We found 42009 price guide item(s) matching your search

An early 20th century chinoiserie dressing table clock in arch topped case, the dial signed Revil

Italian School, The Capricco, with a baroque church and triumphal arch, oil on canvas, 60 x 45cms.

An inlaid mahogany eight-day longcase clock, the dial signed for Webb and Son, Newbury, early 19th century, the four pillar rack and bell striking movement with 12 inch white Roman numeral break-arch dial with subsidiary seconds and calendar dials and inscribed Webb & Son, Newbury to centre, the angles with polychrome and gilt painted conch shell spandrels beneath arch decorated with Ho-Ho birds perched on a branch beneath scroll canopy, the break-arch case with with keystone centred moulded cornice and fluted columns to hood above ebony and box line bordered break-arch door above conforming short panel and flanked by inlaid canted angles to trunk, on plinth base with moulded skirt incorporating bracket feet with shaped apron between, 205cm (80.75ins) high.

A mahogany quarter-striking mantel clock, retailed by Knight and Gibbons, London, late 20th century, the eight-day movement ting-tang striking the hours and half-hour on two bells and stamped Franz Hermle to backplate, the circular white Roman numeral dial with Arabic five minutes to outer track and inscribed Knight & Gibbons, LONDON to centre within an engine turned brass break-arch mask, the case in the George III taste with brass handle to the inverted bell top above arched brass grille side frets, on cavetto moulded skirt base with brass disc feet, 29cm (11.5ins) high excluding handle.

A French Louis XIV style boulle mantel clock, bearing signature for Balthazard, Paris, late 19th century, the eight-day gong striking movement with blue on white enamel cartouche Roman numeral chapter ring applied to a break-arch dial bearing oval enamel signature plate Balthazard, A Paris within scroll mount to lower border, the red stained shell and brass foliate marquetry veneered case with four knopped finials and cast frieze to the ogee upstand flanked by further vase finials above moulded raised brass surround to the front door, the sides with conforming glazed apertures above swollen lower sections applied with scroll mounts to front angles, the base with cast apron and small toupe feet, 34cm (13.5ins) high.

Chinese School (early 19th century), A WINTER LANDSCAPE WITH CHINESE FIGURES ON A BRIDGE OVER A STREAM, WITH A HORSEMAN AND OTHER FIGURES BY CLASSICAL RUINS Oil on canvas 46 x 60cm Condition Report Crazing throughout painting. Repairs to reverse and visible patches. Large central tear above the arch and the pine tree.

Barnsdale 18, Brunswick Place London longcase clock with eight day striking movement, the engraved brass dial with silver chapter ring and Roman numerals with subsidiary seconds ring and Strike / Silent ring to the arch, in oak and mahogany crossbanded case, late 19th century, 211cm.

ROSE ARCH, in verdigris metal, 121cm x 39cm x 237cm H.

A 19th Century Mahogany Farmhouse Longcase Clock with eight day movement by Billing Birmingham. The 14 inch (36 cms) wide painted dial with moon roller in the arch, female figures representing the seasons sat in the corners and a subsidiary seconds dial and calendar aperture to the centre. The flame mahogany case inlaid with decorative banding and having wrythen columns to the hood and trunk with a moulded swan neck pediment, 93 ins (236 cms) in height.

An 18th Century English Flame Mahogany Eight Day Longcase Clock by Paul Rimbault London. The 12 inch (30.5 cm) wide brass dial having a strike/silent wheel in the arch above a silvered chapter ring encircling a matted centre with subsidiary seconds ring, inscribed maker`s plaque and calendar aperture. The case with pagoda hood surmounted by a brass finial, 102½ ins (260 cms) in height.

Victorian mahogany dressing table with triple arch rectangular mirror, on foliate scroll supports, four jewel drawers below, the base with flush fitting central frieze drawer on large front scroll supports, undershelf, bun feet, 106cm wide

A figured walnut cased longcase clock, 18th century and later, the hood with glazed door and arch trunk door with feather banding, the 12 inch arch brass dial with name plate `John Grathorne London` on arch and silverised chapter ring and Roman and Arabic numerals and seconds and date indicators, the eight day five post movement striking on a single bell with two brass cased weights (7` 3" high), 221cm

An 18th century oak coffer with hinged top, the triple panelled carved front with arch decorated frieze, 108cm

A George III mahogany sideboard with banded top and three drawers above arch and cupboard and cellarette drawer on square tapered legs, 148cm

A late 19th century walnut and beech cased German eight day mantel clock with broken arch pediment above circular dial set with Roman numerals, 35 x 28.5cm.

An early 19th century oak eight day longcase clock, with broken arch pediment above an arched painted enamel dial with subsidiary seconds and date dials.

Composite Gothic arch moulding in two pieces. Estimate.Condition Report: please see terms and conditions.

