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Signed and dated 1965, watercolour.14.5cm x 20.5cm (5.75in x 8in)Condition report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Signed, watercolour.49cm x 74cm (19.25in x 29in)Condition report: The painting is in good, original condition with strong colours. The paper has browned in some areas across the painting and there is a small tear in the paper in the lower right-hand corner. The painting is ornately framed and glazed.

Indistinctly signed and dated 1884, watercolour.35.5cm x 50.5cm (14in x 20in)Condition report: The painting is in good, original condition. The paper has browned in some areas and there are some spots of foxing across the painting. There is a small tear and a couple of small holes in the paper in the lower left-hand corner of the painting. The painting is framed and glazed.

Indistinctly signed in lower right hand corner, watercolour.24cm x 34cm (9.5in x 13.5in)Condition report: The painting is in very good, original condition with strong colours and no obvious faults to report. The painting is framed and glazed. The frame has some minor scuffs and knocks commensurate with age.

Signed and dated 1859, watercolour.28cm x 45.5cm (11in x 18in)Condition report: The painting is in good, original condition with strong colours. The paper has browned universally across the sheet and there are some minor spots of foxing across the painting. The painting is framed and glazed. The frame has some minor knocks and losses commensurate with age.

Signed, titled on artist's label verso, watercolour.42.5cm x 75.5cm (16.75in x 29.75in)Condition report: The painting is in good, original condition with strong colours and no obvious faults to report. There is some very light time staining and browning around the edges of the painting near the mount board. The painting is ornately framed and glazed. The frame has some minor knocks and losses commensurate with age.

Signed and dated 1900, watercolour.26cm x 74cm (10.25in x 29.25in)Condition report: The painting is in good, original condition with strong colours. There is some very light time staining and browning around the edge of the painting near the mount board and a small tear in the paper in the lower right-hand corner. The painting is framed and glazed. The frame has some minor knocks and losses commensurate with age.

Geoffrey H Pooley (British 20th-21st Century) Snow Capped Mountain, watercolour, signed and dated '66 bottom left, measurements 38 x 50 cm, frame 58 x 70 cmCondition report: The painting is a watercolour on paper. The paper appears in good condition, no obvious signs of rips, tears or creasing. There is some staining to the edge of the mount. Colours appear well preserved, minimal fading. Not examined external to frame.

British School (19th Century), Watercolour Men gathered at a Coastal Tavern, mounted and framed. Measurements 17.5 x 26 cm (i), frame 44 x 51 cmCondition report: the painting is framed under glazing, the frame being in good condition with minor signs of general wear and tear. The paint appears to be in good condition with no obvious signs of paint loss or deterioration.

Felix Gardon (British 20th Century), The Secret Weapon, bombardement Nazi Germany, Second World War, watercolour, signed bottom right, measurements 37 x 26.5 cm (SH)Condition report: The painting is a watercolour on paper, unframed. The paper has creases to the top left corner and top right, creasing to the right side, tear to the centre-left edge, some tears to the edge of the left side (photographed), missing edge of the right corner of the shett. Two scuffs lower left. Some foxing, stains to left side airplane, centre lower bottom area. Paint condition appears generally good.

Walter Emsley (British 1860-1938), The Old Pier Whitby, watercolour, signed bottom left, dated 1910, mounted and framed. Measurements 53 x 36.5 cm (i), frame 66 x 50 cmLabel Verso: Thomas Agnew and SonsCondition report: The painting is a work on paper, the paper having some general ageing and two small cuts to the top-centre edge of the paper. No other obvious rips, tears or holes to the paper- it has not been examined external to the frame. The paint condition appears good, some minor fading to the colours no obvious signs of loss or deterioration. The frame has some general wear and tear, the joints appear to be solid.

