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Edward Horace Thompson (1879-1949), watercolour, "Octobers Russet Gold" The Esk, Head of Eskdale, West Cumberland. 44 cm x 58 cm, framed, signed and dated 1931 (see illustration). CONDITION REPORT: The painting is in extremely good condition with no issues. The colours are extremely bright with no significant fading.
Edward Horace Thompson (1879-1949), watercolour, "Bassenthwaite Lake Looking South to Borrowdale from Church Bay". 23 cm x 44 cm, framed, signed. CONDITION REPORT: There is one small foxing mark to the right hand side between the two left hand long tree branches. There is also one very faint foxing mark above the far mountain range just above the third peak from the left of the silver birch. Other than this the painting is in very good condition with good strong colours.
Edward Horace Thompson (1879-1949), a watercolour "Sunset in the Vale of Newlands", 30 cm x 44 cm, framed, signed and dated 1921 (see illustration). CONDITION REPORT: The painting is generally in very good condition with no significant issues. There is no evidence of any foxing or significant fading. The brown marks at the top right hand side of the painting appear to be dead mites or something of that nature. If the picture was removed from the current frame for reframing these would probably brush off.
Thomas Leveritt Dawn String Watercolour on cotton paper 34 x 45cm (13¼ x 17½ in.) Similar works by this artist retail at: £750 Thomas Leveritt: Thomas Leveritt is an award-winning portrait painter, novelist and film-maker, whose diverse artistic output is united by his irreverent, intelligent and inventive voice. His ‘interference’ work grew organically from his oil painting practice, but it most closely resembles the progressive scan of his digital film work. In each artwork the tonal ingredients are placed in an exact proximity so that they mix visually in the journey from artwork to viewer, creating an illusion that hovers between the abstract and the figurative.
* JOHN NICHOLSON (SCOTTISH 1921 - 2004), THE EMPRESS OF BRITAIN OFFSHORE watercolour on paper, signed 26cm x 36cm Mounted, framed and under glass. Note: John Nicholson was only five when his love affair with ships began. John was fascinated by the workings of a paddle steamer on a day trip to the Isle of Man in 1925 and he was still enjoying sailing on the paddle steamer PS Waverley 78 years later. Drawing was also an interest from a very young age and family holidays on the Clyde in the 1930s provided the subject matter for many of his early paintings. John served in WWII and spent four years as a POW. In the early 1950s he began receiving commissions. Pen and ink drawings appeared in several shipping magazines and from 1984 until 1987, John was commissioned to paint all new vessels to the Cal/Mac fleet. His attention to detail in all his pictures often led to extended correspondence with those wanting a painting of a ship in a particular livery or location. His regular trips to the Isle of Man resulted in a commission from Captain Jack Ronan to paint three Steam Packet ships for him. In 1993 he was commissioned to do a set of paintings of The Isle of Man Steam Packet ships for postage stamps issued by the Isle of Man Post Office. John was a renowned marine artist and his works will remain as a permanent memorial to his abiding interest in all things to do with the sea and, for more than 25 years, he provided the PS Waverley with artwork for their postcards, posters, timetables and advertisements - and all completely free of charge. Early in 1990, the publishers Hart, Maclagan & Will were printing their first book in The Memories of the Clyde series, The Duchess of Fife. They were searching for a suitable front-cover illustration and contact was made with John Nicholson. In 1992 the second title, Steamers of the Clyde, featured all 24 illustrations painted by John Nicholson. In 1994, Liners of the Clyde was published. This book contained illustrations of 24 liners all painted by John with his own authoritative descriptions. He followed this with another work on the steamers of the Clyde and Western Isles with the words provided by himself, Robin Boyd and Iain Quinn.
WILLIAM MARSHALL BROWN RSA RSW (SCOTTISH 1863 - 1936), SHORE, PRESTONPANS (SCOTLAND) oil on canvas, signed 20.5cm x 30cm Framed. Labels verso: Doig, Wilson and Wheatley; together with title in the artist's hand and signature. Note: Prestonpans (East Lothian) is a small fishing town to the east of Edinburgh. William Marshall Brown was born on the 3rd January 1863 and was educated in Edinburgh. He studied art at the Royal Institute, Edinburgh and the Royal Scottish Academy Life School. He received the Chalmers Bursary and Stewart Prize in 1888 and was elected an Associate of the Royal Scottish Academy in 1909 and a full Member in 1928. He was also made a Member of the Royal Scottish Watercolour Society in 1929. He painted in Scotland, Holland and France and much like the Glasgow Boys he often worked in Cockburnspath and the surrounding area of East Lothian and Berwickshire. Marshall Brown's painting technique in both oil and watercolour was broad and lively. His subject matter was often windswept beaches with workers or sand dunes with children. His work was popular and remains so, with numerous examples of his paintings achieving auction prices above £10,000 in recent years. William Marshall Brown died on the 26th April 1936. Nineteen of Marshall Brown's paintings are held in Scottish and English public collections.
