We found 42009 price guide item(s) matching your search

LONGCASE CLOCK BY T. DANIEL, two train eight day movement, the white dial painted with Roman numerals and inscribed 'T. Daniel', stylised flowers to spandrels, the dial arch painted with a landscape, subsidiary seconds dial, contained in a mahogany case, 202cm high

GROUP OF FIVE FRAMED PICTURES including three original oil paintings, one signed Mary C Taylor of a spray of flowers together with an artist's proof etching of the Norman arch, Chester ETC

A Cast Iron Fire Grate, together with a pine arch.

^ A Chinoiserie eight-day longcase clock, mid-18th century, arch brass dial with an oval silvered plaque signed Henry Webster, London, five pillar movement with an anchor escapement and striking on a bell, the green Chinoiserie case decorated with birds and figures throughout

~ An oak eight day longcase clock, signed David Paterson, Sunderland, circa 1780, 12-3/4-inch arched brass dial, arch with moonphase tidal display, signed above on an arched silvered plaque

A walnut triple weight driven striking longcase clock, arch painted white dial bearing inscription Wm Avenell, Farnham, case circa 1730 and later, dial later associated to movement

SEAN FALLON Autographed col 12 x 8 photo, showing Sean Fallon of Celtic in action against arch-rivals Rangers during an old firm encounter c1955, signed (by Fallon only) using a fine blue marker. Good

GEORGE III MAHOGANY BREAKFRONT LIBRARY BOOKCASE circa 1780 the dentil moulded cornice with a broken arch pedament above four asragal galzed doors, enclosing adjustable shelves the lower section with four further fielded panelled doors enclosing shelves raised on a plinth base. 289cm wide 270cm high approx 63cm deep

A very nice 8 day hook and spike wall clock by Whitehurst of Derby. Unusual painted arch dial with painted spandrels. Not many painted hook and spike dials made by the Whitehurst family. Most were brass and 30 hours duration.

Border Fine Arts The World of Beatrix Potter Peters Hiding Place, Mrs Rabbit & Peter, Peter Rabbit Arch figurine (3)

An Edwardian arch top inlaid mantel clock with white enamel dial and balance spring movement

A 19th century longcase clock, the arch top hood with turned pillars and brass finials, quarter reeded columns to the trunk, arched painted dial with 8 day striking movement by Penuluna, Helston

Beer labels, Overseas, Australia, Armenia & Argentina, a lever arch album containing an extensive collection of over 1200 labels, various shapes and sizes including back and neck labels, attached with stamp hinges (average 4 per label) both modern and some older (gen gd)

Beer labels, Overseas, Brazil, (175), Bulgaria, (200), Cameroon (25) & Canada (700), a lever arch album containing an extensive collection of over 1100 labels, various shapes and sizes including back and neck labels, attached with stamp hinges (average 4 per label) both modern and some older (gen gd)

Beer labels, Overseas, Canada (continued) and China, a lever arch album containing a comprehensive collection of over 1100 labels, various shapes and sizes including back and neck labels, attached with stamp hinges (average 4 per label) both modern and some older (gen gd)

A George II gilt japanned longcase clock, mid 18 th century, the caddy top surmounted by three eagle and ball finials above an arched glazed door flanked by Doric columns enclosing a 12 inch arched brass dial with matted centre engraved with birds, silvered seconds ring with Arabic numerals and tablet inscribed in italic Edward Sanders, Poole, above a date aperture silver chapter ring with Roman numerals and Arabic outer numerals, with urn and eagle cast spandrels, strike silent dial in the arch, flanked by dolphin spandrels, 8-day movement with four ringed pillars striking on a bell above an arched top door with raised moulded edge and decorated with oriental figures on terraces, the interior applied with two paper labels for ‘Edward Sanders, Goldsmith in Poole’, over a concave moulding and base floor with further japanned scenes and stepped plinth, plain side, 258cm overall height

An unusual 18th century vernacular gothic Windsor armchair , the back and arms principally in yew wood, the central pierced splat with pointed apertures framed within a pointed arch,, united by further pierced supports before simple tapering arms with swept supports above a pointed saddled elm seat, with a fluted border, raised on cabriole legs united by hay rake stretchers, 107 cm high, 53 cm wide (maximum) seat height 47 cm. Provenance: Property of a private Shropshire gentleman.

A George III mahogany standing corner cupboard, with dentil moulded broken arch pediment, two double panelled doors with applied mouldings over two further doors, 256cm H.

A George III mahogany standing corner cupboard, with moulded cornice and two double panelled arch doors with boxwood stringing and cross banding, two further doors to base, on bracket feet, 230cm H, 112cm W across the canted corners.