WARREN WILLIAMS ARCA watercolour - rocky coastalscape, rough seas, signed, 25 x 36cms Condition Report: foxing to the mount and to areas of the painting particularly near the base

GAETANO FACCIOLA (Italian 1868-1949), ancient ruins, signed bottom right, watercolour on paper, mounted, framed and glazed, approximate size 15cm x 30cm Condition report Some light foxing to the painting, mount is foxed and stained, small amount of frame damage

ORIENTAL PICTURES to include a Tibetan Thangka painting on fabric, approximate size 28cm x 21cm, mounted, unframed Chinese silk panels in frames, needlework pictures of Pheasants, watercolour on paper of a female figure, two paintings on rice paper, embroidered picture, together with a watercolour of Irises and two prints

Michael Bennett, (born 1948), collage watercolour and acrylic painting, "Small storm :- second series No.4", 15 cm x 19 cm, in oval mount within silvered frame, label verso with title of work, signed and dated 76. CONDITION REPORT: This painting is in good condition.

Chinese school, a watercolour painting on silk depicting vases and a fish bowl, 27 by 30cms (10.5 by 12ins).

A Chinese watercolour painting on silk depicting a bird amongst flowering foliage with four character and seal mark, framed & glazed, 18 by 37cms (7 by 14.5ins).

An early 19th century Mughal portrait painting of Bhim Singh of Mewar (Udaipur 1768-1828), 26th Maharana of Mewar and 1st Marahana of the Princely State of Udaipur. A full length profile portrait standing facing right, richly dressed and bejewelled. Inscribed in pen to verso ‘Ranajee Bhimsingjee the son of Rana Ariejee now reigning at Oodahpoor Hindo era 1866 AD 1810’, opaque watercolour heightened with gold on paper with narrow inner black and yellow borders and Devanagari inscription above, unframed, 21.5 by 14cms (8.5 by 5.5ins).

An early 19th century Mughal portrait painting of Bakhat Singh of Marwar (Jodhpur 1706-1752) Maharaja of Jodhpur and Marwar, Raja of the Rathore Clan. A full length profile portrait standing facing left, richly dressed and bejewelled. Inscribed in pen to verso ‘Maharaja Wukutsingjee (Bakhat Singh) the son of Adjeetsingjee (Ajit Singh) in the Hindoo year 1782 slew his father and divided the Realm with his Brother Abehsingjee (Abhai Singh), whom he afterward deposed and reigned over the whole Territory of Jodpoor till 1808 when he died’, opaque watercolour heightened with gold on paper with narrow inner black and yellow borders and Devanagari inscription above, unframed, 24.1 by 15.2cms (9.5 by 6ins).

Mary Dixon - River Scene with a Boat on the Foreshore - pastel, label to verso, framed & glazed, 39 by 29cms (15.25 by 11.25ins); together with another watercolour painting by the same artist (2).

19th century Chinese school - a watercolour painting depicting a robed dignitary seated on a throne chair with four character mark to the lower edge, framed & glazed, 33 by 41cms (13 by 16ins); together with another similar depicting an Immortal (2).

C. Vdvelde - A vintage early 20th Century watercolour painting depicting a series of buildings beside a lake with early autumn trees and grasslands. Signed to the bottom right by the artists and set within a gilt frame. Measures 27cm x 37cm.   

John Brunsdon (1933-2014) - Across The Marsh - A 20th Century watercolour painting etching print depicting the rolling hills of Wiltshire with a small village to the foreground. Signed in pencil to the bottom right and limited number 29/150. Framed and glazed. Measures 70cm x 84cm. 

Terence Gravett - Garden I -  A good abstract watercolour painting screen print entitled 'Garden I'. The print signed to the bottom right by the artist and numbered 6/8. Framed and glazed. Measures 75cm x 76cm. 

SIECK, RUDOLF (1877-1957), "Weite sommerliche Landschaft" Gouachiertes Aquarell über Bleistift, rechts unten signiert, rückseitig handschriftlich bezeichnet: "Für Brigitte und Helmut....20.4.1960 Ingrid Sieck" HxB: 41/55 cm. Rahmen, Altersspuren. SIECK, RUDOLF (1877-1957), "Vast summery landscape", Gouached watercolour painting over pencil, signed at lower right, inscribed by hand on the reverse: "For Brigitte and Helmut....20.4.1960 Ingrid Sieck" HxW: 41/55 cm. Frame, signs of age.