A 19TH CENTURY AND LATER EIGHT-DAY LONG CASE CLOCK having a broken swan-neck pediment with flower-head terminals and giltwood finials, an arched glazed hood door and protruding reeded columns with dentil moulding, the shaped trunk door between reeded quarter columns, the panelled base raised on short bracket feet, the arch of the dial engraved with name ~Alex Picken, Glasgow~ over a chapter ring of Roman hours and Arabic seconds, and two winding apertures, all framed by engraved spandrels. 225cm(h) Dual movement and seat board appear later replacements, marks and scratches, repair to base edge, veneer repairs, some minor depletions, rear feet missing, front feet depleted, some worm damage, viewing advised.

A 19TH CENTURY MAHOGANY EIGHT-DAY LONG CASE CLOCK having a moulded cornice , arched glazed hood door and barley twist columns, the long trunk door with arched glass panel enclosing the brass and glass mercury filled pendulum, the panelled base on turned bun feet, the arch of the dial with silvered roundel, engraved makers name ~John Rankin, Glasgow~, the silvered chapter ring of Roman hours and Arabic minutes, rolling date and winding holes, all framed by applied brass spandrels. 212cm(H) Wear and discolouration to dial, some splits marks and scratches, feet replaced, crack to brass part of dial, viewing advised.

A GEORGE III OAK AND MAHOGANY EIGHT-DAY LONG CASE CLOCK by David Collier of Gatley, having a broken swan-neck pediment with rosette terminals, gilt painted foliate scrolls, arched glazed hood door and turned columns, the long shaped and crossbanded trunk door between turned quarter columns, on a crossbanded base with canted corners and plinth, the arch of the brass dial with painted maker~s name, rolling moon phase mechanism with hemispheres, the chapter ring having Roman hours/ Arabic minutes and subsidiary seconds dial, winding holes and crescent form date aperture, all within applied brass spandrels. 225cm(h) The hood missing a central finial, minor veneer splits and depletions, marks and scratches, wear to moon phase and date aperture, viewing advised.

A LATE 19TH/EARLY 20TH CENTURY CARVED OAK, WESTMINSTER CHIME, EIGHT-DAY LONG CASE CLOCK by S Smith & Sons, The Strand, London, having an arch glazed hood door with craved foliate surmount, the oblong trunk door, panelled base and plinth all carved in high relief with various foliate elements, the arch of the dial having a rolling moon phase dial painted with scenes over two hemispheres and two chime setting dials, the silvered chapter ring with gilt Arabic hours and subsidiary seconds dial, winding holes and plaque bearing the maker~ name, all within applied brass spandrels. 23cm(h) Damaged dial movement loose, broken glass and some depletions to hoods raised moulding viewing advised.

A VICTORIAN GOTHIC OAK CHAIR having a pointed Gothic arch surmount with central pierced trefoil design between fruiting oak branches, the arched needlework padded back decorated with a knight under a triple arched doorway, the padded seat raised on substantial tapering square section legs with arched decoration, on tapering block feet. 129cm(h) Surmounts central finial depleted, finials possible associated, fading to needlework back with some wear, seat requires re-covering, marks scratches , edge knocks etc.

A 17TH CENTURY CARVED OAK COFFER having an oblong triple panel top with incised detail, ring-form hinges, paper lined internal storage and frieze carved with scrolling serpents, the three panels below each carved with arch and foliate design, the dividing muntins carved with a palmate design, the ends capped with a shield device carved with initials ISI, the other with date 640, the base rail carved with lunettes, the ends extending as feet. 74cm(h) x 137cm(w) x 61cm(d) Condition commensurate with age and use, the two shield devices are applied and may suggest a later date of construction, iron strap strengthening to underside, viewing advised.

AN EDWARDIAN MAHOGANY BOW-FRONTED SIDEBOARD having a shallow raised back, bow-fronted rectangular top, cockbeaded drawers and central arch, raised on tapering square section legs, the reverse bearing retailers label for J Simpson of Helensburgh. 88cm9h) x 121cm9w) x 58cm(d) Generally good, minor marks and scratches.

AN EDWARDIAN MAHOGANY BOW-FRONTED SIDEBOARD having a shallow raised back, bow-fronted rectangular top with inlaid stringing, inlaid drawers and central arch, raised on tapering square section legs finishing with spade feet. 88cm(h) x 122cm(w) x 62cm(d) Marks and scratches, some minor depletions.

An early 20th Century Queen Anne style walnut bureau bookcase, the moulded break arch pediment with turned finials above a pair of crossbanded doors and a fall flap enclosing a fitted interior, the four graduated long drawers raised on shaped bracket feet, height approx 215cm, width approx 87cm.