Victorian arch topped overmantel mirror, gilt gesso bead and twist frame with acanthus scrolls and wreath surmount, (glass height 120cm width 94cm, overall height 143cm width 130cm)

Late Victorian / Edwardian inlaid mahogany side cabinet, the two bow fronted doors inlaid with urn, swags and wreath, boxwood stringing, decorated bass escutcheons, the arch top back rail with Art Nouveau style tulip inlay on square tapering legs with spade feet, height 127cm width 107cm depth 42cm, two keys in office

SEVEN BOXED LILLIPUT LANE BRITAINS HERITAGE SCULPTURES, 'Nelson's Column' L2253, 'Nelson's Column In Winter' L2301, 'Tower Bridge' L2213, 'Eros' L2290, 'Tower of London' L2210, 'Marble Arch' L2289 and 'The Royal Albert Hall' L2311

A GEORGE III OAK, MAHOGANY AND PARQUETRY INLAID 8 DAY LONGCASE CLOCK, swan neck pediment, the hood flanked by cylindrical columns, the painted dial with lunar calendar to arch, Roman numerals and seconds dial (missing handle) marked D. Hall, Ripley (winding key, two weights and two pendulums)

An arch framed sectional wall mirror

A metal arch framed wall mirror, attached with three planters

An arch framed sectional mirror

MID-20TH CENTURY OAK FRAMED ARCH TOP DRESSER, THE TOP WITH TWO FIXED SHELVES, THE BASE WITH TWO DRAWERS OVER TWO CUPBOARD DOORS

An Urgos arch topped bracket clock in a walnut-style case with ormulu mounts and finials, a silvered chapter ring and moon phase striking on a gong.

~ A George III Mahogany Striking Table Clock, signed Thompson, Darlington, circa 1800, inverted bell top with carrying handle, side sound frets and pull repeat cord, 8-inch arched painted dial, floral painted corners, arch with swag decoration and signed Thompson Darlington, twin fusee movement with an anchor escapement and striking on a bell, 52cm high over handle see illustration 05.06.19. Case slightly faded in parts, pediment with finials missing and the finial holes are now filled, front door escutcheon and the lock plate are later, side fret with pieces of wood missing, recessed side panels are later, front with one chip next to the lock, later feet, movement backplate with scratches and slightly discoloured, movement in going order.

~ A George III Mahogany Striking Table Clock, signed Smoult, Southshields, circa 1790, inverted bell top with a carrying handle, side viewing windows, 7-inch arched brass dial, dial centre with an inner date ring and corresponding central date hand, arch with silvered disc signed, twin fusee movement with a verge escapement and striking on a bell, movement backplate with engraved scroll decoration, bob pendulum, movement secured by brackets, 52.5cm high over handle see illustration 04.06.19. Case slightly faded in parts, veneers with small chips and lifting in parts, minor dents in parts, later feet, front and back doors slightly bowed, back door with chips to the other beading, front door glass with one crack, dial wooden surround with chips, dial is discoloured and dirty, movement is dirty, date hand is not moving and needs attention, striking gut wire is broken, strike work not working, movement going train is working.

~ A George III Striking Table Clock, signed John Harrison, Newcastle, circa 1780, ebony veneered case with an inverted bell top, carrying handle, acorn finials, side viewing windows and sound frets, 8-inch arched brass dial, arch with strike/silent selection dial, dial centre with an engraved floral and scroll decoration, date aperture, twin barrel movement with a verge escapement and striking on a bell, movement backplate engraved throughout with floral and scroll decoration and a central basket of flowers, bob pendulum, movement secured by brackets, 54cm high over handle see illustrations  04.06.19.  Case is slightly rubbed to the veneers in parts, case with surface scratches and small dents in parts, side sound frets with back silks worn, back door with chips, later feet, wooden dial surround is chipped and with cracks in places, dial is discoloured, movement is dirty, movement in going order. The going barrel is fully wound. Pendulum swings for a short period and stops. Movement needs a service. Part of the late Eric Morton clock collection. 

~ A George III Mahogany Quarter Striking Table Clock, signed J Hawthorn, Newcastle, circa 1770, inverted bell top with carrying handle, acorn finials, side viewing windows, bracket feet, 8-inch arched brass dial, engraved scroll decorated dial centre with a date aperture and signed, arch with strike/silent selection, twin fusee movement with a verge escapement, quarter striking on two bells and striking the hours on a further bell, movement backplate with scroll decoration and signed Jno Hawthornthwaite, Newcastle, 54cm high over handle see illustration 04.06.19. Case slightly faded in parts, top side of the pediment with mouldings slightly lifting, veneers with cracks in parts, front door with a later escutcheon and later lock plate, back silks are missing to the door frets, back door with one wooden fret broken and missing, the other fret has been replaced, possibly later finials and feet, dial with small scratches and slightly dirty, later wooden movement seatboard, movement backplate with small scratches and is slightly dirty.