W.Durden: a framed oil on board naive maritime painting, depicting sailing vessel and figures in a rowing boat - sold with a mid 20th Century watercolour of a coaster - various condition

Six Edwardian Watercolour Paintings Watercolour on paperTwo paintings of houses 31 x 39 cm (framed)Two still life paintings signed 'D' 32 x 39 cm (framed)Painting of tree signed 'M. Culley' 48 x 41.5 cm (framed)Painting of chapel signed 'R. H. Powell' 40.5 x 33 cm (framed)

David Whitaker (British, 1938-2007)KOHD No.17 signed and dated 'Whit 03' (lower right)pencil and watercolour on paper16 x 25.5cm (6 5/16 x 10 1/16in).together with a further watercolour painting KOHD No.34, by the same hand(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Kurt Jackson (British, born 1961)Nanjizal, Ebbing Tide, Indian Summer signed, titled and dated 'Nanjizal ebbing tide, Indian Summer/Sept 02 Kurt J.' (lower right); further signed 'Kurt Jackson' (on backboard)watercolour, collage, coloured pencil and gouache on paper26.5 x 29cm (10 7/16 x 11 7/16in).together with a further watercolour painting, Halfpenny Bridge, by the same hand(2)Footnotes:ProvenanceThe Artist, from whom acquired directly by the present owner, 2005Private Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Bil Donovan (born 1953)At the Plaza signed 'DONOVAN' (lower centre)watercolour and crayon on paper36 x 32cm (14 3/16 x 12 5/8in).together with a further watercolour painting, Zuhair Murad, by the same hand(2)Footnotes:ProvenanceWith Gray Modern and Contemporary Art, Bath, 14 September 2016, where acquired by Keith William SleemanThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

A group of three pictures to include Lucy Strachan - The Artist as a Young Horse, circa 1984, signed, titled and dated print in pencil to lower margins, 74.5 x 50cm, mounted in clip frame; Arlene Slater - Riviera House, Santa Fe, At Sunset, watercolour, singed, 30 x 54cm mounted in glazed frame (condition: crack to glass, some fixing to both top corners), Indistinct artist monogram - standing figures - paper collage, 40.5 x 54.5cm glazed frame, Mary Setchell Ainslie - Cock and Hens Pecking, circa 1995, pastel drawing signed lower right corner, inscribed title verso with artist label 69 x 49cm in a glazed frame, and by the same hand Study of a Topless Woman, pastel, signed and dated in pencil to lower left corner 34 x 49.5cm, mounted in a glazed frame, and Untitled - extensive landscape painting with trees, on board, unsigned 81 x 101.5cm unframed

A South East Asian watercolour painting, women and children by a building, unframed. 85 x 64cm

Ernst Klimt Putti mit Rosengirlanden (nicht ausgeführter Entwurf für ein Deckengemälde), 1885 Aquarell, Bleistift auf Papier, 47,3 x 25,2 cm Signiert und datiert rechts unten: Ernst Klimt / 1885 österreichischer Privatbesitz Wir danken Herrn Dr. Hansjörg Krug und Frau Dr. Marian Bisanz-Prakken für die freundliche Unterstützung bei der Katalogisierung. Möglicherweise handelt es sich bei vorliegendem Aquarell um einen nicht ausgeführten Entwurf, der in Zusammenhang mit den Dekorationen der „Künstler-Compagnie“ für das Stadttheater Karlsbad steht. So wie sein älterer Bruder Gustav besucht Ernst Klimt ab 1877 die Kunstgewerbeschule des Österreichischen Museums für Kunst und Industrie. Die Brüder Klimt sind Schüler von Ferdinand Julius Laufberger (1829-1881), einem erfolgreichen Maler und Dekorateur der Wiener Ringstraßen-Ära. Laufberger vermittelt den Kontakt zwischen den Klimt-Brüdern und Hans Makart, durch den sie bei der Ausführung des Festzuges zu Ehren der silbernen Hochzeit des Kaiserpaares mitarbeiten können. Gemeinsam mit Franz Matsch gründen Ernst und Gustav 1881 eine Künstler-Compagnie und haben ein eigenes Atelier in der Sandwirtgasse in Wien. Zu Ernst Klimts größten Aufträgen zählen Ausstattungsbilder für Theaterbauten in Karlsbad, Fiume, Reichenberg und Wien (k.k. Hofburgtheater), fünf Deckengemälde im Schloss Mondsee sowie Arbeiten für das rumänische Königsschloss Peles in Sinaia (Rumänien). 1891 heiratet Ernst Klimt Helene Flöge, die Schwester von Klimts Freundin Emilie Flöge. Nach dem Tod Ernst Klimts am 9. Dezember 1892 zerbricht die Compagnie. Ernst Klimt Putti with rose garlands (not executed design for a ceiling painting), 1885 watercolour, pencil on paper, 47.3 x 25.2 cmsigned and dated on the lower right: Ernst Klimt / 1885 private property, Austria We are grateful to Dr. Hansjörg Krug and Dr. Marian Bisanz-Prakken for their kind assistance in cataloguing this work.

