aperture and name plaque, signed Tho. Martin, London, the arch with strike/silent ring, the movement with five knopped pillars. The break arch hood with twin brass ball and spike finials over plain pilasters and long figured and moulded door (reconstructed base), 209cm high, pendulum and 2 x weights

An early 19th century oak eight day longcase clock, the 11 3/4" break arch brass dial with silvered Roman chapter ring, Arabic five minutes, matted centre, subsidiary seconds and date aperture. The arch with raised silvered disc signed John Mill, Montrose. The break arch hood with central brass ball and spike finial, arched glass side panels and plain pillars over a shaped top trunk door, 214cm high, pendulum 2 X weights and key

A George IV mahogany eight day longcase clock by William Dixon of Pickering with an ogee pediment, two brass ball finials, satinwood moth inlay, conforming break arch door and raised on bracket feet. The painted enamel dial with sun and moon phase, subsidiary dials and Arabic numerals, one weight and a pendulum included, dial 33.5cm wide x 48cm high, case 50.5cm wide x 24cm deep x 246cm highOne ball finial missing, one weight missing, dial with wear and scratched. Case with some marks. Not sold as working

Vaillant, Jean Foy (1632-1706) French Numismatist. 'Nummi Antiqui Familiarum Romanarum Perpetuis Interpretationibus Illustrat'. Amsterdam, G Gallet 1703 with six engraved frontispiece and red and black printed title page. 2 vols. Small Fo. (313 x 215mm). 152 engraved plates (93/116 mis-paginated). Later half calf and marbled boards. B/p for 'The Richard Hoe Lawrence Library on the Coins of Ancient Rome presented to The American Numismatic and Arch. Society of New York March 1889 by Daniel Parish Jr'. Edges frayed/bumped, some staining, warping (2)

A George III mahogany wheel barometer with alcohol thermometer and silvered dials, inscribed 'Stampa & Co N25 Kirby Stt... London', the case with broken arch pediment and shell paterae inlaid decoration, height 96cm (alterations and restoration). Note: from the contents of Runnymede Park, Surrey.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

An early 18th walnut longcase clock with eight day movement striking on a bell, the 12-inch brass breakarch dial with silvered boss to arch, inscribed 'William Barrow London', above a silvered chapter ring with black Roman hour numerals and outer Arabic minutes, framing a matt centre with silvered subsidiary seconds, engraved birds and scrolls and date aperture, all cornered with cast and pierced gilt spandrels, the hood with moulded pediment above pierced fret panels, an arch glazed door and a pair of turned columns, the trunk with arched door above a plain base and plinth, height 222cm (alterations and restoration), with pendulum and a pair of brass cased weights. Note: William Barrow is a recorded London clockmaker, apprenticed in 1700 and made free of the Clockmakers' Company in 1710. He died in 1736.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.

A mid-18th century oak longcase clock with eight day movement striking on a bell, the 12-inch brass breakarch dial with moonphase to arch above a matt centre with subsidiary seconds and date aperture, framed by a chapter ring inscribed 'John Robinson Westminster', all cornered with cast and pierced brass spandrels, the hood with moulded arch pediment, glazed door and fluted columns, the trunk with arched door, on a plain base and plinth, height 214cm (alterations and restoration), with pendulum and a pair of brass cased weights. Note: John Robinson is a recorded London clockmaker working in Westminster between 1730 and 1755.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.