~ A Mahogany Eight Day Longcase Clock, signed John Wyke, Liverpool, circa 1780, swan neck pediment, later inlaid case, pierced side sound frets, inset fluted pilasters, later skirting and paw feet, 13-1/4-inch arch brass dial, dial centre with engraved scroll decoration, seconds dial and date aperture, arch with moonphase aperture and signed above, four pillar movement with an anchor escapement and rack striking on a bell, 252cm high see illustration 06.06.19. Case is faded in parts, later inlay, pediment with chips and later finials, hood with later wooden sound frets, case with cracks in parts, later skirting and later feet, front of the plinth with one later piece of beading added, front panel is slightly lifting and slightly bowed, wooden dial surround is missing, dial is discoloured, seconds hand is missing, later seatboard, small wooden blocks added to both side cheeks, movement needs cleaning.

~ A Walnut Eight Day Longcase Clock, signed Greaves, Newcastle, circa 1750, flat top pediment, arched trunk door, 12-inch arched brass dial with a chapter ring signed, seconds dial and date aperture, arch with lunar dial and aperture, four pillar movement with an anchor escapement and rack striking on a bell, 221cm high see illustration 05.06.19. Case is faded, case with cracks and chips in parts, some scuff marks, trunk door is bowed, base and feet with chips, dial is dirty, movement is dirty.

~ A Green Chinoiserie Eight Day Longcase Clock with Rocking Father of Time Automata, signed Edward Greatrex, Birmingham, circa 1750, green chinoiserie case with gilt painted floral decoration, trunk dial with oriental scenes depicting a pagoda, boats and figures, 14-1/4-inch arched brass dial with a silvered chapter ring signed, dial arch with a rocking ''Father of Time'' aperture, dial centre with a lunar scale and date aperture, four pillar movement with an anchor escapement and inside countwheel striking on a bell, 240cm high see illustration 05.06.19. Case is nicely aged throughout, gilt painted scenes are discoloured, case with cracks, chips and rubbing in parts, some surfaces feel dry and some shrinkage to the paint, door mouldings with splits, base with scuff marks, dial is slightly discoloured, movement is clean, with two weights and a pendulum.

An Impressive Inlaid Carved Chiming Longcase Clock, signed John Lewis, London, circa 1900, swan neck pediment, Corinthian capped columns, case back sides finely carved with flower heads, griffins head and scroll decoration, finely inlaid canted sides, inlaid trunk door with swag and musical instruments, urn and floral inlaid recessed plinth, raised upon a carved plinth and paw feet, 17-inch arched brass dial with a silvered chapter ring signed, two selection levers at 3 and 9 for chime on eight bells/chime on four bells and chime/silent, arch with moonphase, triple weight driven movement, chiming on a nest of eight bells and striking the hours on a larger bell, 251cm high see illustration 06.06.19. Hood right hand side sound fret with one small piece of fret missing, case sides with small staining marks, case with scratches and dents in parts, dial is slightly discoloured, movement plates are dirty and needs a service.

WILLIAM HUGHES, 119 HIGH HOLBORN . A mid 18th Century triple fusee movement ebonised bracket clock, the double inverted bell top ebonised case with four cone finials and carry handle. Break arch style door, embellished corner decorations with brass lined mouldings to front and glazed side panels.Arched dial plate with gilded acanthus spandrels, Chime silent subsidiary dial,silvered chapter ring with Roman numerals and Arabic minute track. False pendulum and chamfered date aperture with matted brass centre and silvered name plate. The triple fusee movement, Chain driven with anchor escapement,four cannon pillars. Quarter striking Whittington tune on a nest of 8 silvered bells,hourly strike on a large single bell. Heavily engraved rear plate throughout,centred William Hughes, Holborn, with matching engraved pendulum bob. 43cm x 24cm x 18cm.

DRESSED SAND STONE DOOR ARCH

[Wordsworth (William) and Samuel Taylor Coleridge.] Lyrical Ballads, with a few other poems, first edition, second (London) issue, with errata leaf and advertisement leaf at end, light foxing, small stains to lower margin of a few leaves, contemporary ink signature "M.Alliott" to front pastedown, contemporary sprinkled calf, gilt decorative border, spine gilt, lacking label, rubbed, joints split, spine ends and corners worn, paint stain to upper cover, [Rothschild 2604], 8vo, for J. & A. Arch, 1798.⁂ The beginning of the Romantic movement, a reissue of the exceptionally rare Bristol issue with a new title and leaves D8 & E1-2 'Lewti' replaced with four leaves comprising 'The Nightingale'.