A COLLECTION OF ASSORTED PICTURES TO INCLUDE SKETCH BOOKS, OIL PAINTING, WATERCOLOUR ETC. ALL BY P. MORGAN  

Geoffrey Watson (1894-1979): The Fairey-3F Aircraft. A framed , mounted and glazed original watercolour painting of the aircraft in flight, signed by the artist and dated 1930 in the lower right-hand corner. Image size 14 x 17¼-inches (36 x 44cm). Image in good condition, mount grubby. Together with a large (unsigned) original black pen-and-ink drawing on board by the same artist of the Fairey-3F, image size 10½ x 10-inches (26½ x 25.5cm), an etching of three of the aircraft in flight, signed in pencil by the artist in the lower right-hand margin, image size 9½ x 12-inches (24 x 30.5cm), and two large colour prints from paintings by the artist, published by the Gloster Aircraft Co. Ltd., Cheltenham, and depicting The 'Gloster III', Schneider Cup Race, 1925, and The 'Gloster IV', Schneider Trophy Race, 1927. Four items unframed, and all in good condition. (5)  N.B. The glazed item in this lot has cracked

Stanley Orton Bradshaw (1903-1950): Two Watercolour Studies of Biplanes. A pair of framed, mounted and glazed works, both signed by the artist, of planes numbered G-EBNN and G-EBNP respectively, the first in horizontal format, image size 9 x 13¼-inches (23 x 33.5cm), the other in vertical format, image size 12¼ x 10-inches (30½ x 25.5cm). Both with some slight surface blemishes, but otherwise good. Together with a framed monochrome oil painting of a mid-20th Century Bomber (?) taking off, signed 'Bagley' in the bottom right-hand corner, and possibly by Laurence Cyril Bagley (1922-1983). Image size 13½ x 18-inches (34 x 46cm). Some surface blemishes, but a striking image. (3)

An oil on canvas of Anne Hathaway's cottage, together with one other oil painting, a watercolour and mounted and framed commemorative stamps

Charles James Keats (1900-)  Continental School watercolour painting of Antwerp, Belgium. The street scene with farmers driving sheep, horse and cart with cathedral to the background. Signed to the corner by the artist.  Framed and glazed with gilt border bearing artist name to centre. Measures 47cms x 31.5cm

HARRY KEILLER, A HARBOUR SCENE watercolour, signed 33cm x 47cm mounted, framed and under glass, along with an oil painting inscribed 'Sketch', a mixed media still life, a rural scene, a print of floral still life, two prints by P St C Merriman, another of George Square, Glasgow and two etchings (10)

A watercolour 'The Berkeley near Alderley' by Graham Smith, in an oak frame, 59cm x 77cm, some staining to mount but painting good, also with a Lionel Edwards print Hunting Countries, some general fading