A Georgian style mahogany arch top mantel clock with silvered dial and chiming movement

A period style arch top walnut cheval mirror on splay feet

An early Victorian figured mahogany chiffonier, the shaped raised back with a central rectangular mirror plate, the base with two doors each with arch panels, flanked by bowed recesses, the base 153cm wide.

An unusual arch top four fold screen inset with porthole mirrors against a chinoiserie paper ground

An early 20th Century 18ct jewel form St Andrews Royal Arch Chapter with central triangle and crown and terminating in red watered silk ribbon, total weight 18gm.

ALF .S.WATSON (20TH CENTURY SCHOOL) - Watercolour, moored barges near an arch bridge, signed and dated 1921, mounted and unframed, 26cm x 36cm.

An Edwardian arch shaped inlaid mahogany and chequer strung mantle clock, on brass bracket feet, 23cm wide

A 19th Century oak and mahogany inlaid long case clock, painted arch dial, with moonphase and eight day movement striking on a bell, second and date aperture, enclosed by a broken swan neck hood, over a short trunk, canted bracket plinth, 214cm high. ILLUSTRATED

A Victorian mahogany chiffonier, the carved scroll back over two frieze drawers, above a cupboard base enclosed by three arch doors, plinth base, 138cm wide

Richard Hartshorne, Broseley, a George III North Country oak longcase clock, mahogany cross banded and checker line inlaid, the hood with broken swan neck pediment above fluted Corinthian columns, having a 13-inch broken arch brass dial, signed with Arabic and Roman chapter ring, seconds subsidiary dial and date aperture within foliate engraved spandrels, set 8-day anchor movement striking bell, the case with rectangular trunk door flanked by fluted corinthian quarter pilasters, raised on box base with later plinth, 232cm high x 56cm wide.

An 18th Century mahogany longcase clock, cross banded and ebony line inlaid, the arch topped hood having reeded column supports flanking a 13-inch broken arch painted dial, the arch decorated with a maiden awaiting the return of a tall ship above a painted Roman chapter ring, second subsidiary and date dials and foliate spandrels, set 8-day anchor movement striking bell, the case with shaped trunk door flanked by reeded quarter pilasters raised on shaped plinth base, 219cm high x 54cm wide.

An early Victorian North Country oak and mahogany longcase clock, the a 14-inch broken arch dial later painted with a Roman chapter and inscibed Richard Snow, Pateley Bridge? Set a 30-hour anchor movement, striking bell. The case having broken swan neck pediment above a parquetry trunk door, flanked by quarter pilasters, raised on shaped plinth base, 227cm high x 58cm wide x 25cm deep

John Mason, Doncaster, an 18th Century oak longcase clock, the 12-inch broken arch topped dial set Roman and Arabic chapter ring, seconds and date dials, decorated foliate spandrels, the 8-day anchor movement striking bell. The later carved oak case with shaped trunk door, raised on shaped plinth base, 268cm high x 53cm wide x 26cm deep

An early 20th century oak overmantel mirror, with broken arch pediment above a rectangular plate, flanked by fluted columns, 99 cm high x 134 cm wide.

An old watercolour painting of a Japanese arch and a Japanese vesta striker in the form of a man's head.

Cyril Braddock, a framed well executed pen and ink and watercolour scene of a city street viewed through an arch with a cat beside a dustbin and steps leading up past a gas street-lamp on the far side- entitled ''Mary Street & steps, Hyde, Cheshire. 14 1/8'' x 10 3/4'' approx.

An Elliott small mahogany arch top mantel clock

A 19th century large studded arch top oak trunk with the initials `L T`

GIOVANNI BATTISTA PIRANESI (1720-1778) Six architectural views, including a Capriccio with an avenue flanked by statues of lions running beneath an arch, framed as three sets of two, 9" x 6.75" (each image)Foxing and staining to all.

A GEORGE III OAK LONGCASE CLOCK, the brass dial with silver chapter ring with central subsidiary seconds dial, the chapter ring flanked by pierced spandrels, the arch with dolphin spandrels and a figure of `Old Father Time`, with a two-train movement striking on a bell, the flat topped hood with turned columns and gilt fittings above a conforming trunk door, 88" high

A GEORGE III OAK AND MAHOGANY CROSSBANDED LONGCASE CLOCK, the silvered dial signed `Saml. Olliver, Tonbridge`, with silvered chapter ring and subsidiary seconds dial and inner date dial, the arch with a strike/silent dial, the hood with arch top surmounted by three turned finials, with a tall trunk door with central shell inlay, on conforming base, with an eight-day two-train five pillar movement, striking on a bell, 88" high

A GEORGE III OAK LONGCASE CLOCK, the white painted dial signed "Geo. Smith, Huntly", with Roman numerals, subsidiary seconds and date dial, the arch decorated with a spray of fruit, with an eight day two train movement striking on a bell, the hood with swan-neck pediment, central eagle and ball finial, the trunk with a tall door, 86" high