Camel saddle Rajasthan, 19th Century, with copper inlay, having a front arch pommel and two back rests, 131cm long

Two Antique oak carved panels, depicting Classical semi naked female figures in an arch, with carved borders, each 14.5ins x 11ins

Early 20th Century oak table-top cabinet of inverted breakfront design with bevelled arch-glazed door between fluted Corinthian pilasters enclosing three shelves, 29cm high

Mid 19th Century rosewood side cabinet with rectangular top over two arch-glazed doors on plinth base, 109cm x 34cm x 94cm high

Robert Charles Dudley (1826-1909)A Memorial of the Marriage of H.R.H. Albert Edward, Prince of Wales and H.R.H. Alexandra, Princess of DenmarkLondon, Day & Son 1863Chromolithographs Sheet size approximately 27.5 x 36cm An incomplete set of 16 plates, to include London Bridge, Trafalgar Square, Eton School & ‘The Boys Arch’ (16)

A large Chinese Ming style blue and white porcelain dish, 20th century, decorated with flowerheads and tendrils, blue seal mark, bearing the mark for the Dowager Empress, diameter 38cm. Condition report: Arch shaped repair near edge of dish approx. 16cm long.

Georgian six division arch bar toast rack on bracket feet, 6" wide Lon 1835 by GA & IA 310g.

Pair of four division arch bar toast racks, raised on ball feet, 3.25" long Shef 1904 by M & W 210g.

A 19th Century Victorian mahogany dressing table swing mirror of  arch form, raised on shaped base with turned upright supports arms. Central glass mirror panel in mahogany frame. Measures 69cm high x 67cm wide x 25cm depth.

A contemporary 20th Century reproduction mahogany longcase clock, stepped arch hood, gilt dial with silvered Roman chapter ring, plate 'Tempus Fugit', triple weight driven movement. Measures 184 cm high.

A pair of Edwardian cane seat bedroom chairs and an arch top towel rail

Shirvan prayer rug, south east Caucasus, early 20th century, 5ft. 4in. X 3ft. 1in. 1.63m. X 0.94m. Overall wear, heavy in places; some holes and losses to ends and selvedges. Date in pale blue prayer arch 1320 (AD) [1902 AD]. Finely woven and soft handle.

Kazak prayer rug, south west Caucasus, early 20th century, 6ft. 3in. X 3ft. 11in. 1.91m. X 1.20m. Dated 1333 (AH) [1914 AD] above the prayer arch. Overall wear, slightly heavier in some places; losses to ends. Red field with large ivory rectangular medallion at the top of the prayer arch; hooked medallions and rosettes in the field; pale yellow conjoined arrowhead main border.

Dokhtar-e-Qazi Timuri Baluch prayer rug, west Afghanistan, early 20th century, 4ft. 2in. X 3ft. 1in. 1.27m. X 0.94m. Some wear in places with holes to left side lower end; 'bites' and wear to right side; added flatweave ends. Colourful small medallions in the mihrab and in the top corner panels; light blue spandrels above the prayer arch. Lustrous wool and soft handle.

Tabriz prayer rug, north west Persia, circa 1940s-50s, 6ft. 8in. X 3ft. 4in. 2.03m. X 1.32m. Very small areas of slight wear; small repair; faint surface marks. Pale gold mihrab with a column to each side supporting the arch with hanging lamp; a panel of flowering plants at the base. Pale blue top spandrels; wide main border of large medallions with pale blue details. Soft palette.

Two rugs, first half 20th century, the first: an Ersari Turkmen prayer rug, north east Afghanistan, 3ft. 2in. X 2ft. 6in. 0.97m. X 0.76m. Crease marks in places; slight loss to top end. The mihrab with two vertical rows of five guls and a single gul in the prayer arch; multiple borders. The second, Baluchi rug fragment, Khorasan, north east Persia, 4ft. 8in. X 3ft. 1in. 1.42m. X 0.94m. Overall wear and corrosion. Reduced in length by horizontal cut at the lower end;' fabric tape in places verso. (2)

A mahogany longcase clock by Emperor, the broken arch over a brass dial and glazed trunk door, the three train movement striking on gongs, 185cm high

SYDNEY BUCK, pair of mid 19th Century arch top watercolour portraits "Children of Charles and Frances Harrison" dated 1842 & 1847, 9" x 10"

GEORGIAN LONG CASE CLOCK, 8 day painted arch face with moon face window, inliad mahogany casing with writhen column supports

GEORGIAN LONG CASE CLOCK, brass break arch face 8 day long case clock by Stevens of Great Milton, with oak casing

(Sir Walter Scott) Bart. Provincial Antiquities and Picturesque Scenery of Scotland, 2 vols in one, half calf with marbled boards, published by John & Arthur Arch, Corner Hill, London, 1826., together with William Beattie, Scotland Illustrated, vols I & II, published for George Virtue, London 1838. (3)