Walter Goodall RWS (1830-1889), a watercolour entitled 'A halt at a Brittany well, a copy of his brothers oil painting Frederick Goodall RA 1822-1904, framed and glazed with labels verso in good condition with some fly under glass, 48cm x 53cm

A watercolour painting of Houghton Mill, signed by D.Allen, local artist, frame size 54cm x 39cm

A finely painted watercolour of a beautiful young lady and her two children, signed E J Carillo, in a gilt ornate frame mounted under glass in an outer frame on an easel stand, outer frame 39cm x 31cm, painting is split and there is damage to frame but a wonderful painting and colours bright

ROBERT NICHOLLS 'Moorland scape with Grouse', Watercolour painting, signed, dated (19) 90, 42cm x 68cm, gilt framed, mounted and glazed

A watercolour painting by John L.Thirtle

A watercolour of naked ladies cavorting in a clearing along with an oil painting of a continental village scene, pen and ink sketch and one other watercolour

An framed oil painting on canvas of a Parisian street scene signed Burnett, along with a watercolour entitled "Along The Yarty" signed by Pauline Allen and a framed vintage map of Leicestershire.

Vic Grainger (contemporary), A dynamic study of a hound leaping a ramshackle wire fence as his quarry, a hare, darts off in the opposite direction across snow covered ploughed farmland, watercolour, signed and dated 1986, in card mount and moulded frame under glass, 892 cm x 71 cm, [Vic Granger was born between the Wars in a Nottinghamshire. He studied at Mansfield School of Art, going on to serve an apprenticeship in the design studio of the Metal Box Company and thereafter work in graphic design. From 1975 he has focused on the painting of sporting and other dogs.]

Vic Grainger (contemporary), A warm study of a greyhound and her pups, watercolour, signed, in double card mount and moulded parcel-gilt frame under glass, 55 cm x 71 cm, [Vic Granger was born between the Wars in a Nottinghamshire. He studied at Mansfield School of Art, going on to serve an apprenticeship in the design studio of the Metal Box Company and thereafter work in graphic design. From 1975 he has focused on the painting of sporting and other dogs.]

Bridget Moore NEAC RBA RWS (British, b.1960). '3 of Spades'. Gouache on card, signed and titled verso. 22.3 x 14cm. Bridget Moore was born and grew up in Whitstable, Kent. She studied art at Medway college of design, Epsom school of Art and the Royal Academy Schools where she had Roderic Barrett as a tutor, 'whose invaluable advice about painting was like gold dust'. She graduated in 1984.She has exhibited work regularly in many galleries and shows across the UK including Lynn Painter-Stainers Prize, The Discerning Eye, Sunday Times Watercolour competitions and Royal Academy Summer Exhibitions. She has had paintings in shows in America and has work in a permanent collection in Qingdao Art Museum in China. She was made an associate member of the Royal Society of British Artists in 1986 and a full member in 1989, a member of the New English Art Club in 2005 and an associate member of the Royal Watercolour Society in 2013 and a full member in 2015. Bridget was made a member of the Small Paintings Group in 2020.Awards include the British Institution Fund, The Elizabeth Greenshields Foundation Award 1984, Edward Wesson ScholarshipCedar House Gallery Prize, Runner-up at Lynn Painter-Stainers Prize 2006, The D'Laszlo Medal at the RBA in 2010, RWS Patrons Prize. 'Having always kept a sketchbook that contain observations of things which catch the eye that spark an interest, can become the basis of a painting. Also drawing upon memory and imagination, my work is about evoking the essence of an atmosphere through the use of colour and shape and all the elements and stresses that go into making it.' Transplant Links Community is a UK registered non-religious and non-political charity that saves the lives of children and adults in the developing world who suffer from life-threatening end stage kidney disease. Offering teaching and advice, and carrying out living kidney transplants, sharing their knowledge with local medical teams in a variety of countries - so that sustainable transplant programmes become a possibility for the future. Please note that there is no buyers premium payable on this sale if bidding on Ewbank's Live, online fee of 6% inc VAT is payable bidding via the-saleroom.com. Added to the hammer price. Ewbank's are also waiving all vendor commission for the charity.