ALAN ENGLAND "Cotswold Way at Uley Bury", a landscape study with figure and dog in foreground, watercolour, framed and glazed, signed lower right, bears painting and artist information label verso, together with F WATSON "Fishing Boat in Harbour", watercolour, framed and glazed, signed lower right, together with two boxes of various paintings and prints to include four WILLIAM RUSSELL FLINT prints
Ï’A rosewood and brass bound cased composite set of drawing and painting instruments and equipment, the case inscribed for Stanley, London, the removable tray with an assortment of various drawing instruments including compasses and dividers, the second tray with various old watercolour paints, brushes, and knibs, the divided base with rulers, 7cm high, 20cm wide, 16cm deep Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
* JAMES MCNAUGHT RSW RGI (SCOTTISH b 1948), MAUSOLEUM OF HALICARNASSUS gouache on paper, signed and dated 1983; titled verso 31cm x 26cm Mounted, framed and under glass. Provenance: label verso The Portal Gallery, 16A Grafton Street, London. Note: James McNaught RSW RGI (b.1948) paints buildings and street scenes, mysterious figures and other narrative elements in fictional combinations. James McNaught was born in Glasgow, the only son of parents who worked as carpet designers at Templeton’s Carpet Factory on Glasgow Green. He studied Fine Art at Glasgow School of Art and at Hospitalfield between 1966 and 1970. He won the Royal Scottish Academy painting award in 1970. In 2010 he won the Sir William Gillies Award at the Royal Scottish Society of Painters in Watercolour. James paints in gouache and watercolour with a delicate touch and a faultless technique. His paintings have an obsessive quality, they are witty and enigmatic and depict a surreal, brooding, slightly threatening world. McNaught has had multiple solo exhibitions in London, Glasgow, Edinburgh, Amsterdam and Munich. His paintings are highly sought after and held in significant private collections worldwide.
John Haydn Jones (1923-1997), "Church Lane, Nantwich", signed and titled, dated 1987 on artist's label verso, watercolour and pencil, 29 x 20cm, 11.5 x 8in, together with another by the same artist, "Hospital Street, Nantwich", signed and titled, ink, 21.5 x 28cm, 8.5 x 11in and another painting by Walter J. Roberts F.R.S.A. (1907-1998), "Church Lane, Nantwich", titled and dated 1982 on verso, unframed, watercolour, 36.5 x 50cm, 14.25 x 19.75in (3). Condition reports are not available for Interiors Sale
Peter Macgregor Wilson R.S.W. 1856 - 1928 Scottish Well Known Watercolourist, Exhibited at the Royal Academy, Title - Springtime In The Scottish Lakes with Figures, Boats Watercolour. Signed Lower Left. Mounted and Framed Behind Glass. Painting Size Only 11 x 19.25 Inches - 27.5 x 48 cm. Condition Report - No Fading, No Foxing, No Repairs or Over painting, In Original State. Please Confirm with Photo.
* Robert G. Lloyd [b.1969]- Duchess of Richmond,:- signed and dated 1998 bottom left watercolour and bodycolour 32 x 46cm, together with a Norman Wilkinson maritime lithograph. [2] * Note. The Duchess of Richmond; built in 1928 by John Brown & Co., Ltd at Clydebank for Canadian Pacific Railways. This painting was commissioned by Anthony J Higgins [b.1925] who made his first two trips to sea serving as a boy on this ship in 1940-41.
A rare piece of believed 1970's Brooke Bond tea card unused artwork, appearing to be based on 'The History of the Motor Car' series of collectors cards. Airbrush, watercolour and mixed media painting. This piece depicting a 1972 Lotus John Player special, in black with No 1 decals. Framed and glazed to a total size of 32cm x 42cm. Provenance: From the offices of the last Managing Director of Vandervell's in Maidenhead before the company's closure in 1997. GKN bought the company following the death of its founder, Tony Vandervell, in 1965. Consigned from the family.
A rare piece of believed 1970's Brooke Bond tea card unused artwork, appearing to be based on 'The History of the Motor Car' series of collector cards. Airbrush, watercolour and mixed media painting. This piece depicting a 1967 Brabham, in green with No.4 Decals. Framed and glazed to a total size of 32cm x 42cm.Provenance: From the offices of the last Managing Director of Vandervell's in Maidenhead before the company's closure in 1997. GKN bought the company following the death of its founder, Tony Vandervell, in 1965. Consigned from the family.
A rare piece of believed 1970's Brook bond tea card unused artwork, appearing to be based on 'The History of the Motor Car' series of collectors cards. Airbrush, watercolour and mixed media painting. Depicting a 1950-60 Cooper in green with No 2 decals framed and glazed. 32cm x 42cmProvenance: From the offices of the last Managing Director of Vandervell's in Maidenhead before the company's closure in 1997. GKN bought the company following the death of its founder, Tony Vandervell, in 1965. Consigned from the family.
A watercolour, mixed media painting depicting 1962 BRM in green with No.14 decals, framed and glazed 32cm x 42cmProvenance: From the offices of the last Managing Director of Vandervell's in Maidenhead before the company's closure in 1997. GKN bought the company following the death of its founder, Tony Vandervell, in 1965. Consigned from the family.
A rare piece of believed 1970s Brooke Bond Tea Card unused artwork, appearing to be based on 'The History of the Motor Car' series of collector's cards. Airbrush, watercolour and mixed media painting. This piece depicting a 1958 Vanwall, in green, with No 4 decals. Framed and glazed to a total size of: 32cm x 42cm. Rare. Beautiful artwork. Provenance: from the offices of the last Managing Director of Vandervell's in Maidenhead before the company's closure in 1965. GKN bought the company following the death of its founder, Tony Vandervell, in 1965. Consigned from the family.
Watercolour by Colin Beats - Madron, Cornwall: Watercolour depicts the old cottage with figures. Measures 33cm x 49cm excluding mount & frame. Colin Beats was an artist with Royal Doulton, and although this is only indistinctly signed, the vendor has confirmed that Beats was a colleague that worked with her, and who gave her this painting.
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11510 item(s)/page