A VICTORIAN INLAID MAHOGANY LONG CASE CLOCK, with a 14" white enamel dial signed J Jarvis, Whitchurch with subsidiary seconds and date dials, Roman numerals, the spandrels painted with figures emblematic of the four seasons with a lunar calendar in the arch painted with a moon, cottage and masted galleon, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting, three brass eagle finials, the trunk with a panelled door raised upon a panelled plinth base, flame mahogany, canted angles upon bracket feet with two weights, winding key and pendulum, 88" high x 24" See illustration

A GEORGE III MAHOGANY LONG CASE CLOCK, with a 14" white enamel dial with lunar calendar signed Holford Richardson, Tarporley, with Arabic numerals, subsidiary seconds and date aperture, the spandrels painted with figures emblematic of the four continents, the arch painted with an English masted galleon and a figure of Britannia, the two train eight day movement with anchor escapement rack striking on a bell, the case with a brass eagle finial, the frieze inlaid with ovals above fluted columns, the trunk with a shaped door, flanked by fluted quarter columns raised upon a plinth base and bracket feet 97" high with two weights and a pendulum See illustration

Topographical Ackermann Railway Prints: after T T Bury, `Moorish Arch, Looking from the Tunnel`, `Viaduct across the Sankey Valley`, `Warehouses &c at the end of the tunnel towards Wapping`, `Entrance of the Railway at Edge Hill`, Liverpool`, `Entrance to Manchester across Water Street` and `The Tunnel`, hand-coloured engravings, each apx. 230mm x 250mm (6)

Marklin H0 Gauge 3-rail electric track and Accessories: Left and Right hand points (23), Diamond crossings (9), Straights (80), Curves (50), Buffer Stops (13), Lamps (5), Transformers (3 one boxed), 7186 Turntables (2), Arch bridges (2), Lattice bridge (4) and a quantity of other items (Large Qty)

Hornby Series `Wembley` Station Tunnel and Accessories: Wembley Station with speckled platform, arch, fencing, barrier and, two ramps with fencing and Station name, additional platform with fencing, in original box, large curved Tunnel, in distressed original box and Hornby Trains Turntable and No 1 Level Crossing, in original boxes, G-VG, Station with paint chips mainly to fencing, boxes, P-G, Tunnel and Station boxes poor (4)

Victoria (Queen of England, 1819-1901 & Albert, Prince Consort, 1819-1861). Portrait of Victoria, the Princess Royal, 27th December 1842, original etching on india paper with card mount support, etched by Prince Albert from an ink sketch by Queen Victoria showing the Princess full length under an arch of ivy leaves, date, artist name and initials in the plate impression, 150 x 117mm, mat mount (1).

Turner (J.M.W.). Picturesque Views on the Southern Coast of England., 2 vols. (in one), pub. John & Arthur Arch, 1826, title page and contents lists, forty-eight uncoloured engraved plts. and thirty-two engraved vignettes and chapter headings throughout (complete as lists), occ. spotting, book plate of Viscount Mersey, a.e.g., contemp. gilt and blind stamped calf with gilt dec. spine, a little bumped and worn at extrems., 4to. A handsome copy. (1).

Three Silver Gilt Masonic Jewels, comprising a Holy Royal Arch Past MEZ breast jewel, a Craft Past Master breast jewel to Lascelles Lodge No.4796 and a Mark Past Master breast jewel to Knaresborough Castle Lodge No.768; two Silver Gilt and Enamel Collar Jewels, to Past President of The Institution of Environmental Health Officers and Past Chairman of The Sanitary Inspectors Association (5)

A Collection of Craft Provincial Regalia to Yorkshire West Riding, comprising two aprons, two collars with Past Master`s Jewels, a breast jewel, two pairs of cuffs and two pairs of gloves, contained in a leather case; Masonic Regalia, including a Holy Royal Arch Provincial apron, a collar with jewel, two collarettes and two sashes to Yorkshire West Riding, two other aprons, a sash and embroidered badge, in a leather case; thirteen Various Gilt Metal and Enamel Masonic Jewels, one with original case of issue (3)

Pair of silver pointed arch four division toast racks

Clipped signatures, letters etc, including Lady Wolseley, Alfred Gilbert, Lewis M Isaacs, Randolph Churchill, Archbishop of Canterbury, Lady Howe, Sylvia Grey, Joseph Arch, James Paget, Helena George, envelope to Princess of Wales plus many more signatures, letters from nobility, royalty, politicians and luminaries of the time, together with a Victorian album with various signatures, missives and pencil drawings, one signed J Winter and another residence of Milton, references to Rarotonga

An early 18th Century Walnut Small Desk, the quarter veneered herringbone banded and crossbanded top over a full width frieze drawer, with shallow drawer over arch with cupboard behind, flanked on either side by three short drawers on bracket feet, 31 ½” wide