JOSEF LADA 1887 - 1957: WINTER 1941 Ink, watercolour, gouache on cardboard In frame 37,5 x 59 cm Signed: Upper right "Jos. Lada 41" Josef Lada established himself as undoubtedly one of the most important painters of the Czech countryside. Recognized as a typical figuralist in the 1940s, Lada also more often focused on village motifs with almost or no figural staff and sought the optimal position of expression between drawing and painting. Josef Lada sticks to his linear stylization and translates landscape motifs into simple characters, from which he composes a new pictorial reality. Lada's original painting, in which he fully applied his drawing experience, significantly enriched the expressive register of contemporary Czech landscape painting. The artistic conception of the presented work, characterized by particularly fine contours and a more pronounced application of the painter's handwriting, is characteristic of the period of the 1940s, when Lada's painting reached its peak phase. The arrangement of the composition, the drawing stylization, the method of coloring and the type of signature coincide with the documented originals from the given period. Thanks to his uniqueness of the manuscript, Josef Lada became one of the icons of Czech fine art, and the Czech winter in the countryside is often referred to as "Ladovská."The work comes from the restitution of the National Gallery and an expert assessment is written on itby PhDr. Pavla Pečinková, CSc.Published: Olič, J .: Lada, Slovart 2008, p. 499. Exhibited by: NG - Heritage of Folk Art in Czech and Slovak Painting, in the Karlovy Vary Art Gallery, inventory label of the National Gallery K33910.

MILADA MAREŠOVÁ 1901 - 1987: IN A PARK ON A BENCH Ca. 1930 Watercolour, paper In frame 12 x 14 cm Signed: Lower left "Marešová" After 1924, Milada Marešová began to devote herself fully to art and captures the atmosphere of the city in various forms, searching for the presence of people, the subway, parks, cafes and showing her somewhat melancholic vision of the world in her painting. She also paints various disadvantaged individuals, women and loners in the landscape of the big city. With remarkable credibility, he captures in that great swarm the loneliness of an individual who must live in reality but never ceases to dream.

NIEHAUS, SASKIA NIEHAUS, SASKIA 1968 Essen Titel: Ohne Titel. Datierung: 2007. Technik: Aquarell und Bleistift auf Velin. Maße: 30 x 21cm. Bezeichnung: Signiert und datiert verso unten rechts: Saskia Niehaus 2007. Rahmen/Sockel: Rahmen. Erläuterungen zum Katalog Saskia Niehaus Deutschland Figurative Malerei Zeitgenössische Kunst Unikate 2000er Tier Zeichnung Aquarell Figur / Figuren NIEHAUS, SASKIA NIEHAUS, SASKIA 1968 Essen Title: Untitled. Date: 2007. Technique: Watercolour and pencil on vellum. Measurement: 30 x 21cm. Notation: Signed and dated verso lower right: Saskia Niehaus 2007. Frame/Pedestal: Framed. Explanations to the Catalogue Saskia Niehaus Germany Figurative Painting Contemporary Art 2000s Animal Drawing Watercolour Figure / Figures

STEINER, HEINRICH STEINER, HEINRICH 1911 Kaiserslautern - 2009 Rom Titel: "Treppe zum Meer". Technik: Aquarell auf Hahnemühle (Wasserzeichen). Darstellungsmaß: 65cm Blattmaß: 47,5cm. Bezeichnung: Signiert. unten rechtsHSteiner. Betitelt versoRahmen: Rahmen. Lit.: Heinrich Steiner - Bilder eines Italiendeutschen, Stuttgart/Zürich 1993, S. 181, Abb.-Nr. 85. Erläuterungen zum Katalog Heinrich Steiner Deutschland Expressionismus Figurative Malerei Moderne Kunst Unikate Gebäude Papierarbeit Aquarell STEINER, HEINRICH STEINER, HEINRICH 1911 Kaiserslautern - 2009 Rome Title: "Treppe zum Meer". Techinque: Watercolour on Hahnemühle (watermark). Depiction Size: 65cm. Sheet Size: 47,5cm. Notation: Signed. lower rightHSteiner. Titled versoFrame: Framed. Lit.: Heinrich Steiner - Bilder eines Italiendeutschen, Stuttgart/Zurich 1993, p. 181, ill. no. 85. Explanations to the Catalogue Heinrich Steiner Germany Figurative Painting Modern Art Post War Buildings Works on paper Watercolour

STEINER, HEINRICH STEINER, HEINRICH 1911 Kaiserslautern - 2009 Rom Titel: "Gelbe Vase mit roten Blättern". Technik: Aquarell auf Büttenkarton. Maße: 47 x 65cm. Bezeichnung: Signiert unten rechts: H Steiner. Betitelt verso: Gelbe Vase mit roten Blättern. Rahmen/Sockel: Passepartout. Lit.: Galerie Koch (Hrsg.): Heinrich Steiner, Von Rom bis Lerici, Hannover 2006, S. 66, Abb. Nr. 34. Erläuterungen zum Katalog Heinrich Steiner Deutschland Expressionismus Figurative Malerei Moderne Kunst Unikate Stillleben Papierarbeit Aquarell Blumen STEINER, HEINRICH STEINER, HEINRICH 1911 Kaiserslautern - 2009 Rome Title: "Gelbe Vase mit roten Blättern". Technique: Watercolour on laid card. Measurement: 47 x 65cm. Notation: Signed lower right: H Steiner. Titled verso: Gelbe Vase mit roten Blättern. Frame/Pedestal: Mat. Lit.: Galerie Koch (ed.): Heinrich Steiner, Von Rom bis Lerici, Hannover 2006, p. 66, ill. no. 34. Explanations to the Catalogue Heinrich Steiner Germany Figurative Painting Modern Art Post War Still Life Works on paper Watercolour Flowers

DZAMA, MARCEL DZAMA, MARCEL 1974 Winnipeg Titel: Ohne Titel. Datierung: 2002. Technik: Aquarell und Tusche auf Velin. Maße: 35,5 x 28cm. Bezeichnung: Signiert unterhalb der Darstellung rechts: marcel DZAMA. Rahmen/Sockel: Rahmen. Prov.: Sammlung Prof. Dr. Thomas Olbricht, Essen. Erläuterungen zum Katalog Marcel Dzama Kanada Figurative Malerei Zeitgenössische Kunst Unikate 2000er Figur / Figuren Papierarbeit Mischtechnik Fantasiewesen DZAMA, MARCEL DZAMA, MARCEL 1974 Winnipeg Title: Untitled. Date: 2002. Technique: Watercolour and India ink on vellum. Measurement: 35,5 x 28cm. Notation: Signed below the depiction right: marcel DZAMA. Frame/Pedestal: Framed. Prov.: Collection Prof. Dr. Thomas Olbricht, Essen. Explanations to the Catalogue Marcel Dzama Canada Figurative Painting Contemporary Art 2000s Figure / Figures Works on paper Mixed media Fantasy Beings

DZAMA, MARCEL DZAMA, MARCEL 1974 Winnipeg Titel: Ohne Titel. Datierung: 2002. Technik: Aquarell und Tusche auf Velin. Maße: 35,5 x 28cm. Bezeichnung: Signiert unterhalb der Darstellung rechts: marcel DZAMA. Rahmen/Sockel: Rahmen. Prov.: Sammlung Prof. Dr. Thomas Olbricht, Essen. Erläuterungen zum Katalog Marcel Dzama Kanada Figurative Malerei Zeitgenössische Kunst Unikate 2000er Figur / Figuren Papierarbeit Mischtechnik Schlange DZAMA, MARCEL DZAMA, MARCEL 1974 Winnipeg Title: Untitled. Date: 2002. Technique: Watercolour and India ink on vellum. Measurement: 35,5 x 28cm. Notation: Signed below the depiction right: marcel DZAMA. Frame/Pedestal: Framed. Prov.: Collection Prof. Dr. Thomas Olbricht, Essen. Explanations to the Catalogue Marcel Dzama Canada Figurative Painting Contemporary Art 2000s Figure / Figures Works on paper Mixed media snake

STEINER, HEINRICH STEINER, HEINRICH 1911 Kaiserslautern - 2009 Rom Titel: "Blick in den verwilderten Garten". Technik: Aquarell auf Maschinenbütten. Maße: 47,5 x 64,5cm. Bezeichnung: Signiert unten rechts: HSteiner. Bezeichnet verso: 53/64. Darüber betitelt. Rahmen/Sockel: Rahmen. Ausst.: Galerie Koch, Hannover 2011, Kat. S. 16. Lit.: Heinrich Steiner - Bilder eines Italiendeutschen, Stuttgart/Zürich 1993, S. 175, Abb.-Nr. 82. Erläuterungen zum Katalog Heinrich Steiner Deutschland Expressionismus Figurative Malerei Moderne Kunst Unikate Garten Papierarbeit Aquarell Pflanzen STEINER, HEINRICH STEINER, HEINRICH 1911 Kaiserslautern - 2009 Rome Title: "Blick in den verwilderten Garten". Technique: Watercolour on wove paper. Measurement: 47,5 x 64,5cm. Notation: Signed lower right: HSteiner. Inscribed verso: 53/64. Above this titled. Frame/Pedestal: Framed. Exh.: Galerie Koch, Hannover 2011, cat. p. 16. Lit.: Heinrich Steiner - Bilder eines Italiendeutschen, Stuttgart/Zurich 1993, p. 175, ill. no. 82. Explanations to the Catalogue Heinrich Steiner Germany Figurative Painting Modern Art Post War Garden Works on paper Watercolour Plants

DZAMA, MARCEL DZAMA, MARCEL 1974 Winnipeg Titel: Ohne Titel. Datierung: 2002. Technik: Aquarell und Tusche auf Velin. Maße: 35,5 x 28cm. Bezeichnung: Signiert unterhalb der Darstellung rechts: marcel DZAMA. Rahmen/Sockel: Rahmen. Prov.: Sammlung Prof. Dr. Thomas Olbricht, Essen. Erläuterungen zum Katalog Marcel Dzama Kanada Figurative Malerei Zeitgenössische Kunst Unikate 2000er Figur / Figuren Papierarbeit Mischtechnik Fabelwesen DZAMA, MARCEL DZAMA, MARCEL 1974 Winnipeg Title: Untitled. Date: 2002. Technique: Watercolour and India ink on vellum. Measurement: 35,5 x 28cm. Notation: Signed below the depiction right: marcel DZAMA. Frame/Pedestal: Framed. Prov.: Collection Prof. Dr. Thomas Olbricht, Essen. Explanations to the Catalogue Marcel Dzama Canada Figurative Painting Contemporary Art 2000s Figure / Figures Works on paper Mixed media Mythical creature

DZAMA, MARCEL DZAMA, MARCEL 1974 Winnipeg Titel: Ohne Titel. Datierung: 2002. Technik: Aquarell und Tusche auf Velin. Maße: 29,5 x 23cm. Bezeichnung: Signiert unterhalb der Darstellung rechts: marcel DZAMA. Rahmen/Sockel: Rahmen. Prov.: Sammlung Prof. Dr. Thomas Olbricht, Essen. Erläuterungen zum Katalog Marcel Dzama Kanada Figurative Malerei Zeitgenössische Kunst Unikate 2000er Figur / Figuren Papierarbeit Mischtechnik Fantasiewesen DZAMA, MARCEL DZAMA, MARCEL 1974 Winnipeg Title: Untitled. Date: 2002. Technique: Watercolour and India ink on vellum. Measurement: 29,5 x 23cm. Notation: Signed below the depiction right: marcel DZAMA. Frame/Pedestal: Framed. Prov.: Collection Prof. Dr. Thomas Olbricht, Essen. Explanations to the Catalogue Marcel Dzama Canada Figurative Painting Contemporary Art 2000s Figure / Figures Works on paper Mixed media Fantasy Beings